296 p. : ill., ports A hard cover book with a dust cover and a plastic clear cover over that. On the dust cover front and back there is a picture of a man and a woman ( early settlers) out in the bush.On the back cover the woman is holding a baby. The inside covers front and back show an old photo of a man leaning on a gate talking to a woman in the front garden of a house. non-fictionTraces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment. australia, pioneer, women, history, pastoral, goldfields.

Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch

A woman, an elderly woman and two children pose on the verandah of a Federation style home. On the back of the postcard is written: "21-12-15 To wish you and all. A Happy Christmas, and all good wishes for the new year from Mrs Green and M. Mills". This family is possibly related to the Rev Wm Green who was associated with St Margaret's Church Eltham at around this time. Evelyn Observer and Bourke East Record, Friday 6 March 1914, page 2 A very pleasant social gathering was held by the Glee Club in the Church of England schoolroom on the evening of last Thursday. An interesting programme of music, varied by a very amusing dialogue by Glee Club members; made an enjoyable evening. After the programme was finished, and before refreshments were served, Mr, Gilsenan, on behalf of the Glee Club and the visitors, expressed their good wishes to Rev. Wim. Green, Mrs. Green, and Miss Mills, who were leaving on the 3rd inst. for a visit to the old country. Mr. Green responded, reciprocating the good wishes expressed. The gathering broke up to the strains of "Auld Lang Syne." Evelyn Observer and Bourke East Record, Friday 11 December 1914, page 2 The Rev. Wm Green, Mrs. Green, and Miss Mills; who have been on a nine months' trip to Europe, returned to Melbourne by the "'Morea" on Monday and out to Eltham the same day. As the rev. gentleman only left England a few weeks since and the continent just before war broke out, he ought to have some reminiscences worth listening to; His return is welcome both to his church, and the community generally, the more so he being the only resident clergyman in the neighbourhood. Evelyn Observer and Bourke East Record , Friday 11 June 1915, page 3 The Rev. Wm. Green, who has been in charge of St. Margaret's Anglican church here for some eleven years, resigned to take charge of the Church of England " Messenger". and work in connection with the ? about Melbourne. He is to be succeeded in Eltham by the Rev, ? Sapsford, of North Brighton. Printed postcard with faded photograph on frontInscribed back: "21-12-15 To wish you and all. A Happy Christmas, and all good wishes for the new year from Mrs Green and M. Mills" Also inscribed in pencil - "V. Lay" (Vera Lay Greensborough)eltham, 1915, m. mills, mrs green, postcard, v. lay, houses

The magazine covers details of the 2006-07 bushfires in Victoria. On page 31 Region 24 list includes towns in the Kiewa Valley. The Kiewa Valley is under constant threat of bush fires during summer. Local fire brigades assist in the protection of residents.The Kiewa Valley was affected by the 2006-07 bushfires. Residents are encouraged to have a fire plan, to be knowledgeable about bush fires and to be ready to leave their homes when under threat. The local towns each have a fire brigade which includes volunteers. On page 18, 'The Yellow Line" - Photo of Kiewa Valley (Mt Beauty and Tawonga) Crews.Glossy coloured photograph of firemen on the front cover and raging fire on the back cover. 31 pages2006 - 2007 bushfires, kiewa valley fire crews

Sisters, Francis Ellen Hurst (who married William George Gray), of Hurstbridge, Mary Ellen Hurst (who married C. E. Rankin) with their mother Catherine Hurst (nee Heffernan) of Hurstbridge and Ada Alice Hurst (1880-1910). Ada married Claude Pizzey of Diamond Creek. It is thought that this photo was produced after Ada's death and has incorporated a separate image of Ada behind the piano. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, ada alice hurst, frances ellen hurst, mary ellen hurst, c. pizzey, c.e. rankin, catherine e. hurst, w.g. gray, family, sisters, post-death

Sepia photographNil

non-fictionMen & women of WW1 buried in the Brighton Cemeterybrighton general cemetery, brighton, cemetery, artists

Set of 24 slides numbers 25 to 48 from a set of 60Slides are numbered and have sticky labels with descriptions of the slides

non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life

Booknon-fictionInterviews with 12 significant women artists, predominantly working in North America. The interviews start include a brief biography and black and white photos of each artist,and images of their work.sonia delaunay, louise nevelson, lee krasner, alice neel, grace hartigan, marisol, lila katzen, elanor antin, audrey flack, nancy grossman, barbara hepworth, eva hesse

bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch

Book

Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women

Index, bibliography, ill, p.312.non-fictionIn 1914 the world changed forever. When World War One broke out and a generation of men went off to fight, bestselling author Kate Adie shows how women emerged from the shadows of their domestic lives. Now a visible force in public life, they began to take up essential roles - from transport to policing, munitions to sport, entertainment, even politics. They had finally become citizens, a recognised part of the war machine, acquiring their own rights and often an independent income. Former BBC Chief News Correspondent Kate Adie charts the seismic move towards equal rights with men that began a century ago and asks what these women achieved for future generations. This is history at its best - a vivid, compelling account of the pioneering women who helped win the war as well as a revealing assessment of their legacy for women's lives today. world war one - women - great britain, female emancipation - great britain

Index, ill, p.116.A collection of the service and non service histories of the men and women from Monbulk and District who served in World War I. 1914-1918.world war 1914-1918 - australia - sources, world war 1914-1918 - pictorial works

Index, ill, p.386.non-fictionThis book records the achievements of our women for all time. It tells of bravery, self-sacrifice, endurance and devotion. When Patsy Adam-Smith wrote Australian Women at War in 1984, her aim was to tap into the memories of all the ‘brave, modest, forgotten women’ while they were still alive, in order to honour them. Now, for the first time, this iconic volume is republished for an entirely new generation of readers. This magnificent work is a history of how Australian women have responded to war – from 1900, when the first nurses sailed to the Boer War, to 1945 and its aftermath. Recording the achievements of our women for all time, it tells of their bravery, self-sacrifice, endurance and devotion. Australian Women at War is a tribute to Australian women. women - australia - social conditions, war - female participation

Index, ill, map, p.354.non-fictionBefore Bletchley Park could break the German war machine's code, its daily military communications had to be monitored and recorded by 'the Listening Service', the wartime department whose bases moved with every theatre of war (Cairo, Malta, Gibraltar, Iraq, Cyprus) as well as having listening stations along the eastern coast of Britain to intercept radio traffic in the European theatre. This is the story of the - usually very young - men and women sent out to farflung outposts to listen in for Bletchley Park, an oral history of exotic locations and ordinary lives turned upside down by a sudden remote posting - the heady nightlife in Cairo, filing cabinets full of snakes in North Africa, and flights out to Delhi by luxurious flying boat.world war 1939-1945 - great britain - intelligence, world war 1939-1945 - cryptography

The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timevietnam war, 1961-1975 - personal narratives, american

The war billed on the marquee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time.vietnam war, 1961-1975 - personal narratives, american

This oral history recounts the experiences of a minority tucked away within another minority - American women who went to Vietnam in the military or as volunteers or entertainers. 1961-1975 - women - interviews, vietnamese conflict, 1961-1975 - personal narratives - american, vietnam entertainers, american women

booklet

Councils for Gender Equity 50:50 Vision bronze award. Awarded to the City of Whittlesea for ongoing committment to gender equity in local governmentCouncils for Gender Equity 50:50 Vision bronze award. Awarded to the City of Whittlesea for ongoing committment to gender equity in local governmentawards

the were the unsung heroines of the Vietnam War. Over a quarter of a million in numbers, they gave themselves to the most vital and emotionally compelling of wartimes duties.vietnam war, 1961-1975 - poetry, women soldiers - poetry

Mounted watercolour and pencil on paper.Signed and dated (LR): "Lowit15/VI 43"second world war, 1939-1945, jewish history & people, holocaust, czech republic