Showing 782 items
matching mixed media
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Moorabbin Air MuseumMixed media (Collection) - Avro Cadet collection, Avro Cadet
... Mixed media... Mixed media Avro Cadet collection ...Unclear, possibly Avro, RAF or RAAFPhotographs, articles, specifications on Avro Cadet biplane trainer -
Moorabbin Air Museum
Mixed media (Collection) - DeHavilland Gipsy Moth collection, DeHavilland Gipsy Moth
... Mixed media... DeHavilland Gipsy Moth Mixed media DeHavilland Gipsy Moth collection ...Unclear, possibly DeHavilland or RAAFPhotographs, articles, specifications and technical documents on Gipsy Moth biplane trainer -
Moorabbin Air Museum
Mixed media (Collection) - Bristol Beaufighter collection, DAP Beaufighter
... Mixed media... Beaufighter Mixed media Bristol Beaufighter collection ...Unclear, possibly Bristol, RAF or RAAFPhotographs, articles, specifications and technical documents on Bristol Beaufighter strike fighter -
Moorabbin Air Museum
Mixed media (Item) - DeHavilland D.H.50 collection, DeHavilland D.H.50
... Mixed media... Moorabbin melbourne Unclear DeHavilland D.H.50 Mixed media ...Unclear -
Moorabbin Air Museum
Mixed media (Item) - de Havilland Gipsy Engine Manual CD, Gipsy I Aero-Engine Manuals
... Mixed media... Aviation Museum OneDrive. On a CD Gipsy I Aero-Engine Manuals Mixed ...Contents are stored on a CD. Also stored by the Australian Aircraft Restoration Group on the Australian National Aviation Museum OneDrive. -
Moorabbin Air Museum
Mixed media (Item) - Images of Moorabbin Air Museum, Point Cook, and Merlin Manuals, Anthony O'Donnell, Melin Manual Moorabbin Air Museum Point Cook Merlin & Meteor
... Mixed media... Point Cook Merlin & Meteor Mixed media Images of Moorabbin Air ...Contents are stored on a CD. Also stored by the Australian Aircraft Restoration Group on the Australian National Aviation Museum OneDrive. -
Moorabbin Air Museum
Mixed media - misc. colour and black and white Negatives of planes, CAC keith Meggs' colour negatives etc. of various aircraft
... Mixed media.... of various aircraft Mixed media misc. colour and black and white ... -
Moorabbin Air Museum
Mixed media - misc. colour and black and white Negatives of planes, CAC keith Meggs' colour negatives etc. of various aircraft
... Mixed media.... of various aircraft Mixed media misc. colour and black and white ... -
Queenscliffe Maritime MuseumMixed media - B & W photos of the Blessing of the Fleet [BoF] January 1969, Black & white photographs & newspaper articles re BoF Jan 1969, unknown
... Mixed media... 1969 Mixed media B & W photos of the Blessing of the Fleet [BoF ...Queenscliffe - Blessing of the Fleet 1969Blessing of the Fleet 1969Black & white photographs x 2 and newspaper articles of the BoF 1969Reverse - " ".historical references -
Queenscliffe Maritime MuseumMixed media - J P Larkin information, J P Larkin photo, clippings, story, c1936 - 1939
... Mixed media... P Larkin photo, clippings, story Mixed media J P Larkin ...marine surveyorcoastal waters managementMarine Surveyor J P Larkin information including studio photo, biography, and two news articlesReverse " NIL ".historical references -
Queenscliffe Maritime MuseumMixed media - The wreck of the MERLAN c1949, News articles et al re the wreck of the MERLAN c1949, c 1949 newspspers
... Mixed media... Mixed media The wreck of the MERLAN c1949 ...shipwrecks & rescuesMERLAN wreck c1949Wreck of the MERLAN & its crew rescue c1949Reverse " NIL ".historical references -
Queenscliffe Maritime MuseumMixed media - Lost sailor off RAN survey ship KIMBLA and Lifeboat 'siltation' issues, News articles re KIMBLA lost sailor & Lifeboat siltation, c 1946 & 1979 newspapers
... Mixed media... lost sailor & Lifeboat siltation Mixed media Lost sailor off ...Man-overboard and shipwreck rescue problemsHMAS Kembla sailor & Queenscliffe Lifeboat issues.Lost overboard sailor and siltage preventing lifeboat launching c 1946 & c1979Reverse " NIL ".historical references -
Queenscliffe Maritime MuseumMixed media - Wreck of the TIME, News articles re the wreck of the TIME, c1949 newspapers
... Mixed media... c1949 News articles re the wreck of the TIME Mixed media Wreck ...Shipwreck & rescueSS TIME wreck, Corsair Reef & Queenscliffe Lifeboat.News articles, photos, map & report re SS TIME wreck at Corsair Reef c1949Reverse " NIL ".historical references -
Queenscliffe Maritime MuseumMixed media - Japanese squid boats, Empress of the Sea & Capt. Paterson's funeral, News articles re squid boat, Empress of the Sea & a funeral, Newspapers
... Mixed media... & a funeral. Mixed media Japanese squid boats, Empress of the Sea ...Shipwreck & rescues, funeral & Japanese squid fishermen.Empress of the Sea, Capt. Paterson [Pilot] & squid fishersNews articles & notices re Squid fishermen, Pilot's funeral & Empress of the Sea burningReverse " NIL ".historical references -
Queenscliffe Maritime MuseumMixed media, News articles & pamphlets re Port Phillip Pilots c1839 onwards, Newspapers
... Mixed media... Phillip Pilots c1839 onwards Mixed media ...Port Phillip Sea PilotsHistorical newspaper clippings about Port Phillip's Sea Pilots' history.News articles & notices re Port Phillip's Sea Pilots over the years Reverse " NIL ".historical references -
Bendigo Historical Society Inc.Mixed media - Emu Creek Bush Band Collection: Compilation of photographs, news article transcript and photocopy of ball programme
... Mixed media... the ball. Mixed media Emu Creek Bush Band Collection: Compilation ...One sheet of paper containing a compilation of photographs of the Bendigo Deutscher Verein 1903, the Masquerade Ball given by the German Turn Verein 1881, the Flights City Band 1903, a programme from the German Mask Ball 1901 and the transcript of a newspaper article from the Bendigo Advertiser 7/8/1901 describing the ball. bendigo deutscher verein, flights city band bendigo, emu creek bush band -
Bendigo Historical Society Inc.Mixed media - Emu Creek Bush Band Collection: one photograph of the Melbourne Caledonian Band, one photograph of the Bendigo Caledonian Band and three musical notations of reels
... Mixed media... brackets long. Mixed media Emu Creek Bush Band Collection: one ...6917.15a contains two photographs The first photo is titled 'The Melbourne Caledonian Band' and depicts a large orchestra dating from 1906. The second photo dating from 1905 depicts four pipers of the Bendigo Caledonian Band. All are dressed in Scottish Highland attire. 6917.15b contains three dance reels with handwritten musical notations. The first reel is titled 'The Deil amang the Tailors' and is three brackets long. The second reel is titled 'The Miller O'Drone' and is four brackets long. The third reel is titled 'Reel O'Tulloch' and is three brackets long.emu creek bush band, melbourne caledonian band, bendigo caledonian band, highland reels -
Bendigo Historical Society Inc.Mixed media - Golden Square Secondary College Class and staff photographs
... Mixed media... of teachers and staff. Mixed media Golden Square Secondary College ...Plastic bag containing photographs of Golden Square Secondary College students. The year covered is 1997 classes 7A-7B-7C-7D-7E-7F-7G-7H / 8A-8B-8C-8D-8E-8F-8G-8H / 9A-9B-9C-9D-9E-9F-9G / 10A-10B-10C-10D-10E-10F-10G Six photographs of teachers and staff.golden square secondary college, students' photographs, teachers and staff -
Bendigo Historical Society Inc.Mixed media - Golden Square Secondary College
... Mixed media... to the students at the college in 2005 Mixed media Golden Square Secondary ...TDK compact disc labelled photos 2005. On the CD several folders containing photos relating to the students at the college in 2005golden square secondary college, 2005 -
Bendigo Historical Society Inc.
Mixed media - Bendigo Tramways 100th Anniversary National Trust DVD, 1990
... Mixed media... by the State Electricity Commission of Victoria. Mixed media Bendigo ...The Sandhurst and Electric Tramway Company was the first to blaze a trail when it introduced battery trams to Bendigo in June 1890. Unfortunately they had made a serious miscalculation, as the batteries quickly proved inadequate for the hilly terrain of Bendigo. After a couple of months battery trams ceased running and were later replaced by steam trams in February 1892. Steam trams were a reliable means of transport and successfully moved Bendigonians around for ten years, but the onset of the recession forced the Bendigo Tramways Company to sell up in 1899 to the Electric Supply Company of Victoria (ESCo) who continued to run steam trams until 1902. This turn-of-the-century sale led to the introduction of electric trams to Bendigo in April 1903. These were a success from the very beginning. During peak hour people would be standing in the aisles, in the doorways, even on the running boards on the outside of the tram. In addition, the trams were also the first option for deliveries. Parcels, newspapers, movie reels for the picture theatres and even mail bags found their way onto the trams; sent from outlying post offices to the GPO in the city centre. At the end of World War I the Victorian Government constituted the new semi-government instrumentality, the State Electricity Commission of Victoria (SEC). The SEC was to take over all privately owned power generating companies in Victoria and operate as a state owned monopoly ... Bendigo's tramway system was an integral part of the deal.Bendigo Tramways 100th Anniversary National Trust 31 minute DVD. Content includes brief history of the Bendigo trams from 1890 to 1990; driver's view movies of each of the four Bendigo Lines; and the set up of the tourist trams after the closure of the lines by the State Electricity Commission of Victoria.history, bendigo, bendigo trams -
Bendigo Historical Society Inc.Mixed media - WHAT A GOOD IDEA: BENDIGO'S INNOVATION, AN EXHIBITION, 2002
... Mixed media... Reading, List of Artefacts and List of Illustrations. Mixed media ...DVD Copy of a printed book put together for an exhibition 15-28 July 2002 for the Bendigo Historical Society Inc. Labelled: 'What A Good Idea! Bendigo's Innovations An Exhibitions 15-28 July 2002' Proudly sponsored by the City of Greater Bendigo. Labelled attachment 15. An Exhibition by Helen Mainka (ed.). Contents include: Acknowledgements, Introduction, Australian Bell, Bendigo Mining, Coliban Water Scheme, Ford's Rock Boring Machine, Goyne's Battery Gratings, Hospital Sunday, The Huntly Bus, Ladies' Cricket Match, Movable Cuff Shirt, New Goldfields Act 1858, Safety Cages, Scalebuoys, School of Nursing, Sunday School Picnic, Taipan Catamarans, Taraxale, Victorian Police Guide, A Bendigo Miscellany, References and Further Reading, List of Artefacts and List of Illustrations.bendigo, industry, what a good idea! - bendigo's innovations - an exhibition, helen mainka (ed.), city of greater bendigo, bendigo historical society inc, joseph martin brady, robert gray ford, john goyne, joseph henry abbott, william bannerman, john edward buchan, joseph a c helm, benedict branch, john henry seymour, william middleton, richard h s abbott jnr, abraham harkness, greg goodall, jim boyer, george albert pethard, george albert pethard jnr, john barry -
Moorabbin Air Museum
Mixed media (Item) - USAF In Camera - over 800 quality photos on CD
... Mixed media... Moorabbin melbourne Mixed media USAF In Camera - over 800 quality ... -
Ararat Gallery TAMAMixed media, Inga Hunter, Nrat-tuan Net Leader's Robe, 1986-1989
... Mixed media...-tuan Net Leader's Robe Mixed media Inga Hunter ...“A silver-grey robe, denoting a powerful official. The Netleader, or Netmaster, as he is sometimes called is head of one of the many craft guilds on Nrat-Tuan. Fishers Guilds are not only vital economic groups for Nrat-Tuan, but also for the whole Imperium, since the water planet is the major source of foodstuffs for Irusaqu, who cannot produce enough crops on what Is a relatively barren, planet. The various fishing crafts are most responsible occupations, entailing great care for the environment and the food chains. Fishing is carried out by means of either mirrors or nets, both being about equally popular. Mirror-faceted fabrics have always been used by Nrati-Tuan fishermen to dazzle and bemuse the creatures they are trying to catch, (the mirror may also have some predictive power). Research indicates that this odd technique is surprisingly effective. And the harvests are unfailingly good. Contact with the humans of Irusag, when the Imperium was first founded, brought the technique of netting to Nrat-Tuan. The Netleader heads the Netter Guild, which does not limit itself to the merely traditional fishing net, but works with a complex and sophisticated membrane technology, which has, in recent years, revolutionised the whole netting industry. The Master controls the experimental membrane laboratories, which deal with the extraction of metals from sea water, as well as with tools for the fishing industry.” -Inga Hunter -
Ararat Gallery TAMAMixed media, Inga Hunter, Nrat-tuan Boat Leader's Robe, 1986-1989
... Mixed media... Robe Mixed media Inga Hunter ...“Apart from the vast and sophisticated space fleet, the only forms of transport used by the Nrati-Tuan are boats and rafts. All the inhabitants are more at home in the water than on the land, but some transport is necessary, both for people and freight. Every family has at least two boats and an assortment of rafts. Many thousands live entirely on boats and never set foot on any form of land, even avoiding the floating islands. The Boatleader is really a leading transport official; the top office in a long chain of others, from the smallest boat-boy, to the night boatwatches who keep the waterways safe for traffic. There are several ranks of Boatleader, whose major function is to settle disputes about water rights and water paths. Courts of dispute sit regularly, handling the hundreds of problems which arise about water use, headed by a Boatleader of one rank or another. This robe is worn by the most senior of all. He is the representative of water rights at the great Court of the Imperium. To the Nrat-Tuan it is more a sacrifice than an honour to attend the Court, because none find it easy to stay on still, dry land for extended periods of time. Nrati-Tuan delegates to the Irusaqui Court are rewarded with high honours on their planet, to show public respect and gratitude for their endurance.” -Inga Hunter -
Ararat Gallery TAMAMixed media, Inga Hunter, Irusaq Robemaster's Robe, 1986-1989
... Mixed media... Mixed media Inga Hunter ...“The Robemaster is the designer of all robes of office. Each one is individually made for its wearer, and is regarded as the personal portrait of the office-bearer. Each one is replicated in miniature for the archives, a record left behind when the original is destroyed on the office-bearer’s death, or when she in some other way relinquishes her (or his) position. Robemasters are usually women. Most positions on lrusaq are theoretically held by men or women equally, but some seem to separate out, for instance, the Master of the Mines, by the very nature of the requirements of office, is nearly always held by a man. Robemaster is the opposite. It seems that the particular type of creativity needed is more frequently found in lrusaqi females, so that the office has come to be an exclusive prerogative of women. Robemasters are very highly regarded, and the position has come to hold great power, not directly, but because of the influence the officer can wield. Robemasters deal with everyone, go everywhere and know everything. Traditionally a Robemaster is always one of the three Imperium heads of office and acts as the major figurehead and spokesman in Irusaqui affairs. The last Robe designed by any retiring Robemaster is that of her successor, and the only symbolism required by law is the representation of a Robe somewhere on the work, otherwise the designer has complete freedom.” -Inga Hunter -
Ararat Gallery TAMAMixed media, Inga Hunter, Irusaq Void Sayer's Robe, 1986-1989
... Mixed media... Mixed media Inga Hunter ...“The lIrusaqi are monotheistic Void worshippers. The Void is an extremely complex concept, and seems to include multiple interpretations of the two great signs, the triangle and the circle. On one level the triangle symbolises Man, and on another, the whole material universe. The Void, symbolised by the circle, is both within and without Man and the material universe. So, we find many variations of the circle and triangle imagery permeating the whole of lrusaqi society, i.e. villages are laid out in pyramid form, with a circular well at the centre, towns are built on a series of triangles, intersected by highways and the Court of the Imperium itself is based on a central circle within a triangle, with delegates to the Court in the three corners, while the positions of the three Heads of State and the one Head Speaker, repeat the pattern. The Void itself is always portrayed as an expanding and contracting circle, (not unlike the aperture of a camera). This Robe is worn by the High Priest’s acolyte and spokesman. The Voidsayer interprets the prophesies and sayings of the Priest, in words readily understood by the common people. The disc on the back of the Robe is the Void, and the gold lines symbolise the words of the Priest, coming from the source of life. The Robe is covered in gold chain mail, a sign that the Robe-wearer will defend his master with his life, if necessary.” -Inga Hunter -
Ararat Gallery TAMAMixed media, Irusaq Presenter at Arm's Robe, 1986-1989
... Mixed media... at Arm's Robe Mixed media Inga Hunter ...“All Irusagi robes of office are highly symbolic. Generally black or dark blue, they are richly jewelled and embroidered; each one individually designed for its owner, as he, or she, takes office at the central court. The miniature is a record of this office. This, the Armourer’s Robe is typical of the richly decorated formal styles of the 10” to 12" Centuries Post Imperium. The symbolism is obvious: oversleeves of silver, to indicate one of the metals used in the making of weapons; decorative daggers, indicative of the famous throwing and fighting knives; studs, symbolising protective armour; and touches of red alongside the predominating metal, to represent the shedding of blood, (a minor theme, because bloodshed is undesirable). The Void, the centre of Irusaqu worship is always shown on this Robe, because all fighting men or women have a deep religious responsibility to obey the Voidic code. Lastly, the jewel, with its elongated triangle, forms the ancient symbol of Man, at the base of the Void, but not subordinate to it.” -Inga Hunter -
Ararat Gallery TAMAMixed media, Mona Hessing, Trail, 1997
... Mixed media... Trail Mixed media Mona Hessing ... -
Ararat Gallery TAMAMixed media, Mona Hessing, Songlines, 1995
... Mixed media... Songlines Mixed media Mona Hessing ... -
Ararat Gallery TAMAMixed media, Inga Hunter, Iboriis Robe of the Keeper of the Dead, 1986-1989
... Mixed media... of the Keeper of the Dead Mixed media Inga Hunter ...“The Keeper looks after the shrines of the dead and he is responsible for their wellbeing, to make sure that their spirits do not return to make trouble for the living. Beyond their grave there is no blame, so he keeps all the dead, criminal, foreign etc. Keepers are not often seen because they live well away from all social groups, being supposed to spend most of their time in the nether world. The Keeper’s Robes carry complex amulets or protection from the dead, who he both guards and fears. He must also stop the living from using his charges against one another. His life is almost totally ritual, given over to chants and spells. He will never marry, but will breed by impregnating a selected mate in order to carry on the line, the office is hereditary. When his children are old enough, they are apprenticed to him and must live apart from the community, looked after by a nurse and taught all the rituals necessary for their future career. Very occasionally, a child is chosen from the community because of some special characteristic - precognition, albino colouring, special interest in the dead etc. At any time there might be up to twelve apprentices of various ages who assist the Keeper in his work. These children are taboo to all others, who must close their eyes if they accidentally catch sight of an apprentice.” -Inga Hunter
