Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the entrance gates to the Kew Asylum. Located in Princess Street, these gates were relocated to Victoria Park in the 1930s/40s. There is a shelter to the left of the gates. A horse-drawn covered carriage is exiting through the gates. An electric light is hung from a metal bar in the centre of the gates. The two-storey gate house on the right of the gates is outside the view of the photograph.kew lunatic asylum, kew lunatic asylum -- gates, henry beater christian, christian-washfold collection

This ceremonial regalia belonged to Captain Charles Rogers of the Australian Army (Light Horse Regiment). He wore this regalia when he was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934. The visit was part of Victoria’s Centenary celebrations and the Duke officially opened the Melbourne Shrine of Remembrance. Charles Rogers was a well-known Warrnambool identity in the 1930s, 40s and 50s as a horseman and Army identity and he and his horse frequently led parades and celebrations in the city. He was a long-serving Warrnambool Agricultural Show official as a judge of equine events. Rogers died in 1961. These items are of great interest as examples of the regalia worn by Australian military personnel in the 1930s. They are also good mementos of Charles Rogers, a notable personality in Warrnambool in the 1930s, 40s and 50s.1 This is a piece of ceremonial regalia worn over the shoulder and called an aigullette. It has a plaited silver-coloured cord ending in silver metal tagged points. The metal points or stakes are highly decorated. The cords also have an accompanying smaller silver-coloured cord and another attachment of cord with an end of interwoven material in the shape of an elongated pear or acorn. The item is a little tarnished. .2 These are epaulettes worn on the shoulder. One is attached to the aigullette and the other is detached. They are made of silver plaited cord with a brown felt backing and have two star-shaped gold and yellow badges indicating the rank captain charles rogers, duke of gloucester visit, centenary of victoria, history of warrnambool

This is a booklet of 28 pages. It has a brown cover with the pages tied together with brown plaited thread. The pages contain printed material.non-fictioncollection of versejohn adams wangoom

Half-hull ship models were an important step in the process of building a vessel. Shipwrights or designers would construct a half-hull scale model of a ship before the vessel was built. They used it to ensure that the dimensions would work together and that the ship look balanced. They would often mount the half hull onto a board in their workshop. The half-hull ship models were also used to show prospective buyers how the design would work and look. Given the plywood construction of the model, it is believed to have been made around the 1930s as plywood construction had started in earnest in Queensland around this time and soon became the centre of the industry because of Queensland's attractive rain forest woods used which also included red cedar, silver ash, black bean, Queensland maple and silky oak. It is also believed the model was a design for a clinker-built barge to be built by Peter Payne who operated a boat building works on the Mordialloc Creek, Victoria going out of business in 1973. Records show Peter Paynes' first craft launched in 1962 and the last in 1973 from Mordialloc Creek works. However, he was one of the most prolific builders from the 1930s and produced many more vessels than the records currently show. There is at this point no further record of the subject model or whether a full version was ever built and for whom is not known at this time.A model that demonstrates the boat-building process is believed to have been made by Peter Payne or someone who worked in his yard. P Payne was a very well-known boating personality, vessel captain and boat builder throughout most of the 20th century. Model barge half hull on wooden of plywood laminated construction. Marked "AUXILIARY BARGE 80'x16'x6' 315 TONS 4" - 1 FOOT" "P and H PAYNE?" "22/E/26" flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model half hull, ship half model, shipbuilding, shipwright, ship design, peter payne, boat builder victoria, clinker design, barge

This coat belonged to Brighton resident Audrey Winifred Pickett (nee Heriot; 1915-2011). The coat is made from the pelts of rakali, also known as the Australian water rat, a native rodent species similar to an otter. Growing up to 35 centimetres in length, rakali typically live in burrows near water, feeding on fish, insects, yabbies and waterbirds. Throughout the early twentieth century, they were widely considered to be a nuisance and were hunted for their soft and waterproof fur. Demand for rakali pelts increased during the 1930s Depression years, when a ban was placed on the import of overseas furs; rakali fur became a popular substitute for the fur of the American muskrat. The species was placed under a protection order in 1938, although periodic culls were allowed until 1957 due to their perceived destruction of irrigation banks and fishing nets. Audrey recalled that the coat was made for her by furrier F. J. Ellemor after a large cull of rakali. The coat was displayed in the window of Ellemor's Block Place store. F. J. Ellemor Pty Ltd was established in 1908 by furrier Francis John Ellemor (1867-1944) and continued into the late twentieth century under the management of his son Wilfred (1801-1972). Francis and his wife Edith lived in Rothesay Avenue, Brighton from the late 1930s.Three-quarter length brown fur coat made of Australian water-rat (rakali) pelts. Wide raised collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNEfur coat, rakali, australian water rat, melbourne fashion, audrey winifred heriot, audrey winifred pickett, audrey winifred north, francis john ellemor, f. j. ellemor, furrier

Digitised video (776MB). Duration: 19 minutes. Recorded July, 2022 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation, Russ Haines, Ringwood and District Historical Society President and ERFC historian, talks about early Australian Rules football in the local area from the time of the formation of the East Ringwood Football Club, through the 1930s, the war years, and the era leading up to the historic 1947 Premiership.

Yields information about Geelong 8 at the depot soon after the commencement of the closure of the Geelong system.Black and White Photograph of Geelong No.1, 3/1/1945, Ryrie St and turning into Garden St en route to East. Two copies held. Photo Wal Jack, 3-1-1945, copied onto Kodak Picture maker paper. See Reg Item 5824 for another copy from the Wal Jack album and actual date details.In hand writing on the rear in pencil "Geelong / 'Butterbox' car 1 carrying the first livery of the SEC in Ryrie Street and turning into Garden Street en route to East." / "Mid 1930s Walter Jack / Randall Wilson Collection / Kodak digital copy. This copy William F Scott Collection"trams, tramways, geelong, ryrie st, secv, tram 1

The pair of ornamental white resin owl bookends was likely made around the 1930s when epoxy resin became available. Bookends modelled on owls have been a popular ornament for many years, possibly because of the association between owls, books and wisdom. They are used and displayed in places where books are appreciated and valued, such as homes, libraries, educational buildings, business offices, legal institutions and banks. Bookends hold a row of upright books in place by supporting the beginning and end of the row. The books are more likely to keep their integrity when stored vertically. The first patent for a metal bookend was placed by William Stebbins Barnard in 1877. Bookends became useful and decorative items around the middle of the sixteenth century after printed books became available. At that time books were expensive and treasured possessions, treated with much respect. Even in the early nineteenth century, a Bible was often the only book in the home. It was included among the limited items brought by many immigrants to Australia. Books became more available and affordable to the public by the end of the nineteenth century and households and businesses were able to build their own libraries. Bookends were used then, and are still used now, to keep books organised, cared for, and readily accessible. Bookends, a pair of two (2) small white resin owls with clear bright red eyes standing on a stack of books, their bodies facing towards each other, chests on an upright book, heads turned towards the viewer. The ends are left and right-handed.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ornament, bookend, bookends, pair of bookends, library, book storage, book display, room decoration, resin ornament, white bookends, owl bookends, owl ornament, white owls, resin owls, book support, bookend patent, william stebbins barnard

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'.Full length floral crepe evening dress with squared neck and short puffed sleeves.australian fashion - 1930s, women's clothing, evening dresses

The Madge Simmons collection. Black and white photograph of twenty-eight members of a brass band, probably in Bendigo. Mounted on cardboard and untitled. Other similar photos in the collection are from the 1930s. Band members of all ages, in uniform and with instruments. One man is not in uniform. On the ground in the front is a large drum, topped with a small one. There are two smaller modern copies of the original included.bendigo, entertainment, brass bands, brass bands.

Aerial photograph, Bendigo Town Hall, in centre of picture. Sign on top of Town Hall 'Bendigo Drome 7 miles' Also in photo, Sandhurst Hotel; Public Offices under-construction; the Metropolitan Hotel; the Market, another hotel .The photo was taken by Sir Raymond Garrett around the late 1920s early 1930s. His daughter, Ann Kelly, donated the photo.Sir Raymond Garrettphotograph, aerial, bendigo

Digitised video (3.79GB). Duration: 67 minutes. Recorded March, 2022. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Gerry Robinson and Margaret (Maggie) McKern of Heathmont History Group (HHG) combine to present an overview of Heathmont's pioneering orchardists, with Maggie providing a history of her Clark family property, "Roslyn", purchased in the 1930s and operating as a poultry farm and lemon orchard on the corner of Canterbury Road and Armstrong Road in Heathmont.

This was taken by Gordon Godwill in the mid 1930s.The photograph was taken from the Godwill home in Williams Street Greensborough. It shows a rural view of the area where the Greensborough Plaza now stands.A black and white photograph.Nilgodwill, williams st, greensborough plaza, 1930's

Man made lake for swimming in the 1930sBlack and white photograph of Lake King Rutherglen showing pier and trees in background and the bank along Lake on the left hand side.On back of photo: "Park Lake"lake king, rutherglen park

Large Photograph - black and white. Taken sometime in the 1930s. 27 Bandsmen in 4 rows. Bass drum in the centre with a kettle drum on either side. Drum placed on a carpet. The man holding the drumsticks, sitting front row on chair, right hand side of photo is Leonard James Exell. Photo sent in by Leonard James Exell daughter Glenda Sundstrom. Red markings on back, unclear.organization, club/society, golden square brass band., golden square brass band. 1930

The Arrow shirt company was founded by William H.Titus and his partner in Chicago, Illinois and in the late 1800s merged with Cluett Peabody. In 1929 Cluett, Peabody & Co. established a national menswear business under the Arrow brand name. The "Arrow" name gradually grew into a product line that included shirts, collars, handkerchiefs, cravats, pyjamas, and underwear for men and boys. (Wikipedia)Two pairs of men's underwear. "Arrow" Trademark. Made from "Sanforized Shrunk fabric - ironless finished cotton". Cotton tape threaded through the top band allow for some adjustments to sizing. One garment appears to have hand stitching on the top band to allow for resizing or repair. Each pair has three silver coloured press studs for front fastening. 1930s - 1940s.arrow clothing, underwear

Un-numbered page race programme for the Victoria Racing Club Autumn Meeting First Day Saturday 2 March 1946. Front cover has a white background with green and white writing, and a green and yellow 1930s art deco design with the VRC insignia in the middle top. Back cover has a white background with green writing, and a yellow border, explaining the railway arrangements.

Built in the 1930s, this property has been restored.Digital copy of colour photograph.poulter avenue

Built in the 1930s, this property has been restored.Digital copy of colour photograph.poulter avenue

Built in the 1930s, this property has been restored.Digital copy of colour photograph.poulter avenue

Depicts looms within a mill, c.1930s.weaving, textile mills staff, textile mills - staff

The photograph is believed to have been taken in the 1930s.Enlarged copy of black and white photograph which shows four young men posing for a photograph outside the Linton Post Office.sam stapleton, ron allan, bob roberts, jim stapleton, spencer grigg, linton post office building

This is a Warrnambool High School cap from the 1930s. Warrnambool High School was established in 1907 with a farm site in Merrivale and it was also in several sites in the main town area, with the longest occupancy in Hyland Street. In 1961 the school moved to its present location in Albert Park (Grafton Road). The High School amalgamated with Warrnambool North Technical School in 1995 to form Warrnambool College. Malcolm Goodall, the owner of the cap, was born in 1917 and died in 2010. He lived in Coulstock Street and he worked in the tinning department of Nestles. The Goodall family has been in the Warrnambool area since the mid 1850s including being at the farm, ‘Wanstead’ in East Warrnambool and at Framlingham in the 19th century where William Goodall was the manager of the aboriginal settlement. This cap is of interest as an example of the boys’ uniform at Warrnambool High School in the 1930s and as a memento of Malcolm Goodall. His ancestors were pioneers in the Warrnambool district.This is a boy’s cap made of dark green cloth with octagonal sections and a cloth button on top. The peak is edged with navy and cream cord. The centre front of the cap has a school badge with the school initials and motto. The inside of the cap is lined with black cloth with a cream centre and has the cap seller’s business details and the name of the owner of the cap. Some of the printed material here is indecipherable. The stitching is worn in some places. W.H.S. Sine Labore V. Becker Boys Shop & Hosiery Parlour Warrnambool Name: M. Goodall warrnambool high school, goodall family, history of warrnambool

This is an exercise book, probably purchased from a local stationers, which was used at the Warrnambool Woollen Mill in the 1930s to record weekly operations in each of the Mill’s departments. The Warrnambool Woollen Mill was established in 1910 in South Warrnambool by a local company, with the building erected on a site that formerly housed another woollen mill destroyed by fire in 1882. The Warrnambool Woollen Company operated successfully for many years with over 700 employees in the 1940s and a good national reputation for quality goods. It made blankets and other woollen goods and was the first company in Australia to manufacture electric blankets. In the 1960s the mill was sold to the Dunlop Company and for the next thirty years it was bought and sold several times, finally closing in 2000 after 90 years of operation. This exercise book is of some importance as it belonged to the Warrnambool Woollen Mill, a dominant and important industry in Warrnambool for most of the 20th century. Many present and past residents of Warrnambool and district were employed at the Mill. It is one of many items in our collection that outlines the mill’s day-to-day operations and contains information that may be useful to researchers. This is an exercise book which belonged to the Warrnambool Woollen Mill and appears to be two exercise books joined together as there is a black cover in the middle of the pages. The original black covers at the front and back are missing. The pages are lined in blue and most used pages have ruled red lines. The entries are in black ink and include the date and other information on the processes of the spinning, carding, scouring etc. The page edges on the right have been serrated in an oval shape to make tabs for the various departments in the Mill – Engineers, Scouring. Dyeing, Warehouse etc. and the book contains weekly entries regarding Mill operations from 1930 to 1936.Edge of book: ‘Records’warrnambool woollen mill, history of warrnambool

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart

This electroplated silver teaspoon was made by the Sheffield Silver Plate & Cutlery Company Limited from about 1913 to early-1930s. It was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early-1930s. It is part of the John Chance Collection. Sheffield manufactures produced high quality silverware products. In the mid-1700s a cutler, Thomas Boulsover, invented a process to fuse copper between two sheets of silver, which could still be like solid silver then the edges were bound in silver. Items made this way are now referred to as Old Silver Plate. The modern method of electroplating has a much thinner layer of silver. The firm Sheffield Silver Plate and Cutlery Co. Ltd. was established in 1913 by Mappin & Webb to make spoons and forks using the American Wilzin process, which was a failure. In 1923 the company was incorporated then re-financed and reverted back to the older production method for electroplating. The maker’s stamp usually had the letters “S.S.P. & C. Co Ltd EPNS” and often included an octagon stamp with “SSP”. The firm had the registered trademarks of ‘SILCUTA’ and ‘SILTONA’ and has also used the name ‘Sheffield Nickel & Silver Plating Co. Ltd.’ The firm had manufacturing Works at Priestley Street, Sheffield from 1913 until the 1960s. They also had a London office in 1919 at Atlantic House, 40a Holborn Viaduct, London, E.C.1., then in 1921 at Union Bank Buildings, Charterhouse Street, E.C.1. The company was dissolved in 2000, the last office address being 23 Albemarle Street London, W1S 4AS. Although this spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery, possibly from a passenger’s luggage or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is the only example in Flagstaff Hill’s collection that is connected to the manufacturer Sheffield Silver Plate and Cutlery Co. Ltd., historically significant also, as in 1939 the same manufacturer was a recognised supplier to the British Government. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, nickel plated silver, discoloured to brown. Old English design. Inscription on handle. Made by Sheffield Silver Plate & Cutlery Co Ltd., Sheffield. Spoon has dimpled surface, nicks and dents. Embossed logo within sunken elongated octagon [SSP] Embossed letters following logo, “S S P C & CO LTD EP/NS” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, antique flatware, old english flatware pattern, spoon, teaspoon, silver flatware, dining, silver plated, epnns, sheffield silver plater & cutlery, ssp, ssp & c co ltd, 20th century silverware