Perspex display featuring sequential firing device for Claymores. The Box Mk2 with green plastic claymore case and photos of Lt. Moose Dunlop and Pte. Lyal Mitchell. An explanation of features and use are also included.claymore mine, lt. moose dunlop, private lyal mitchell

Bus Timetable - 8 sections - folded sheet with map of bus services, timetables, sections, fares, route numbers for Warrandyte - Templestowe - East Doncaster - Box Hill - Melbourne services. 2 copies held.trams, tramways, timetables, tickets, fares, mmtb, buses

This outfit belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.Three-piece woman's outfit comprising double-breasted cape, cropped sleeveless top and skirt; cream wool woven with silver lurex. Top is decorated with a centre front fabric bow and is decoarated with fake pearls. All items lined with cream polyester. .1 - cape .2 - top .3 - skirtLabel printed black on white acetate, centre back cape, top and skirt: DESIGNED AND HANDWOVEN / BY / Robert Maltuswoman's suit, chevy chase, overend family, 1960s fashion, robert maltus, bernice overend, melbourne designers

Ruby Harker was Amy Thelma Wielands sister. The Certificates are in an envelope addressed to Mre. J.A. Harker 16, B, Churchill street , Mont Albert. Ruby's sister also lived in Churchill Street at one time after their house in Heathmont burnt down..2 buff coloured Cards with blue printing and the Box hill Horicultural Society crest at top. In a brown envelope with he address 16 B Churchill Street , Mont Albert. E 10. No post mark.

Brochure advertising 8 business sites opposite Box Hill station, April 1923 from the estate of A. Rawlings.. In the same area on the back of this brochure another sale of 7 business sites and one brick villa.Brochure advertising 8 business sites opposite Box Hill station, April 1923 from the estate of A. Rawlings..auctions, whitehorse road, box hill, nelson road, bank street, box hill railway station, station street, carrington road, main street, arnold, sydney, best & co (auctioneers), h. carey sutton (estate agent)

Pamphlet describing vision for a revitalised Box Hill including plans for Carrington Road, Market Street Mall, Blank facades of Whitehorse Plaza, Prospect street, Whitehorse Road median, tramline extension to Mall Area.box hill carrington road

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red wide ribbed pleated skirt with a plain yoke, navy blue band at bottom edge and elasticated waistband. A purple x is located inside to mark centre back of skirt.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Boxed rosary presented to Bishop O'Collins for his Jubilee in 1972 with presentation card from Sr St Charles (Sr of Nazareth) enclosed. Crucifix and junction cast in sterling silver by Alex Mitchel & Co. Ltd, Dublin. Crucifix designed by Louis de Brocquy, RMA & junction designed by Anne Crawcour.rosary, mitchel, crawcour, crucifix, beads. o'collins.

A girl's white cotton dress. The collar has floral embroidery, puffed elasticised sleeves, a pleated front with three plastic buttons and floral embroidery. it has a flared skirt with pleating around the hemline.Label - "Colonial Recollections. 100 % cotton. Made in India".dresses, girls clothing

Short stories of different events in Gordon Moyes' life. The Rev. Dr. Gordon Moyes was the Superintendent of Wesley Mission in Sydney. The book is a result of the stories he read on his radio program, called 'Sunday Night Live,' and consisted of stories he told of growing up in Box Hill during the 1940s and 1950s.A soft covered book of 136 pages.(mrs) - cherry, drainage, picnics, local history, social history, daily life, 1940-1949, schools, religion, (mr) gordon moyes, box hill

This skirt belonged to Miss Margaret Morison Ward Cole and was reportedly worn for her role as bridesmaid for the marriage of Miss Barkly, daughter of Sir Henry Barkly. George Ward Cole, father of Margaret, was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. Sir Henry Barkly was the second Governor of Victoria.A cream paper silk taffeta crinoline skirt c.1862. This skirt features a flat front across the front waistband but a gathered across the back. At the front it is floor length whilst at the back it features a small train. Presumably the skirt was concealed at the sides and back at the front features decorations that do not continue around the back. The front decoration consists of three tiers of pleated pale violet to pale pink silk ribbon with a deep drop of cream lace. The final lace tier is gracing the floor. st ninians, george ward cole, brighton, sir henry barkly, crinoline, bridesmaid, margaret morrison ward cole

Printed program for Box Hill - Nunawading - Doncaster Branch of Melbourne Legacy Annual Meeting and Dinner held at Blackburn R.S.L. on Wednesday 6 May 1964. Contains words to the Legacy Code: “The Spirit of Legacy is Service”. Inside is the Third Annual Report of the Branch by J.N. McAuley, Chairman. Annual Dinner program on the back coverDetails Branch activities over the previous year. White paper folded to A5 size with blue type printed both sides.legatee event, branch

The drawing provides details of the two sets of springs that fit on either side of the axle box of a Brill 21E four-wheel truck. Gives load, sizes, and material dimensions. Revision E dated 7-11-1958. Prepared by the MTTB for use on four-wheel trams. Original drawing dated 30/9/1927Yields information about Brill 21E truck axle box springs.Drawing Foolscap size with two punched holes on the left hand side.tramcars, 21e trucks, brill 21e, springs, mmtb

Instruction - A4 copied hand written sheet titled "Fitting curtain to W Class Destination Box", prepared by Len Millar of the Museum 9/7/2001. Has a drawing showing the rollers and parts. Has a 10 step process.trams, tramways, instructions, w class, destination indicators, destination roll

Record of early industryColoured photograph (and b/w print) of detail, interior of Boiler House, Whykes & Sons' Slaughter House and yards, showing knocking box -crush, functioned for Whykes Butchers from 1863-1994, situated at Slaughterhouse Rd. Durham Leadbuninyong, whykes, butchers, slaughterhouse, industry, farming, boiler house, knocking box

Under the shadow of the tree is a two-horse dray, typical of the time around Box Hill, used by Council for cleaning the streets. The dray had a tipping device so that when full, it could be tipped up like a dump truck to empty the load. Alongside the horse and dray is a Wolsley 24/80 manufactured by BMC Australia (1962-1965).Digital TIFF file Scan of 35mm Ilford FP3 black and white transparencybmc wolseley 24/80, box hill, box hill council, george coop collection, level crossing, street cleaning, tait train, two-horse dray

long cream silk skirt with cotton petticoat sewn in. Silk decorated with crocheted rosettes, tiny pleats running 3/4 way down the skirt, and 9 tiny pleats running around the circumference of the base. Petticoat same colour with ruffle around base. Clasped with hook and eye at waist.No visible markingscostume, female, skirt, silk, cream, petticoat, clothes

Black and white photographWritten on back of photograph: "70 year old Yellow Box, Whitehorse Rd. Ringwood. Cut down before end of June 1959". Photograph dated 7th June 1959. Tree was at the front of Bill Patterson Motors Pty Ltd.

Coloured photograph of the home of Ron Aldag, at 11 Box Ave, Forest Hill. It is a brick veneer house built by the 'Hallmark' from designs of their display homes in 422 to 432 Springvale Road Forrest Hill.|See also NP 3510 -3515springvale road, forest hill, aldag, ron, hallmark exhibition houses 1960, brick veneer

Print of drawing R9495, "Proposed Box Car" - with one end and one large central door, high floor - streamliner US PCC approach. Gives side elevation and floor plan. Seats 52 passengers. Prepared 10/1/1955trams, tramways, pcc class, bogie trams, new tramcars, tramcar construction, proposals

Janefield Precinct: dead gum tree and box thorns. The remains of this site are between Greensborough and Janefield. A RAAF Hygiene Training Camp was located on the Plenty River, just south of the Janefield community. It was in use from 1944 to 1946. The Camp was constructed from salvaged materials. Instruction included building and maintenance of grease traps, latrines, elementary plumbing and carpentry.Early remains of a WW2 training campDigital colour photograph.janefield, raaf hygiene training camp janefield

Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt

Made by young Vincent Geraghty from clay from his father's Firebrick, Insulators & Pottery Company situated in East Ringwood. Vincent was one of a family of ten who were early settlers in East Ringwood (corner of Federal and Mt Dandenong Roads)Pottery, handmade money box. Grey base, brown top with coin slot and pointed top. Base includes black printing - F.I.& P. Co. of Ringwood. +Additional Keywords: Geraghty, Vincent / F. I. & P. Co. / Firebrick, Insulators and Pottery Co.V. Geraghty - 21.12.14

The "Ammoniaphone" was developed by Dr. Carter Moffat in 1870 as an instrument to replicate the fresh Italian air and its qualities that seemed to assist with Italian vocalists. The Ammoniaphone was filled at both ends with a mixture of ammonia, hydrogen peroxide and peppermint oil, and the user inhaled the chemicals from the small tube in the centre. According to Dr. Moffatt, the Ammoniaphone was benefical to public speakers, Parliamentarians, vocalists, as well as assisting with bronchitis and consumption.Important to the collection due to its rarity and historical significance, as well as medical research capability.A long metal tube into which ammonia, hydrogen peroxide and peppermint oil were placed. The user inhaled the chemicals through the small tube in the centre of the object. It was thought to improve the voice through the inhalation of "artificial Italian air". Comes with the original box and instruction booklet."Medical Battery Co. 52 Oxford Street, London W"medical, quackery, voice alteration, consumption, ammoniaphone

In a room panelled with white boards on a grey wall, two man stand in front of a raised television screen. Both wear name badges, which are unreadable, and are dressed in suits and ties. The man wearing a heavy silver chain around his wrist and glasses presents two white boxes, marked Voice Tapes on the side, to the other man. It is unknown what occasion this was taken upon.royal victorian institute for the blind, audio equipment

Presented to Cr J K McCaskill by J C Taylor & Sons Pty Ltd.|To lay Foundation Stone of the Ringwood Town Hall 27.6.1936.Wooden handled silver trowel with engravings EPNS - Apex. On trowel: Two bands of circular cut-outs on handle. Small knob on end of handle. In a presentation box - lined with pale blue silk. +Additional Keywords: McCaskill, Cr J K / Taylor, J C & SonsPresented to Cr J K McCaskill by J C Taylor & Sons Pty Ltd.; To lay Foundation Stone of the Ringwood Town Hall 27.6.1936.