This is understood to be a house at Pitfield which was lived in by Alan (Allan) McDonald and his wife Rosanna, née Lewis. LDHS records have this house named as "Aston Cottage", however correspondence with a McDonald descendant in 2020 suggests that the house may have been called "Afton Cottage", as the McDonald family later lived at a property at Linton which they understood was called "Afton Grove".Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows the front of a weatherboard house which has twin gables and a verandah. A woman wearing a long gown with an apron is sitting in a rocking chair on the verandah; a man who is wearing a suit and a hat is standing next to her.aston cottage, afton cottage?, alan (allan) mcdonald, rosanna (rose or rosina) mcdonald née lewis, pitfield, houses

Black and white photograph of Renae Fenner Bailey on her saxaphone at the Rock Workshop Lakes Entrance Victoria entertainment, education

Black and white photograph at Rock Workshop Lakes Entrance Victoriamusic, education

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph taken in Townsville, Queensland, 18/08/1968. Rock and Roll stars Little Pattie and Col Joye entertain in the lounge of a private home. Members of D Coy 6 RAR who missed the original concert in Vietnam on the 18/08/1966 being otherwise engaged in the Battle of Long Tan. Standing left to right Ross MAudio, C Donald, Robin Rencher, Peter Doyle, Phil Dixon. Sitting left to right Ian Campbell and Dave Sabben.photograph, entertainer, col joy, d coy, 6 rar, battle of long tan, gibbons collection catalogue, ross maudio, robin rencher, peter doyle, phil dixon, ian campbell, dave sabben, little pattie, c donald, denis gibbons

BHS Collectionblack and white photograph. Back garden with arbor, seats, rock edging, houses at back, power pole with wires at back. Red crayon 'V' top centre.unknownplace, land, back yard

Early miners at work caption reads: "The large bucket, called kibble, is used to pull up the unwanted debris, the smaller iron buckets are used to raise the alluvial material containing gold. This material is mixed with water in the puddling barrells (foreground) and poured into the cradle (left). The rocking motion causes the gold specks to sink to the bottom from where it is collected. The remaining material may then be hand washed in the gold pan held by the miner." This photograph possibly taken at Diamond Creek.From the John Davidson collection.Photograph in black plastic frame with typed caption on matte.john davidson, diamond creek, gold miners, mines and mining

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weatherboard , triple gabled corrugated iron roof, single chimney , wooden return verandah with balustrade, capitals to verandah posts. Exterior windows have awnings, two entrances from returned verandah, two deckchairs and hammock on verandah. Rock-bordered garden R.H. corner. Written on back of photo ' Roberts, White Hills, £1150 (crossed out) £850, next R.C. School'F.A. Jeffree, Bendigoresidential, roberts, white hills, t.c. watts and son, 1927

This specimen was recovered from Mica Schist, Canada. Chalcopyrite is a copper iron sulfide mineral with a chemical composition of CuFeS2. Its name derives from the Greek words for copper (chalco-) and brass (pyrite). It can be found in shades of yellow, green and grey, and, when exposed to acid, it can change to purple, blue, violet and yellow tones. Weathering can cause loss of its metallic luster and its brass-yellow colour. Chalcopyrite forms under various conditions, with the most significant deposits being hydrothermal in their origin. It is known globally as the most important ore of copper for thousands of years, and is thus considered a very important mineral formation. Given its golden appearance, it is often confused for the mineral gold, earning it the popular reputation as 'fool's gold' or 'yellow copper'. However, it can be straightforwardly distinguished from gold; the latter is soft, with higher specific gravity and a yellow streak, whereas chalcopyrite is brittle, easily scratched by a nail, and has a greenish grey streak. Copper was the first metal that was used by people. It was discovered by the Neolithic man about 9,000 years ago and it gradually replaced stone as it was easier to be shaped. In Australia, search for copper began after the European settlement, leading to the discovery of substantial deposits, like the one at the Olympic Dam in South Australia, which is regarded as one of the largest copper deposits in the world. Chalcopyrite has been used for copper since smelting processes began approximately five thousand years ago. Although by no means rare, this the specimen of this mineral can be used to reflect a wider history of industrial uses of copper for a significant portion of human history. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid hand-sized copper iron sulfide mineral of brass yellow, often with an iridescent tarnish, with greenish-black streak and submetallic luster. Chalcopyrite can be formed in several ways, including crystalizing from accessory minerals in igneous rocks, or from magma or within volcano sulfide deposits. Most commonly, chalcopyrite are found in hydrothermal conditions, where it forms in hydrothermal veins. As a member of the tetragonal crystal system, it often takes the shape of tetra-headed crystals, often with striations along the sides of the crystals. #18 Copper pyrites/(chalcopyrite) in/Laurentian Slate/(page 315 of inventory)/page missing from/descriptive catalogue/ Other label: 81 /fool's gold, chalcopyrite, mineral, rock, geology, geological, hydrothermal, neolithic, european settlement, olympic dam, south australia, stone, deposits, specific gravity, greenish grey streak, brittle, mineral gold, metallic luster, cufes2, greek words

White card with black print and yellow, black and red circle with yellow and white printThe restoration of Jardwadjali and Djab warruning names for Rock Arts Sites and Landscape Features in and around Grampians National Park Underlined: A Submission to the Victorian Palce Names Committee 24 May 1990 Yellow Print: Koorie Tourism Black Print: Victorian Tourism Commissionstawell

Black and white photograph of the crowd at the Mitcham Football Club rock concert held in 1998 at Walker Park. Approximately 3,000 young people attended. Photograph has advertising for 'Rocking the East' 1999.rockin'' in the east, rock concert, walker park, mitcham football club

Purchased in Sorrento from shop whose owner grew up at 10 Burnett Street, Mitcham. Her name was Roberta, daughter of Mary and Geoff Eastern, purchased from Harris Scarfe, Forest Hill 1990.Red Pill Box Straw Hat, decorated with red feathers, black beads and crystal beads, with black comb to hold in the hair.Rock Pool Millinerycostume, female headwear

Black and white photograph showing view of entrance with eastern and western concrete and rock piers. Photo taken from boat in the channel. Waves breaking on bar at the entrance, at Lakes Entrance, Victoriaon back - The Entrance - taken from works boat, 1995 topography, waterways, piers

Has photos of various locations and lines within USA and Canada, Chicago, Vancouver, Le High Valley, Montreal, Los Angeles, Cincinnati, San Francisco, Connecticut, Lake Shore, New York, Brooklyn, San Diego, Pittsburgh, South Bend, Sacramento & Northern, Little Rock, Buffalo, Philadelphia, Jamestown, Monongahela, Atlantic City, Boston, Cleveland, Detroit, Milwaukee, Gary and North Shore. Includes images of cable cars in Chicago, San Francisco. PCC car 7022 of Baltimore image includedHas a strong association with Wal Jack and his collecting of tramway history / developments until 1964.Floor pattern covered album with black paper inside covers holding some 21 sheets of card on which photos have been mounted using photo corners of various types, captions in white ink. Has punched holes on the left hand side but was not bound with cord at the time of acquisition. Parts of the album originally started as a the Melbourne album and remnants of photos hinges and notes left on the sheets. Has some 142 black and white photographs. Has some loose photographs.trams, tramways, usa, canade

Black and white photograph showing lake shoreline on western side of entrance piers, with rock retaining wall, walings and crane left middle distance and front of Schnapper cottage, dense vegetation on dune and some erosion to beach. Lakes Entrance Victoria machinery, waterfront, houses

ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., they standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough southwest Victoria Crew: 29 The Falls of Halladale was a four-masted sailing ship built-in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. The lines flag was of red, blue and white vertical stripes. The Falls of Halladale had a sturdy construction built to carry maximum cargo and able to maintain full sail in heavy gales, one of the last of the ‘windjammers’ that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck stormy conditions. This idea is still used today in the most modern tankers and cargo vessels and has proved to be an important step forward in the safety of men at sea. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roofing tiles (roof slates), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the night of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not too technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire. These 5 postcards have photographic images taken while the Falls of Halladale was stuck on the reef near Peterborough. They are not stamped or dated but four of the images show the ship still in fairly good condition with her stern very low in the water so can be dated to around late November 1908 to January 1909 and the fifth image shows the ship beginning to disintegrate soon after. The image on Postcard 8658.3 was taken by Joseph Jordan (a well-known Warrnambool photographer who had his own studio in Liebig Street, Warrnambool). The other four images were supposedly taken by the sender (Bob) and converted to postcards. Amateur photography in Australia in the early 1900's was becoming very popular (and accessible) to the average person. Many newspapers published advertisements and articles about photography and photographic supplies. In 1903 in America, George Eastman designed and marketed the "Model 3A Folding Pocket Kodak" which used postcard-size negatives and provided the average person with a camera with which to make real photo postcards. As they became popular, George Eastman was able to develop and market a wide range of supplies for the amateur photographer to develop and print their own photographs onto a postcard backing at home. Four of the postcards were addressed to "Miss M. Kerr, Leura, Camperdown". Mary Agnes Kerr (1888 - 1943) was the daughter of William and Mary Ann Kerr (nee Spence) who owned "Leura Farm" at Camperdown. Mary Agnes Kerr went on to marry James Young Caldwell (a local tailor and mercer) in 1917. James Yong Caldwell came to Camperdown around 1908 and was employed as a draper. The postcards were signed "Bob". On postcard 5658.2 he has written his name with quotation marks around it - suggesting "Bob" is a nickname. He writes about the weather, meeting a friend, sending fish to Mary Agnes' family and the cargo expected to be washed up on the beach. On postcard 8658.4 he wrote about being busy after the wreck and supplying the shipwrecked crew with boots and pants which suggests "Bob" may be James Caldwell (the mercer and tailor).The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976). These postcards are significant as examples of the continued interest the locals around the district of Peterborough showed towards the Falls of Halladale wreck and its disintegration during the next few months. Four of the postcards are also significant examples of the new hobby of photography that was available to the average person during the beginning of the 20th century.Set of 5 postcards showing different images of the Falls of Halladale sailing ship after it became stuck on a reef near Peterborough. None of the postcards are dated or stamped. Postcard 8658.1 has a sepia toned image of the Falls of Halladale, with its stern sitting very low in the water. It has many of its sails unfurled and there is a rocky headland in the foreground. A very small figure appears to be on the edge of the cliff. The back of the postcard has a handwritten message addressed to "Miss M Kerr, Leura, Camperdown" and is signed "Love Bob". Postcard 8658.2 has a sepia image of the Falls of Halladale taken some months after it had been stuck on the reef. Its sails are missing and only two broken masts remain. A large rock is visible in the front right hand side of the photo. There is a handwritten message on the back signed by "Bob". Postcard 8658.3 has a black and white image of the Falls of Halladale showing her almost side on with her stern very low in the water and still in full sail. The words "Falls of Halladale. No 1" are printed on the lower left side of the image. The back is labelled "Jordan Series". There is no message written on the back. Postcard 8658.4 has a sepia toned image of the Falls of Halladale facing two rocky headlands. She is showing full sail and the sea appears calm. There is a handwritten note on the back addressed to "Miss M Kerr" from "Bob". Postcard 8658.5 has a sepia image of a side view of the Falls of Halladale with her stern very low in the water and her sails are all up. The sea is calm and a rocky reef can be seen in the foreground. It has a handwritten note on the back from "Bob" to "Miss M Kerr" of Leura, Camperdown.Back of postcard 8658.1- "POST" "EMPIRE" "CARD" "FOR CORRESPONDENCE" "FOR ADDRESS ONLY" "STAMP" "Miss M Kerr / Leura / Camperdown" "Looking forward to letter today" "Hope fish arrived / allright. Don't / know for sure / what day I will / be going to Town / to buy. Some day / this week / Love Bob Back of postcard 8658.2 - "POST CARD"/ "CORRESPONDENCE" "ADDRESS ONLY" "93"/ "Friday / This is a contrast to the first/ I sent you. Having glorious weather / Saw Saw (Saul)? on Thursday at Peterborough / He is having a grand holiday / Expecting letter on /Tuesday Fondest Love / "Bob" Front of postcard 8658.3 - "Falls of Halladale. No 1" Back of postcard 8658.3 -"Post" "Card"/ Printed in Great Britain" /"This space may be used for Communication" "The Address to be written / here" "Jordan Series" Back of postcard 8658.4 -"POST" "EMPIRE" "CARD"/ "FOR CORRESPONDENCE" "FOR ADDRESS ONLY" / "STAMP" "Miss M Kerr/ Leura / Camperdown"/ "We are/ very busy. The / wreck is about / 11/2 other side of / Peterborough./ Fondest Love, Bob "Had to supply sailors with Boots Pants etc/ 25 pairs Boots, good order ah!" Back of postcard 8658.5 - "POST" "EMPIRE" "CARD" / "FOR CORRESPONDENCE" "FOR ADDRESS ONLY" / "STAMP"/ "Miss M Kerr / Leura / Camperdown" "Tuesday / Her estimated / value cargo included/ is (pounds)100,000. When / she breaks up the coast / will be strewn with / wreckage as the cargo / includes Rolls Paper./all sorts machinery thousands / cases Benzine etc/ love Bob flagstaff hill maritime museum and village, warrnambool, peterborough, great ocean road, falls of halladale, shipwreck, postcards, photographic images, mary agnes kerr, leura farm, camperdown, jordan series, handwritten notes, photographs, george eastman, 3a folding pocket kodak camera

Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135 Stonygrad, the home built by Expressionist painter and sculptor Danila Vassilieff, is reminiscent of a grotto and in parts, of a sculpture. Vassilieff, who amongst others influenced painter Sydney Nolan and Albert Tucker, was a member of the artists group the Angry Penguins. He was also a highly regarded art teacher at the nearby Koornong Experimental School and taught at Eltham High School. Art critic Robert Hughes described Vassilieff’s painting as ‘lyrical without social commentary’, and said Vassilieff was ‘the most oddly neglected artist in recent Australian History’. Vassilieff, who was born in 1897 in Russia, had an unusually adventurous life before he settled in Warrandyte. The 12th of 18 children, he lived on a farm in the Don Basin. Vassilieff trained with the Imperial Military Academy at St Petersburg and fought in World War One as an officer in the White Russian Army against the communists. In 1920 he was captured, then escaped from prison, stole a horse and rode bareback 150 miles to the Black Sea, helped at first by Tartar freebooters. He then travelled to India, Shanghai and arrived in Queensland as a refugee in 1923 where he began painting. He and his wife Anisia bought a sugar farm near Ingram, and later he constructed railway lines at Mataranka, in the Northern Territory.4 In 1929 Vassilieff went to Brazil for formal art training from former fellow-officer Dmitri Ismailovich, but he soon left to travel up the Amazon River. He then worked as a sidewalk artist in the West Indies and travelled for two years in England, France and Spain. In 1937 he arrived in Melbourne where he lived until his death in 1958. His first major Australian series was the Carlton streetscapes and from 1951 he sculpted in local hard limestone. Vassilieff rejected all dogma and regarded religious subjects as suitable only for decorative arts. In 1944 he helped defeat a communist attempt to take over the Contemporary Art Society. For a short time, from around 1955, Vassilieff taught at various Victorian schools. The Angry Penguins painted mainly between 1937 and 1947, and included Arthur Boyd, Albert Tucker, Sidney Nolan and Joy Hester. The group formed as they felt isolated from European thought and art (including Surrealism) from which their work was derived. They were also angry at what they considered to be the complacency and insularity of their society. They maintained Australians at first were scarcely aware of the threats of the Wall Street Crash and Hitler and were little interested in the Spanish Civil War. The Angry Penguins also objected to the White Australia Policy. Hughes said although most of the Melbourne Expressionists in the 1940s were unskilled and their work crude in style, they helped jolt Australian painting from its pastoral complacency. Their style influenced nearly every painting produced by significant figurative artists in Melbourne in the 1950s such as Charles Blackman. From 1939 Vassilieff built Stonygrad, mainly with local stone. The house stands at the end of a private road surrounded by trees with the quiet occasionally broken by the sounds of bellbirds. To build his house Vassilieff dynamited rock and cut trees from his own property. The original section of the three-level house is of irregular-shaped pieces of solid stone, exposed inside like the exterior. Vassilieff later built sections with timber and brick. Inside is rustic and cave-like, and several rooms are linked by arched openings with no doors. One undulating wall was carved out of rock from which two sculptured heads protrude. Several ceilings are of rough-hewn logs and the built-in table and bookcase are rough, as is a timber ladder leading to a bedroom. Not for the elderly or unsteady! Yet the general impression in the muted light is beautiful, with artistic originality.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad

Black and white copy 9.5 x 15|Black and white copy 12x18Black and white photograph of the entrance and Bullock Island. It shows the western end of Bullock Island with bathing boxes, rock groynes, and sandy shore beneath Jemmys Point. Lakes Entrance VictoriaLakes Entrance, Gippsland Lakesislands, waterways, topography

Black and white photograph of Bullock Island, showing the footbridge to the island, the rock groynes at the western end of the island, built to direct flood and tide waters to entrance. Photo taken from Kalimna Hill, scub in foreground. Lakes Entrance Victoriawaterways, islands, township

Black and white photograph showing wooden piers at entrance to Bass Strait from the Gippsland Lakes. Buildings on sand dunes, Bullock Island and rock groynes. Photo taken from Jemmys Point showing shrubbery in foreground. Lakes Entrance Victoriawaterways, topography, boats and boating, islands

Black and white photograph of aerial view of Kalimna escarpment, Princes Highway, road to Kalimna Hotel, scattering of buildings including Gainsborough House, in distance is North Arm bridge, footbridge to undeveloped Bullock Island with rock groynes in place. Part of eastern pier of entrance at Lakes Entrance, Victoria. waterways, topography, township, bridges

Black and white photograph of aerial view of Kalimna Heights, showing scattered buildings, Princes Highway around side of cliff, western end of township, North Arm bridge, footbridge to Bullock Island, and rock groynes. Track to lookout and signal beacon visible. Lakes Entrance Victoria waterways, roads and streets, bridges, township

1 other photograph 10 x 16 archived.Black and white photograph showing view of entrance, dunes and Bullock Island, buildings and dunes at left, building and jetty and rock groynes on Bullock Island. Vessel near centre may be the Carpenter owned dredge the Wombat. Lakes Entrance Victoria jetties, dredges, waterways

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph At the 1st Australain Field Hospital, Vung Tau, Johhny O'Keefe and one of his backup singers present an afternoon of rock and roll for the wounded and sick Diggers.photograph, 1st australian field hospital, vung tau, entertainment, johnny o'keefe, digger, gibbons collection catalogue, wounded serviceman, denis gibbons

Black and white photograph of the steam crane used to unload rock from the tramway which brought rock from the Colquhoun quarry to the Mississippi Creek landing, placing the rock into barges for transport to the entrance at Lakes Entrance, Victoria.Steam Crane Mississippi Creek transport, historic site

Four men named are Harbeck, George Fraser, Ted Dinelli and Fitzclarence.Black and white photograph of five workmen standing on the barge at the landing at the head of North Arm. It shows a pile of rock on the shore, a large bit of rock in the barge. Lakes Entrance Victoriaquarries, waterways, transport, public works, room display

2 x identical mini postcards collected 6.5 x 9|1 x photographic print copy 18.5 x 25Black and white small format postcard of the man-made entrance from Bass Strait to the Gippsland Lakes, taken from Jemmys Point. It shows the rock groynes at Bullock Island and North Arm entrance. Lakes Entrance Victoriaislands, waterways, topography

Black and white photograph of the entrance from Bass Strait to the Gippsland Lakes. It also shows the rock groynes at Bullock Island filled with dredged sand to extend the island. Fishing boat coming through entrance. Lakes Entrance Victoriaislands, topography, waterways

Black and white small format postcard of the man-made entrance to the Gippsland Lakes taken from Jemmys Point. It also shows the rock groynes at Bullock Island and entrance to Cunninghame Arm. Lakes Entrance Victoriawaterways, topography

Black and white photograph of Bullock Island, rock groynes, lake and man-made entrance taken from Jemmys Point. Three people sitting on grass in left foreground. Lakes Entrance Victoriawaterways, topography

1 x copy black and white 15.5 x 11|1 copy sepia 14.5 x 10Black and white photograph of the tramway on which the granite rock was transported from the Mississippi Creek quarry to the head of the North Arm. It shows portion of the 3 foot 6 inch, 105cm, track, which had a gentle gradient, achieved with cuttings where necessary, winding between thick natural vegetation. Two women standing on track dressed in 1930 style clothing. Lakes Entrance Victoriatransport, room display, people