Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands.Catalogue number written in pencil on reverse. amess house, samuel amess, churchill island, photograph, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands. Copy of 0658.3Catalogue number written in pencil on reverse. 'VICTORIAN DEPT OF AGRICULTURE' written in pencil on reverse Stamp on reverse: 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-8)'amess house, churchill island, samuel amess, moonahs

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing a man moving the cannon and a women gardening. The photograph has been taken across the garden and shows Amess House and an immature Norfolk Pine in the background. Matches 0658.2Catalogue number written on reverse in pencil. Written in pencil on reverse 'Dept of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-16)amess house, churchill island, samuel amess, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and White photograph taken from the late nineteenth century showing groups of people standing out the front of Amess House. There is a covered cannon on the right hand side of the frame and an immature Norfolk Pine in the background. Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-24)samuel amess, churchill island, amess house, norfolk pine, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and White photograph taken from the late nineteenth century showing three men reclining with a dog in a paddock on Churchill Island with the shoreline and mudflats in the background.Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-28)churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two boats resting on the river floor at low tide. A man sits in the rear of the second boat.Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-26)churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing three men posing in an orchard. One man is on a ladder, and the other two are gesturing at the tree.Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-27)churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island. Black and White photograph of Ted and Harry Jenkins with Bill Cusby (?) standing around the cannon in front of Amess House.Catalogue number written on reverse in pencil. 'A' stamped on reverse Handwriting on reverse 'c.1940' Handwritten on reverse 'Harry Jenkins Ted Jenkins and Bill Cusby' (?)churchill island, mal mccartney, ted jenkins, harry jenkins

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph of a family sitting and standing around a cart. Taken near the rear of Amess House. Probably visitors on a daytrip to Churchill Island. Printed on card.Catalogue number written on reverse in pencil Handwritten in pencil on reverse 'Taken at entrance to rear of house - coming up from the jetty' In another hand 'c 1955 - 60 (pre-bridge) Having a day trip' churchill island, amess house

Churchill Island Heritage Farm has a long and interesting history. From 1872, Samuel Amess was the primary owner of Churchill Island, having purchased it from the Rogers family. During his time on the Island, he built the main house and developed the surrounding land and gardens significantly as a holiday house away from the pollution of Melbourne. This photocopy of the original visitor's book (whose location is unknown) provides a valuable insight into the visitors who were regularly hosted at Churchill Island by the Amess family.Photocopy of 92 page document of the 1881 - 1902 Churchill Island Visitors' book containing handwritten entries from people who stayed at the Island during the time of Samuel Amess and his son (also named Samuel). Photocopies are housed in a red folder.samuel amess, churchill island, guest book, 19th century, visitors

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades.Photograph of a child sitting on Santa's lap under a marquee with a family sitting behind themCatalogue number written on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border showing a family sitting around a trailer parked behind Amess HouseCatalogue number written on reverse in pen/pencil Hand written on reverse in pen 'abt 1957 THIS IS THE TRAILER MADE FROM THE CHASSIS OF A OLD "STAR" MOTOR CAR. USED TO BRING UP PEOPLE AND BAGGAGE ETC FROM THE OLD JETTY ON CHURCHILL ISLAND OPPOSITE CHURCHILL RD. OUTSIDE THE S/E REAR ENTRANCE TO THE HOUSE'churchill island, landscape, harry jenkins

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of family posing for the camera standing around Amess House. Probably taken in nineteenth century.Catalogue number written in pencil on reverse. 'ALBUM A101C' written in pencil on reverse. Stamped on rear 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-29)'churchill island, amess house

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a working horse ("Baz") being rested while a family pats him. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen: ""Baz" resting & being petted by visitors. C.I. Easter Festival 30/3/2013" churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a resting working horse being patted by a familyCatalogue number written on reverse in pencil Written in pen on reverse '"Baz" resting and being petted by visitors C.I. Easter Festival 30/3/2013'churchill island, photograph

"Desmond", on the Cockatoo Creek, on land which now forms part of Alma Treloar Reserve, was the home of the O'Hara family ca. 1910. The poet John Bernard O'Hara, used to visit his mother there, and remembered many wonderful holidays with the "city folk" who travelled to Cockatoo on "Puffing Billy" and camped along the creek. The family in the foreground is most likely the O'Hara family.The photograph is significant because it shows a Cockatoo home of around 1910.Black and white photograph of "Desmond", home of the O'Hara family, with a family group in foreground. Situated on Cockatoo Creek, on land now known as Alma Treloar Reserve. Circa 1910.cockatoo homes, "desmond", o'hara family, cockatoo creek, john bernard o'hara.

Thomas Fairbridge came to Cockatoo about 1919 to manage the store for his brother-in-law Henry Knight and later bought it. The shop continued to operate as Fairbridges after Thomas died in 1941. On his death he was First Principal of the Belgrave Holy Royal Arch Chapter, this in memoriam book was given to the Fairbridge family on Feb 14th, 1942The lodge stated in the book -- The desire to pay homage and respect to the memory of our Most Excellent First Principal who passed to the Great Beyond in November of last year has prompted the Companions to present this token of the love and esteem in which he was held. To his loved ones we extend sincere sympathy. We offer it without reserve and with the most profound understanding.Leather bound book maroon in colour, with gold embossing. Held together with a maroon cord. Contained in its original maroon cardboard storage box.Includes a family photo, of Thomas, Mary and Dorothy Fairbridge. Newspaper obituary, tributes and memorial service cuttings with handwritten descriptions. Signatures of members from the Belgrave Holy Royal Arch Chapter.cockatoo, fairbridge, masonic,

Book titled Footprints on the Sands of Time: Bendigo's Citizens, the 1909 Bendigonian Annual and Community History with a grey tone cover with images of Sir John Quick, Amy Castles, Amy and Eileen Castles and Anthony Palamountain on the front and back covers. La Trobe University, Bendigo The Ninth Sir John Quick Bendigo Lecture 2 October 2002. Lecture by Professor Jeff Brownrigg, Head of Research and Outreach ScreenSound Australia, Canberra. Mentioned in the book is Sir John Quick, Some women of the early 20th Century, Bendigo's singers and opera singers and why communities all over Australia must face up to the challenges of global media by first recognizing the value of their own stories. Mentioned at the back of the book is a brief mention of Professor Jeff Brownrigg's career, John Quick's career and a list of The Sir John Quick Bendigo Lecture Series from 1994 to 2001.bendigo, history, long gully history group, the long gully history group - footprints on the sands of time, professor jeff brownrigg, research and outreach screensound australia, la trobe university bendigo, sir john quick, bendigonian annual, bendigo school of mines, british empire, alfred deakin, sir william lyne, king o'malley's commonwealth bank, telstra, sir frederick holder, robert garran, john mckay, the mirror, henry gyles turner, fischer, state library of victoria, bishop reville, bendigo evening news, bendigo independent, bendigo advertiser, melbourne university, melbourne age, richard twopenny, mr donald clarke esq, bendigo's butter factory, madame carandini, amy sherwin, nellie melba, oscar commetant, shamrock hotel, constitutional convention adelaide, frederick holder, edmund barton, catherine helen spence, elizabeth nicholls, women's christian temperance union, mary lee, rose scott, susan margery, maybanke anderson, vida goldstein, bendigonian annual, amy castles, alice crawford, edward allan bindley, joseph castles, mercy conent, freeman's journal, catholic press, therese radic melba, state library of victoria, cardinal moran, de quiros, bulletin, john norton, d headon, j brownrigg, lili sharp, eileen castles, mike sutcliffe, melbourne argus, frank cusack, david horsfall, alvin tracey, melbourne's advocate press, amy sherwin, frances saville, lalla miranda, hugo gorlitz, samuels family, louis august samuels, kate (catherina) samuels, madame benda, mathilde marchesi, emily dyason, erna (lovie) mueller, the german chapter, german heritage society bendigo, bertha rossow, hamilton hill, beatrice english, anthony palamountain, alfred bottoms, a c bartlemann, dorothy penfold, dr penfold, penfold gallery, pauline bindley, e a bindley, willie murdoch, sister mary tarcisia, sisters of mercy, peter dawson, bendigo's chinese populatin, masonic hall, ashman's dry-cleaners, walter murdoch, lily baxter, walter savage landor, robert garran, ada colley, australian journal of communication, michelle matthews

Shakers would have been used at the Healesvile Sanctuary kiosk during the 1930's and 1940's.Souvenir ceramic pepper and salt shakers. Two gold bands on upper section. Both shakers have identical image of a native cat family on one side. Skakers are mainly white in colour but have blue and yellow above and below the image.NATIVE CAT FAMILY/ BADGER CREEK SANCTUARYhealesville-sanctuary, native-cat, salt-shaker, pepper-shaker, kiosk

Board lists the names of the people who died while being members of the St Gregorius Choir, or who had to resign because of ill health. The board was donated to the St Gregorius Choir by the Hurkens Family.

Commissioned in Australia, this platter illustrates the continued affection of Dutch migrants for the Dutch royal family.White platter. Around the rim: at top, Beatrix Regina; underneath: Troonbestijging (ascension) 30 April 1980. Dutch royal coat of arms with motto 'Je maintendrai' (I shall perservere)On reverse, logo HP 8076 Commisioned by H. van Hoek to Hallam Pottery Handmade and handpainted by Gerard Albers

Queen Wilhelmina celebrated her silver jubilee in 1923.Princess Wilhelmina was only 10 years old when her father (King Willem III) passed away in1890. Until she became of age 8 years later her mother, Queen Emma, ruled as Queen Regent. The Dutch are traditionally proud of their Royal Family and this is one of the commemorative items with which the country honoured the Queen's silver jubilee in 1923 Shaped as a soup plate the carved out bottom carries an image of Queen Wilhelmina and the inscription "1898-1923". A branch of oranges with a golden W placed in its centre partly encircles the image. The plate is edged with three green circles. "1898-1923".

Princess Juliana and Prince Bernard married in 1937 prior to the Princess becoming Queen in 1948.The fact that this item was brought to Australia with a migrant family indicates the affection in which the Royal Family was held by many Dutch people.Rectangular tile depicting a leafy tree loaded with oranges. Under it are four young people - two male and two female. The main colours are green on a greyish background. Orange accents appear throughout the clothing. An orange banner reads 1937-1962. Below the illustration is the motto: "Doen kunnen we alles maar dan ook alleen allen samen." (We can do everything but only together). On the back are various imprints relating to the maker Mosa Holland.

Wooden clogs were common footwear for farmers and their families.Single wooden clog decorated with burnt-in rustic scene and patterned decorations.