A very marked and damaged brown fabric covered book with the faded title The Twins of Emu Plains printed on the front cover with twin girls sitting on a window seat reading a letter. The back cover has dried mould at the bottom and also inside at the back on some pages. The inside front and back of the spine is showing signs of breaking away from the covers. There are a few illustrated black and white plates. Foxing is seen on the edges of the pages. p.256.fictionTwin 16 year old sisters bravely assist their father on his farm while Emu Palins is in the grip of a disastrous and seemingly endless drought. Being young the twins treat trouble as a tremendous joke , and by their lightheartedness and practical help their harassed parents are able to carry on. Adventure and incident abound in this tale.adventure fiction, farm life fiction, drought - australia

Shell dressings are a type of bandage with a gauze pad and a safety pin for fastening around the site of the injury. This item was made by Johnson & Johnson Pty. Ltd., Sydney, in or before January, 1942. Shell dressings were carried by individual soldiers and medics intended to be used as a first dressing in event of wounding or injury. The Australian-made shell dressing is opened by breaking the stitches at the top rather than pulling tapes apart as per the British design.Rectangular, light brown fabric pouch. The front is printed with black text in a rectangle explaining the instructions for opening the pouch and directions for use of bandage. The maker's name and date of manufacture are printed under the directions. Sewn together in two locations on the top. Irregular shaped medium brown stain on back.world war two, shell dressing, medical supplies, medical, wound dressing, johnson & johnson

Presumably World War II based on comparison with silimar items. Initials inside cap may be associated with item to jacket, initialled with Lt. H. Dixon, VI. 7290.This item has historical signifigance as a an example of Australian military uniform dating presemably to World War II. Military peak cap, dark green. Brown leather chinstrap, attached by buttons on either side of visor with lettering 'AUSTRALIAN MILITARY FORCES' and Australian army insignia. Top of cap has double row of top stitching in dark yellow thread. Metal rimmed air holes (two) on each side under top of cap. Inner band made of brown leather embossed or printed with maker inscription. Rear of inner band has a row of rectangles punched through leather .50 mm in length, 22 in total, threaded through with gold coloured ribbon, tied together at centre back. Inner cap lining made of pale gold fabric, with diamond shaped liner/swear shield attached and topstitched in gold thread. Bronze coloured badge above visor with lettering Australian Commonwealth Military Forces.'THE MYER STORE FOR MEN MILITARY TAILORS MELBOURNE & ADELAIDE' on inner band in gold. Hand written initials H, and what appears to be D N (area has tears and insect damage) visible on lining behind visor. Initials in black marker. military, war, fashion, uniform, head, style, fabric, textile, cap, hat, visor, peak, outfit, myer, tailor, australian, forces, headwear, commonwealth.

Sterile field wound dressing as issued to Australian military forces in the latter part of the 20th century.Sterile wound dressing in sealed, rectangular, olive drab fabric pouch, containing a pad with confroming badage. Small triangular shape cut from face side left to aide tearing open. Manufacturing details are printed in black text on the front and directions for use on the back. Irregular shaped black-brown stain on back.Front text - all capitalised: (Arrow symbol) To open tear here Sterile field wound dressings (Compressed for field use) (Three-pronged symbol) 6510-66-108-410 CAPO 7870026AC Multigate reorder: 30-338 Radiation sterilized (American spelling) in Sydney Australia Mulitgate (stylised logo) (symbol of Commonwealth star, a kangaroo and the southern cross) Multigate medical products pty ltd (Text printed sideways) D O M 10/07/1997 (Symbol of B in a circle) 270701 Back text - all capitalised (Printed in a rectangle outline) Directions for use 1. Retain outer bag 2. Remove dressing frm inner bag 3. Grasp bandage & pull pad open 4. Place face of pad onto wound 5. Place outer bag on the other face of pad & bandage 6. Tie or pin bandage * Do not handle wound or pad*wound dressing, medical, heraldry, personal equipment

The Sons of Temperance was founded in New York in 1842 and brought to New South Wales by the Baptist minister, Dr William Hobbs, a short time later. Division, or local branches, grew quickly so that in October 1864, a provisional Grand Division was formed with a commitment to spread the word on temperance throughout the country, and the advantages gained by joining a temperance benefit society. It was reported that by 1869, in New South Wales, there was a National Division, two Grand Divisions, and one hundred and seven Divisions, with a total membership of 5970. While a distinct part of the temperance movement, the Sons of Temperance was also a 'friendly society'. Friendly societies were fraternal organisations established to assist members and their families cope with unemployment, sickness and death. No government unemployment or hospital benefits were available to individuals when the societies were initially formed. In each society, members contributed financially to a common fund which could be drawn upon in times of need. In 1868, members of the Church of Christ, Cheltenham, initiated a meeting to form a Division of the Sons of Temperance, which was subsequently called Star of Moorabbin Division, No 29. The meeting was held at the Cheltenham Temperance Hall on 30 September, with office bearers appointed and the larger membership acknowledged.This minute book records the minutes of the meetings of the Star of Moorabbin Division of the Sons of Temperance. It also records the first office holders. Additional members and some financial information is also recorded.Hard covered book, lined in brown fabric with red leather corners and spine used as a minute book for the Sons of Temperance, Star of Moorabbin Division. Inside pages are unlined, although a red margin has been printed. Additionally, the fly sheet of the book has printed text, which has been completed in handwriting.Handwritten in blue ink on the inside of the front cover: J.W. Hall G.S. / Brighton Cottage / Freeman Street / North Carlton The fly sheet has printed text which has been crossed out with handwritten edits: Star of Moorabbin Division / No 29 / Instituted: September 30th 1868friendly societies, societies, temperance, cheltenham, moorabbin

Trunk belonged to Godfrey Hirst and was used in his travels between Australian and England. Godfrey Hirst's first trip to Australia was in 1885 and his last trip was in 1916. In this time Hirst was known to travel between Australia and England regularly on the lookout for the latest updates from England that he could bring to his factory in Geelong. The trunk was donated by Susan Wiffen (née Betts), the great granddaughter of Godfrey Hirst. Godfrey Hirst set up a successful woollen textile factory in Geelong in 1888. The factory stayed in operation until 1966. The company still bearing his name has since been purchased by various investment companies but continues to be the largest carpet manufacturer in Australia. Predominately black trunk with two wooden bands around the sides of the trunk and five across the top (lid). The lid is slightly curved and contains white printed lettering GODFREY HIRST. The trunk also contains small wheel underneath locked for pushing the trunk sideways only. The trunk contains two leather handles on either side. Internally, the trunk contains three levels of storage with baskets stackable on top of one another. The baskets are finished in a white and brown striped fabric which has red taped edging for additional strength. The top layer of baskets also has brown leather latches in order to keep the basket lids shut. The layered levels of storage are synonymous of Saratoga style trunk.Printed. Letters: Godfrey Hirstgodfrey hirst

Hardcover book with a blue fabric cover. Black printed text and a silhouette of a man and a dog. 311 pages.fictionsydney horler, short stories, fiction

Portland Quilters Exhibition, 1-28 February 2006, Portland Arts Centre.Hand and machine pieced and appliqued quilt. Central depiction of the Portland bay with jettie, breakwater and Port. Scene includes fishing boats, ships, tug boats, a whale, foreshore with several buildings and a bluff with a lighthouse. Central image edged in blue fabric quilting. Surrounding this are 20 printed images of old buildings taken from sketches contained in 'The Portland of Jack Adamson' by Joe Wiltshire (book). Outside boder is blue quilted fabric. Back top contains folded and sewn area for mounting/hanging beam.Front: (no inscriptions) Back: (no inscriptions)needlework, local history, quilting

A 1980s photograph taken of the shops on Camp Street from the corner of Ford Street in Beechworth. The photograph shows the Camp Street Butcher which was opened by E Spencer in 1940 to supply locals with the primest quality meat at the lowest possible cash prices.This photograph is part of Burke Museum's collection of streetscape images, capturing the historical essence of Beechworth's streets and township. It serves as a significant visual record, offering valuable insights into the architectural and social fabric of the area during a pivotal period in its history.Black and white rectangular photograph, unmounted.Reverse: 2568/ GWYN MIRRORS CHEMIST BEECHWORTH/ F558camp street, ford street, beechworth, streetscape, shops, butcher

Navy blue pinstripe suit jacket and pants. Charcoal tie with a tan geometric print. Printed [inside jacket tag]: Flair / COOL / WOOL / WARM IRON / DRY CLEAN ONLY / PURE NEW WOOL Printed [tie label]: Country Road Australia / Made in Italy Printed [pants label] No. 9722fashion, wool, men's suit, clothing, fabric, australian made, tie, pants, jackets, design, textile

Items in the collection re: "William Anthony (Bill) THEODORE DSM" Refer Cat No. 7926P for his service record. Trousers issued to "H.R. Rodgers"Trousers - part of the summer uniform worn by Recruit to Leading Seaman Ranks RAN. Known as 'Bell Bottoms'. White colour cotton fabric, trousers with inset front pockets. Two layer front flap fly with numerous buttons. Wide waist band with lacing at back for size adjustment. Buttons silver colour metal. White colour cotton manufacturers label back inside waistband. Handwritten owner's details inside waistband.Manufacturers information - red ink print "M.TX/Size 4". Handwritten - owner's details - black ink pen "H.R.RODGERS".uniform, ran, ww2, william anthony theodore dsm

Uniform tie - dark blue cloth with a gloss finish, polyester fabric, cut and sewn to give a tie for staff. PTC uniform tie late 1990's with three coloured strips throughout the material and the letters "PTC on the bottom right hand corner. Folded and present in a red clear cellophane wrapper. Has a white tie retainer band on rear, "Woven manufactured in Australia - Noon, Quality Tee Dee products printed onto the band.trams, tramways, mmtb, clothing, tie, uniforms

Seat Fabric Samples in a cardboard folder - by Lo-Rib Transit for public transport and other uses. Has a photo of the interior of a bus. Has 9 different colours, with detailed specifications on the rear. Printed August 1986. Manufactured by Melded Fabrics of Dandenong, a unit of Nylex. Has contact details.trams, tramways, public transport, equipment, seats, fabric

BHS CollectionHanro Stand Alone Counter Display Picture: A coloured picture of two men on the golf course playing golf modelling Hanro knitwear. One has on a beige long sleeve V necked cardigan. The pockets on either side have a pleat in the centre and a band at the top. The garment has a small vertical brown stripe running through out the fabric, it is buttoned up with five brown buttons. The other is a yellow V necked vest. The Vest is knitted in a small cable pattern with knit bands around the neck and arms. At the bottom on the picture is a label with white background and *Hanro in red and black print and Knitwear for men*. The very bottom printed in yellow is *'The Quality Is A Proud Tradition. The material for the front is plastic covered card. The back is green tin. A brown card rectangular strip used for a stand and has two metal holes with string attached. A sticker with Bellesini is stuck on the card stank. Box 116Aphotograph, person, hanro, hanro

BHS CollectionPhotograph of Hanro Weaving Machine: Black and white photo with white border. The photo has two men standing behind the weaving machine showing pulleys and wheels as finished fabric is rolled out at the end. Top left hand side hand printed in blue ink is *MP 360*. On the back is a circular stamp in blue ink of the Royal Bendigo Historical Society of Victoria. Hand printed in black ink is *MP 360 Weaving Machine Hanro Mills Bendigo*. Bottom left is hand written in pencil is the word *Hanro* with a line under it. Box 116Aphotograph, building, hanro, hanro

A4 size paper used by BTPS Ltd. as letterhead for period 1974c to about 1980. Has drawing of tram 27 in top left hand corner, organisational name and address and words "Ballarat Tourist Tramway" on base. Printed in green ink, on white paper, with watermark "Plus Fabric". (3 copies held) 296.1 - as above, but with a "Burnie Superfine Bond" watermark.trams, tramways, btps, ballarat tourist tramway, letterhead, letters

Wax doll owned by Elizabeth Annie Robshaw. Doll dressed in cotton lace fabric. Three cotton petticoats. One of lace and pintucks. Two plain petticoats. Cotton drawers. The doll has wax legs with moulded boots, copostion arms. Thumb missing on left hand. Ginger wig. Holes in ears for earrings but earrings missing. No markings on doll. Doll’s face and shoulder plate badly damaged. Clothes need to washed. Large piece of lace in box with the doll. Appears to be of a later date than the doll. Printed sign with doll “Wax doll 1870. Owned by Miss Robshaw.’

Hand sewn and printed blue and gold wall hanging inviting Mayor and Mayoress Giudice to the Return Ball. The text is printed on the blue central fabric panel which has a gold fringe and tassels. At the top of the fabric to enable it to hang on wall the fabric is sewn around a wooden rod with attached gold braid.The citizens of Bendigo present their compliments / to / HIS WORSHIP THE MAYOR (Cr. M. G. Giudice) / AND MAYORESS, (Mrs Giudice) / and request the pleasure of their company at / THE RETURN BALL / at the / Town Hall, on Tuesday, 17th July, 1923 / E.M. Vains, Chairman J. Denton, Hon, Treasurer / Bendigo, 27th June, 1923giudice, mayoress giudice, city of bendigo town hall, city of greater bendigo ceremonial item, city of bendigo mayoress, city of bendigo mayor, city of greater bendigo events

The Anti-moth crystals were sold with the Electrolux Vacuum, along with the many other attachments, including the vaporiser. The crystals were made of paradichlorobenzene which is used in mothballs. Electrolux, founded in Sweden, has been manufacturing vacuum cleaners since 1919. On the back of the tin - 'Poisonous - Not to be taken - Electrolux Pty. Ltd., Melbourne - When used in conjunction with the vaporiser supplied with the Electrolux cleaner in this tin, Electrolux anti-moth crystals will destroy moths and moth larvae and are also effective against silverfish and other similar pests. Crystals or vapour will not harm fabrics in any way. Keep tin in cool place. - Kills Moths'A small empty vintage red, white and blue round lidded tin, 'Electrolux Anti-Moth Crystals'. The brand is printed in blue text on the middle white and red bands of the tin, with a moth shape included. The manufacturer is printed inside a white star shape on the blue lid. Detailed instructions for use is printed on the back in blue and red lettering. 'Electrolux Anti-Moth Crystals'. On the back of the tin printed in red 'POISONOUS - Not to be taken Electrolux Pty. Ltd. Melbourne' Full details for use is also provided. vacuum cleaners, cleaning equipment, domestic equipment, electrolux

J.Campbell started a Draper , Outfitter and Milliner store in the Pioneer house on Percy Street in Portland Victoria in 1896. Advertisements found on Trove from November 20 1899 shows the store selling Spring goods, Millinery, Dress goods, prints, piques and muslins. Another advertisement on Trove from September 27 1907 shows the store showing their Spring and Summer Goods, including Choice Millinery, Latest Dress Fabrics, Laces and Silks, Blouses and Skirts.Paper account from J. Campbell, wholesaler and family draper to Mrs Cummings, in the sum of 4/6 for a blouse. Printed form, details handwritten in black ink top right hand corner is missing, and top left hand corner has two holes in the paper. Paper is cream and has darker brownish patches at the top. PIONEER HOUSE PERCY STR / Portland, Mar / Mrs Cummings / BOUGHT OF J. CAMPBELL, / (LATE A. MARRIOTT.) / Wholesale and Family Draper, Outfitter and Milliner. / DRESSMAKING IN ALL ITS BRANCHES. / Accounts rendered monthly to avoid errors / Jan ** 1 Blouse 4/6 4.6draper, portland trade, accounts, womens clothing, city of portland, betty vivian, betty vivian collection

Edison cylinders were the earliest commercial medium for recording and reproducing sound. These hollow cylindrical objects have an audio recording engraved on the outside surface which can be reproduced when they are played on a mechanical cylinder phonograph. Beginning in 1889, pre-recorded wax cylinders were marketed. These have professionally made recordings of songs, instrumental music or humorous monologues in their grooves. The earliest cylinders were made from soft wax and later hard wax was utilised. Further developments by several companies, led to the introduction of celluloid cylinders. In late 1908, Thomas Edison had introduced wax cylinders that played for about four minutes (instead of the usual two) under the Amberol brand. The Amberols were manufactured with flat rim-ends, to prevent confusion with the earlier bevel-edged two-minute version. In 1912, the Edison company eventually acquired patents to the celluloid technology, and almost immediately started production under new brand as Edison Blue Amberol Records. Cylinder records continued to compete with the growing disc record market into the 1910s. In 1912, Columbia Records, which had been selling both discs and cylinders, dropped the cylinder format, while Edison introduced his Diamond Disc format, played with a diamond stylus. From 1915, new Edison cylinders were re-recordings from Edison discs. Although his cylinders continued to be sold in steadily dwindling quantities, Edison continued to support the owners of cylinder phonographs by making new titles available in that format until the company ceased manufacturing all records and phonographs in November 1929.This item is significant because it is representative of home entertainment in the late 19th and early 20th century.Two phonograph cylinders in cardboard boxes. The first cylinder is an earlier 2 minute Edison Gold Moulded Record with Issue Number 9184. It features a recording of "Paddle your own Canoe" by Arthur F. Collins and Byron G. Harlan and was released in January 1906. The second cylinder is a 4 minute Edison Amberol Record (NO. 647) featuring the Levy-Athan Polka performed by Charles Daab on xylophone and accompanied by an orchestra. It was released in February 1911. The case is cylindrical in shape and made of cardboard. It is coloured green, white, and black on the outside, while the base is not coloured. The tube is open at the top, and sealed at the base. Inside the tube is a white fabric lining. The top section of the outside of the tube is dark green. Below this is an outer sleeve. The outer sleeve has a half white, half green background with a black stripe, with gold outline, running horizontally around the top and bottom. The words "Thomas A. Edison" are printed in green cursive along the band. In the centre of the sleeve is the text " EDISON AMBEROL RECORD FOUR MINUTE" in green ink. To the left of that text is a green-toned image of Thomas Edison in an ornate, gold border. This is surrounded by the words “Copyright 1900 by the National Phonograph Co. Orange N.J. U.S.A". To the right of the text is a rectangular text box with a black border, which contains patent information in green text. edison phonograph, home entertainment, music early 20th century

This cropped halter top and palazzo pants outfit belonged to Meredith Lenné, a lifelong Brighton resident. Produced by Melbourne designer Leon Haskin in 1972, the design was also sold in colour combinations of gold-and-brown and white-and-blue. Meredith remembers being drawn to the outfit because she liked the colours, though she only wore it a couple of times to dinner parties.Cropped halter top and palazzo pants with a Pucci-style print of abstract patterns in red, pink, purple, orange and white. Top has a deep v-neck and secures with a fabric tie at the back.melbourne designers, meredith lenné, leon haskin, 1970s, flinders lane

This dress belonged to Louris White, nee Larsen-Disney, whose wedding dress from 1948 is also in the collection. Louris and her husband lived at 49 South Road, Brighton, just a few doors down from her family.Strapless pink organza cocktail-length dress. Finely pleated bodice and skirt laid on to a heavy vilene. Decorated around the waist with pink organza flowers and two bands of pink satin, one around the bodice and the other around the lower part of the skirt.Label: printed black on cream acetate side front bodice: "Original / Margeaux / REGD. / of Melbourne / IMPORTED FABRIC"evening dress, 1950s fashion, louris holly white, brighton, margeaux of melbourne, joseph haskin

Local women made this quilt and book in 2004 over a period of four months. Meg Viney fibre artist and then director of Meeniyan Art Gallery initiated the project. Handmade and machine embroidered quilt with 16pp handmade book. The quilt celebrates the lives of local women in our rural environment. The quilt features cyanotype printed images of the women surrounded by blue floral-patterned fabric and gold/brown patterned trim. The book features handmade paper pages with images and stories on each of the women who were involved in the making of the quilt.