Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Charcoal portrait study of Arthur Boyd on Fabriano paper. This sketch is one of several head studies made for the portrait of Arthur Boyd portrait entered into the 1982 Archibald Prize. The painting is in the collection of the Art Gallery of New South Wales. Signed lower right: 'Walters'art, artwork, walters, wes walters, arthur boyd, portrait, available, archibald prize

Thirty two page green covered book on Ballarat's Lydiard Street, including information on the Old Colonists' Association of Ballarat, Art Gallery of Ballarat, Ballarat Fine Art Gallery, The George Hotel, Leonard terry. Provincial Hotel, Ballarat Mining Exchange, Ballarat Railway Station, Soldiers Hill, Regent Theatre.non-fictionballarat, lydiard street, old colonists' association of ballarat, art gallery of ballarat, ballarat fine art gallery, the george hotel, leonard terry. provincial hotel, ballarat mining exchange, ballarat railway station, soldiers hill, regent theatre, charles lydiard, government camp, golden fleece hotel

Railways Collection -Post Office Gallery Advert for the building of a model railway ''Building the line -Father's Day Family fun'' 2.9.2012 at the Post Office Gallery. The advert was for the building of a model city of Bendigo around a miniature railway. The photo shows a colour photo of a model of Loco R 727 1973 by David Bemoth.photograph

Eaglehawk In Print, A Bibliography of the Borough of Eaglehawk and District Victoria Compiled by Jim O'Brien and Ray Wallace Published by The Borough Galleries Eaglehawk1988Jim O'Brien and Ray Wallaceeaglehawk, history, eaglehawk

One of a number of photoboards commissioned by Latrobe City to celebrate the centenary of his 1899 birth. The Sir Macfarlane Burnet Library at Grey Street Primary School, Traralgon, was dedicated in 2001. Mac and his sisters Doris and Annie attended Traralgon State School, then located in Campbell Street. The school library holds the collection of photoboards celebrating the centenary of his birth.Reproduction of painting of Frank Macfarlane Burnet (1960-1961) by William Dargie; original held by National Portrail Gallery, Canberra, ACT.

A 45kg Spanish Merino from Mt Bute at Linton, Victoria. It is a descendant of the original Spanish Merino brought to Australia by John MacArthur in 1797. John and Elizabeth MacArthur undertook breeding experiments at Camden Park, Parramatta, crossing the Spanish Merino with Bengal and Irish sheep already in the Colony. The resultant merino became the foundation of Australias sheep industry. Although of little commercial value, the Mt Bute station has ensured the survival of the Camden bloodline.Taxidermy figure of a Spanish merino ram on display in Gallery 1. Ram has curved horns and is mounted with crooked front legs.sheep, taxidermy, spanish merino, irish sheep, camden, mt bute station

1. Snow at FiveWays c1931. Lamp, cars and gallery visible. 2. Snow at Observatory Tea Rooms Mt. Dandenong c1940kalorama, snow

The 8/13 Victorian Mounted Rifles Regimental Association was formed in 1987 and was made up of former members of the regiment.Coloured photograph of 8/13 Victorian Mounted Rifles Association marching past Albury Art Gallery on Anzac Day 2005.vmr, association, anzac, albury

LED light, laser cut metal Located in the entrance to Bayside Gallery, Corner Wilson and Carpenter Streets, Brighton, Victoria 3186.sculpture, public art, installation, feather, neon, lights, peter kennedy, play on words, light as a feather

One page printed ''Introduction to Collection'' - Bendigo Art Gallery (1972). Covers Buildings and Site; Paintings (''over 600''); Prints (''relatively small collection''); Sculpture; Porcelain; The Dresden Vase (Baron Von Mueller); Contemporary Ceramics. This appears to be a hand-out to visitors to the Gallery as it states that ''It is hoped that you enjoyed your visit''government, local, bendigo art gallery

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

The following extract written by Karen Tyers Warrnambool Family history group explains the journey and background of the Warrnambool Pioneer Board. Warrnambool is fortunate to have a photographic record of some of its pioneers. They are commemorated on the Pioneers’ Board. The Pioneers’ Board with its elaborate frame measures approximately 2 metres by 3 metres and holds 204 photographs of Warrnambool’s early pioneers. In 1907 Edward Vidler, secretary of the Warrnambool & District Progress League and Chamber of Commerce and Industry, invited descendants of those who arrived in Warrnambool before 1860 to send photographs of their pioneer ancestors to commemorate the Diamond Jubilee of Warrnambool’s foundation in 1847. A charge of £1 for each photograph was set. Lillian Foyle of Foyle’s photographic studio, was engaged to colour the photographs and undertake the associated artwork. By December 1907 the honour board was on exhibition in Bernard’s Gallery, Melbourne. Unfortunately Vidler left Warrnambool in 1907 with the honour board expenses unpaid. The Progress League refused to take responsibility for the debt and the honour board remained with Foyle’s Studio for 17 years. In 1922 subscriptions were called for and £43 16s 6d was acknowledged. After a final determined effort was made in 1924, the £100 debt was collected and Charles Foyle, Lillian’s brother, accepted settlement of the debt. On 2 May 1924 the honour board was moved from Foyle’s Studio to the Art Gallery. For many years the honour board was in the entrance passage to the public library. After the library was demolished in 1975 the pictures were removed to the Art Gallery where it was restored by the Director of the Art Gallery, Jack Welsh. The board was later stored in an empty front room at Murweh and the dismantled frame stored in an outbuilding. By 1982 the honour board was in the foyer of the City Council offices. During the renovations of the interior of the council offices in 1997 the honour board was moved to the library where it remained until moved to HeritageWorks in March 2014. For a full list of names go to http://www.warrnamboolhistory.org.au/warrnambool-history/pioneers-board/ The Warrnambool pioneer Board is one of those rare items which can claim significance on most if not all of the primary and comparative significance criteria. As a collection of early pioneers in the district it provides a valuable resource for historians and researchers. It gives light to a social scene in the district much of which can be verified from diaries and other items held by the historical society and also available on websites such as Trove. It has relevance to this day with many family historians enquiring of people included on the board. The collation of the board is a story of great interest in itself. While there are images of 204 men on the board the only reference to a woman is Lillian Foyle the artist who was responsible for much of the artistic work on the board. It compares well in size and quality with a number of montages, and collations of images from around the state of Victoria. It is by no means a complete list of pioneers of the district but there are many well- known ones included. They come from a wide range of backgrounds and as such presents a cross section of our earliest settlers in the district from 1840's to 1860’s.Cardboard folder with black and grey mottled cover with 3 metal studs along spine and white paper label with the word negative printed in black on front cover. Inside is a printed index of pioneers with reference relating to board number and negative number. There are three loose strips of negatives and 20 pages with pockets to hold strips of negatives. Up to page 13 have negatives strips inserted. There are 15 large and one small print of some of the pioneers from the board.This negative album was prepared by John A Welsh MBE JP Dip M Eng Director Warrnambool Art Gallery 1/7/1975 to 11/12/1977.There are a number of grey lead notations possibly corrections against some of the names in the index.warrnambool, warrnambool pioneer board, jack welsh, warrnambool art gallery, pioneers of warrnambool, foyles photography, lillian foyle, bernard framers, w mcaree,

View of Main Road from Henry Street to Brougham Street across to the Diamond Creek showing the Eltham Shire Offices (demolished 1996), the Eltham Library (opened 1994)aerial photo, alistair knox park, bridge street, brougham street, central park, diamond creek (creek), eltham, eltham community centre, eltham courthouse, eltham justice precinct, eltham living and learning, franklin street, henry street, local history centre, main road

Post Office Gallery Celebrating 150 years rail in Bendigo and the Bendigo Brass Band, 28 pages black and white and colour photographs.bendigo, history, regional rail link.

Slide. Bendigo Views. Scenic view of Bendigo. Includes rear view of Art Gallery with the spires and roof of the Sacred Heart Catherdral in background.slide, bendigo, bendigo views, bendigo views

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Gallery, in former US Embassy building (1960) in Grosvenor St, Mayfair, London, England. (Architect: Eero Saarinen.)Made in Australia / 35 / AUG 64Mslide, robin boyd

One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing of a shearer shearing in a woolshed, part of the shearing exhibition in Gallery 1, the National Wool Museum, Geelong. By David Williams.David Williams '90 9national wool museum

A colour photograph taken during the construction of Arbor Green Cottage in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph taken during the construction of Arbor Green Cottage in Marysville.1 Falls Rd M'sville./ The future ahead./ The Arbor Green Galleries/ 3 Levels.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires