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Robin Boyd Foundation
Book, Leonhard Adam, Primitive Art: A survey of the art of primitive peoples from Stone Age Man to the modern African Negro, 1954
SoftcoverInscription on title page, black ink: 'Patricia Boyd' Typed letter (2 copies), c. letter size, thin paper. Folded in quarters and loosely placed within paperback book. Titled 'RADIOCARBON - DATING'. art, walsh st library -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, Christian Feest et al, The Art of War - Native Art, 1980
isbn: 0 500 06010 x -
Queenscliffe Maritime Museum
Book - Two technical ship design books in German published in 1858, 'The art of shipbuilding in its entirety'; "The shipbuilding art in theory' 1858
Two technical books in German published in 1858 regarding the design and theory of shipbuilding.Two technical ship design books in German published in 1858.non-fictionTwo technical books in German published in 1858 regarding the design and theory of shipbuilding.shipbuilding, technical books -
Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 51: Art Exhibition - Retrospective Exhibition of Shire of Eltham Art Collection, 1993, 12 colour photographs, 2000
Series consists of colour prints taken at the opening of the exhibition , which ran from June 26 - July 4 at the Eltham Community Centre.shire of eltham archives, series listing -
Women's Art Register
Book - Anthology, Nina Felshin, But is it Art? The Spirit of Art as Activism, 1995
A collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.BookA collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.public art, collective, interdisciplinary, body, racism, durational art, social practice, museology, feminism, collaboration -
The Mrs Aeneas Gunn Memorial Library
Book, George Bell and Sons, The art of the Vatican : being a brief history of the palace, and an account of the principal art treasures within its walls, 1906
A summary of the art treasures of the VaticanIndex, bib, ill, p.335.non-fictionA summary of the art treasures of the Vaticanart - italy - history, vatican - art -
Federation University Historical Collection
Document, Ballarat Teachers' College Art enrolments to the Ballarat Technical Art School, 1950
enrolment, ballarat teachers' college, art -
Warrnambool and District Historical Society Inc.
Books, La Trobe Journal and Art Works Vol 1 & Vol 2, 1999
These volumes reproduce the diary material and the landscapes and sketches of Charles La Trobe, the Superintendent of the Port Phillip District of New South Wales ( 1839- 1851) and Lieutenant Governor of the colony of Victoria ( 1851-54 ). La Trobe is regarded as the man most responsible for the establishment of Warrnambool in 1847. His diaries document his trips to the Warrnambool region in 1845, 1846, 1848 and 1849 before and after the town site was settled.These volumes are of artistic significance being beautifully and expensively produced. The volumes contain information of vital importance to our knowledge of our early Warrnambool history. Other important details in the diary include information on early shipwrecks and the first settlers in our district in our district, especially the Allan brothers..1 This is a burgundy leather bound book of 380 pages. It has gold lettering on the cover and the spine and an oval inset in the centre of the front cover containing a coloured portrait of Charles La Trobe. The pages contain black and white and coloured art works and sketches and printed material. There is a burgundy coloured ribbon for marking pages The book is encased in a hard leather cover with a cut out window with gold edging. .2 This is a burgundy leather bound book of 343 pages. It has gold lettering on the cover and the spine and a rectangular inset in the centre of the front cover containing a coloured sketch of a rock, sea and cliffs drawn by Charles La Trobe. The pages contain sepia and black and white drawings and printed material. There is a burgundy coloured ribbon for marking pages. The book is encased in a hard leather cover with a cut out window with gold edging . .1 Charles Joseph La Trobe AUSTRALIAN NOTES 1839-1854 .2 Charles Joseph La Trobe LANDSCAPES AND SKETCHES charles la trobe -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Rich (In Art) Get Richer – and the culturally poor get poorer, 1963
Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript -
Women's Art Register
Book - Novel, Pru La Motte, A Perverse Romance. A Tourist Dance to Art and Satirical Provocation, 2017
A satirical illustrated tale of artist Hephzibah Brown who is persuaded by Cedric the Imp of Perversity to follow him to the recently independent Ghana to compose a tourist book he will write and she illustrate. She follows him but changes it to a novel about two tourists, one pragmatic and one an idealistic, a woman, to examine "real life'' being a form of transience.fictionA satirical illustrated tale of artist Hephzibah Brown who is persuaded by Cedric the Imp of Perversity to follow him to the recently independent Ghana to compose a tourist book he will write and she illustrate. She follows him but changes it to a novel about two tourists, one pragmatic and one an idealistic, a woman, to examine "real life'' being a form of transience.collage, drawing, travelogue, weaving, sexuality, satire, writing -
Eltham District Historical Society Inc
Newspaper Clipping, Australian Landscape Art; A fine collection; The Daily Telegraph (Sydney, NSW), p4, November 18, 1918
AUSTRALIAN LANDSCAPE ART. A FINE COLLECTION. The late Mr. Walter Withers was one of the little band of landscapists that Included Streeton Condor, who pioneered the "plein-airiste" movement In Victoria thirty years ago. Mr. Withers had been trained in Paris, but practically all his artistic life was spent in Australia, and examples from his easel are to be found in all the leading Australian galleries. He belonged to a brilliant little coterie of men whose works have since been eagerly sought for at ever-rising prices. And now collectors have an opportunity of acquiring examples of his art for a thoroughly characteristic collection of his work, both in oils and in water-color, will be open to-day In the fine art gallery at Anthony Horderns', in George Street. The collection includes 28 paintings in oil by the late Mr. Walter Withers, and 32 of his water-color drawings, while smaller collections by his daughter, Miss Margery Withers, and by his son, Mr. Meynell Withers, are also added. Among the landscapes in oils by the deceased artist may be seen examples of many moods, and also many phases of his artistic development. At different times he was a realist, a romanticist, an idealist. In his fine picture "The Easter Moon" the emotional appeal to the homing instinct is direct and compelling. This delightful work, low in tone and charming in its feeling of repose, suggests the sentiment of Gray's "Elegy." Entirely different in range, intention, and feeling, are two brilliantly-painted pictures entitled "The Young Gardener," and "The Dividing Fence," Mr. Withers here displays an unusual gift for placing effective notes in an admirably harmonised color scheme. "Sunlight in the Forest" is a pastoral poem in color. Most of these pictures were painted in the Eltham or Warrandyte country, while the "marines" are impressions at Phillip Island or on the shores of the bay. The artist was well equipped with technical knowledge and experience. His pictures are full of air and sunlight, and his realisation of cloud-forms is most convincing. The watercolor drawings which he did in the full maturity of his powers have, a softness, richness, and depth of color quite unusual. His son, Meynell Withers, shows a collection of landscapes of striking merit, recalllng his father's handling of color and selective taste In composition. Miss Margory Withers shows a charming group of watercolor portraits, and also some meritorious landscapes. The pictures have been hung with fine artistic discrimination in the grouping of the subjects, and so skilfully that in each group an essential harmony of tone has been preserved. The exhibition will be open to the public from to-day. AUSTRALIAN LANDSCAPE ART. (1918, November 18). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article239575164Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers -
Vision Australia
Booklet - Text, The Australian tactile art prize exhibition, 1999
An annual tactile art exhibition held by the Royal Blind Society of New South Wales encouraged artists to create artworks that were meant to be touched by admirers. In 1999, more than 230 artists submitted entries, with then 66 finalists showcasing their work at Customs House. This program provides information on each of the 66 works selected for exhibition, as well as an information and advertising leaflets from Robert Mac G Design, who created the three prizes for the winning artists. Most works were available for purchase, as indicated on the 'Opening bid for silent auction' sheet, with all proceeds going towards providing services to the 15,000 clients of RBS.1 v. unpaged with list of opening bid prices and three leaftletsroyal blind society of new south wales, fundraising -
Mentone Grammar School
Karl Duldig, Art Master (1945-1967)
In 1945, after feeling Nazi Germany in 1939, Karl Duldig and his wife, Slawa, were finally granted ‘landing permits’ in Australia, after six years living in refugee camps, both here and Singapore. Duldig was appointed art master at Mentone Grammar in 1945, while also establishing a small ceramics business with his artist-inventor wife, Slawa. His work was prolific across several mediums. Our School Archives holds a large collection of sketches, as well as several bronze busts which he made, depicting life, students, and staff at Mentone Grammar during his time at the School from 1945 to 1967. -
Bendigo Historical Society Inc.
Document - A VOICE FROM THE GOLDEN CITY BENDIGO
A Program of public events held at the Bendigo Art Gallery. Monthly mini tours, Evening Viewings and Calligraphy Workshops. Light brown coloured paper - Top of the page has the words - A voice from the Golden City - BendigoBendigo Art Gallery -
Eltham District Historical Society Inc
Book, Shire of Eltham Retrospective exhibition of art collection, 1993
Contents: List of illustrations, From the Shire President, Historical background, current perspective and catalogue of art collection. This includes over 100 items. Book produced to accompany exhibition held at the Eltham Community and Reception Centre, Main Road Eltham June 26 - July 4 1993. "This exhibition celebrates two aspects of the art collection of the Shire of Eltham. There is the work which shows the love of Eltham and the environment, and work which deals with much broader concerns" Artists include: Helen Aitken-Kuhnen, David Armfield, Brian Armstrong, Alan Baker, Yvonne Ball, Piers Bateman, Julie Begg, Judith Ben-Meir, Yvonne Birch, The Bodford Collection, Janet Boddy, Deidre Boeyen, Ian Bow, David Benchley, Don Brown, Gilbert Buchanan, Paul Cavell, Patty Chandler, Rosalie Cogan, Scott Joseph Cowcher, Augustine Dall'Ava, Greg Daly, Simon Dattner, Peter Day, Domenico de Clario, Robert Delves, Joh Ebeli, Mark Edgoose, Graham Fransella, Ernest Fries, Edward Ginger, Peter Glass, Drew Gregory, Alison Hann, Tony Harkin, Wendy Henderson, Stephen Hughes, Lindsay Imbandarinja, John Irving, Hilary Jackman, Jill Kahans, William Kelly, Margot Knox, Margot Kroyer-Pederson, Anne Kueffer, Bruno Leti, Kevin Lincoln, Paul Margocsy, Alan Martin, Barry Mills, Simon Barley, Jenni Mitchell, David Moore, Barbara Munro, Ewald Namatjira, Norma Neil, Mark Page, Herman Pekel, Shane Pickett, Anthony Pryor, Clifton Pugh, Lynn Quintal, Giuseppe Raneri, Ken Robb, John Serle, Marjorie Shattock, Leslie Sinclair, Matcham Skipper, Myra Skipper, Sonia Skipper, Harris Smith, Eric Stephenson, Adriane Strampp, Marian Sussex, Tony Trembath, George Turcu, John Wakefield, Peter Wallace, Ray Walsh, Michael Wilson, Walter Withers, Vic Wood, Doug Wright, Romana Favier Zorzut, Renier Zusters.Softcover . Includes separate sheet of paper printed on both sides: "catalogue supplement" and "errata"shire of eltham art collection -
Kew Historical Society Inc
Postcard, J Salmon, Souvenir Letter Card of Clovelly, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Souvenir Letter Card of Clovelly containing eight hand-coloured postcards, joined concertina-like, published and produced by J. Salmon, Art Publisher, Sevenoaks especially for G. S. Reilly, The Art Store, Clovelly. The letter card was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.SOUVENIR LETTER CARD OF CLOVELLY / PRODUCED AND PUBLISHED BY J SALMON, ART PUBLISHER, SEVENOAKS / SPECIALLY FOR G S REILLY, THE ART STORE, CLOVELLYpostcards, george and edith weir, postcards -- clovelly (uk), weir collection -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Art Gallery at Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Bendigo Historical Society Inc.
Book - BEGINNING IN BENDIGO, 2011
Beginning in Bendigo from humble origins to a captured market Post Office Gallery.An exhibition of a selection from the diverse industry which has emerged from Bendigo, 28 pages with colour & black and white photographs published by Bendigo Art Gallery.Bendigo Art Gallerybendigo, history, businesses, bendigo-history-businesses -
Williamstown High School
1970s Art room mural after fire
3 black and white photographs showing the remains of a mural painted on the art room wall in the 1950's.On back of photographs: Mural in old art room (quadrangle). Painted in 1950s.williamstown high school, 1970s, mural, art room, quadrangle, after fire -
Montmorency/Eltham RSL Sub Branch
Poster - Reliefs, A Folder of Performances about the Victoria Cross Winners from the Crimean War, Estimated date 1887
A folder of hand painted reliefs of Victoria Cross winners from the Crimean War, made in commemoration of Queen Victorias' Jubilee. Multicoloured prints on a white background.Twelve reliefs portraying the various deeds of valour performed by Britains soldiers from the Crimean War to the present day. (1887)soldiers, queen victoria, reliefs, crimean war, commemoration, victoria cross, deeds of valour, britain, 1880s -
Greensborough Historical Society
Book - Digital Image, Paragon Art Needlecraft, Smocking Simplified, 1940s
Front and back covers of "Smocking Simplified". An example of 1940s advertising through sewing and homemaker books. In this book, instructions are given for smocking of garments. Smocking is an embroidery technique used to gather fabric. An example of mid 20th century advertising through 'how-to' books.Digital copy of front and back covers of a bookhistoric advertisements, smocking, embroidery, hand sewing, paragon art needlecraft -
Greensborough Historical Society
Book - Digital Image, Paragon Art Needlecraft, Smocking Simplified: sample pages, 1940s
Sample page from "Smocking Simplified", showing a line drawing of two small girls wearing smocked dresses. An example of 1940s advertising through sewing and homemaker books. In this book, instructions are given for smocking of garments. Smocking is an embroidery technique used to gather fabric. An example of mid 20th century advertising through 'how-to' books.Digital copy of sample page from a bookhistoric advertisements, smocking, embroidery, hand sewing, paragon art needlecraft -
Greensborough Historical Society
Pamphlet, City of Darebin, A Rich heritage: the story of Bundoora Homestead, 2016_
History of Bundoora Homestead, from its initial use by John Matthew Vincent Smith as a horse and cattle stud, and later as a convalescent farm and repatriation hospital until its ownership by Darebin City Council and restoration.10 p. pamphlet, col. & black & white photographs and plansbundoora homestead -
Bendigo Military Museum
Poster - POSTER WW1,FRAMED, Bendigo Art Framing, Post WW1
Item donated in the memory of Regt No 3188 Sgt John Joseph MILBURN, Unit 15th M G Company, 5th M G Battalion, 1st AIF. Saw service in Egypt and on the Somme 1915 - 1919.Display of unit colours of WWI in the form of a Rising Sun. Printed on white background with drawings of Belgium, France, Gallipoli & Egypt in each corner. Decorations are listed each side of display. All decorations & unit badges are in regimental colours. Display has glass front & brown wooden frame with gold inner edge, fawn cardboard backing.Printed top: “Souvenir of the Greatest War” Printed at bottom: “Australian Commonwealth Military Forces” Stamped on back: “Passchendaele Barracks Trust”military history-army, documents-posters, passchendaele barracks trust -
Bendigo Military Museum
Postcard - CARTOON POSTCARD, Inter Art- Co, 15.11.1916
The letter details how the writer GEORGE saw George yesterday and waved and yelled but he did not see him as they were marching past. It also describes how they just came out of the trenches with mud over their knees and higher. The George walking past is possibly George Frederick Pierce DCM. Refer Cat no 1891P for his service details, award and death.Cartoon coloured postcard depicting a boyish soldier surrounded by boys and girls. On the rear is a letter from France to a girl, the writing is in blue pen.On the rear “15/11/16 France, Dear Gaddis”. The letter ends “I remain yours sincerely George H..........postcards, military, cartoons -
Bendigo Military Museum
Postcard - POSTCARDS, PHOTOGRAPHIC WW1, Various et al, c.1914 - 1918
.1) Trooper Jack Miller .2) M J O'Donohue .3) & .4) F C Cotton .5) Pte Peter Williams .6) Pte A Bellingham, Queensland .7) D Kearin, G Thorn .8) Pte Roger Fitzpatrick, Maryborough East .9) L/Sgt D D Bruce, Sig W J Wair .10) John Oakes .11) Leslie Bryant .12) Cpt W Turner .13) Sgt T Marshall .14) R W Mattingley .15) Sgt A T Power .16) Sgt Walter Yates .17) Charles Drury .18) Joe O'Neill .19) Les J MartinPhotographs of Australian Servicemen WWI..17) Names on rear.photography-photographs, military history, passchendaele barracks trust -
Bendigo Military Museum
Book - EXCERPTS FROM "DIGGER" BOOK, original1919
.1) Cardboard (copy) of introduction in Digger Book. Printed / typed black print on grey background, dark blue reverse. .2) 6 colour prints of soldiers on cardboard, white trim. .3) 6 colour prints of soldiers & building on cardboard, white trim."Daryl Lindsay" signed all sketches.documents - reproductions, illustrations - prints, passchendaele barracks trust -
Bendigo Military Museum
Book, Digger Book, 1919
Book, grey paper cover, sketches (prints), black & white sketch on front, illustrated throughout, colour prints,16 pages, typed black print introduction, gold coloured print on cover.Digger Bookbooks-military, military history - army, passchendaele barracks trust -
Kiewa Valley Historical Society
Photo Framed, Bogong School 1944, October 1944
Photo of the first 13 children enrolled at Bogong SchoolHistorical record of Bogong School life in 1944 History of Kiewa Hydro SchemeA rectangle framed sepia photo of 13 children seated outside Bogong School dated October 1944To Bogong School with best wishes from Thomas Wood taken Oct 1944bogong school photo 1944, education, school, kiewa hydro scheme -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, SEARS, Field Marshall Kitchener
Framed photograph, timber frame, glass, photograph B&W, half portrait of Field Marshall Lord Kitchener in uniform, backing mount beige colour, black print under photo, framing label on rear.photography-photographs/frame accessories, military history, british, passchendaele barracks trust