Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl

Designed and built in the early 1920’s by Charles Robert Prosser , a Melbourne Engineer, for an enquiry by the Commonwealth Government into ways of solving the break of gauge problem. Breaks or changes in railway gauges existed at most state borders of Australia during the first half of the 20th century. Upon completion of this model, it was placed on display in the Federal Parliament then located in Parliament House, Melbourne. Patents on the Break of Gauge Bogie Application number Title Applicant(s) Inventor(s) Filing date 1921000390 Improved means of adjusting the wheels of rolling stock to suit railway tracks of different gauges Charles Robert Prosser Charles Robert Prosser 1921-02-01 1917004843 Improvements in and connected with railway or other ticket supply tubes Charles Robert Prosser Charles Robert Prosser 1917-08-09 1915016191 IMPROVEMENTS IN AND CONNECTED WITH THE ADAPTATION OF RAILWAY ROLLING STOCK TO DIFFERENT GAUGES Charles Robert Prosser Charles Robert Prosser 1915-05-01 1915015980 Improvements in and connected with the adaptation of railway rolling stock to different gauges Charles Robert Prosser Charles Robert Prosser 1915-04-09 1914012931 Improvements in and connected with the adaptation of railway rolling stock to different gauges Charles Robert Prosser Charles Robert Prosser 1914-04-20 The Sydney Morning Herald Fri 2 Sep 1921 Page 6 BREAK OF GAUGE DEVICE. http://nla.gov.au/nla.news-article28088233 Historic - Railway Invention Break of Gauge Bogie Break of Gauge Bogie made of iron and wrought iron & brassboggie, break of gauge, puffing billy

In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building

Group of people outside Sunnyside building at South Sassafras (now Kallista). L to R: Frank Roberts, R H Croll, C. Web Gilbert, J G Roberts, Roberta Roberts. Front is Bert Roberts with dog.To Mrs. Roberts, C. Web Gilbert 1.5.14 Sunnyside South Sassafras. G.G.M. Photoj g roberts, roberta roberts, bert roberts, r h croll, c. web gilbert, sunnyside, south sassafras

History of Teh Euroka Lodge in StwellClear Plastic Cover, Black card rear cover with black spring spiral binder. White Paper inner cover with freemasons logo over a brick buildingEuroka (The Rising Sun) An Historical account of the beginning of the lodge of Euroka and freemasons in Stawell The Result of research by the Author Allan Robert COward P.J.G.W.stawell

Book. ALEC H CHISHOLM COLLECTION. 635 page hardback collection of verse by Robert Burns. Edited by J. Logie Robertson with notes, glossary and index to first lines. Image of Robert Burns opposite title page. Published in 1942 by Oxford University Press. Printed by Latimer Trend & Co., Plymouth. Catalogue sticker '2041 BUR' on spine. Two newspaper articles marking the birthday of Robert Burns (25 Jan. 1759) inside front cover. The Age 27/01/1951 and the Sydney Morning Herald 23/01/1971.Robert Burnsbooks, collections, poetry, alec h chisholm collection, robert burns, poetry

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pair of black rubber overshoes, owned and worn by Dione McIntyre. The Flarta shoes protected vulnerable shoes from mud or rain. footwear, shoes, overshoes, flarta shoes, mcintyre collection

The Morgan family ran a store in Sussex Street from 1894, known as the Linton Economic Store. It was run between c.1906 and 1930 by J.H. (John Hutchison) Morgan, between 1930 and 1956 by R.H. (Robert Harold) Morgan, and between 1956 and 1964 by S.E. (Selwyn Eric) Morgan. Alwyn Roberts worked at the store from about 1946. See information in Charles & Alwyn Roberts family file. Carrie Murrell ran the newsagancy in Linton for more than fifty years.Black and white photograph of two men (Bert Rutherford on left, Alwyn Roberts on right), wearing grocer's aprons, standing next to a truck which is parked outside H. R. Morgan's shop in Sussex Street, Linton. Miss Carrie Murrell's head can be seen on the other side of the truck. She has apparently just thrown a doormat at the two men. This can be seen as a shadow in the photograph, above Alwyn Roberts' head.On back: "Bert Rutherford, Alwyn Roberts & Mrs Murrell - has just thrown a doormat at the two men - it is in mid-air behind Alwyn's head".morgan's economic store, h. r. morgan store, carrie murrell, bert rutherford, alwyn roberts

CEMA Art Collection Winner of 1962 Portland Art Society Art Prize for the category Drawing or Print.The print is an abstract depiction of a waterfall in shades of brown, black, blue, green and cream. The brown, blue and cream are used to create the background while the black and green provide the work with texture through the use of line. The work has a simple wooden frame with white mount and glass.Front: Robert Grieve Grampians Waterfall 9/18 61 (bottom of work, lead pencil) Back: 1962 (top left, lead pencil)cema, portland artists society, local history, portland, grampians

John David Roberts, LTh (MCD) was born in Brisbane, QLD in 1918. He was ordained in the Congregational ministry in Windsor, QLD in 1946. Black and white, head and shoulders studio portrait on card of Rev. John David Roberts looking to his left and wearing clerical robes. The photographed is tipped on to textured buff card which has an uneven cut down the right side. There is undecipherable pencil writing on the bottom right of the photograph.On the back: "Rev J D Roberts 1956-1961 Augustine Hawthorn (C)"congregational minister, augustine congregational church hawthorn, john david roberts

Eight page A4 document, photocopied, stapled in top left hand corner, titled "Trams and Tourism", looking at the use of trams for tourist purposes in Melbourne, bath tickets, walks, beaches, connecting services with paddle steamers, royal park zoo, Beaumaris tramway, circular tickets, Doncaster, round trip tickets, St Kilda, Wattle park chalet, tourist tickets, tourist tours, tourist trams, Melbourne Pageant-Salute to Australia, V214, L and Y class trams, Melbourne Tourist Tram in June 1992 that did not eventuate. Has references and illustrating of tickets. Written by Robert Green 1994. See Reg Item 5675 for a sample cable tram round trip ticket.trams, tramways, tourist trams, tourist ticket, mmtb, the met, zoo tram, beaumaris, wattle park, doncaster

Awarded to Robert Crawford for excellence in French at the Third form; Robert (BD 14/3/1865) entered the school on 9/7/1878 and left 31/12/1881. He was Dux of Ballarat College 1881. Four generations of descendants have attended the school. Green cloth cover with ornate gilt decorations and black pictorials on cover and spine; gilt edges; binding breaking but overall fair condition; black and white illustrations throughout; Book plate inside front cover; Ballarat College crest / French / Third from / First PRIZE / Awarded to / R Crawford / CHRISTMAS 1878 / JOHN GARBUTT M A PRINCIPALrobert-crawford, 1878, ballarat-college, john-garbutt, book-prize,

The Fashion Design Council (FDC) was founded by Robert Buckingham, Kate Durham and Robert Pearce in 1983. This issue of the Fashion Design Council of Australia Newsletter describes the role, purpose and motivation of the FDC. It also lists the programme of events for November 1984 - September 1985 and includes minutes of the General Meeting held 16th June 1984. The newsletter was designed by graphic designer, Robert Pearce. The FDC ceased operation in 1983, and its archive of some 1,500 artefacts is held at the RMIT Design Archives.The Fashion Design Council of Australia Newsletter. It describes the role, purpose and motivation of the Fashion Design Council. It also lists the programme of events for November 1984 - September 1985 and incudes minutes of the General Meeting held 16th June 1984.fashion design, australian fashion, graphic design