View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.greensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemetery

A black and white postcard of the Marguerita Tea Rooms in Buxton in Victoria.A black and white postcard of the Marguerita Tea Rooms in Buxton in Victoria.Photography by Malmack./ Phone. WF4630 Marguerita Tea Rooms/ Buxton/ Victoria POST CARD CORRESPONDENCE/ ADDRESS ONLY KODAK To Alan/ Wishing you all the/ best for Xmas, + the/ New Year From Hugh + O. Millsbuxton, victoria, marguerita tea rooms, postcard, souvenir

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

Sonia PAYES (1956- ) Born Melbourne, Victoria Sonia Page is a conceptually-based artist Australian artist working with photography, multi-media, animation and sculpture. She continually pushes the boundaries between photography, sculptural work and new media, with a strong environmental narrative permeating her work. A large photographic tryptich depicting the studio of prominent Australian artist Jeffrey Smart. Sonia Payes art practice is grounded in her training as a photographer. In 2005 Sonia Payes started a large project involving photographing artist's portraits, art works and surrounds. Depicting the idiosyncratic, and often private, lives of artists the project resulted in a visual book titled ‘Untitled. Portraits of Australian Artists', published by McMillan Art Publishing in 2007. studio, eisel, geoffrey smart, sonia page

Royal Australian Survey Corps Annual Report detailing Surveying and mapping activities 1 July 87 - 30 Jun 88. The first part of the report details the highlights during the period followed by Annexes A to J detailing Australian Map and Chart production. Annex A: 45 pages, Annex B: 1 page Aust Doppler Satelite Stations, Annex C: 1 page, Aust airborne Profile Recording, Annex D: 1 page Aust Aerial photography, Annex E: 1 page Aust Analytical Aerotriangulation, Annex F: 1 page Inertial Positioning System Network Traverses Fils Svy, Annex G: 1 page Global Positioning System Station/networks TI4100 Svy, Annex H: 1 page, Defence Cooperation Programme, Annex I 3 Pages RASvy Officer Manning, Annex J: 1 page RASvy ARES Manning Levels.Buff coloured light cardboard covers. Old map of Sydney Cove area printed in red/brown on front cover and Survey Corps Badge in red top left corner. "Map of the town of Sydney 1836" printed on back cover. A4 sized paper pages, 17 numbered pages plus, Annex A: 45 x pages, Annex B: 1 x page Aust Doppler Satellite Stations, Annex C: 1 x page, Aust Airborne Profile Recording, Annex D: 1 x page Aust Aerial photography, Annex E: 1 x page Aust Analytical Aerotriangulation, Annex F: 1 x page Inertial Positioning System Network Traverses Fils Svy, Annex G: 1 x page Global Positioning System Station/Networks TI4100 Svy, Annex H: 1 x page, Defence Cooperation Programme, Annex I 3 x pages RASvy Officer Manning, Annex J: 1 x page RASvy ARES Manning Levels.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

A yellow catalogue published by the Royal Historical Society of Victoria Bendigo & District Branch. It is presenting the ' Golden Days Historical Exhibition ' at the R.S.L. Memorial Hall, Pall Mall, Bendigo 12th to 17th August 1960. The categories of exhibits are antiques, bush ranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping and sport. Within the catalogue are Bendigo Advertiser July and August cuttings relating to the exhibition.history, australian, exhibition, lydia chancellor collection, collection, bendigo, australia, royal historical society of victoria, exhibits, bendigo city council

Pack of 12 original photographs in light blue card pack with oval cutout at frontHandwriting descriptions on back of each small photograph. Front of pack: VENEZIA 20 VERE FOTOGRAFIE. oN SIDES: belfoto - milano (547); 20 vraies photographies 20; 20 original photographs 20; 20 echte photgraphien 20venice, venezia, photographs

Digitised video (335MB). Duration: 24 minutes. Recorded August, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ken Briscoe presents an overview of RDHS activities centred around the sorting and digitising of slides and movies for archival conservation, with examples of a local film found in the archives and a collection of items from the former Ringwood Amateur Photography Club.

This underwater SLR camera housing was made to hold a standard SLR camera and keep it watertight for underwater photography up to 300 feet in depth. Ikelite continues to be a leading manufacturer in the underwater photographic industry. The business began in the early 1960s when diver Ike Brigham invented a waterproof seal for his underwater flashlights. The name IKELITE was trademarked in 1962. In the late 1960s, Ike developed camera housing kits that were clear and enabled access to change a roll of film. He was the first to use lid-snap closures on an underwater housing. The history of underwater photography began with the first protective camera box for underwater photography was made in 1856. In 1914 the first underwater video footage was taken. Colour underwater photography was first shot in 1926. In 1950 the first commercially available underwater camera housing, the "Tarzan" was designed by Henry Broussard, an underwater photographer, for his own camera. It was produced by the French company Beauchat. In 1957 the revolutionary underwater camera was invented by Jaques-Yves Cousteau and Jean de Wouters. The new amphibious "Calypso" changed the nature of underwater photography.This underwater camera housing is significant for its purpose of underwater photography. Camera housings such as this were used to record the position and layout of shipwrecks along coast of the Great Ocean Road. Flagstaff Hill Maritime Museum and Village has underwater footage of dives that show the now protected shipwrecks.Underwater camera housing, Ikelite brand SLR camera housing, for up to 300 feet depth. nscriptions embossed on the back. Made in Indianapolis, USA. Embossed "Ikelite SLR camera housing. Made in Indianapolis. Ind. USA. 300Ft"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, underwater camera housing, ikelite, indianapolis, underwater photography, slr camera housing, ike brigham, camera housing kit

220 p., black & white photographsnon-fictionThese photographs were originally taken for 'stereoscope' and include images from all over the world.photographs, world history, stereoscope

Bound copies of the Ballarat School of Mines Students' Magazine from 1916-1923. The editor of the 1917 magazine was Allan T. Bernaldo. The magazine includes an obituary for Henry J. Hall, Motion Picture Photography, SMB Excursion to the Lead and Copper Mining Centres (Broken Hill, Port Pirie, Wallaroo, Moonta), the Rise in the Railway, Repatriation, A.E. Williams, Rowing, Hockey, Daniel Walker, SMB Roll of Honour, J.T.T.S. Cadet Team, Ballarat Junior Technical School, Geelong Excursion.ballarat school of mines, cannon, ted cannon, world war 1, war, trompf, munro, whitla, middleditch, whitehead, ellsworth, maddison. evans, gilchrist, jolly, hay, mckissock, percy trompf, allan t. bernaldo, henry j. hall, motion picture photography, smb excursion, broken hill, port pirie, wallaroo, moonta, rise in the railway, repatriation, a.e. williams, rowing, hockey, daniel walker, roll of honour, j.t.t.s. cadet team, ballarat junior technical school, geelong excursion

Written on back of photograph, "Harry Tortice's wood yard and old lane now Civic Place. Flat roof is entrance to Midway Arcade." Stamp on back of picture reads, "John Gallagher, Photography, 4 Benares St., Mitcham, Vic."

A photo of a wreath laying ceremony on Anzac day in Thames Embankment Gardens, Charing Cross, London in 1974 from a Comradeship album. The label identifies Legatee Rex Hall. The handwritten inscription on the back says: "In Thames Embankment Gardens, out___ by members of the Corps 1920. Placing the wreath on Anzac Day 1974. From Left - Tyrone, grandson of Pat Hanna, Mrs Dorothy Roberts, Jessie Pat's widow, Friedl, Pat's granddaughter, ___ ___ Pattie, Pat's daughter. The Imperial Camel Corps fought in every battle in Sinai and Palestine and had 1600 battle casualties of which about 300 names are engraved here. The Corps was composed of 50% Australian, New Zealand troops and 50% British-English, Scottish, Welsh and Indians." The Comradeship committee gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through. This photo and several others (see 01029 - 01032) of Anzac services in London are part of a photo album of Comradeship activities (from 1930 to 1977) see items 01027 to 01036. The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Black and white photo of Anzac Day in London in 1974.Label pasted on the front: Anzac Day London 1974. L/Rex Hall and Camel Corps memorial / Third from left - Jessie Hand and Tyrone and Friedl. On the back handwritten description and stamped in grey ink 'J.A.Ballard photography / London'anzac day, comradeship

Two black and white photography of the exterior of the home at 55 Allison Rd, Elsternwick. Date and photographer unknown.

Photograph- black and white with a white border on all sides. Three servicemen in uniform. The two German officers drinking a small amount of drink, with another serviceman in the background. This serviceman could be an American photography, german officers

John Brownless No 6317, 4th FAB. Refer Cat No 21 for his service details..1) Sepia tone photo showing group of 6 soldiers in uniform holding placard. J BROWNLESS left front row. .2) Studio portrait sepia tone in uniform minus hat of J BROWNLESS..1) On placard at bottom: MERRY CHRISTMAS From Francephotography, military

Relates to Alfred Edward BOLAND 2nd AIF. Reg No 2473 for his service history.Black & white photo of 23 Australian soldiers in front of a corrugated iron accommodation. Mounted on hard, tan coloured cardboard.Printed top R: AEBphotography, military

Sepia photo of a group of possibly 37 Australian Officers outside Barons Hotel. Attached to heavy cardboard backing.Name of hotel in white; “Barons Hotel”photography, officers

The photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR 1943 - 75. Refer Cat No 124.2 for his service history.All photos are B & W. (.1) Large group of soldiers slow marching, arms at reverse through a city wearing Battle Dress. (.2) The same large group from a different position. (.3) group of soldiers in greens marching through a city, weapons slung.photography, military

The photos all relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3472 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service details. (.1) The sign “6/58 ARA RQMS Course June 1958” ARA (Australian Regular Army) RQMS (Regimental Quarter Master Sergeant) Frank Dean is in 2nd row 1st on the right. (.2) Possibly the Officers and Senior NCO’s of 1 RAR in the late 1950’s. (.3) Some time in the 1960’s as many are wearing Vietnam ribbons. Frank Dean is 1st on the right 2nd row. (.4 - .6) “D Coy 1st Battalian of the Royal Australian Regiment”. Possibly taken in the late 1950’s. Frank Dean is in the 2nd row from bottom, 12th from the right. All photos are B & W. (.1) Large group of 25 soldiers in 3 rows with sign in front. (.2) Large group of 41 soldiers in 3 rows with building behind. (.3) Large group of 46 soldiers in 3 rows, gardens and car in background. (.4 - .6) Large group of soldiers in 3 rows with sign and flag in front.photography, military

The photos are part of a large collection relating to Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. (.1) Frank Dean first in front on the left. (.2) “”””””””” rear row 2nd from the right. (.3). “”””””””” first on the left. (.5) “””””””””” front row third from right. (.6 .7.9) Each of these group photos have either several Korean or Malayan soldiers in. The photos are possibly the Platoons of either A or D Coy’s 1 RAR. (.8) Frank Dean, front row 2nd from the left. This group is possibly the Officers and senior NCO’s of A or D Coy’s 1 RAR. All photos are B & W. (.1) Large group of soldiers on parade with .303 rifles on the march. (.2) group of 7 soldiers , 5 standing 2 sitting. (.3) Group of 5 soldiers standing with a sign “D Coy Sgt’s”. (.4) Group of soldiers at a dinner in a Nissan hut all standing. (.5) Group of 18 soldiers, 1 row standing, 1 sitting in front of a RAAF plane. (.6) Group photo of 24 in 3 rows. (.7) Group photo of 22 in 3 rows. (.8) group photo of 14 in 2 rows. (.9) group photo of 26 in 3 rows.photography, military

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white portrait photo of a boy in school uniform, consisting of a shirt, tie, jacket & monogrammed cap. Photo is in a cream, card mount. Photo & mount are enclosed in a light brown embossed card folder.Printed on the front of the folder: With compliments PRESERVENE PTY LTDcards, photography

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Photo, black / white, of a man, Frederick Gardner DAVEY in RAAF uniform. Mounted on cream card, embossed with designs in brown.Handwritten in pencil on back: Hyde Park, Sydney 19.4.42photography, raaf