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Ballarat Tramway Museum
Functional object - Destination Roll, NSW Department of Road Transport and tramways, Sydney Eastern Suburbs
Destination roll for South East part of Sydney on Linen 13 sections joined by sewing with destinations painted on in capital letters and colours. At top of blind, 3 new section shave been sewn on. See page 76 of Kennan, "The Eastern Lines" See reverse of original catalogue worksheet for listing of destinations. See p76 of "The Eastern Lines", David Keenan, Transit Press, 1989 p32 fold out of "Tramways of Sydney", Kennan, Transit Press, 1985 reprint.tram, trams, sydney, eastern suburbs, destination roll -
Melbourne Tram Museum
Sign, Preston Workshops, "Tram 829", Sep. 1986
Cast brass with raised capital letters for use on Tram 829, when it was part of the "Transporting Art" program - "Transporting Art a project by the Victorian Ministry of Transport and the Ministry for the Arts / Tram 829 Designed by Students of the Primary Correspondence School to commemorate International Year of Peace Artists Megan Evan and Eve Glenn 16 September 1986" Has six mounting holes. Front of sign painted in silver paint, letters finished in black. Two copies held On rear:trams, tramways, signs, castings, transporting art, tram 829 -
Melbourne Tram Museum
Book, Australia Post, "Capital City Transport", 1983
Book - 16 pages, perfect bound, titled "Capital City Transport", containing five sheets of four stamps and a short note about each city transport means - Sydney Ferries, Melbourne Trams, Sydney Trains, Perth Trains and Adelaide O'Bahn. Printed and published by Australia Post 2012, priced $12.95 on rear cover. The Melbourne stamps and photos feature W2 529, 266 and on the stamp - SW6? Image credits on the last page - mostly National Archives.Has "K. S 22-2-12" in ink on the top right hand corner of the first page.trams, tramways, buses, trams, ferries, melbourne, sydney, adelaide, perth, stamps, w2 class -
Bendigo Historical Society Inc.
Textile - Triangular bandage
24 June 1883 is recognised as the establishment of St John Ambulance in Australia. St John Ambulance is a community-driven organisation with a 140-year history of providing First Aid in Australia.St John's Ambulance Association triangular fabric bandage with a number of illustrations of entire bodies or faces, showing how this bandage could be used in the event of injuries to various body parts. The fabric is labelled (black capital letters) BASE / ENDX / SIDEx2? POINT and two drawings of face and body read "FRONT VIEW and BACK VIEW. Numerals indicate different bandaging techniques and full figure or partial figure drawings that show how these bandages are applied to injured limbs or torso.Symbol of St John's Ambulance Association in dark black on top point of bandage.first aid, bandage, st john's ambulance -
Bendigo Historical Society Inc.
Painting - 180 MINE BATTERY
The remains of the 180 mine battery as painted by Alfred Perry in 1959. This is a watercolour and indian ink sketch on card. Yellow card attached with painting states: ' George Lansell Exhibit No 4. The remains of the 180 mine battery as painted by Alfred Perry in 1959. It was from the 180 that George Lansell laid the foundations of his fortune and indeed the fortunes of the district. With his capital behind the field mining flourished for nearly one hundred years and ensured employment for the many miners in the district.'Alfred Perryartwork, print, mining heritage, alfred perry, mining battery, 180 mine, victoria hill -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. DIGGERS AND MINERS, c1850s
Diggers & Mining. Diggers and miners. In some localities, diggers formed co-operative parties to mine for gold in a small way. But, in general, the exploration of deeper deposits was outside the capacity of the diggers, who lacked both the capacity of the diggers, who lacked both the capital and the technical knowledge required. So wealthy men formed gold mining companies, which established gold mines to exploit the deeper deposits. Markings: 23 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Document - NORMAN OLIVER COLLECTION: MAYOR SPEAKS 27 MAR 1965
The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Three typed pages titled 'Mayor Speaks: March 27 1965. Topics include : garden party at Government House, Capital Theatre concert in aid of the Masonic Hospital, visit of the Archbishop of Canterbury, painting of the Town Hall ceiling, Commonwealth Youth Sunday, importance of the Ordnance Factory to Bendigo, and the success of the Home Decorator course at the Town Hall.bendigo, council, report, norman joseph oliver , councillor norman oliver. mayor of bendigo. ordnance factory (bendigo). -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Large folded pale yellow card a border ofbrown branches and small brown birds of various shades. At the top on the right is a brown/yellow house with a snowman and a black cat outside in the snow. On the left with a red capital S and the rest printed in black is printed 'Silent night'. At the bottom are three verses and the music for Silent Night by Joseph Mohr and Franz Gruber. At the fold at the top are three holes with a gold cord with tassels on each end for hanging the card.Holly Hobbie by Sandsperson, greeting cards, malone collection, malone collection, greeting cards, joseph mohr, franz gruber -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1983
Document. Greeting Cards. Gold card with cream rectangle in the centre. Around the gold border are white flowers, holly and red berries. Printed on the cream rectangle is a verse titled 'One Solitary Life'. The capital O is red inside a gold square with holly leaves in the bottom corners and stars in the top corners. In the centre of the O is a scene with brown buildings, blue sky and green palm trees. There is a large white star in the sky above the buildings. More verses printed in red on the inside.John Sands Greetingsperson, greeting cards, malone collection, malone collection, greeting cards -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 24.06.1971
The photograph was taken in front of the Royal District Nursing Service (RDNS) Service Centre at Chessell Street, South Melbourne. The three men are employees of RDNS who work in the RDNS Service Centre and are looking at a donated Van.In May 1971 the Commission Shop donated a Van to the Royal District Nursing Service (RDNS), to be used by the Maintenance crew for delivery of equipment and transporting goods and documents between RDNS Centres and Headquarters. It was also used for transporting Maintenance staff, and the equipment they required, to do maintenance work at RDNS Centres as needed. The Commission Van was kept at the RDNS Service Centre, at Chessell Street, South MelbourneBlack and white photograph showing, Mr. Pincher, who has curled hair and is standing on the left in front of a white Van looking at a sign on its centre front. To his right is Mr. J. Grigg, who has dark hair, and is standing between the open Van door and the body of the Van; he is pointing with his right index finger to the sign. On the right in front of the Van is Mr. J. Greet who is touching the wiper blade on the Van with his right hand and is also looking at the sign.The three men are wearing grey work coats over their clothes. Only the front and a little of the roof of the Van can be seen. The attached rectangular white sign with dark capital letters reading "Donated By The Commission Shop May 1971" sits in the centre of the Van above a black thin oblong sign with a centre white section containing a black capital "N". Only the left headlight can be seen and the grill below this; below that the black Number plate with white writing "KWH 727" is seen. Parts of buildings can be seen in the background.Photographers stamp. Quote No. KH 79royal district nursing service, rdns, rdns maintenance, rdns transport, rdns commission van, mr pincher, mr j. greet, mr j. grigg -
Orbost & District Historical Society
Memento for Vietnam Veterans National Memorial, 1990s
The Australian Vietnam Forces National Memorial is located on Anzac Parade in Canberra, the Nation's Capital. In May 1988 the Federal Government announced its support for the project. In August 1988 the first official Vietnam Veterans’ Day was held. In September, the Minister for Veterans’ Affairs, Ben Humphries, launched two television commercials designed to encourage donations and handed over a cheque for $12,500. Subsequent support from the Federal Government brought this to $250,000. However the bulk of the funds cam from public donation, together with some corporate sponsorship. The final cost for the memorial was just over $1.2 million. (info. from Vietnam Veterans association of Australia web-site)This item is significant in that it is a reminder of the history and experiences of the veterans of the Vietnam War and the enduring impact of the war on society.A framed momento of Vietnam War. Medallion is inset into red coloured card over mount board. It is double sided so that the medallion can be viewed from both sides. Silver raised lettering on rectangular black ribbon: "For Those Who Served Suffered and Died - Vietnam 1962 - 1973" Black lettering on red card: "This Commemorative Medallion was presented to the Orbost Shire Council by the Vietnam Veterans Association in recognition of the generosity of the people of the Orbost Shire, the Shire Council and the local R.S.L. in raising $1000, toward the building of the Vietnam Veterans National Memorial in Canberra. This Shire was the first area in the state to raise $1000." On front of medallion: "In Appreciation For Your Support" On reverse side of medallion: "Australian Vietnam Forces - National Memorial"vietnam-war war-momento war-plaque -
Warrnambool and District Historical Society Inc.
Fezz Hat, Mid 20th century
This hat is one commonly called a fez but there are many variations of the style and colour and many different names according to the country or group wearing this type of hat. The name fez comes from the city of Fez, the capital of Morocco up to 1927. This style of hat was part of the traditional clothing of Cyprus and introduced into the Balkan countries in the Byzantine era. In the early 1800s it was made part of men’s clothing by the Sultan of the Ottoman Empire and was used particularly as part of the military uniform. Today in military circles it is used as part of a dress uniform only but is extensively worn by men in many countries and is now seen to be part of oriental cultural identity. This particular fez appears to be a theatrical prop.This hat is not an authentic one, being a theatrical piece, but it will be useful for display.This is a short cylindrical peakless hat made of cardboard covered with a burgundy-coloured felt. There is a black tassel attached to the top and hanging down the side of the hat. The inside of the hat has a green and white striped material around the edge and patterned material covering the rest of the inside. ‘8’men’s headwear, history of warrnambool -
Glen Eira City Council History and Heritage Collection
Flyer, The Craftsman Press Pty. Ltd, 1941
This flyer is entitled "City of Caulfield / Notice of Intention to make and Levy a General Rate" and served to notify residents that the Council of the City of Caulfield intended to "make and levy a General Rate of four and a half pence in the pound on the unimproved Capital Values of all Rateable Properties in the Municipal District and of 1/11.65 in the pound on the Annual Values of all Special Rateable Properties in the Municipal District for the Year ending the 30th September, 1942" at its meeting to be held at the Town Hall of Caulfield on Tuesday 23rd of December, 1941. The flyer bears the name of the Town Clerk, James R. Briggs. The flyer was printed by The Craftsmen Press for City of Caulfield, and is dated 17th December, 1941.Single page flyer printed on buff paper with black ink. Entitled "City of Caulfield / Notice of Intention to make and Levy a General Rate" -
Glen Eira City Council History and Heritage Collection
Flyer, 1934
This flyer is entitled "City of Caulfield / Notice of Intention to make and Levy a General Rate" and served to notify residents that the Council of the City of Caulfield intended to "make and levy a General Rate of four and a half pence in the pound on the unimproved Capital Values of all Rateable Properties in the Municipal District and of 2/3 in the pound on the Annual Values of all Special Rateable Properties in the Municipal District for the Year ending the 30th September, 1935" at its meeting to be held at the Town Hall of Caulfield on Tuesday 11th of December, 1934. The flyer bears the name of the Town Clerk, James R. Briggs. The flyer was printed by The Craftsmen Press for City of Caulfield, and is dated 4th December, 1934.Single page flyer printed on buff paper with black ink. Entitled "City of Caulfield / Notice of Intention to make and Levy a General Rate" -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Traditional Diamond Design, Pick and Gold Cloak (protection and survival of our men and women), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong -
Warrnambool and District Historical Society Inc.
Album, Parliament House opening
This is an album used as a scrapbook to insert memorabilia of the 1927 opening of Parliament House in Canberra. The compiler of the scrapbook is unknown. The scrapbook includes small sepia-coloured photographs, a stamp, copies of photographs of the Duke and Duchess of York and a printed program of the 1927 Dedication of the Houses of Parliament. The photographs include the opening of Parliament House in 1927, the N.S.W. Mounted Police, notable military men of the time, the Melbourne escort for the Duke and Duchess of York procession and some views of Canberra. The states of Australia were created in 1901 with the establishment of Federation and the Australian Parliament met at Melbourne from 1901 to 1927 when the Australian Capital Territory was created and the first Australian Parliament House was built. This album is of minor significance as the material concerns mostly the opening of Canberra’s Parliament House in 1927, a national event. One photograph, that of C.A. Rogers, has local significance. He was a Warrnambool man who was part of the Melbourne mounted escort for the processional car of the Duke and Duchess of York in 1927 in MelbourneThis is a 12 page photograph album with a brown cardboard cover with the pages tied with brown cord. Front Cover: ‘Portraiture’canberra establishment, opening of parliament house in canberra 1927, warrnambool -
Wodonga & District Historical Society Inc
Photograph - Wodonga Atheneum
From 1870 onwards discussions took place in Wodonga concerning the best location for a building to house and reorganise the holdings of the Wodonga Literary Institute and Free Library. The Literary Institute, originally the Belvoir Literary Group, had been formed prior to 1861 and changed its name with the renaming of the town in 1869. In 1873 a meeting was held to consider the re-organising of the Wodonga Literary Institute and Free Library as “there were a goodly number of valuable books and other property belonging to the Institution but they were not used, and it was a pity to see such valuable works and sketches shut up in a back store getting spoiled”. In October 1885 the Wodonga and Towong Sentinel reported that the Wodonga Athenaeum and Free Library committee were seeking a grant of £200 to add to the £200 already paid to purchase Hellerman’s buildings. In October 1886 the Wodonga Athenaeum in Hume Street was officially opened. It was designed by Gordon and Gordon, architects, and built by Stewart Bros. This building continued to house the Atheneum and its collection until 1915 when the new library in High Street was built. In 1916 the Athenaeum building was moved on drays drawn by Clydesdale horses, to 153 Lawrence Street and used as a private home since. The building is heritage listed. This image is one of a collection of glass negatives taken by Robert Prentice. The negatives are clearly identified as he inscribed in the glass a back-to-front capital R (Я) on to which was joined a capital P creating his mark ЯР. On the glass he would also scratch the name Prentice where he could, in this case along the bottom of the picket fence.This image is significant because it housed the Wodonga Literary Group and Free Library, the first library building in Wodonga.Black and white image of old wooden house with tin roof. Trees and a picket fence are at the front of the house.Written below picket fence: Atheneum Wodonga, Prenticewodonga literary institute and free library, atheneum wodonga, belvoir literary group, robert prentice -
Kiewa Valley Historical Society
Bottle - Spirits, 1940's - 1950's
Gin came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles varied and were re cycled remaining the property of the manufacturer who paid for their return. Sealed with a cork. History of H & A Gilbeys Ltd.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing and shape.Clear glass bottle with a mottled pattern except on one side where there is a clear rectangle and above it the shape of an elongated heart. The other side is heavily embossed with manufacturer. The first 2 lines across the bottle printed in capital letters below which is the manufacturer written as a signature and Ltd underneath. The shape bulges from the base one third of the way up then tapers gently for the second third to a straight neck. The top third finishing at the lip before the opening. At the bottom there is a short taper to a smaller base. the opening is for a cork seal.Side: 'This Bottle Always / Remains The Property of / J & A Gilbey / Ltd.' Base: centre: '2'gin, spirits, bottle, h & a gilbeys ltd -
Kiewa Valley Historical Society
Bottle - Cordial, 1940's
Cordial came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Brookes Lemos ltd.Historical: Change of Bottles - shape, glass, stopper, embossing. Bottle collectors. Aesthetic: Display showing embossing and shape Clear glass bottle curved on 1 side with criss cross pattern two thirds of the way up surrounding a clear oval shape with narrower ends top and bottom. The other side is made up of 3 flat 'pieces' each with print in capital letters, heavily embossed. On 1 of these flat sides below the writing is the 'outline picture' of a 'boy' holding a similar bottle. Above these sides the bottle becomes round and tapers with vertical embossing to a double lip, a neck and then another double lip with a screw for the top.Printed from top to bottom: 1 flat side: 'Regd Design No 9072 Australia No 8449 India / No 689933 Great Britain No / 1926 Union of South Africa / No 57737 U S America No 1921 New Zealand Regd 1925 Canada / Only Contents Sold'. Middle flat side: 'Brookes Lemos Limited / Manufacturers of / Lemos / Registered Trade Mark' Third flat side: 'This Bottle is the Property / Brookes Lemos Limited and / Cannot be Legally Used / By Others For Any Purpose.' Also outline picture of boy Base: 'F380'cordial, drink, bottle, brookes lemos ltd. -
Kiewa Valley Historical Society
Bottle - Sauce, 1940's
Sauce came in bottles bought at the local grocery store or a large city store on a shopping expedition. The shape and embossing of bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Fowlers Vacola Mfg Co Ltd..Historical: Change of bottles - shape, glass, stopper, embossing Aesthetic: Display showing embossing, size, and shape.Small clear glass bottle with straight sides half way up before tapering to the lip and opening with a screw top. Straight sides have heavily embossed vertical lines. On one side 2 long lines are bordered by short ones along the bottom and have varying lengths (slightly) along the top. On the other side there are 6 long lines slightly different lengths on either side of heavily embossed print in capital letters read from top to bottom of the bottle. Embossed on the base.Side: 'Property of Fowlers / Vacola Mfg Coy Ltd' Base: '169' with 'M' underneathglass bottle, sauce, household, fowlers vacola mfg. co. ltd. -
Kew Historical Society Inc
Photograph, 1st Kew Scouts - Adelaide SA Jan 1924, 1924
The group was most likely en route to the Australian Corroboree, which in 1924 was held at the Adelaide Exhibition Oval. The building in the background is likely to be the railway station, as travelling by train would have been the main method of inter-capital city transport in those days. The ‘Corroboree’ involved a large gathering of Scouts from across Australia. They would have pitched tents to live in, and participated in activities such as swapping badges, visiting the city, going on day trips, putting on concerts and displays, and spending time preparing their own meals.Adelaide SA Jan 19241st kew scouts, south australian corroboree 1924, kew - scouts -
Ballarat Tramway Museum
Sign, State Electricity Commission of Victoria (SECV), "Suggestions", mid to late 1960's
Demonstrates how suggestions to Management of the SEC depot were made by tram employees and has a strong association with the tram crews.Sign - made from sheet metal, folded and welded to provide a suggestion box for the Ballarat Tram Depot. Has the word "Suggestions" in large Red capital letters, a large tray or box for receiving the suggestions (not too sure how you got them out without undoing the sign and shaking the items - if any - out) and an area for an instruction to be displayed. Painted both sides in a cream colour (SEC tramway cream). Has two screw holes in the top corners. See Reg 3769 for a booklet on the SEC suggestions Scheme/Has pencil marked on the top horizontal white line "369375 2 ? and 309981 1 ? 18th Oct"trams, tramways, sign, sec, depot, crews -
Ballarat Tramway Museum
Badge - ESCo employee pass, Electric Supply Co. of Vic (ESCo)
Used by ESCo to enable identification of depot employees when travelling on the trams. Date made and when used unknown. Has hammer marks on rear of badge. See item 9038 for another example.Demonstrates a employee's free pass for travelling on Ballarat's trams.Handmade metal badge from brass sheet about 52 in diameter with a slot (long oval shape) about 23 long x 5 deep through which a leather strap about 100 long x 10 wide with a steel buckle is fitted. Stamped in capital letters on the badge are "BALLARAT TRAMWAYS" on the outside, "EMPLOYEES DEPOT PASS", in the centre of the badge, with the word "Employees" in a semi-circle. Near the bottom of the badge is the number "12", the one formed using an "I". The letters have been filled with a white paint.tramways, trams, esco, depot, employees pass, badges -
Flagstaff Hill Maritime Museum and Village
Functional object - Lead Ingots, circa 1878
History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. (See note section this document for Flagstaff Hills acquisition of the ingots.)The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Lead ingots (sometimes referred to as ‘lead ballast’ or ‘lead pigs), retrieved from the wreck of the LOCH ARD. Grey metal bars with flat base, rising in a curved moulded shape to form a smooth rounded upper face. The imprint of the maker runs along the upper surface in clearly legible capital lettering (height 3cm). The artefacts are stacked on wooden pallets and found in a number of locations at Flagstaff Hill Maritime Village. They are durable and heavy, with some dents and marine staining from their century of submersion, but generally in good condition. .Impressed into the top face “PONTIFEX & WOOD. LONDON”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lead pigs, lead ingots, lead ballast, pontifex and wood, london lead smelters, ingots -
Whitehorse Historical Society Inc.
Decorative object - Sampler, 2000
The design was offered by 'Better Homes and Gardens' magazine to celebrate the year 2000. The embroidery was done by Valda Arrowsmith and Valerie Birkett.Embroidered sampler in a wooden frame. The design was offered by 'Better Homes and Gardens' magazine to celebrate 2000. The design interprets all the inventions of the 20th century. It was worked in cross stitch by Valerie Birkett and Valda Arrowsmith. Their initials are above the Australian flag. The alphabet in capital and lower case is along the top with numbers 1-10 below them. Underneath are many 20th century inventions including television, sewing machine, radio etc. The Australian flag is at the centre on the lower edge. There is a border of wattle around the four edges.handcrafts, embroidery -
Melbourne Tram Museum
Photograph - Illustration/s, "Types of Tramcars used in Australian Capital Cities", 1921
Illustration - from an Australian magazine newspaper or journal titled "Types of Tramcars used in Australian Capital Cities", giving 7 images of tramcars. 1 - Adelaide F201 2 - Sydney O 1480 3 - Brisbane excursion car? 4 - Hobart 21 5 - Perth - large bogie tram 6 - Melbourne cable car set - outside Flinders St Station - North Carlton - St Kilda Beach 7 - MMTB - No. 125, route 18, Burwood destination, with conductor on a footboard. Source of the images unknown.trams, tramways, mmtb, melbourne, cable trams, flinders st, burwood, maximum traction, conductors, route 18, adelaide, sydney, hobart, perth, brisbane, north carlton, tram 125 -
Ballarat Tramway Museum
Sign, "Children's Carriages ....."
One of a group of signs that were fitted into tramcars in Ballarat, giving instructions to passengers about prams, behaviour, smoking, fare payment, talking to the motorman, instructions or information to drivers etc. Yields information about the sign manufacture, demonstrates the type of signs provided in tramcars.Enamel sign, black capital letters and lines on white background, titled "Children's Carriages which fold compactly may be permitted on cars at conductors discretion and owner's risk". One of a number similar signs donated to the Ballarat Tramway Preservation Society by the SEC following closure of the Ballarat Tramways system in 1971. Sign has a black enamel backing, with marks from the enamelling process. .1 - as above, rear of sign has many white paint brush marks enamelled into it - added 31/12/2010.trams, tramways, signs, prams, baby carriages, tramcars -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society: The Music Man
Items were personal items retained by a lady born in Bendigo in 1919 and who lived in Bendigo all her life until her death, aged 94 years.Program for Bendigo Operatic Society's production of The Music Man, at The Capital Theatre, Bendigo Commencing Wed 12th June 1974 for 8 nights 4 pages of paper, folded in half, stapled in the middle with double sided print on each page. Program is in black print with some red ink on middle & back pages, black & white photos of cast. Small labelled envelope with contents of 2 X tickets (orange colored) for performance on Thurs 13th June 1974, Ticket No's 17MM & 18MM. souvenir programme, bendigo operatic society -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: SHARE CERTIFICATE - UNITY GOLD MINING CO, 03/11/1899
Document. KELLY & ALLSOP COLLECTION. Share certificate issued by the Unity Gold Mining Company, No Liability, Garden Gully Reef, Bendigo. Certificate represents 50 shares at 25 shillings each. Capital raised 40,000 Pounds from 32,000 shares. Certificate No.1037 issued to Miss E.M.Hogan of Bendigo on 3 Nov.1899 and signed by G.H.Petrie, Manager. Pinned to the certificate is a handwritten receipt with a duty stamp dated 30/2/03, IOU Allsop & Co Twenty even pounds. Signed Elizabeth M Hogan.Unity Gold Mining Co.business, stockbroker, kelly & allsop, kelly & allsop collection, share certificate, unity gold mining co., elizabeth m.hogan, g.h.petrie -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: COMMERCIAL BANK OF AUSTRALIA NOTICES, 18/11/1926 to 19/12/1926
Documents. KELLY & ALLSOP COLLECTION. Two separate printed notices issued by The Commercial Bank of Australia Ltd., Collins St., Melbourne. Both dated 18 November 1926. (a) Recommendation to shareholders to increase capital of the Bank to 5 million Pounds by issue of 2 million shares at 10/- (10 shillings) each. Blank Proxy form attached. (b) Notice of Extraordinary General Meeting to be held on 9th December, 1926. Agenda relates to issue of shares as in (a). Both documents issued by H.L.Heron, General Manager.Commercial Bank of Australiabusiness, stockbroker, kelly & allsop, kelly & allsop collection, commercial bank of australia, shareholder notices.