A black and white studio portrait of the members of "C" Company, No 7 Training Battalion. The photograph is under glass in a wooden frame with a green cardboard mounting.A. Perlestein, F.G. Bartholomew (bow), L.A. Payne (2), A. McLaurin (3), H.H. Macknight (S), W.J. Taylor / T. McManamny, C. Donald (COACH), Capt E.V. Nixon, C. Short, A. McGill / J. Bruce, F.C. Wilson (COX) / Presented to Mr C. Donald / As a small mark of appreciation & as a memento of Sept 18, 1915

Original Jacob Pitman architectural plan of the Dennys Lascelles bluestone woolstore dated 1 March 1871 mounted in a wood frame under glass. Titled "Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Basement Plan No. 2."Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Basement Plan No. 2wool stores, pitman, mr jacob, dennys lascelles wool store

Original Jacob Pitman architectural plan of the Dennys Lascelles bluestone woolstore dated 1 March 1871. Titled "Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Foundation Plan No. 1".Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Foundation Plan No. 1wool stores, pitman, mr jacob, dennys lascelles wool store

Original Jacob Pitman architectural plan of the Dennys Lascelles bluestone woolstore dated 1 March 1871 mounted in a wood frame under glass. Titled "Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Ground Floor No. 3".Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Ground Floor No. 3wool stores, pitman, mr jacob, dennys lascelles wool store

This book was produced by Patons and Baldwins and contains patterns of knitted garments for men. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons Knitting Book / no. 168 / "CAMERON" / See page 15 / 7d. / A PATONS & BALDWINS' PUBLICATIONhandicrafts history, knitting, patons and baldwins (australia) ltd, handicrafts - history

"No Sugar" was the winnning entry in the Expressions 2002; The Wool Quilt Prize. It was on exhibit at the National Wool Museum from 23 September to the 15 December 2002.Large green handstitched quilt with orange cross. (This picture shows the quilt on its side - it is displayed with the cross on the left and the darker area at the lower left.) Statement from Katherine Morrison regarding working technique and Expressions. Statement by Katherine Morrison regarding working methods and Expressions. CV of Katherine Morrison, Winner of Expressions 2002 Entry from 'Expressions 2002: The Wool Quilt Prize 23 September - 15 December 2002 National Wool Museum, Geelong', no.15. Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 1 (page 4 of issue) Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 2 (page 5 of issue) Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 3 (page 6 of issue) Article from New Zealand Quilter issue 37 titled '2 Women's Work', page 27 of issue Article from New Zealand Quilter issue 41 titled 'Rural Composition', page 21 Photo and explaination of Katherine Morrison's quilt 'Something Borrowed', made 1997"No Sugar" by Katherine Morrison 84 Blue Mountains road Silverstream upper Hutt New Zealand ph/fax 04 5288624 "NO SUGAR' 2002 An original quilt by Katherine morrison Hand dyed woollen (old) blankets handquilted QUILT CARE MADE WITH PURE N.Z. WOOL BATTINGquilting, blankets, new zealand

"Textile Advisory Panel's report no. 2 - wool" - Commonwealth of Australia, 1944. This report was produced by the Textile Advisory Panel under the aegis of the Ministry for Post-War Reconstruction and examines the future of wool in Australia in terms of threats and opportunities and makes recommendations re: future research, expenditure etc. Includes the Prime Minister's statement on Wool Research 1944, and a photograph of what is believed to be, a gown in the NWM Collection [w5385]Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"post-war reconstruction, wool growing, textile industry, wool research, world war ii, sheep diseases, sheep blowfly strike, textile advisory panel csiro, wool - research, sheep - diseases, sheep - blowfly strike

Book produced by Coats Patons containing crochet patterns.THE / CROCHET / CLUB / Patons / BOOK 943 / TOTEM, BARONESS / DOUBLE KNIT, BLUEBELL / 40ccrochet, coats patons (australia) limited, patons and baldwins

This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. The front cover illustrates a knitted convalescent jacket (with extra room for bandages, etc) and there are other patterns suitable for men in the services which could be knitted for the Red Cross or Comfort Funds. The back is illustrated with a photo of two men (one in a flying cap, one in army uniform) reading a sign on a wall which states: "Don't help the enemy! Careless talk may give away vital secrets".Front cover, Patons and Baldwins' Specialty Knitting Book no. 120, WWII. Back cover of Patons and Baldwins Specialty Knitting Book no. 120, WWII.MEN'S SERVICE AND CIVILIAN KNITWEAR / No. 120 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Book / THIS IS A SPECIALLY DESIGNED CONVALESCENT JACKETknitting, world war ii, patons and baldwins (australia) ltd

Milton Moon (1926-2019) Born Melbourne, Victoria Milton Moon attended the Central Technical College, Brisbane where he studied painting and drawing. In 1950 he undertook study in Ceramics with Harry Menmott and Mervyn Feeney at the Sandison Pottery, Brisbane. He lectured in Ceramics at Central Technical College, Brisbane, and he was awarded a Churchill a Fellowship in 1966. In 1974 he travelled and worked in Japan for a year, and established a workshop at Summertown in the Adelaide Hills. In 1984 Milton Moon was awarded the Order of Australia Medal for his services to ceramics. Milton Moon died in 2019. At the time of his death his website included the following:- "In this, my 'ninety second year,' over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant. The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently the Pilbara and Kimberley areas of Western Australia, where rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world. All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful 'spirit-presence.' It is impossible to ignore the feeling that this country remains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large ceramic platter, framed for display on wall.art, artwork, milton moon, ceramics

Alun LEACH-JONES (1937 - 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed screenprint.art, artwork, printmaking, alun leach-jones, abstract colour, south australian school of art

Mohammed and the Origami Lightning" was a print I made in 1980, soon after my return from Mossman, north Queensland and a six month stint of studying the metaphysics of Shaik Ibn Arabi with Diane Cilento. The unspeakable omniscience of the prophet is conjured up in the left hand part of the image, and the playfull fantasy of a make believe world in the right hand part. These two realities spliced into the one printed image was what I found very attractive at the time. (March 2021)Jock CLUTTERBUCK (1945- ) Born Edenhope, Victoria Jock Clutterbuck is a sculptor and printmaker of national significance, his prints in colour etchings and aquatints are often from shaped plates and reflect themes found in his sculpture. Known for sophisticated and detailed abstract form, Clutterbuck studied sculpture and drawing at the Royal Melbourne Institute of Technology from 1965 – 1966, where he subsequently taught from 1969 – 1973 before taking up a role as the lecturer in Sculpture at the Victorian College of the Arts from 1974 – 2000. This work is an etching with aquatint and colour stencil on Torinoko An early supporter was Tate Adams, who established the Crossley Gallery to exhibit prints. He urged Jock Clutterbuck to create a series of etchings for Crossley Gallery, a gallery estabished by Tate to exhibit prints. Clutterbuck was awarded the National Gallery of Victoria Society Drawing Prize in 1966, the Australian Print Council Prize in 1969 and 1973, the Geelong Print Prize in 1972, the State Government Bicentenary award for sculpture in 1970, the PCA print prize in 1973, the Fremantle Arts Centre Print Prize in 1976 and the Caulfield Arts Centre Sculpture Award in 1979. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jock clutterbuck, printmaking, etching, printmaking etching, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed hand coloured lithograph depicting the Madame Berry Gold Mining Company in Ballarat. art, artwork, madame berry, samuel thomas gill, s.t. gill, available, gold mine, poppet head, post and rail fence, creswick, f.w. niven

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed acrylic painting. Gift of Pauline Diggins, 2008art, artwork, available, horse, neville bunning, surrealism

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting depicting four 'dancing' horses in a landscape. art, artwork, neville bunning, bunning, available, horses, animals

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a woman in green dress holding a vacuum cleaner.art, artwork, neville bunning, domestic goddess, available

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Small framed artwork.art, artwork, neville bunning, housewife, abstract

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This work was purchased from the University of Ballarat 'Goodbye Helen' end of year exhibition.Oil on canvas painting featuring blue, orange and yellow. art, artwork, churchill, gippsland campus, school of business collection, janelle vaughan

This book contains the set up and clues for cross word puzzles that can be constructed with the RNIB crossword board. The board is contained inside a wooden box, which also has compartments for storing yellow and red rubber markers that fit into a grid that sits on the lower side. Red smooth markers are used for blanks, whilst the yellow markers have three turnable pieces, which can be adjusted to represent each letter in Braille.1 braille book and 1 wooden box containing yellow and red rubber markers that fit into the grid inset in the box.'From the Evening News book of crossword puzzles no. 18' Catalogue 29444recreation equipment, games

Donation made on behalf of Surrey Hills Primary School. A second lesser copy was donated at a much earlier date.A 59 page informal history of Surrey Hills State School, No 2778. To quote the authors: "we have not used footnotes, nor a bibliography; and we have used reminiscence without always ensuring that facts and dates are strictly accurate." The book is richly illustrated with photos, excerpts of student work and other ephemera. It is not indexed. Headings are: Beginnings, The Cadet Corps, Head Teacher Bennett, School Days 1900-1925, War Time & Beyond, The Mothers' Club, Childhood Illness, School Days in '30s, Expansion, PWD Problems, Depression and Wartime, Post War Crowding, memories, Mr Wheeler, Migrants, Royal Tours, Pedestrian Crossings, The Canteen, Craft Room, Sports Days, Acquisition of Mr Prior's House, Parents Right to Know, Social Service, School Committee, Concerts & Balls, Mothers' Club to Parents' Club, Library, More PWD Problems, Changes, Camps, Recent Principals. This copy includes a copy of the Centenary Weekend Programme which has been stuck inside the front cover.wekworth, - (miss), reardon, edith, lauchlan, thelma, grant, mavis, higgins, nancy, kellan, coster, joyce, parker, marjorie, dyson, joy, sutton, phyllis, cadmar, gwennyth, mclaughlin, maurine, wendorf, winifred, broadbent, doreen, hawes, hilda, powell, crocker, beatrix, triggs, dorothy, peers, ker, pryde, norma, clemson, kathleen, owen, doris, glasscock, elaine, lovering, w b (mr), dyer, e a (mr), gamble, william, brown, j k (mr), raw, whitfield t, doyle, annie, st stephens presbyterian church, cadets, bennett, george t, brigadier general gordon, cottingham, r v (mr), day, george, greaves, arthur, servan, alice, renkin, anne, lutheran peace memorial home, gourlay, education, schools, doney, - (mr), collins, fyfe, alexander, fire brigades, maypoles, duck, lorraine, hendy, ives, alfred, reaburn, john, walduck, gwyneth, world war, 1914-1918, breeden, horace, horrie, wise, amy (miss), blogg, john kendrick, newington, lily (miss), parents clubs, brookes, - (mrs), lancashire, deans, johnson, herbert, -(mrs), travancore, jamieson, welch, mcdonald, harley, mclean, jack, rex theatre, surrey hills progress association, gamer, ernest, southall, ivan, influenza, barbara, ross, poliomyelitis, scott, moroney, daniel, thwaites, jean, constable, oswell, frank, large, gifford, a e (rev), gillies, j (rev), buxton, porter, jill, morgan, jan, 1939-1945, williamson, joan, cargill, jackson, van ernst, cooke, tyrell's milkbar, plaw, graeme, dairies, chenu, a h, rutzou, peter, bowie, heymann, megan, wilson, ritter, alan, martyn, dawson, l (mrs), mcgregor, d (mrs), e (mrs), fiedler, wheeler, lewis, marsh, rhyll, slater, games, gangell, pam, barrow, ford, henry, mcewan, marion, conlon, kathy, canterbury recreation reserve, surrey park, chatham oval, mooney, neil, kitson, surrey dive, monk, kay, saldineri, macqueen, lyndy, thomson, daley, susan, discombe, diane, hanson, robert, mulvey, albers, angela, tucker, david, glover, bright, lynette, mcinnes, jeanette, nethercott, turnball, eric, smith, roberts, chasemore, lyle, chislett, miss, capon program, k n (mr), fuller, i d (mr), henwood, j w (mr), g (mr), veitch, g (mrs), m (mrs), cheetham, j (mr), gardner, l (mr), d (mr), sepitka, lorna, balfe, win, wells, bob, keith, ian, kett, mr, elizabeth, liney, bruce, macarthur, rob, kelly, paula, neil b, sydenham, shirley, dixon, o'hagan, ros, van someren, fred, norman, burns, roberta, harry, christine, barker, henry j t, nutt, ernest h, richards, benjamin, lievesley, john h, knight, gabriel, clough, john s, hepburn, james, tinney, arthur h, blanchen, bernard j, somerwell, elizabeth j, john t, john m, caldicott, howard t

If you can assist with information on this artist and artwork please use the comment link below.Signed versoavailable, industrial, kelly mcniece