Negative No. 282 and colour print made by colour laser printer (stored in folder ) of SW6 914 approaching the Batman Avenue terminus 7/5/1955. Photo by Geoff Grant. Tram has dash canopy lighting, with three holes that were cut in pending conversion to standard headlight arrangements - see Destination City (4th Edition page 52) for notes regarding headlights. Hi res scan of negative and image updated 19/5/2020.trams, tramways, melbourne, batman ave, dash canopy lights, headlights, tram 914

Black & white photograph of Ballarat 26 an 27 at "tramway centre". Both trams heading east on Sturt St. Tram 34 on other side of road. Both trams have been fitted with dash canopy lighting but not extended white strip under driver's windows. No. 26 has "Gardens via Sturt St. West" destination. Both are fitted with Briquettes roof ads. Robbie Burns statue in background. Dated Nov. 1964. On Kodak paper.On rear in black biro, "Nov 1964, 26 and 27, Sturt St. Ballarat, Bogie 34, other side."trams, tramways, ballarat, sturt st, tramway centre, tram 26, tram 27

Yields information the appearance and details about the Grenville St intersection in the background in particular the shops on the corner in the late 1950's.Digital scan from the Ben Parle collection of SEC trams tram 30 in the loop and two other single truckers at the Grenville St stop. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Note the SE Dickins store on the north side, with the hotel on south side. Dickins later moved to the south side. Morsheads sign in photo as well as Grey's cigarettes. Photo received with the Ben Parle slides 09/2004. trams, tramways, grenville st, sturt st, bridge st, city loop, tram 30

See Item 11000.189Photograph of Hanro Knitting Room: On cream card with a silver border with *Bartlett Bros., Bendigo* as the photographers printed in brown ink. The photo is of the knitting rooms showing the machinery with spools of thread in work. The room is a large open space with Steel girders at the top with industrial lighting. The room has numerous knitting machines. The back has tape down the left hand side and hand written in black ink is *Part of Knitting Room* on the top right. Box 116ABartlett Bros., Bendigo.photograph, building, hanro, bartlett bros., bendigo

This light hanging mechanism could have been used for an adjustable chandelier with candle holders. It would likely be attached to the ceiling by its long stem to suspend the light fitting. A chain would have been threaded around each pulley, with one end joined to the top of the light fitting and the other end joined to a counter weight. The four counter weights would allow the light fitting to be raised or lowered to the desired height with little effort, to allow for lighting the candles or change the intensity of the light. This light fitting was once installed on the famous sailing ship, the Loch Ard, which was built in 1873 and tragically wrecked in 1878.The fitting was recovered from the wreck almost 100 years later, at the time it was discovered. LOCH ARD 1873-1878 – The Scottish-built clipper ship Loch Ard was bound for Melbourne in 1878 with 54 people on board. The mixed cargo it carried included items for the 1880 International Exhibition in Melbourne, one of which was the now famous Majorca ware Minton ‘Peacock’ statue. The Loch Ard was wrecked on June 1st when the ship crashed into Mutton Bird Island, east of Port Campbell. The only survivors were Tom Pearce, a crew member, and Eva Carmichael, a young passenger who was rescued by Pearce. The Gibsons, owners of nearby Glenample Homestead, cared for Tom, and for Eva who stayed longer before returning to Ireland. The wreck of the Loch Ard was discovered in 1967, before the introduction of the Victorian historic shipwreck legislation. In 1969 it was decided that all recovered material should be lodged with the Receiver of Wrecks. In 1980 Flagstaff Hill Maritime Museum Divers received a permit to recover artefacts from the wreck to safeguard them from looters. In 1982 the site was listed as a Historic Shipwreck, and the Maritime Archaeology Unit recovered loose artefact material. The light fitting is recognised as being historically significant as an example of lighting either as part of the ship ‘Loch Ard’ or part of the ship’s cargo, imported for use in Colonial Victoria in the 19th to early 20th century. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Light fitting; hanging mechanism with simple pulley wheels for pendant light. Metal pipe, closed and hooked at one end, stem has three decorative rings, and open end has a short narrower metal pipe inserted. Narrow pipe has a three tiered, scallop-edged dome attached to the end. The dome encloses remnants of broken chain length and is attached to a set of four pulley wheels arrayed in a circle with their edge sat right angles to each other. The light fitting was recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, victoria, eva carmichael, tom pearce, lighting, lidht fitting, pendant light, chandelier, pulley light, adjustable height light

This magazine contains a number of small news items with the front cover story relates to Mary Betello and her poetry book on The Holy Land. Others relate to local Rotary club , theatre group, Council news and local district news. There are display advertisements listing such businesses as Ron Jessen Fabric, Owen's of Warrnambool, Crazy Dave's Lighting, Bob Sloan Butchers Rainbow Health Foods, Jetaime B & P Hoy Wholesale.A good collection of businesses from around the 1980's in Warrnambool. Small newsprint document with blue headline and blue banner at top of page with black text. There is a photograph and accompanying story on front page. Back page has blue outline on page with white print. 40 pages.District traders Buying Guide . The news & Trader Post 145 Kepler Street Warrnambool. Ph 055 621055warrnambool,the householders news and trader post,

A candlestick holder is a device used to hold a candle in place. Candlesticks have a cup or a spike ("pricket") or both to keep the candle in place. Before the proliferation of electricity, candles were carried between rooms using a chamber stick, a short candlestick with a pan to catch dripping wax. Although electric lighting has phased out candles in much of the world, candlesticks and candelabras are still used in homes as decorative elements or to add atmosphere on special occasions. An item used in every home that did not have electricity from the late 19th to early 20th centuries as a lighting aid.Candlestick is round, hollowed scalloped edge to base. Coated with white enamel it features a large ring handle. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, candle stick holder, candle holder, enameled candle stick holder

Book - titled "A Brief History of The Melbourne Brunswick and Coburg Tramways Trust", MBCTT, written by Bob Prentice and edited by Dean Filgate. Published by Tramway Publications 1999. Provides details on the formation of the Trust, appointments, financials, track and overhead construction, power supply, street lighting, depot and offices, opening, map, tickets, staff, operation statistics, extensions, and rolling stock. Illustrated with many photographs including a photograph of the Trust Tramways Band.Yields information about the tramways built by "The Melbourne Brunswick and Coburg Tramways Trust"Book - 24 pages including heavy card covers, titled "A Brief History of The Melbourne Brunswick and Coburg Tramways Trust", centre stapled.trams, tramways, mbctt, tramways band, coburg, construction

This item from the Border Morning Mail, Albury reports on the total destruction of the Albury Ski Club Lodge in 1958. The Lodge had been built by the Albury Ski Club members during their weekends and spare time starting in 1948. The fire was probably caused when a drum of petrol stored in the lighting plant room exploded. The building had fortunately been insured and the Albury Ski Club was able to build a new lodge to replace it.This article is significant because it documents an importance incident in Falls Creek.A newspaper item reporting on the destruction of the Albury Ski Club Lodge from the Border Morning Mail on Saturday 19th April 1958.albury ski club, albury ski club lodge fire

What is distinct about the Performing Arts Course at the University of Ballarat is it has students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch..1: Four page program .2 to .18: Individual profile sheet, two sided - photo and profile of work. Sheets in cream gloss card folder.Signature of Peter Tulloch - back cover of folder.university of ballarat, u of b, performing arts, graduate exhibition, 1994, student profiles, program, donna brunt, naomi duryea, deanne lee clapton, james edwards, katherine elisa evans, bella goyarts, anthony marsh, suzanne martin, hilary paige mills, kylie moroney, matthew robert posetti, lawrence price, stuart pursell, aaron michael richardson, kirsty novak-russell, francisco antonio seguin, jessie watson, emma wray, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.Small white booklet with black type. Each student has photograph and information over two pages Circular symbol - Season Graduate Company - 93performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1993, curtis barnott, john bateman, peta brady, amanda davies, michael gibbins, ruth greenberg, ronald hinkley, rebecca moore, warren muschiali, martin newton, clare o'sullivan, kristian pithie, vicki pollock, simon power, shaun dumbrell, jay strybosch, libby tanner, cristin(tin) schwanker, adam turnbull, david whiteley, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. 13 A3 size gloss paper sheets folded. Photograph on one side and profile information on other pages. Grey A3 cover paper sheet folded for program. Writing in red ink. All enclosed in grey and pink coloured folder.performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1992, fiona bennett, miranda crellin, peter ghin, andrea hearn, nerissa heath, joanne hyland, kimbra jeffries, brigid kelly, robert macleod, sandra moon, grainne o'boyle, howard tostivan, samantha trinder, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.Yellow card folder 13 A4 size white gloss paper sheets. Photograph on one side and profile information on reverse.university of ballarat, u of b, performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, tanya burne, marijana dujmovic, hayley giemza, marley huxley, bertrand labonte, sophie lampel, belinda lees atcl, matthew molony, daniel tonzig, lyn cyrill, vicki matthews, casey norton, robert alan sowinski, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded, with two white A4 sheets. Black and white photographs and black print performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1991, jennifer pacey, simon piening, bernadette lamaro, jacqueline port, stephen macklin, michal glickson, felicity hay, gregory wright, douglas knight, merran lisette, sadat-jon hussain, emily robinson, nicholas reid, richard sutherland, third year, monologues, scenes, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded Black and white photographs and black print Signature of Peter Tullochperforming arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, final year company, university of ballarat, momentum, savage/love, cast crew, tanya burne, marley huxley, marijana dujmovic, bertrand labonte, jayley giemza, matthew molony, sophie lampel, daniel tonzing, belinda lees, lyn cyrill, vicki matthews, casey norton, robert sowinski, kruse collection

History and performance information re The Bendigo Theatre Co (Bendigo Operatic Society) (Pat Lyon). Details of founding of company in early 1950s and references to people involved. Company change to Bendigo Theatre Co. in Feb 1984. Includes list of 91 (named) productions from 1953 to to 1993 (with dates) with total of 478 performances. Also - productions listed by the relevant Director; list of Musical Directors; List of Pianists; List of Choreographers (no dates); list of Life Members; List of Lighting personnel.entertainment, theatre, bendigo theatre company

Set of two photographs of trams at the SEC Geelong Depot, mid 1950's. .1 - 19, scrubber and 9 with the depot buildings in the view - two copies of the print - slightly differently framed. .2 - bogie ( fitted with zebra stripes and dash canopy lights), 4, 16, 19, 38 (left to right) Destination Eaglehawk notes that No. 4 was the only single trucker fitted with zebra stripes and dash canopy lighting - see pages 42 and 44 during 1955 trams, tramways, geelong, depot, tram 19, tram 9, scrubber, tram 4, tram 16, tram 19, tram 38

Report - 6 foolscap sheets, stencil cut and duplicated titled "Class W7 Tramcars", giving a detailed written description of the trams (1001 to 1040). References a photograph which is not included. Gives notes on the General Design, body construction, windows, doors, finishes, seats, motorman's compartments, sound insulation, ventilation, lighting, signalling, destination signs, trucks, wheels, brake gear, motors, current collection control equipment and dimensions. Notes the Authority of the Chief Engineer Mr. D. H. Eakins.trams, tramways, w7 class, tramcars, preston workshops, tramcar construction, specification

Kodachrome transparency slide of Ballarat No. 13 parked in the City loop, with a young boy leaning from one of the doors. Has Thomas Jewellers Store in background, Edments and Hartleys and Dickins Supermarket in Grenville St. Slide has date of 1/68 written on, and has been stamped by Kodak as being processed Jul 68. It appears to be a hot day, during January as sun is quite high. Tram has large white strip under the dash canopy lighting. In red ink under number 15 "Ballarat 1/68" and on base in blue ink "City Loop"tramways, trams, sturt st., city loop, tram 13

Colour postcard size print of SEC Ballarat tram 41, passing depot junction with Lake Wendouree in background. Tram has been fitted with dash canopy lighting and tiger stripes, but prior to large white painted panel under driver's windows. Still has large triangles on front panel. On roof is advertising sign 'Electric Cooking is Matchless" Has destination of "Mt Pleasant". Photo shows track work into depot. Photo dated 23.11.1962. Printed on AGFA paper.On rear top left hand corner "23.11.62" in very wavy handwriting typical of an aged person.depot trackwork, lake wendouree, ballarat, tram 41

Colour postcard size print of SEC Ballarat tram 28 on No. 3 road at SEC Wendouree Parade depot. Photo dated 23.11.1962. Printed on AGFA paper. Tram 28 has "Twin Lakes" sign in multiple colours on front panel, and what appears to be a CASTROL and an SEC ad.. Trams fitted with dash canopy lighting, but not the large white strip on the front panel and has small triangles on the front panel Tram 13 has the destination of "DEPOT via Drummond St."On rear top left hand corner "23.11.62" in very wavy handwriting typical of an aged person.depot, ballarat, tram 28

Yields information about the appearance of Sturt St at the time of Ballarat Begonia Festival, 1957 - the flowers in the medium strip, the tram and the shoppers in particular the women.Black and white photograph of Ballarat No. 14 west bound in Sturt St during the 1957 Begonia Festival with the Town Hall (with a Begonia Festival sign on it), and other buildings in the background. Has the Australian Mutual Life Building, the Odeon Theatre buildings. In the centre median strip, there is a large arrangement of flower beds and many women shoppers crossing the road, motor vehicles and a lady on a bicycle. No. 14 has the destination of Haddon St via Drummond Nth. Festoon lighting is strung out along the street.On rear in red ink "Ballarat Car 14 Sturt St B'rat Summer '57" and the stamp of Jim Seletto.tramways, trams, sturt st, begonia festival, town hall, shoppers, tram 14

Photo of tram No. 38 in Sturt St. at Lydiard St. in transition of having dash canopy lighting fitted. Tiger stripes on bumper bars, and white stripe under windscreen. Has large reflective tri-angles. Has Castrol Ad on roof of tram. In background is old Commonwealth bank building, Mutual Life Association building. On tram stop pole is section sign, 'Cars stop here' sign and it is painted as a compulsory stop. Taken 26-12-1960.SEC Ballarat No. 38 in Sturt St. 26-12-60' in blue ink and 'W.Jack' stamped in purple inktramways, trams, sturt st., dash canopy lights, tram stops, tram 38

Photograph of SEC No. 12, with dash canopy lighting, but small white stripe, at Victoria St. terminus in early 1960's. Conductor turning pole, with a large number of passengers about to board, including one pram. On a Sunday afternoon? Tram has a 'Twin Lakes, every Sunday' sign on front. Large trees in background. Image on data base file, made from digital photo of photo 22/6/02, replaced with hi res scan of neg 9-5-2020. trams, tramways, ballarat, secv, victoria st., tram 12

Instruction - 5 pages - duplicated foolscap sheets - headed "MMTB Engineering Department - Workshops and Running Shed Branch" - titled "Duties of Electrical Mechanics - Runningsheds" Details electrical work to be done on tramcars at the 100 hours service; trolley pole, electrical equipment, controllers, switches, resistance boxes, line breakers, RC units, motors, governor, compressor, lighting, buzzers, door engines, wipers, brake cylinders and general body eg handrails. Dated May 1970.trams, tramways, depot, safety, workshops, electrical equipment, instructions, procedures

Report - 6 foolscap sheets, stencil cut and duplicated titled "Class W7 Tramcars", giving a detailed written description of the trams (1001 to 1040). References a photograph which is not included. Gives notes on the General Design, body construction, windows, doors, finishes, seats, motorman's compartments, sound insulation, ventilation, lighting, signalling, destination signs, trucks, wheels, brake gear, motors, current collection control equipment and dimensions. Notes the Authority of the Chief Engineer Mr. D. H. Eakins.trams, tramways, w7 class, tramcars, preston workshops, tramcar construction, specification

The Philips Company was founded in 1891, by Gerard Philips and his father Frederik Philips in Holland (Netherlands) and started the production of carbon-filament lamps and other electro-technical products in 1892. The first Philips shaver was introduced in the 1930s, and was simply called Philishave. The Philishave has remained part of the Philips product . In 2018, the independent Philips Lighting N.V. was renamed Signify N.V. However, it continues to produce and market Philips-branded products such as LED light bulbs After World War 11 1939-45, new estates were opened for housing returned soldiers in City of Moorabbin and most of the men began using the new convenient electric razors manufactured by Philips and Gillette.An electric shaver 'Philishave' c 1950 with box, shaver head protector, electrical cord and plug Box ; PHILI SHAVE / PHILIPS Trademark Shaver :PHIL / SHAVE / AW / 209230V 4030 / AC ONLY / RTM / PHILLIPS / MADE IN / AUSTRALIApersonal effects, razors, electric shavers, philips pty ltd,, early settlers, city of moorabbin, post world war 11 settlement, bentleigh, highett, cheltenham, ormond, reed george, clark judy

Typed report by Mr Alex Cameron of the PMTT titled "Chairman giving a comparison between Original and Revised estimate of Noyes Bros in regard to proposed tramways" Orginal Estimate dated May 1906, revised June 1907. One of the principal savings was the purchase of power from the Electric Traction and Lighting Co instead of building their own Power Station. There were other changes to the estimates for track, alterations to sewers, water mains and drains, and rolling stock.Yields information about the cost of construction of the first stage of the PMTT in 1907.Document or report 5 foolscap sheets - carbon copytramways, tramcars, pmtt, costs, new tramways

The 1950's saw a revolution in small appliances for use in the average household. This hand held self heating(kerosene) iron was introduced as a time saving and more convenient iron for pressing clothes and other cloth fabrics. It replaced irons needing a separate fire source to heat the ironing plate. These irons continued to be in service, even when electricity was available in cities and larger rural towns (domestic electric steam irons were invented in 1938). This item was used before and during the electricity supplies available from the Kiewa Hydro Electricity Scheme. These irons remained in use within regional rural areas that had limited or unreliable electrical reticulation.In the 1950s and later the Kiewa Valley was still a relatively isolated region which was home to rural properties and small settlements. The availability of electricity and or the financial means to afford new types of electric hand irons ensured that older and sometimes less efficient ironing remained for an extended period covering the 1960s to 1970s. Kerosene products, such as this kerosene iron was a cheaper method for farm based domestic and other rural activities requiring a heat source. The use of kerosene as a heat/light source was able to be supplied in bulk and able to be used when floods severed vital roads into this region. The supply of electricity was in summer time subject to interruption from bush fire damaged wooden poles carrying the electrical cables. Self sufficiency by rural populations was the backbone of survival and the ability to store energy sources "on the farm" was a prerequisite of isolated regions, such as the Kiewa Valley, circa 1950s.This Coleman kerosene iron has a solid steel chrome plated(press) base with a painted (blue) wooden handle. The handle is stud fastened onto an oblong shaped rolled steel handle frame and screwed (two screws) onto the base plate. Both the heating plate and the top securing plate are shaped similar to a river boat. The main housing enclosing the heating element is enamel coated(blue in colour) steel and has a half hole for lighting the kerosene at the rear end. Behind the handle and protruding upwards is a stainless steel fully enclosed container (bowl shaped) for the main supply of kerosene to the burner or generator(enclosed within the main body of the iron. The bowl has an air valve and inlet for pressurised air intake (hand pump) On the bottom rear of the fuel bowl there is a screw regulated fuel pump. The fuel heated base plate provides the heat for this advertised "self heating iron(instant lighting). See KVHS 0347B- Instruction sheet; KVHS 0347C- Wrench; and KVHS 0347D Fuel can.Stamped on the base plate of the handle, front region "COLEMAN LAMP & STOVE CO." below this "WICHITA KAN" below this"TORONTO CAN". In the middle of the handle base and in larger print "COLEMAN Instant-Lite" At the rear location in large print "MODEL 4" in smaller print below "MADE IN U.S.A." below this "PAT#1718473"household appliances, alternative non electrical ironing appliances, domestic appliances, kerosene appliances