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Churchill Island Heritage Farm
Photograph - Photograph of child sitting on Santa's lap
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades.Photograph of a child sitting on Santa's lap under a marquee with a family sitting behind themCatalogue number written on reverse in pencil.churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of a child on a horse
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades.Photograph of a child sitting on a white horse being led around Churchill Island by an employee.Catalogue number written on reverse in pencil.churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of group of people behind Amess House
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades and past Education Manager, Dave Graham, can be seen talking to a group.Photograph of a group of people gathered on the path behind Amess House.Catalogue number written on reverse in pencil.churchill island, photograph, dave graham -
Churchill Island Heritage Farm
Photograph - Photograph of red cart and horse
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades.Photograph of a pair of horses hitched to a red wagon with three people.Catalogue number written on reverse in pencil.churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of sheep shearer
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades.Photograph of a man shearing a sheep on an elevated platform.Catalogue number written on reverse in pencil.churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of three people walking, 1988
Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of three people (Carrol Shultz, Sir Ninian Stephen, and Lady Stephen) walking through the herb garden at Churchill Island. Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen, carrol schultz -
Churchill Island Heritage Farm
Photograph - Photograph of group walking through a garden, 1988
Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of two men (Churchill Island Manager and Sir Ninian Stephen) walking along a gravel path followed by a group of people.CARROL SHULZ (CI MANAGER)/+ SIR NINIAN STEPHEN/WITH MANY CUBS, SCOUTS,/BROWNIES + GUIDES! [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen -
Churchill Island Heritage Farm
Photograph - Photograph of group walking through garden, 1988
Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades.Photograph of group of people (including Sir Ninian and Lady Stephen) walking through the herb garden behind Amess House.Catalogue number written on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of Ash and chaff cutter, 30/03/2013
Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of Ash feeding oat into the chaff cutter Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "Ash feeding his oat crop through the old chaff cutter. C.I.Easter Festival 30/3/2013"churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of horses and hay raker
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of horse and hay raker being led through a paddock beside a large pile of hay, a hay baler, and completed bales.Catalogue number written on reverse in pencil Handwritten in pen on reverse '2001?'churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of C.I. Furphy cart in use, 30/03/2013
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse pulling a Churchill Island Furphy cart through a paddock and talking to a man walking alongside.Catalogue number written on reverse in pencil Handwritten on pen in reverse 'C.I. Furphy cart in use. C.I. Easter Festival 30/3/2013'churchill island, photograph -
Essendon Football Club
Commemorative medal, 1901 premiership medal, 1901
Medal was awarded to Bill Griffith as a member of Essendon's 1901 premiership teamThe medal is a significant memento of Bill Griffith who played 185 games for Essendon from 1899 to 1913. He was an excellent fullback and sometime rover and captained the Club from 1907 to 1909. He was one of the best players in the 1901 premiership win and later 1911 and 1912 premierships.Circular gold 1901 premiership medal; VFL logo has been cut out in centre of circle leaving a thin border; small loop at top of medal has a metal ring through it and a royal blue ribbon (not original) has been passed through ring.Front has "Essendon F. C." has been engraved on top half of border and "Premiers 1901" has been engraved on bottom half. Reverse has "Griffiths" [sic] engraved on top half of border.bill griffith, essendon football club, premierships -
Essendon Football Club
Commemorative medal, 1923 VFL premiership medal, 1923
Medal was awarded to members of the 1923 VFL premiership teamThis item is of historic significance because medals were only awarded to the players in the premiership team and senior officials of the Club at the time. Greg Stockdale was a champion for Essendon in the 1920s; he won the VFL goal kicking in 1923 with a then-record 68 goals; he won Essendon's Best and Fairest Award in 1925.Circular gold medal with small scroll and loop at top and larger metal ring through small loop; centre of medal has been cut out leaving E F C; E is coloured with red enamel; F and C are coloured with black enamel; each letter is outlined in gold. Border of medal has been treated to resemble rose gold. Medal has "Premiers VFL 1923" inscribed in red and black letters; reverse is engraved "G. Stockdale".greg stockdale, premierships, premiership medals, essendon football club -
Essendon Football Club
Left football boot, Reebok, 1996
Worn by James Hird during the 1996 AFL seasonThis item is significant because 1996 was the year that Essendon champion, James Hird, won the Brownlow Medal.Black leather left football boot, white stripes and blue feature panels on sides; base has a Reebok label and is moulded and has 12 stops of various sizes inserted; black bootlace is threaded through the holes on top of boot."5" has been written in ink on back and sidesjames hird, football boots, essendon football club -
Essendon Football Club
VFL premiership medal in display box, 1901 (medal)
Medal was awarded to Bill Griffith as a member of the victorious Essendon premiership team in 1901; put into presentation case by Jack Griffith, Bill's sonCircular gold 1901 VFL premiership medal. Engraved "VFL" logo has been cut out in centre of circle leaving a thin border; "Essendon F. C." engraved on top part of border, "Premiers 1901" engraved on bottom part of border. Reverse has"Griffiths" [sic] engraved on top part of border. Medal has small loop at top which has a small metal ring through it; royal blue silk ribbon (not original) has been passed through ring. Medal is in a black leather case with clear plastic top, lined with grey suede, with a metal lock at front. Gold metal panel has been attached to bottom edge of case top with "Donated by Jack Griffith" in black letters. Two more gold metal plaques have been attached to glass from the inside with grey plastic tape; top plaque has "1901 premiership medallion" in black text, and bottom plaque has " "Griffith, William (Ess.) - 1899-1913" with details of his career in black text. Black and white photocopied photo of Griffith has been attached to bottom of case next to the medal. Key to the lock is also in the case.Engraved "VFL" logo has been cut out in centre of circle leaving a thin border; "Essendon F. C." engraved on top part of border, "Premiers 1901" engraved on bottom part of border. Reverse has"Griffiths" [sic] engraved on top part of border.griffith, bill; essendon football club, vfl premierships, premiership medals -
Essendon Football Club
Commemorative medal, W. Brown, 1923 Premiership medal, 1923
Medal was awarded to Bertie WollacottThis item is of historic significance because medals were only awarded to the players in the premiership team and senior officials of the Club at the time. Bertie Wollacott played 11 games for Essendon between 1918 and 1921 and was Honorary Treasurer from 1922 to 1927.Circular gold medal with small scroll and loop at top and larger metal ring through small loop; centre of medal has been cut out leaving E F C; E is coloured with red enamel; F and C are coloured with black enamel; each letter is outlined in gold. Border of medal has been treated to resemble rose gold.Top half of border has "Premiers" printed in black text with "V.F.L. 1923" printed in black text in bottom half of border. Reverse is engraved around border with "B. E. Wollacott Hon Treasurer", stamped "W. Brown" and "18ct".essendon football club, bertie wollacott, premierships, medals, 1923, victorian football league -
Eltham District Historical Society Inc
Photograph, The Rose Stereograph Company, Eltham Road. Greensborough, c.1936
Believed to be looking east along Eltham Road towards Eltham from around the top of the hill near the present day Andrew Yandell Habitat Reserve. Eltham Road, Greensborough followed what is now St Helena Road from Main Road Greensborough running into Karingal Drive and Sherbourne Road finishing at Bridge Street, Eltham. It was renamed sometime between 1968 and 1970. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 13.9 cmEltham Road, Greensboroughpostcard, travel, rose stereograph company, glass plate negative, greensborough, cutting, eltham road, karingal drive, st helena road, peter and elizabeth pidgeon collection -
Linton and District Historical Society Inc
Photograph, Todd and Webb Families in Cars, 1908
Another copy of this photograph, owned by Judy Maddigan has the inscription: "Taken about 1907 8HP De Dion / Ford owner Dr A.B. Webb / Bill Todd driver of De Dion / Doctor Webb inside Ford /First two cars in Linton / No number plates No Licences / The policeman Mr Robinson asked me / for 2/6 he said Bill you have to have / a Licence to drive these cars so / I never went through a test/ for a Driver's Licence / My licence is in the 2000 mark". Inscription signed: "Wm Todd". Black and white image which shows a man and a woman driving in a Ford motor car, following a man and three children driving in a De Dion motor car. One car is an 8 horsepower De Dion driven by W.J. Todd. The other car is a Ford driven by Dr. Webb at Linton. No driving licence was in force in 1908. The cars have no number plates.vehicles, dr. a.b. webb, william joseph todd -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, David Endacott, 1971
Colour print of a Ballarat single trucker en route for the Gardens, just past St Aidans Drive during Winter 1971. Photo taken from partly within Lake Wendouree, looking at the tramcar through the trees, which has passed the photographer. See also Reg Nos. 1279 and 1280 for related images. On Kodak paper. Not the same tram as on 1279 or 1280 as it has a SEC and Eureka Tiles roof ad. Original film image scanned at 3200dpi 12/5/2020.On rear in blue ink "Lake Wendouree" and in top left hand corner "1971".ballarat, lake wendouree, st aidans drive -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, David Endacott, 1971
Colour print of a Ballarat No. 13 en route for the Gardens, just past St Aidans Drive during Winter 1971. Photo taken from partly within Lake Wendouree, looking at the tramcar through the trees, which has passed the photographer. See also Reg Nos. 1278 and 1280 for related images. On Kodak paper. Would appear to be the same trams as in 1280 as it does not have a roof advertisement. Original film image scanned at 3200dpi 12/5/2020.On rear in blue ink "Lake Wendouree" and in top left hand corner "1971".ballarat, lake wendouree, st aidans drive, tram 13 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, David Endacott, 1971
Colour print of a Ballarat No. 13 en route for the Gardens, just past St Aidans Drive during the winter of 1971. Photo taken from partly within Lake Wendouree, looking at the tramcar through the trees, before it has passed the photographer. See also Reg Nos. 1278 and 1279 for related images. On Kodak paper. Tram has a Twin Lakes advertisement on the front dash panel. Homes along St. Aidans drive can be seen in the background. Original film image scanned at 3200dpi 12/5/2020.On rear in blue ink "Lake Wendouree" and in top left hand corner "1971".ballarat, lake wendouree, st aidans drive, tram 13 -
Ballarat Tramway Museum
Film - Movie Film & Box, Kodak, 1960
Yields information in movie film format of Ballarat trams in 1960, how the system operated and was used by people., Yields information in movie film format of Ballarat trams in 1960, how the system operated and was used by people.Movie film - 8mm, approx. 30mins, with leader strip on a plastic reel, within a black and white plastic box, titled "Ballarat No. 1. 1960". Has been transferred to DVD - see Reg item 4100 as Segment No. 2. Made by Ben Parle. Also transferred to DVD by Rod Cook Oct. 2015, via Roger Greenwood for use in his DVD, "The City of Ballarat Trams, Gardens & Gold" of 2016. See Reg Item 6883. Synopsis: based on time. 0:00 View of typed introduction, noting that this is a pictorial record of Ballarat. 0:10 Title “The Tramways of Ballarat 1960, Part 1” 0:16 13, showing “View Point” at Stones Corner, Bridge St, east end, with trolley pole being turned, while another single trucker heads out towards Mt Pleasant. 0:25 13 leaving Stones Corner, short approach and then longer trailing shot of the tram going towards the City in Bridge St. 0:44 View out of front of tram in Bridge St heading towards the City, with cars in the photo, then passing through city Loop, no trams in the loop and running up to Lydiard St Nth and crossing the road. 1:22 Running up Sturt St from Armstrong St, passes over Dawson St X-over and up to the next intersection, Lyons St. 1:54 Title “The View Point Line” 1:59 19 inbound, in Ripon St, from crossing Mair St, towards camera and then passing away and turning into Sturt St. 2:49 View of a “Warning Oncoming Trams” sign 2:52 19 in Ripon St, going to View Point, crossing Webster St towards camera, then going away through the disconnected Victoria Ave loop, pass the “Warning Oncoming Trams” sign. Note very windy scene with people running across roads. 3:17 19 in Wendouree Parade, in bound, though showing destination View Point, going away from the camera, past the View Point Hotel. 3:39 19 coming towards camera near Excerpt or Devon St and then going away towards the terminus. 4:04 19 at the terminus, stationary, with a single trucker 3?, passing from Macarthur St into Wendouree Parade, behind 19. 4:20 33 coming towards camera in Wendouree Parade from St Aidans Drive, stopping to pick up passenger at Forest St and then going away towards the City, photographed from near the depot, on a wet and windy day. 4:54 35 in Wendouree Parade, coming towards the Camera from St Aidans Drive and then going away with the Gardens Loop area in the background. Tram stops at stop to let a passenger off. 5:28 21 leaving Gardens Loop for the City via the Depot, green light in signal can be seen. 5:43 28?, closely followed by 26 turn from Drummond St South into Sturt St. 6:18 Scene opens with shot of “Sebastopol” destination on a bogie tram. 6:21 Title “The Sebastopol Line” 6:24 21 turning from Sturt St into Drummond St Sth with destination of Bell St and then going away from the camera. 6:55 38 in Drummond St Sth, coming towards the camera and then passing the camera with Sturt St just in the view. 7:10 21, showing Gregory St, in Drummond St Sth, approaching and then going away, entering the Urquhart St Loop, 7:39 34 in Drummond St Sth (location check required (Latrobe?)), approaches camera, picks up passengers and the goes away. 8:09 39 at ? Street, turns from Drummond St Sth into Skipton St, after picking up and setting down passengers, bound for Sebastopol 8:55 35 inbound in Skipton St passes through the Bell Street Loop, and then goes away from the camera. 9:33 42 outbound in Skipton St, approaches the camera, passes and then crosses over the half the road into Albert St. 10:00 39 inbound in Albert St – location? 10:31 34 outbound for Sebastopol, approaches camera and just starts to pass by. 10:36 34 in Grey St crossing loop, crosses 42 inbound. 10:59 39 outbound in Albert St, with shopping centre in bound, approaches camera, passes and then crosses over Albert St. Mid morning scene. 11:39 39 inbound, Albert St south, approaches camera and then passes and the crosses over Albert St. 12:16 41 outbound in Albert St passes the camera, and pulls into the terminus with the conductor getting out on the back bumper to pull the pole down as the tram stops and a passenger walks into the Royal Hotel. 12:39 Title “The Lydiard Street North Line” 12:44 Filmed from the Hotel balcony, 21 inbound in Lydiard St Nth passes over Mair St, stops while 33 passes in the other direction. 13:18 With the red light showing on the Seymour St loop signal, 33 inbound for Sebastopol stops and picks up many passengers, passes the camera and runs past the VRI building in the background and through the loop. Possibly filmed on a Sunday given the ladies dresses and quieter streets. 14:01 30 outbound, passes the camera and stops at Macarthur St. Filmed alongside the brick wall of the cutting. 14:28 30 inbound arrives, passes through the Gregory St loop and then proceeds past the camera, making a stop to pick up passengers. 15:14 28 in Lydiard St Nth – location?, approaches and goes away from the camera, north of Gregory St. 15:34 28 ditto location? 15:53 21 arrives at the terminus with passengers getting on and off. 16:11 View of the a vertical positioned “End of Section” sign on a pole at the terminus and then lifting the camera to see the timetable board and the stop sign. 16:33 31 in Bridge St passing Morseheads and then turning into Sturt St, stops at the Grenville St stop, while another single trucker comes down to the stop from the City. 16:58 31 outbound in Bridge St, with destination of Victoria St. 17:14 Title “The Victoria Street Line” 17:18 31 outbound to Victoria St from Stones Corner. Starts with an overhead shot, shows clock at the Caltex service station,. 17:37 31 inbound approaching Bakery Hill and then descending to the junction after it passes camera. 18:09 25 climbing outbound in Victoria St, passing the camera, to then pass through the King St loop. 18:47 25 inbound in Victoria St, passing the camera, then pass through the King St loop, with St Alypius Church in the background. 19:36 14 approaching the rail bridge in Victoria St and stopping at the 2nd last stop to left of passengers. 20:01 14 leaving the terminus and approaching the camera and the a short sequence going away, to the next stop to pick up quite a few passengers. 20:14 “Trams Stop Here” sign, metal wrap around on a steel pole. 20:16 Title “The Mount Pleasant Line” 20:21 11 inbound in Main St, with a passenger leaping off the tramcar and another getting off just before the junction. 20:45 11 passes the junction and then proceeds away from the camera in Bridge St. 21:04 30 outbound in Main St, then turns into Barkly St, a bus (Eclipse Motors) passes in Main St just before the sequence ends. 21:31 30 inbound near Steinfield St. (exact location?) 21:49 25 approaches the camera, then proceeds away and passes through the Grant St. loop. 22:29 25 inbound, windy day, between Grant and Cobden, (exact location?), with a horse drawn bread van in the view and the breadman walking behind the tram as it passes. 23:02 11 outbound in Barkly St, (exact location?) 23:37 11 inbound in Barkly St (exact location?) 23:44 Mt Pleasant terminus signage 23:50 30 approaches the terminus and then stops with the conductor alighting turning the pole, passengers getting on and off and the driver appearing at the other end. 24:32 Title “The Gardens Via Sturt St. West Line” 24:35 21 outbound in Sturt St near Raglan St, approaches and passes the Camera. 25:09 12, showing City Oval, approaches and passes the camera, outbound near Windermere St. 25:33 13 showing View Point, goes away from the camera – location? 25:44 12 comes from St. West, inbound passes the camera and then stop as the next stop next Talbot St? 26:21 Short sequence of a “Warning Oncoming Trams” sign 26:28 42 inbound in Sturt St West, just before Ripon St, view coming towards camera and then going away to cross Ripon St. 27:10 34 passes through the Parker St loop 27:25 35 or 39 inbound past the college in Sturt St West 28:04 41 outbound at the Russell St curve, passes away from the camera. 28:11 35? inbound passes away from the camera through the Victoria Park or Morrison St loop, swinging out into the roadway. 28:29 View of timetable sign at Hamilton Ave. 28:37 35 turning from Sturt St West into Hamilton Ave, can see the conductor changing over the barrier rails. 29:11 42 inbound, crosses another bogie tram (35?) at Carlton St loop then passes the camera and goes past the Olympic rings monument. 29:42 12 approaches the Carlton St gates. 30:07 12 outbound, crosses a bogie tram in the loop with both trams then leaving the loop. 30:20 Title “End of Part One” Written labels giving title information on outside of box.trams, tramways, ballarat, sebastopol, lydiard st north, victoria st, mt pleasant, sturt st west -
Wodonga & District Historical Society Inc
Functional object - Hand operated seed broadcaster
Seed broadcaster were used to distribute seed across a small area or to fill in patches where seeding has been missed. This method does not ensure a uniform distribution of seeds unless the person using the machine walks at a very measured pace. It also requires a lot of time and manual labour if used in larger areas. It was most used for planting cover crops, grains, grasses and similar plants that do not need to be in neat rows. The hand-crank broadcast seed spreader was invented in 1868 by Samuel S. Speicher (aka. Spyker) in Indiana, USA. By 1955 new developments included the invention of a seed broadcaster on wheels and these smaller spreaders started to disappear.This item is representative of agricultural machinery used on a local, national and international level in the late 19th and early 20th century.A metal hand seed broadcaster. A hopper at the top was the receptacle for seed. The wheel with a handle on the side when turned drives the cogs attached to an axle. This action rotates the attached spindle with blades to propel seed out the front of the broadcaster. The broadcaster would have had a shoulder strap and a bag of seed would have been added to the hopper and secured with twine through the holes around the top.agricultural tools, farm machinery -
The Mrs Aeneas Gunn Memorial Library
Book, Robertson and Mullens, Adriatic adventure : Italian barbed wire and beyond, 1945
Here in brief compass is the thrilling tale of air crew adventure told by its navigator, who was one of three Australian in a crew of six manning a Marauder aircraft operating from Africa over the Mediterranean. The aircraft becomes involved in combat, in which two enemy fighters are drive off, one emitting clouds of smoke; but the Marauder, too, is crippled, and comes down in the Mediterranean near the Italian Island of Ustica. Rescue from the sea is followed by the rigours of captivity in Fascist barracks and compounds, of travel through Italy, of sharing British air raids with their captors, assuming careless ease while their musical comedy soldier captors cannot conceal their unease. An ingeniously planned escape is successful; five prisoners break from the compound, and this party, with intrepidity and endurance, gain a liberty which is also a life of great hardship. Italian peasant life provides great interest, and friendly folk protect the adventurous band from the Fascists, while they meet at the coast a mysterious English Captain, who later proves to be a Commando officer on a mission; when this mission is accomplished, and not before, he helps the several groups of escapees to liberty. A motor torpedo boat calls at midnight and, within six months, home in AustraliaIll, p.87non-fictionHere in brief compass is the thrilling tale of air crew adventure told by its navigator, who was one of three Australian in a crew of six manning a Marauder aircraft operating from Africa over the Mediterranean. The aircraft becomes involved in combat, in which two enemy fighters are drive off, one emitting clouds of smoke; but the Marauder, too, is crippled, and comes down in the Mediterranean near the Italian Island of Ustica. Rescue from the sea is followed by the rigours of captivity in Fascist barracks and compounds, of travel through Italy, of sharing British air raids with their captors, assuming careless ease while their musical comedy soldier captors cannot conceal their unease. An ingeniously planned escape is successful; five prisoners break from the compound, and this party, with intrepidity and endurance, gain a liberty which is also a life of great hardship. Italian peasant life provides great interest, and friendly folk protect the adventurous band from the Fascists, while they meet at the coast a mysterious English Captain, who later proves to be a Commando officer on a mission; when this mission is accomplished, and not before, he helps the several groups of escapees to liberty. A motor torpedo boat calls at midnight and, within six months, home in Australiaworld war 1939-1945 - aerial operations - australia, world war 1939-1945 - prisoners of war -
Ballarat Tramway Museum
Document - Display Board with mounted signs, Peter Lambert, 23/04/2020 12:00:00 AM
Set of 12 A3 proofs, colour, for comment in a large envelope with notes on the outside written by Dave Macartney of the almost final versions of the 12 panels that were installed in Shelters through a Public Records Office of Victoria grant during March 2020. Designed by Peter Lambert Design. 1 - Depots backed by Victoria St 2 - Tram Types - backed by the Mt Pleasant Line 3 - Beginnings backed by the Lydiard St Line 4. - Conductors backed by the Sebastopol line 5 - Carlton St backed by Trams in the City 6 - The Gardens backed by The Gardens lines. The final version for the two at St Aidans drive were changed following Council consultation into a different sized panel but with the same content. Image files are those from Peter Lambert that went to the panel makers. Panels by The Sign Shop The image files are not opened by this program. trams, tramways, displays, interpretation, pro, grants, st aidans drive, gardens, depot, tramcar design, carlton st, world war i -
Melton City Libraries
Photograph, Edna and Bon's family camp trip at Apollo Bay, 1948
Wendy Barrie's memories of Apollo Bay The camping trips were a yearly event after the harvest had finished. The trip down to the beach was a much-anticipated event heading out through Parwan and to Geelong leaving behind the hot and dusty plains and our parents relieved to have the hard work of harvesting left behind. The Otways in the distance were reached with great anticipation, Mum in the car and Dad in the Truck ahead of us anxiously winding through the narrow roads and negotiating the hairpin bends and breathing in the cool fresh air of the forest, and keeping an eye out of the log trucks that might come sweeping the corner. The tree ferns with their dripping moisture and the giant trees and the unmistakeable small of the eucalypts. Great excitement was when we caught our first view of the sea from the highest point of the road and then is was the cautious drive the sea level to the sight of the blue ocean with the white of the waves crashing on the rocks and the pristine sand. The water from the Wild Dog and Skenes creek trickling onto the ocean. The tree ferns with their dripping moisture and the giant trees and the unmistakeable smell of the eucalypts. The return journey was usually taken on the Great Ocean Road, it was considered safer to be on the inside of the road. In the early days it was very narrow and passing oncoming cars was taken very cautiously. Landslides and floods sometimes meant we would take the inland route. One year the bridges were washed away and bailey bridges were erected to keep the road open. Rock falls off the cliffs were common Stops on the way home gave us our last chance for our feet in the sand and a swim in the ocean. By the time we reached the hill at Angle Sea the vast blue ocean was behind us and we trekked back through Geelong- Bacchus road and the plains of stubble and the dry grass, and sometimes evidence of burnt patches from a bush fire. The closest we came to a pool at home was the concrete sheep trough at the gate to the work sheds. It was filled with bore water pumped from the nearby windmill. Edna, Bon and their family members at their camp site in Apollo Baylocal identities -
Kew Historical Society Inc
Functional object - Bone, Chrome & Steel Boutonneur, 1888-1914
A 'Boutonneur' or Buttoner; is an instrument wherewith buttons are pulled through their o'er-strait holes. To use the implement on a shoe, one firmly grasped the handle, and then inserted the steel hook through the eyelet, grasping the button and pulling it through.Bone and metal button hookfootwear accessories, button hooks, boutonneurs, buttoners -
Kew Historical Society Inc
Functional object - Button Hook, L G Gert Shoe Company of Seattle, 1900s
A 'Boutonneur' or Buttoner; is an instrument wherewith buttons are pulled through their o'er-strait holes. To use the implement on a shoe, one firmly grasped the handle, and then inserted the steel hook through the eyelet, grasping the button and pulling it through.Metal Button hook made by or promoting what appears to be LG Gert Shoe Company of SeattleLG Gert Shoe Company of Seattlefootwear accessories, button hooks, boutonneurs, buttoners -
Kew Historical Society Inc
Decorative object - Pair of embroidered doilies, 1950 - 1960
In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauSet of two white embroidered doilies. Scalloped edge has crotcheted finish. An embroidered leaf and half flower pattern on two opposing corners and embroidered quarter flower on the other two corners. There is an embroidered flower in the centre. There are six sets of embroidered holes to thread a ribbon through to gather the larger doily.doilies, household linens -
Kew Historical Society Inc
Clothing - Embroidered Hostess Apron, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black hostess apron embroidered with sprays of leaves using orange and yellow silk thread. The apron is bordered by commercial guipure lace. The apron is backed by the same black fabric. While the leaves are embroidered on the upper layer only, the pocket is embroidered on/through both layers.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s