B+W photograph on front mount studio portrait (B+W) of lady seated on upholstered chair (carved wood), man standing behind occasional table. Man is dressed formally (Bow tie and stiff shirt); whiskered- beard & moustache. Inscription: Front: the crown studios Sydney - printed on board. Back: (P.T.O).Back: Handwritten: 'Mr & Mrs Wittmann in later years when/they had gone to live in Sydney. RHSV stamp (Royal Historical Society of Victoria/Bendigo Branch), '1128', Printed by Studio: 'George & Market Streets/Sydney', 'The Crown Bromide Enlargement Coy 'Trade Mark'','The/Crown/Studios','Mark Blow/General/Manager', 'Portrait enlarged/on Bromide,Platinotype/Carbon Opal, and Finished/ in crayon, indian in, partel/water colour or oils',' Telephone No 477','Cable Address 'Bromide'/Sydney',' Copies of this Photograph No__ maybe had at any time'.The Crown Studios, Sydney, George & Market Streetperson, family, wittmann portriat

Black and white photograph. Image descritption: Foreground - piles of tin sheets? Wood stack, corrigated iron buildings, poppet head and chimney in background. Loose photograph. Inscription: Neanger Mine Eaglehawk, hand written on back.place, mining site, neanger mine

Sepia photograph, head & shoulders, of Thomas Pearce in wood frame with painted gold inner edge. On a label underneath photo : The late Thomas Pearce who designed and hand forged Main Entrance Gates at 'Fortuna'. On a label attached to back of photograph: Presented to Commanding Oficer, Army Survey Regiment Lt-Col R. Van den Tol, by the Grand children of the late Thomas Pearce on the occasion of unveiling of Plaque to his memory. 9th September 1990

A cream programme with green and black print on the cover and the words, ' Tongan Methodist College Boys' Choir Concert Programme. Conductor : Rev. A.H. Wood, M.A., B.D. Principal of the College. Price sixpence.' It also includes a photo of the young men in their traditional clothing. Inside the programme is some information on Tonga and the Choir including photos. On the back of the programme is a list of the 'Personnel of the choir.' C. 1933.program, music, singing, lydia chancellor, collection, music, entertainment, performing arts, singing, programme, program, event, tonga

Black & White photograph D Wood , near Town Hall South Melbourne printed on front of studio portrait. Seaside back drop behind seated young woman. Umbrella, Button up boots, handbag, numerous bangles, peaked hat with tassels, kid gloves, apparel. Lace collar combined with outdoors style period dress.D Wood, near South Melbourne .photograph, person, female

Large cream, black and red certificate awarded to Mary Foster for Pianoforte Playing from the London College of Music Great Marlborough St. W. At the top is the London College of Music Coat of Arms. It was founded in 1887. Listed at the top are the Patrons, Board of Examination, Examiners and Examiners (Colonial and Foreign Centres). Certificate dated 26th May 1909. Ernest Wood, Examiner and T. Weekes Holmes, Secretary. Decorative artwork consisting of leaves, scrolls, angels and flowers around the edge. A red College seal is in the lower right corner. A black border around the edges. Certificate printed by McCorquodale & Co. Ld. London. On the back is a label: From D. C. Coope & Son, Picture Frame Manufacturers. The Fine Art Gallery. Mitchell Street, Bendigo. Established 1871.document, certificate, music, foster & wilson collection, piano certificate, london college of music, mary foster, ernest wood, t weekes holmes

4 calendars. (a) 1903 tiled Vine Leaves'. It is a foldable calendar. It is in four sections with a blue strip down each side. Each section has 3 months and a verse printed on it. There is vine leaves and grapes. Each month is printed on a large leaf. (b) 1941 calendae with 'A Calendar of Happy Days' printed in gold on the front of the little calendar booklet. It is a mottled grey colour with a light greenish ribbon at the top. It has a coloured picture of the Crucifiction glued inside a gold line border. (c) 1950 calendar. Coloured garden scene with trees and colourful flowers, pathways and steps. An archway at the back. Picture glued to a heavy piece of card with a pale blue calendar booklet glued to the bottom with a piece of pale blue heavy paper. 'May each Day be a Happy One' printed in gold on the front of the booklet. (d) Pale blue1937 calendar booklet with 'Calendar' printed on the front in dark blue. The back is a piece of wood (3 ply) with hand painted blue & yellow flowers painted on it. A piece of pink cord is threaded in a hole at the top for hanging.ornaments, residential, malone collection, assorted calendars

Three empty envelopes. Addressed to Messrs Connelly & Tatchell, Solicitors, Williamson Str, Sandhurst, postmarked Se 10 89 with a blue Victoria Six Pence Stamp Duty stamp, letter registered S550, from Mrs. A Britten, Charlton. Mr. F. Rockes, Miner Jobs Gully, Eglehawk, postmarked De 18 & 21 88, no stamp; Mr. John Lynch, Hart Wood, Twelve Mile Reef, New South Wales, postmarked Au 4 90 with two beinge Victoria One Penny Stamp Duty stamps. Envelope in two pieces, unclaimed letter. Many posmarks on the back from Post Offices where they had been searching for him.business, legal, connelly & tatchell, connelly & tatchell collection - document, connelly & tatchell, mrs a britten, john lynch, f rockes

a/ Christmas Notices, Methodist Church. Church Notices, Sunday 15th., 1963 Third Sunday In Advent. Golden Square, Specimen Hill, Lockwood and Kangaroo Flat services listed. Department of Child Care. Remembrance Bowl. Wesley Hall, Forest St., Rev. Dr. A H Wood will speak on the proposed basis of Union between the Congregational, Methodist and Presbyterian Churches. You are cordially invited to attend. Back Cover: Dear Friends, This opportunity is taken t convey Christmas Greetings to all Members and Adherents throughout the Circuit. We hope that those of you who are here and are able to personally collect you notice-sheet will see to it that you take several to pass on to the folk whom you know are absent. Christmas is a time when in our own joy we try to share with others the wonders and . . . Bert and Dorothy Gamble. b/ Flyer - Golden Square Methodist Church evening worship - 7pm. 15.12.1963 (agenda of service) followed by candlelight (agenda). Benediction.B.B.S. Litho U.S.A.church, diocese of bendigo, christmas service, a/ christmas notices, methodist church. sunday 15th, 1963 third sunday in advent. golden square, specimen hill, lockwood and kangaroo flat services listed. department of child care. remembrance bowl. wesley hall, forest st., rev. dr. a h wood will speak on the proposed basis of union between the congregational, methodist and presbyterian churches. dear friends, this opportunity is taken to convey christmas greetings to all members and . . . bert and dorothy gamble. b/ flyer - golden square methodist church evening worship - 7pm. 15.12.1963 (agenda of service) followed by candlelight (agenda). benediction.

Back: B ROGERS, S J PORTER, L McMAHON, J ROGERS (Vice-Captain), R AGAR Front: I BADGER, T WIGNALL (Captain Coach). T ALBREGHT, R CHAPPLE, R ELLIOTT Bat boy: S WOODColour team photo of Port Melbourne Baseball Club - 1st Nine Premiers 1961. Background to team on Lagoon reserve shows the Knox Schlapps building and gasometersport - baseball, utilities - gas, built environment - industrial, built environment - commercial, parks and gardens, port melbourne baseball club, b rogers, s j porter, l mcmahon, j rogers, r agar, m bradshaw, i badger, t wignall, t albreght, r chapple, s wood, gasometer, knox schlapp pty ltd, lagoon reserve, r elliott

Colour photo in light wood frame and light brown matt.Depicted in picture is a soldier squatting down in front of a red and dark blue painted rock, half rock red - other blue In centre of the rock is a shield in light blue with a leopard, palm tree and boomarang. 105 Fd Bty is written on top of the rock In the background there is timber building and jeep.105 FD BTY.Vietnam 65-66 Vietnam 69 -70. UBIQUE My Vietnam Collection /The Biggest Rock in Vietnam - Nui Dat 1969.Copy right. Colin Howard ,back Gift Horse Gallery - orignal works by local and interstate artists and craft's people. 105 Field Battery.photograph, nui dat, 105 field battery

Donated by Ed Whiting, who borrowed Ron's bike and later met him at the pier. He notes that Ron returned past this location 10 years later as a repatriated Japanese prisoner of war. Ed served in the RAAF. Jim played for the Borough in 1950Photo of Ron Robertson of Nott St, Ed Whiting of Dow St and Jim Wood (just discernible at Ed's back) on Princes Pier 1935 (Cup Day weekend, traditional visit of the Navy)Stamp on back "Ëdwin Whiting" and addresspiers and wharves - princes pier, ron robertson, edwin whiting, jim wood

Second back row : Roy Kent extreme left. James Crichton third from right Third back row; unknown; unknown; Ted Freyer; unknown; Charlie Riches; Joe Garbutt; 4 unknowns Fourth back row unknown; Edward Lee; Norm Goss snr; unknown; Tom Lahiff; unknown; unknown; Ray Julier Front Row: Lance Dobson; F Russo : two unknown1938 Port Melbourne Football Club team Laserprint copied from photo loaned by Merv McKENZIE for Back to Port 2001 (sPort Stuff): The following additional information (players only) was provided by Terry Keenan in February 2022: BACK ROW : E. Freyer, W. Eastmuir, C. Riches, J.Garbutt, Not known, Not known, Not known, L. Woods CENTRE ROW : Not known, E. Lee, N. Goss, Not known, T. Lahiff, Not known, Not known, R. Julier FRONT ROW : L. Dobson, F. Russo, Not known, Not known sport - australian rules football, port melbourne football club, pmfc, ted freyer, w eastmuir, c riches, joe garbutt, l woods, e lee, norm goss snr, tommy lahiff, r julier, l dobson, f russo

Colour photo of group in front of old Life Saving Club (originally Port Melbourne Yacht Club) c1990, including Reg 'Ox' Earle at rightDetails in ballpoint ink on backsport - swimming, societies clubs unions and other organisations, ian murphy, orb smith, colin ward, reg 'ox' earle, colin quigley, port melbourne life saving club, leo 'doc' wood

Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division.Steel. Designed with bow in middle of blade. Small offset. Original ends in good conditions. No handles.churchill island, crosscut, saw, tool

Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division.one end original minus handle. Other end has replaced handle. Steelchurchill island, crosscut, saw, tool, machinery

Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, increasing efficiency.double ended steel saw with "M" patterned teeth. Handles missing. All rivets in placechurchill island, crosscut, saw, tools, machinery

Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division.single handed cross-cut saw. Peg grip missing?circular brass manufacturer's plate: SPEAR & JACKSON Sheffield. Crown symbol.churchill island, crosscut, saw, tool, machinery

Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division. Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” steel blade, wooden handle and peg grip. Single person sawcrosscut, saw, churchill island, tool

Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division. Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Two handled cross cut saw. One manufactured handle and one bush replacement wedged with three inch nail. 6 broken teeth. Rivets for handle broken off at home-made end. M shaped tooth profile.churchill island, crosscut, saw, tool

A thin strip of wood for resting tie on while it is clamped between 2 laminated pieces of timber with metal clamps. 9012.1 Press is missing long strip of timber for resting tie on. 9012.2 Top of press is printed with a coloured patternTy LIfes KEEPS YOUR TIE IN SHAPE. PATENTED AUST. NO. 5309/ On back plaque reads Beaucaire MADE IN ENGLAND The Best Men's Wear

Stained wood frame (round/circular), paint/print is chipping from the face. Metal casing on back for clockwork.[verso] MADE IN GERMANY/ [recto] I, II, III, V, VI, VII, VIII, IX, X, XI, XIIclock, timepiece, measurement, coal creek, korumburra

Bid or Buy website https://www.bidorbuy.co.za/item/338985636/Antique_wooden_glass_photo_print_frame_Jaynay_non_slipping_patent_frame_as_per_photo.html Antique wooden glass photo print frame - Jaynay non-slipping patent frame - as per photo Another item described as 'vintage wooden photos print frame for glass negatives - as per photo Six vintage wooden photo print frames for glass negatives, three small, 2 average and one larger. System of wedges and sprung brackets to hold glass, velvet / felt covered wooden backs into frames. Some possibly made from recycled wood.One stamped on back ' THE JAYNAY NON-SLIPPING PATENT FRAME'. Another with 'PRIMUS BRITISH MADE' on back. Another with written in pencil on front of frame 'NONA TURTON' .photographic equipment, negative frame

From the collection of Terry KEENAN. Back row from left - Harold BROWN, Norm ?, Denis MADIGAN, Theo KURLE, Bill ANDERSON, Doc WOOD (Coach), ? , Brian RALPH, Frank BROOKS, Arthur RALPH, Frank TYRELL. Centre row from left - Brain MCBROOM, NIck ? , ? , Keith CLAYTON, Frank LOVELL, Keith BROWNIE, Peter BRIGGS, Perce WHITE, George WILLOUGHEY, - BROWNE. Front row from left - Bill GATES, Jim MAHONEY, Ralph MEDINA, Alby FRANCIS, Bill HARVEY, Terry KEENAN, Keith HARVEY, - BROWNIE. Black and white photograph of Graham United Football Club, 1948 team. Handwritten note attached to back with names of players & officials - incomplete.sport - australian rules football, graham united football club, harold brown, norm -, denis madigan, theo kurle, bill anderson, doc wood, brian ralph, frank brookes, arthur ralph, frank tyrell, brian mcbroom, keith clayton, frank lovell, keith brownie, peter briggs, perce white, george willoughey, - brownie, bill gates, jim mahoney, ralph medina, alby francis, bill harvey, terry keenan, keith harvey, nick ?