The World War One windows in the Barkly Street Uniting Church resulted from a request made in 1919 from the Barkly Street Young Men's Club who raised money to pay for the project. The window was designed by the Fisher Company, and was unveiled on 14 March 1920 at a total cost of 171 pounds 10 shillings. The windows are considered to be one of the most remarkable war memorial windows in Victoria, and the 1800s English Gothic-style front facade is believed to be protected by a City of Ballarat heritage overlay. Historical experts believe the windows were designed by renowned stained-glass window-maker William Montgomery. The centre window depicts a young soldier bearing an Anzac badge underneath the British and Australian flags. The image of the solider is surrounded by 24 crosses, a single dove and a bugle. A number of colour photographs of the interior of the Barkly Street Uniting Church taken while the church was offered for sale.barkly street uniting church, barkly street methodist church, world war one, world war one memorial, stained glass, soldier, religion, church

Each Ward in the Melbourne District Nursing Society After-Care Hospital, at 45 Victoria Parade, Collingwood, had a Sun Room which was well lit by its many windows. This digital image is taken in one of the Sun Rooms and shows the type of hospital beds, furniture and the uniforms worn by Sisters and nurses in the 1930s.Melbourne District Nursing society opened the After-Care Home, situated at 39 Victoria Parade Collingwood in 1926 following a public appeal for funds. The name changed from 'Home' to 'Hospital' in 1934. The After-Care Home was originally established to provide nurse-managed convalescent care to poor and underprivileged people who could not look after themselves at home due to illness or on release from hospital. Opening in 1926, at a cost of £27,000, the home included maternity, children’s and adult wards as well as accommodation for Matron, twelve nurses and four domestic staff. In 1930 an ante-natal clinic was opened at the home. During 1934 the Women’s Welfare Clinic including, at the time, a very controversial Family Planning Clinic, the first of its kind in Australia, was opened to support women at risk following multiple and difficult pregnancies. Major extensions occurred in 1936. Each Ward in the After-Care Hospital at 45 Victoria Parade, Collingwood, had a Sun Room which was well lit by its many windows. Several donors gave money to furnish some of the Wards. Following Government intervention, the After-Care Hospital was separated from the Melbourne District Nursing Society in 1957. The District division of Melbourne District Nursing Society became the Melbourne District Nursing Service and moved to 452 St Kilda Road; later, in 1966, with Royal patronage this became Royal District Nursing Service (RDNS). The After-care hospital continued to operate at the same address in Collingwood until 1985 when it became the Melbourne Geriatric Centre. This digital Image shows six men patients and nursing staff in a Sun Room in the Melbourne District Nursing Society After-Care Hospital. In the left foreground is a low bedside cupboard, beside it is a man with short dark hair lying in an iron framed hospital bed with a white cover pulled up to his shoulders. A Sister, who is looking at the camera, is wearing a grey uniform with a white collar, and a white veil over her short dark hair; she is standing behind, and at the head of the bed with her right hand holding the vertical bar of the bed frame. Behind her is an open door and then a nurse wearing a long white apron over her grey long sleeved uniform; she has a white cap over her shoulder length dark hair and is looking at the camera. Both of her hands are resting on an empty cane chair. Next along is a man with a bandage wrapped around his head and over his left eye. He is wearing dark clothing and is sitting on a padded cane chair, as are the rest of the men in the room. To the rear, in front of four long windows, are another two men, one on the left has short white hair and is wearing light clothing, and to his right is a man with short dark hair and is wearing a dark dressing gown over light colour pyjamas. On his right is a large vase of flowers on a tall white stand. On the right hand side of the photograph are another two men with short dark hair and wearing dressing gowns; part of a wall with windows can be seen behind them.mdns, after- care hospital, melbourne district nursing society, rdns, royal district nursing service

Two copies of original photo, one sepia one black and white. Image shows store front, single door and three part arched window. Window has a display of lamps and other indistinct items. Man is standing in doorway LH side, wearing 3 piece suit and bowler hat. On pediment on top of store 'Baker", above window ' E. Cahill, Cash Store, Fruiterer and Confectionery'.bendigo, business, e. cahill, cash store.

This two story building was once The Victoria Bank, in Main Street Stawell later other businesses. Photo taken in 1991. The building now restored, and the home of Ron & Trudy Smith, who conduct a book exchange.Two black and white photographs of a two story brick building once The Victoria Bank and later a Book exchange. Doorways and windows on the ground floor have similar arch designs. The three top windows are rectangular in shape with a parapet on top of the building. One photo is a closer view of the building than the other. The photos may have been taken at different times as the window curtains appear different.stawell

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. No. 220 is NOT covered by the Heritage Overlay HO12 but the property has a number of similar features to those in the Estate.Colour photograph of a white rendered brick house with leadlight windows. Other features include a columned porch, striped awnings, black frames around the windows, chimneys, tiled roof and a high unpainted variegated brown brick fence beside the driveway.murrumbeena, houses, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, lead lights, stained glass, murrumbeena road, architectural features, jennings group limited, land subdivision, brick features, brick walls, chimneys, striped awnings

This photograph is of a former Oriental Bank & previously Bank of Australasia, built by Terry & Oaken c 1884. Its address is 171 Main Street Stawell and now occupied by O’Driscoll W. D. Solicitor. Black & white photograph of a two story building, brick and concrete rendered with parapet. Security bars on window on the ground floor. Top floor at the base of each window there are decorative wrought iron screens. On the path out the front is a concrete & timber seat. stawell business

This reproduction photograph was donated in 1986 during research for the first history of the school, 'The Westbourne and Williamstown Grammar Schools: A History of the First 120 Years (1867-1986)' by historian Joseph Johnson. It pictures female students in 1954. The students are pictured at Holy Trinity Hall which was situated behind the Holy Trinity Anglican Church, Nelson Place, Williamstown. The hall was located on the corner of Aitken and Pasco Streets, Williamstown, and was home to the school for 41 years from 3 February 1915. In 2008, Holy Trinity Williamstown approached the school to take possession of and relocate the heritage listed building, so that the church could redevelop its property.The relocation of Holy Trinity Hall was an enormous task and very large commitment by Westbourne Grammar to its heritage. Considerations included cost, relocation logistics, architectural conservation, modern building codes and educational facility standards. In 2010, after more than two years of process between the Anglican Church and Westbourne Grammar, including approval from Heritage Victoria and assistance from the Labour government's Building the Education Revolution program, the Holy Trinity Hall was moved to the Truganina campus and once again became a site of gathering and learning for Westbourne Grammar students. Black and white reproduction photograph. The image shows four rows of girls standing before a side wall of Holy Trinity Hall. A window is present behind the group of students and another window can be seen in the top right hand corner of the image.On the verso, "1954 Girls" in black ink and "79" in a circle in blue ink.

Colour photograph: National Hotel, corner of High Street and Violet Street, Bendigo. White painted exterior, brown painted name, brown awnings over windows, brown shutters alongside window. Photo appears approx early 1980's.bendigo, hotel, national hotel high street

Heavy parchment plan showing line drawing of arched window. Under window 'inside elevation', ground plan, scale one inch to the foot written in black pen. On bottom of plan: purple ink stamp 'Vahland & Getzschmann, Architects, Sandhurst'.Vahland & Getzschmann, Architects, Sandhurst.bendigo, house, fortuna villa

An orange coloured plastic cover with a window in it. Through the window you can read Vampire Aircraft. the manual is held together with a cream spiral binder. Written on the binder is AAP 7291-002-4 Vampire 1PB MK3B Seats in purple ink.royal australian air force, schedule of spare parts, escape facilities vampire aircraft, ejection seat

Piece of glass for a clock face, shaped like an arched window. Width 6?" Length 7?"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Piece of glass for a clock face, shaped like an arched window. Width 6?" Length 7?"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Piece of glass for a clock face, shaped like an arched window. Width 6?" Length 7?"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This was the Camp Kitchen in the Halls Gap Camping ReserveThe photo shows a stone building with glassless windows and an iron roof standing in a clearing with bush behind.structures, camp kitchens

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for - HO39 Tarqua and Stables, 1-3 Lirrewa Grove Caulfield South https://vhd.heritagecouncil.vic.gov.au/places/120932 as at (26/10/2020) "Tarqua", now "Lirrewa", is situated at nos. 1-3 Lirrewa Grove, Caulfield South, and was built in 1886 for Montague William Langdon, son of the merchant Joseph Henry Langdon of nearby "Rosecraddock". It is historically and aesthetically significant. It is historically significant (Criterion A) as one of the Langdon family residences, comparing in Glen Eira also with "Rosecraddock" at 10 Craddock Avenue (1857) and "Hengar" at 356 Glen Eira Road (1889-90). It is aesthetically significant (Criterion E) for its capacity to demonstrate the stylistic influences prevailing at the time especially for substantial residences. At "Tarqua", the design acknowledges the prevailing popularity of the Italian Style in the shallow hipped roof form and symmetrical facade as well as the picturesque Gothic Revival style demonstrated especially by the use of pointed arches, fretted barges and the battlemented parapeted section. This latter style was particularly attractive to persons of means on account of its English precedents, the combination of influences being skillfully handled in this instance.Page 121 of Photograph Album with one landscape photograph of Lirrewa - external view of a bay window.Handwritten: Lirrewa [top left ] / 121 [bottom left]trevor hart, verandah, lirrewa, tarqua, 1880's, montague william langdon, italian style, shallow hipped roof, symmetrical facade, gothic revival, pointed arches, fretted barges, battlemented parapet, ornamented parapets, terraces, boom era, timber roof brackets, frieze, gables, cast iron ridging, lirrewa grove, bay window, cast iron work, lead lights, houses, victorian style, caulfield, caulfield south

Taken by Gary Spivak, an officer of the City of Port Phillip involved with the reconstruction of heritage buildings to create low cost housing. This project was under his direction.B&W photos of Excelsior Hall 2003, prior to redevelopment into units .03 - Window in extensionbuilt environment - civic, town planning, heritage, excelsior hall, rsl, returned services league

Taken by Gary Spivak, an officer of the City of Port Phillip involved with the reconstruction of heritage buildings to create low cost housing. this project was under his direction.B&W photos of Excelsior Hall 2003, prior to redevelopment into units 05 - Louvre windowsbuilt environment - civic, town planning, heritage, excelsior hall, rsl, returned services league

Slide. Bendigo Street Views & Fortuna. A large nine stained glass panelled window in the Villa.slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna.

Slide, Allan Budge Collection: house, King Street window hoods. Note the bracketed sides.house, public, allan budge collection:, allan budge collection:

Reunion of men who served on the Kormoran during WW2 and who were interned in Australia. Ludwig Ernst, Fritz Engelmann (rear).Colour photograph of 8 men standing outside a building. Flowers in pots at window above the men.kormoran, kormoran internees, kormoran reunion, ludwig ernst, fritz engelmann

Unpainted wooden block in shape of house. Red roof with stamped detail on front of windows and door.toys, general

Model Rolls Royce Silver Wraith originally painted black. Wheels missing. Perspex windows.150/Dinky toys/Rolls Royce Silver Wraith/Made in England/Meccano Ltd.toys, general

Possibly WWII Historical significance.Australian slouch hat brooch with a window on the rear for a photograph. Possibly trench art from WWII.Brooch has a rising sun badge on hat and pin.