Woollen jumper / pullover / jersey made for the Ballarat Tramway Preservation Society, mid 1980's featuring No. 26 and the words "Ballarat Vintage Tramway" embroidered onto the jumper. Both jumpers have full length sleeves. Two colours - red - size 16, just with label. Green - size 18 with a washing instructions label and a manufacturing label, "Unlimited Motifs", To fit Size 100 Chest 100cm / Pure New Wool (with the logo) and Made in Australia". Note: Green one taken by Dave O'Neil, pending return of an older green one at time of cataloguing. (This has not occurred at 9/11/15) Second green jumper - from Peter Winspur 6/2/2015 added 9/11/2015 - numbered 4573.2trams, tramways, btps, jumper, ballarat vintage tramway, 26

The cardigans were knitted by Gavan Deppeler's Grandmother for her husband in the 1930's. They were a farming family.Two hand knitted striped cardigans (2441.1, 2441.2). 1930's. One is dark green and grey stripes, The other is pale blue and grey stripes. Each is a slightly different pattern of narrow stripes with V- neckline and grey buttons down front. They have been well worn with some wear and holes.farming history, cardigans, hand made

Card with 7 small black buttons plus hat pin with black wooden handle.costume accessories, hat accessories, hat pin

Card with 8 black silk covered coat buttons.costume accessories, haberdashery, buttons

Object, Bert Graham Collection, Bendigo East Amateur Swimming Club Official arm band, Black material with white lettering on it, 30 inches X 2 inches.bendigo, clubs, victorian amateur swimming assoc..

Object, Bert Graham Collection, Bendigo East Swimming Club, white patch with black wording and a person in swimming attire, 1950-51.(a). Black patch with white wording, (b).bendigo, clubs, bendigo east swimming club

Item 19. Cream silk scarf. Material sewn double. One end has an embroidered airman's wings in cream and light blue, In the centre of the wings is a red, white and blue bull's eye and over the bull's eye is a brown kangaroo. Below the bull's eye is a pale yellow boomerang shaped area with 'Fighter 81 Wing' embroidered in it. Underneath it all is embroidered 'Hofu - Japan 1946'. At the other end are some embroidered flowers and leaves. The leaves are pale grey and cream and the flowers are three shades of pink. One pink flower has a cream edge and one flower is cream. The flowers have red centres.bendigo, clubs, bendigo heritage, german heritage society collection - silk scarf, fighter 81 wing, hofu japan

Item 15. Black Gentleman's Smoking Cap with stitched green leaves and blue flowers around the top and sides. The top of the crown has a pale blue crocheted dome 3.7cm wide and 18mm high. From under the dome is a plaited crochet thread which ends in a long tassel. The inside is pale blue quilted stitching in a leaf pattern.bendigo, clubs, bendigo heritage, german heritage society collection - cap - gentleman's smoking cap

This type of diving suit was used for construction diving by the Melbourne Port Emergency Service.Early type of diving suit used in underwater construction since the 1940s before rubber wet or dry suits.Siebe Gorman standard dress full body diving suit with head cap and gogglesdiving suit, diving, underwater construction, mpes

The Yokohama Diving Company was established in the early 20th century. Their helmets were initially inspired by the english Siebe Gorman helmets which they manufactured in a smaller size. This also resulted in a smaller volume helmet allowing the divers to use less lead weights when diving. In the early nineteen sixties Yokohama became involved in manufacturing their own helmets but in a different design after american diving equipment manufacturer Robert Kirby had rebuilt several Yokohama helmets into a more practical / modern design. Yokohama is no longer in business.A 1950s era heavy duty diving suit used in pearling and salvage work.A Japanese manufactured diving suit used in pearling and salvage work in the 1950s.Yokohama Diving Appratus Co Ltd. No.760. Made in Japan.diving suit, commercial diving, pearling, salvage

She was nearing the end of her voyage, close inshore off Cape Otway at Curdies Inlet (now called Schomberg Reef), east of Peterborough and 150 miles westward of Melbourne. When the wind suddenly dropped the ship drifted onto an uncharted reef and became stuck fast. There was no loss of life ans all the passengers, crew and mails were taken off by a passing coastal steamer, the Queen, out of Port Fairy the following morning. The passengers' luggage and some of the cargo was rescued, but the weather worsened and work was abandoned and cargo littered the beach. The wreck was sold for salvage to local merchants: two were drowned in attempts to reach her. It became a popular wreck site for diving and over 100 relics have been handed in. The bell of the ship is in the Warrnambool Museum, southern Victoria. Relics at Flagstaff Hill Maritime Museum include a cannon, a communion set, a brass candlestick, and a diamond ring.A diamond shaped brass belt decorationschomberg, salvage, peterborough

Pair of black silk stockings identified as "La Danseuse" in gold lettering on top band. Faint 6 or 8 as size on inner of top band. Gold lettering on foot "Milanese Silk" Made in England. la danseuse, milanese silk, made in england, silk stockings

Lined black wool waistcoat with four buttons and one lined pocket on either side. The front collar extends to a lapel running down to the buttons. The back has a cotton belt with buckle for adjustable sizing. There is no maker's identification.waistcoat, men's clothing, formal wear

Lined wool jacket manufactured by "Apex (Reg.) Tailored Dress Wear Specialists, The Myer Store for Men Melbourne & Adelaide" There are wide grosgain lapels and jacket is closed with a single button. An extra button inside allows for extension if needed. Three buttons line each cuff. There ae two deep pockets either side of the jacket and one smaller top pocket on the RHS. The shoulders are padded.men's clothing, formal wear, jacket

Woollen fabric, satin cotton lined waistband trousers with belt/buckle adjustments at either side. There are two buttons either side of centre waistband seam at back, four buttons evenly spaced along front waistband and two small buttons for waistband closure at front. The fly opening at front has 5 buttons. There are two deep cotton side pockets. Writing on lining of RHS pocket reads "Myer 3/40?. There is a back LHS pocket. The trouser lengths appear to have been altered.men's clothing, formal wear, trousers

In about 1888 William George Ashman (1871-11/2/1944) began a tailoring business in High Street, Eaglehawk. In 1890 he admitted his brother Arthur Thomas Ashman to the business and they traded as Ashman Brothers. In 1936 the company of Ashman and sons was registered at 265 Hargreaves Street. They specialised in made to measure, hand tailored suits. William married Clara Hunkin (1871-25/11/1944) in 1894. Their sons, John, Eric, Basil and Charles followed into the family business.Woolen fabric trousers, part of Dress Suit. A decorative strip runs down each leg. The waistband can be adjusted on either side by belt/buckle attachments. Trousers fasten with two buttons and there are four buttons at the fly opening at front. There are two deep lined pockets either side and one top pocket at rear on LHS. There is a maker's label stitched to the lining of the Rear pocket which reads "Ashmans, Hargreaves Street, Bendigo 'The Home of Better Suits'". A name written in ink below the maker's label is 'Mr M. Suurpaa, 28-3-1961 7252." Leather strips have been sewn inside edge of each leg cuff for garment protection.men's clothing, formal wear, trousers

Welmar was formerly Welch Margetson Co. Pty. Ltd, men's outfitters and converted to a public company in 1945. There main factory was in Melbourne with a second site opening in Bendigo. In 1949 the Chairman was Mr A Mee.Cotton dress shirt. Brand "Mens Wear by Welmar". Size is undetermined. Laundry mark on collar appears to read "Bigg". Starched waffle pattern bib panels and large cuffs with allowance made for cuff links. Front opening with button holes. Buttons missing.Collar laundry mark. "Biggs"formal wear, dress shirt, welmar

Metal circular belt buckle in the shape of a horse shoe. 3 square indentations on the right hand side and 4 square indentation on the left hand side. Hole in the centre at the top of the horse shoe and triangle at the base. Small 2cm tubular piece on underside of the traingle. belt buckle, horseshoe

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This scarf is part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir in 2017Very long, doubled chiffon evening scarf with a silk tassle at one end and multicoloured hand embroidered flowers at the other. The scarf was owned by Edith Mary Weir.edith mary (betteridge) weir, 84 princess street -kew, australian fashion, scarfs

Pair of knee-high tweed woollen gaiters with attached leather straps and metal buckles to tie around each footcostume accessories - gaiters

This Item is part of an outfit owned, worn and donated by Annie McIntyre. Worn in 1986 it was part of a major collection designed by Vivienne Westwood. The V&A includes information about the minicrini collection that Westwood launched in Spring/Summer 1985 which "...marked what Westwood described as a "cardinal change" – a shift towards tailoring and "things that fitted" – and a more deliberate focus on reworking ideas taken from historical dress. The stand-out garment of Mini-Crini was Westwood's short, bell-shaped skirt – another cheekily sexual garment that combined the outline of a child's party frock with an abbreviated version of the Victorian crinoline."The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Navy blue woollen twin set designed by Vivienne Westwood. The twin set was worn with a wool minicrini by the same designer.A note written by Dione McIntyre accompanying the item describes its relevance and use: "Vivienne Westwood 3-piece ensemble purchased in London in the 1980s - consisting of navy 'twin set' and balloon skirt - worn with long white socks and dark flat shoes. Donated by Annie McIntyre."mcintyre collection, womens clothing, international fashion - london - 1980s, annie mcintyre, vivienne westwood, minicrini

This Item is part of an outfit owned, worn and donated by Annie McIntyre. Worn in 1986 it was part of a major collection designed by Vivienne Westwood. The V&A includes information about the minicrini collection that Westwood launched in Spring/Summer 1985 which "...marked what Westwood described as a "cardinal change" – a shift towards tailoring and "things that fitted" – and a more deliberate focus on reworking ideas taken from historical dress. The stand-out garment of Mini-Crini was Westwood's short, bell-shaped skirt – another cheekily sexual garment that combined the outline of a child's party frock with an abbreviated version of the Victorian crinoline."The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Blue woollen 'minicrini' by the British designer Vivienne Westwood.A note written by Dione McIntyre accompanying the item describes its relevance and use: "Vivienne Westwood 3-piece ensemble purchased in London in the 1980s - consisting of navy 'twin set' and balloon skirt - worn with long white socks and dark flat shoes. Donated by Annie McIntyre."mcintyre collection, womens clothing, international fashion - 1980s, vivienne westwood, annie mcintyre

The embroidered scarf was donated to the Kew Historical Society by Janet Gibson.The shawl is an outstanding example of North Indian weaving and needlework. North Indian scarf [or girdle], probably made in Delhi, hand-loomed of fine wool and heavily embroidered by needle at the ends and sides with multicoloured silk thread surrounding the central rectangular black field. The highly detailed embroidery includes stylised images of foliage and flowers. There is old damage to parts of the textile. women's clothing, shawls, indian embroidery, scarfs

Imitation Kashmiri shawls were produced in large numbers in Europe in the second half of the 19th and also in the 20th centuries. The first mechanised production of such shawls was made possible by the invention of the Jacquard loom in France in the 1820s. Machine woven paisley shawl, based on traditional hand-woven Kashmiri designs. paisley shawl, shawls

The tee-shirt was given to Glenn Littlechild after his birth at St George's Hospital in Cotham Road, Kew on 22 July 1988. His parents were Sue and Les Littlechild. 1988 was the year of the Australian Bi-Centennial and the item may have been produced for babies born in that year.White cotton tee-shirt with a slogan and picture printed centre front, produced by St George's Hospital."I'M A ST GEORGES BABY'st george's hospital - kew, tee-shirts, hospitals -- kew (vic.)

Elizabeth Wilson met James Henry Courtney at the annual Lord Mayor's Ball on 28 August 1890. In 1892, Capt James Courtney moved to 'Courtland' an architect-designed house at 31 Jenkin Street, Northcote. James married Elizabeth at Nth Fitzroy. Several years later they moved to 108 McKean Street, Nth Fitzrory. Capt and Mrs Courtney were guests at the official opening of the Australian Parliament on 9 May 1901, the reception at the Exhibition Building that evening, and the Royal Review at Flemington the following day. Finally they moved to 'Lumeah', a brick villa at 11 Belmont Avenue, Kew.Black silk floor length skirt with black lining and internal tapes. The skirt is distinguished by a gathered hem giving the impression of ruffles. With the donation, there is also an accompanying group of copied photographs of the Courtney family, including one which shows Elizabeth Courtney, the owner of the skirt. The skirt was donated by Frances Courtney, a descendant by marriage of the original owner. women's clothing - 1890s, australian fashion - 1890s, skirts - 1890s, elizabeth courtney (nee wilson), 11 belmont avenue (kew), capt james henry courtney, elizabeth jane courtney (nee wilson), lumeah - 11 belmont avenue - kew (vic)

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection

Lily and William Wishart lived during this period in 'Noranook', Fernhurst grove, Kew. There are numerous contemporary accounts of the social and civic activities of Lily Wishart as mayoress of Kew. In a description of a 'Mayoral At Home' in the Kew Recreation Hall, a report in The Australasian (10 Aug 1907, p.46) described the event thus: MAYORAL AT HOME In the Kew Recreation-hall on Thursday evening the Mayor and Mrs. W. Wishart gave an at home to between two and three hundred guests. ... Prior to the musical programme, the mayor and mayoress held a reception, standing on a dais at one side of the room. Mrs. Wishart was gowned in black glace silk, trimmed with handsome lace applique, and she wore a cream Maltese lace scarf over her shoulders, and held a bouquet of cardinal carnations.' This may be the dress in the collection. Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'The dress is locally significant as the work of a skilled home-dressmaker in Kew, who was also a leading civic figure in the municipality. One tends to think of amateur dressmakers as women who could not afford to purchase clothes from a retailer. Clearly, 'women's work' and the skills that educated and wealthy women acquired in the period allowed them to fashion their own garments.Full length evening dress in four parts. Undergarments include two items: a basic black silk petticoat and an upper black silk slip, the latter with two bands of ruffles. The lace dress is in two parts: a bodice and a skirt. The black, high-necked bodice is constructed of silk organza to which guipure lace has been extensively applied. The bodice has long puffed sleeves, gathered on the forearm to form a wide band of lace and ribbon at the wrist. The skirt is constructed of the same black fabric with descending bands of gathered black silk ribbon, used as ornamentation. The skirt also features a long train. Apart from the donor information about its provenance, the style of the dress can confidently be dated to the period 1900-1910. The dress was made and worn to civic functions by Mrs Lily Wishart, Mayoress of Kew in 1906-7. Earlier items belonging to William and Lily Wishart entered the collection as early as 2002. The dress was donated by a descendant of a friend of Lily Wishart in 2020. The photograph of the dress and its components attached to the record needed to be digitally enhanced so that details of the dress could be viewed online, as the fabric of the dress is an intense black. A physical assessment of the dress is included in the condition report.fashion & design collection - kew historical society, australian fashion - 1900s, evening dresses, lily clara wishart, fashion design, fashion -- 1900s