Postcard: Image shows gardens, conservatory on LH side. Statue on RH side. On back ' Rose Series Colorview No. 667, published by the Rose Stereograph Co. Glen Waverley, Victoria' On bottom ' Conservatory Gardens, Bendigo, Vic'Rose Series, No. 667, copyrightbendigo, parks and gardens, conservatory gardens, bendigo, conservatory gardens

The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth

Postcard of The Nerve Test, The Grampians,Vic. ---The Rose Series,P617. Published by the Rose Stereograph Co. Armadale, VicYoung man in suit standing on an outcrop of a rocky ledge,mountain scenery in background.scenery, grampians ranges

A photographic print of a postcard depicting a major church in Kew.Holy Trinity Church, Kew, ca. 1920-54. Reproduction of a Rose Stereograph Co. postcard in the State Library of Victoria. The reproduction is without the original printed inscription at base which reads "The Rose Series P. 13058 Holy Trinity Church, Kew, Vic." Annotation in pencil on reverse: "KH-4. Holy Trinity Church of England Cnr. High St and Pakington St Kew."holy trinity church -- kew (vic.), churches -- kew (vic.), high street -- kew (vic.)

Central Park Gardens Rose Series Postcards P1664. Shows Several Palm trees circular gardens and pathways. c1910-1920.Postcard of The Rose Series P. 1644 Central Park, Stawell. Also included are two enlarged copies of the post card. Post card shows hedge of cypress in the background and various sized Palm trees in round garden beds in the foreground. c1910 - 1920With best wishes for the New year from Bob & Mary written on the back of the post card. Issued by The Rose Stereographs Armadale Victoriastawell, tourism

Postcard: On back of card 'Bendigo Pottery (Epsom) 1857, Australia's oldest pottery' Image shows brick kiln on LH side, building with kilns and chimneys in background. On back; Roser Series Colorview No. 887, copyright, published by the Rose Stereograph Co., Glen Waverley, Victoria'Roser Series, No. 887, Copyright'bendigo, buildings, bendigo pottery, bendigo pottery, rose series, kiln, pottery

Black & White postcard ot the Conservatory Gardens Bendigo. The Rose Series P.2856. Published by the Rose Stereograph Co. Armadale Victoria.Camera View holder. Addressed Mrs P Rechter 131 Mitchell St Bendigo Vic. Reverse; Produced by Murray Views, Gympie Q.postcard, photograph, bendigo

Emerald Park Lake - early photographEarly postcard depicting Emerald Park LakeFront: The Rose Series P.1021, 'The Drive, Swimming Pool, Emerald, Vic. Back:: Published by the Rose Stereograph Co. Armadale Victoriarose series, swimming pool, emerald park lake

A orange coloured postcard album of twelve views of the city of Bendigo, the prints are in Black and White. On the front cover are the words 'Rose Series, Picturesque views of, Bendigo, Australia.' There is a line drawing of a rose on the left hand side of the front, underneath the drawing is written Published by, Rose Stereograph Co. Armadale, Vic.place, bendigo, picturesque views of bendigo., views of bendigo

Stereograph photo of Australian Infantry Force in Training at Camp Kitchen Ballarat Lining for DinnerSepia Stereoscopic paper photographs mounted on grey cardboard12.926 Australian Expeditionary Force Camp Kitchen Ballarat Vic Lining up for dinner The Rose Stereographs Copyright Melbourne Sydney Wellington & Londonballarat stereograph photo australian expeditionary force camp kitchen rose stereographs

Postcard showing views of Bendigo within the design of a footprint with native floral motif in top right corner, images of Alexandra Fountain and Pall Mall/Charing Cross. Also on front quotation 'A Foortprint of Memory'. Written on reverse side, Published by the Rose Stereograph Co, Armadale 3143 Victoria. (The 'Rose' series deluxe).person, individual, basil miller

Stereograph photo of Australian Infantry Force in Training at Geelong Victoria AustSepia Stereoscopic paper photographs mounted on grey cardboard12.930 Australian Expeditionary Force Geelong Some of the Finest Soldiers in the World Ready for Anything, Anywhere The Rose Stereographs Copyright Melbourne Sydney Wellington & London

Panorama of Stawell from Big Hill. Open Cut in foreground, tree on right. Grampians in background. The Rose Series. P. 2723Black & white photograph depicting a Panorama of Stawell town. The image shows a large tree on the right above a cutting. The Rose Series, P 2723 copyright. Panorama of Stawell Victoria on the front. On the back "The Rose Series De Luxe" Published by The Rose Stereograph Armidale, Victoriastawell, panorama

Black and white photograph of tram in Moorabool Street Geelong Victoria. Inscriptions: Front: along bottom edge, the rose series P. 70.Moorabool Street Geelong. Vic. Reverse: Post Card, The 'Rose' series deluxe, a real photograph, Produced in Australia. Published by the Rose Stereograph Coy. Armadale Vic. And a drawing of a rose.person, individual, basil miller

Postcard depicting Emerald Park Lake Postcard/photograph from the Rose SeriesFront: The Rose Series P. 564 'Road around the Swimming Pool, Emerald, Vic. Back: Published b y the Rose Stereograph Co. Armadale Vic. rose series, swimming pool, emerald park lake

Postcard with 2 colour photographs on the front. Inscription on front: 'Greetings from Bendigo, Victoria' Reverse: Postcard, 9d(pence) written in pencil. The 'Rose' series de luxe. Produced in Australia. Poppet head Deborah mine Bendigo Victoria. Rose Series colorview No. 381.Published by the Rose Stereograph Co., Armadale, Victoria.Pall Mall Bendigo, Victoria.person, individual, basil miller

Rose Series Postcard. Victoria Reserve later Cato Park at Head of the St George Mine Dam originally established with donations from Mr E Simmons and voluntary efforts. Shows rotundasB/W Photo The Rose Series P. 1643 Copyright of Stawell Post Cards. Victoria Park, Stawell, Victoria. Top right corner torn off. Shows a Wooden Rotunda with seating by Lake Victoria (now Cato Lake). Shows young Willow Walk on right of lake . Renamed Cato Park. Reverse: Real Photo POST CARD. The "Rose" Series DE Luxe Produced in Australia. Published by "The Rose Stereograph" Armadale Victoria. Rose emblem logo divides the post card.stawell

This photograph depicts Camp st in Beechworth looking east. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.Black and white rectangular photograph (copy) printed on gloss photographic paper. Obverse: The Rose Series P.3469 Copyright FORD STREET Reverse: BMM7744 PH150 1998.00059 beechworth, ford street, rose series, photograph, post card, black and white

This copy of a postcard depicts Ford Street in Beechworth looking North. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.Black and white photograph (copy) on gloss photographic paper. Obverse: THE ROSE SERIES P.3481 COPYRIGHT FORD STREET, LOOKING NORTH, BEECHWORTH, VIC Reverse: BMM7743 PH 149 1998.00059beechworth, ford street, rose series, postcard, photograph, black and white, burke museum

This copy of a postcard from the Rose series depicts Camp Street looking East. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.Black and white photograph (copy) on gloss photographic paper.Obverse: THE ROSE SERIES P.3459 COPYRIGHT CAMP STREET, LOOKING EAST, BEECHWORTH, VIC Reverse: BMM7743 PH 149 1998.00059beechworth, rose series, camp street, burke museum, black and white

Taken in Beechworth, this photograph depicts Ford Street looking North. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life. Black and White photograph on gloss photographic paper. Obverse: THE ROSE SERIES P.2749 COPYRIGHT FORD STREET, LOOKING NORTH, BEECHWORTH, VIC Reverse: 7739 PH 152 1998.00059beechworth, rose series, ford street, george rose, burke museum

Part of the Uebergang Collection (H49). This would have been used by Ray and Joyce Uebergang as children during the 1930s.Wooden frame with two-lense metal viewer. The metal viewer is an oval shape with an etched pattern and suede-covered edge. A removable wood and metal attachment has two wire holders for the stereograph cards. There is a folding spindle-shaped wooden handle attached to the base with a metal fitting. The stereograph is housed in a black cardboard box with 'Rose Stereographs' on the lid. The double-image stereo cards are stored separately.Base: PAT'D APR 20 1897 SEP 20 uebergang, george rose, stereoscope, rose stereographs

This is a copy of "THE BRIDGE AT BOGGY CREEK, NOWA NOWA, LAKE TYERS." which is a Rose Stereograph Co postcard. Boggy Creek Bridge was built in 1916 as part of the Bairnsdale to Orbost extension to the main Gippsland Railway, and is situated in the middle of the township of Nowa Nowa, crossing a steep-sided and well-timbered creek-valley. This section of the line closed in 1987. This bridge plays a major part in the identity and history of the town of Nowa Nowa, This item is associated with the East Gippsland Railway.A large black / white photograph of a large wooden bridge across a creek. There is a house and outbuildings in the background on the right. It is in a bush setting. on back - "Boggy Creek bridge - Nowa Nowa 1887 LaTrobe Collection"boggy-creek-bridge east-gippsland-railway

Emerald Country Club and Golf Course was originally part of the Nobelius Nursery complex. When Nobelius died in 1921 the nursery was sold, and part of the grounds developed as the Emerald Country Club (20's) the Emerald Country Club and Golf Course still exists and functions as originally intendedHistory of Emerald Country Club and Golf CourseB/W postcard showing a party of people swimming in pool. Rose Series Postcard P.2469Front: The Rose Series P.2469 'Emerald Country Club Swimming Pool, Emerald, Vic. Back: Published by the Rose Stereograph Co. Armadale, Vic. The "Rose" Series De Luxe A Real Photograph Produced in Australiaemerald country club and golf course, rose series

Bridge St looking West from Peel St. Has a bank on the corner and an tram in the distance. Card dates the view as early 1900's. Card reproduced for Sovereign Hill Gold Mining Township by Rose Stereograph Co. of Glen Waverley c2000. Divided back type with caption, production and the Rose Co. symbol on the rear. Illustration of the same image added 4-1-2024 - by WTP & Co.Yields information about the appearance of Bridge St following the introduction of electric trams in 1905 and has a strong association with the work of Sovereign Hill and Rose Stereograph Co.Postcard reproduction - part sepia coloured and hand coloured. Second copy printed coloured illustration on plain paper.trams, tramways, bridge st, ballarat, esco, rose postcards

Photograph - looking south along Elizabeth Street Melbourne to towards Flinders Street station. Has three cable trams in the photo, including one shunting at the terminus. Has signs for the London Cafe and Federal Cafe in the view, along with many horse-drawn vehicles and a few motor cars. There is a telegraph/telephone line on the east side of the street. Original photo by Rose Stereograph Co. P 957 - see reference. Yields information about the south end of Elizabeth St and the cable tram terminus.Kodachrome cardboard duplicate slide - Black and white reproduction photograph - Elizabeth St c1920 "CB9" in penciltrams, tramways, cable trams, elizabeth street, flinders st station

Also known as the Ballarat State Offices, this building is now part of the Federation University Australia Arts Academy.Photograph of the coat of arms over the entrance to the former Law Courts, Camp Street, Ballarat. former ballarat law courts, former ballarat state offices, camp street, ballarat, arts academy, federation university australia, coat of arms, architectural feature

This photograph, enlarged from a post card from the Rose Series, is representative of many images representing High Street, Wodonga as it developed over time. The Rose Series of postcards is a series of postcards of scenes from around Australia and some international ones as well. They were produced by the Rose Stereograph Company, which was the business of Victorian photographer George Rose (1861-1942). In 1880, George, aged 19, founded his business in Victoria, and soon became famous for producing stereographs, or stereo views. His early images included the landing at Anzac Cove, Ned and Dan Kelly’s Armour (taken at trial in 1880), The Duke & Duchess of York and their daughter Princess Elizabeth and Phar Lap winning the Melbourne Cup. When stereographs lost popularity during the 1920s, Rose switched to the production of postcards and decorative cards. He and his team of photographers took thousands of photos of scenery around Victoria and beyond, and the postcards became iconic images of Australian life. The Rose Stereograph Company Collection comprising more than 100,000 items was auctioned by Lloyds in June 2021.This is an image from an important collection of postcards which were representative of towns in Victoria taken c1920 - 1940sThis is an enlarged black and white photo of a postcard of High Street Wodonga from the Rose Series Across bottom of photo "THE ROSE SERIES P.1760 HIGH STREET, WATER TOWER, WODONGA, VIC."rose series p.1760, wodonga post cards, high street wodonga

Postcard Photo of Sturt St looking East from about Dawson St with the shops on the southern side and the Town Hall in the view. Has an ESCo tram in the bottom right hand corner. Card reproduced for Sovereign Hill Gold Mining Township by Rose Stereograph Co. of Glen Waverley c2000. Divided back type with caption, production and the Rose Co. symbol on the rear. See item 9005 for a small used black and white version with more detail of the tram.Yields information about the appearance of Sturt St following the introduction of electric trams in 1905 and has a strong association with the work of Sovereign Hill and Rose Stereograph Co.Postcard reproduction - full colour divided back unused.trams, tramways, sturt st, ballarat, esco, rose postcards