Watering Can A watering can, with a large spout. Its former use is currently no known, but may have been used for oil, chemicals or even sand.Historic - Railway Permanent Way and Works - track equipment - Watering CanWatering Can with a large spout made of tin puffing billy, watering can

Made by the brother of Bruno Weinmann. The camp children collected toothpaste tubes, melted them down and poured into moulds carved out of wood, sand and clay.Small zinc dagger made from a melted toothpaste tube and cast into a mold. Housed in a 4 cm square plastic container with lid and sitting on yellow foam.bruno weinmann, dagger, toothpaste tubes

An hourglass or sandglass is an instrument for measuring a defined time and can be used perpetually by simply turning it over immediately the top bulb empties. The clear blown glass is shaped into two equal sized bulbs with a narrow passage in the centre and contains uniform sized sand or glass particles in the lower bulb. The width of the neck regulates the constant flow of the particles. The glass is held in a stand with top and bottom of equal shape and size. Hourglasses can measure an infinite variety of time by gauging the size of the particles, the shape and size of the bulbs and the size of the passage between the bulbs, thus measuring hours or minutes or even seconds. Generally an hourglass sits between discs of wood at the ends, which are joined by long wooden spindles between the ends and tightened by screw caps. The length of time can be adjusted by adding or removing sand particles. The use of the marine sandglass (or hourglass) has been recorded in the 14th century in European shipping. A one minute sandglass was used in conjunction with the ship’s log for ‘dead reckoning’, (see below) that is, for measuring the ship’s speed through the water. They were also used to regulate ringing the ship’s timetable; for example a 4 hour sandglass was used for the length of the sailors’ watch, and a half hour timer for taking of readings for the ship’s log; the ship’s bell would be rung every half hour. It was usually the role of the cabin boy to watch and turn the sandglasses over at the exact time of them emptying their upper chambers and to ring the ship’s bell. Hourglasses have been used historically for many hundreds of years. Some have been used for timing church sermons, in cooking, in industry and at sea. Even today they are used for measuring the cooking time of eggs and timing a player’s turn in games such as Boggle and Pictionary. The sandglasses at sea were gradually replaced in the late 1700’s to early 1800’s by the more accurate chronometers (marine clocks) when they became reliable instruments. DEAD RECKONING (or Deduced Reckoning) Dead reckoning is the term used to describe the method of calculating the ship’s position from its speed and direction, used in early maritime travel, mostly in European waters. Both the (1) speed and the (2) direction of travel were recorded on a Traverse Board at half-hourly intervals during a helmsman’s watch of 4 hours. The navigator would record the readings in his ship’s log, plot them on his navigational chart and give his updated course directions to the next helmsman on watch, along with the cleared Traverse Board. This was a very approximate, but none-the-less helpful, method of navigation. The wooden Traverse Board was a simple pegboard with a diagram of a compass with eight peg holes along the radius to each of the compass points, plus a grid with ascending half hours in the left column and increasing ship’s speed in knots in a row across the column headings, with a peg hole in each of the intersecting cells. A number of wooden pegs were attached to strings on the board. By placing one peg consecutively in the direction’s radius hole, starting from the centre, and the speed holes when the half hourly reading was taken, a picture of speed and direction for the whole 4 hour watch was created. (1) To measure the ship’s speed a one minute hourglass timer was usually used to measure the ship’s speed through the water and help to calculate its longitude. A rope, with knots at regular standard intervals and a weight such as a log at the end, would be thrown overboard at the stern of the ship. At the same time the hourglass would be turned over and a seaman would start counting the number of knots on the rope that passed freely through his hands as the ship travelled. When the timer ran out the counting would be stopped. A timer of one minute (one-sixtieth of an hour), knots spaced one-sixtieth of a nautical mile apart, and simple arithmetic easily gave the speed of the ship in nautical miles per hour ("knots"). This would be recorded every half hour. The speed could however be inaccurate to the travel being affected by ocean currents and wind. (2) To calculate the ship’s direction a compass sighting would be recorded each half hour.Marine hourglasses or sandglasses were used from around the 14th to 19th century during the time of sailing ships. This hourglass is representative of that era, which is during the time of the colonisation of Australia. Hourglass or sandglass; an instrument used to measure time. Two equal sized clear glass bulbs joined with a narrow passage between them, containing equal sized particles of sand grains in lower bulb. Glass sits in a brass collar at each end, in a frame comprising 3 decorative brass columns or posts, each attached top and bottom, using round screw-on feet, to round brass discs. Disc have Roman numerals for the numbers 1 - 12 pressed into their inner surfaces and hieroglyphics on the outer surfaces. Roman numerals on inner surface of discs " I II III IV V VI VII VIII IX X XI XII " Hieroglyphics impressed on outer surface of discsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, horology, hourglass, hour glass, sandglass, sand glass, timing instrument, dead reckoning, deduced reckoning, finding latitude at sea, sandglass with hieroglyphics and roman numerals, hourglass with hieroglyphics and roman numerals, brass hourglass

Advertisement for McDonald Sand and Gravel Pits of William Street Greensborough. Copied from a booklet produced by Greensborough Primary School [Gr2062] in 1954, entries are sponsors of the publication.Digital copy of advertisement from booklet.greensborough primary school, mcdonald sand and gravel pits, william street greensborough

Newspaper cutting about the possibility of electric shocks from tramcars due to the application of too much sand on the tracks, and not allowing the return current. Tram becomes insulated.Yields information about the possibility of electric shocks from tramcars if excessive sand applied to tracks.Newspaper cutting from the Newcastle Herald, NSW newspaper titled "Trams may give electric shocks""NH 13.6.00"trams, tramways, melbourne, electrical engineering, tramcars, electricity, safety

Cricket Stawell Club 1913. Taken at Central Park with Curators Cottage in background. There is a granite sand bike track outside the grass oval inside a picket fence.B/W Photo: with 16 People in three rows, Back Row Standing, centre row seated, front row laying down man on right is wearing cricket pads and has a bat over one leg, the man on the right has a young child in front of him. 8 of th emen are wearing hats.Stawell Cricket Club 27.1.13stawell sport

Colour photograph. First floor corridor. Looking south to the women's lounge and what is the Fitted or Work office in 2015. The left door entrance was into the former matron's office of the hospital. Man in blue shirt sanding the floor faces away from the camera. Taken during restoration inspection.building construction, historic buildings

Black and white postcard of the man made entrance through the sand hummocks, taken from Kalimna cliff top. In the foreground native vegetation on the cliff top behind simple timber and wire netting boundary fence topped with a single strand of barbed wire. Lakes Entrance VictoriaThe Entrance from Kalimnawaterways, topography, islands

Also copy tinted postcard 10 x 15Coloured post card of the man made entrance through the sand dunes, taken from Jemmys Point. It shows the works and settlement at the entrance, Bullock Island and groynes to direct flow of lake waters towards entrance. Two men standing on Jemmys Point. Lakes Entrance VictoriaLakes Entrance, Cunninghame, Victoriaislands, waterways, topography

Black and white small format postcard of town, taken from south shore of the lake. It shows a panoramic view of Esplanade and buildings, jetties, Great War Memorial cypress trees, Jemmys Point and Kalimna Heights in background. Vegetation of sand hummocks in foreground. Lakes Entrance VictoriaThe Township from Ocean Beach Lakes Entrance No 13memorials, vegetation, waterfront, township

Black and white photograph of the footbridge over the Cunninghame Arm. It shows a sand covered wooden ramp leading from footbridge to ocean, shed in scrub covered southern shore, two people on bridge, distant view of town and trimmed memorial Cyprus trees. Lakes Entrance Victoriabridges, waterways

One black and white copy 17 x 25Black and white postcard showing North Arm Bridge, Bullock Island and foot bridge northern end of piers at entrance to Bass Strait and sand dunes. Left foreground shows power pole and water bore and telephone poles along Princes Highway Lakes Entrance Victoria.The Entrance, Bullock Island, Lakes Entranceislands, bridges, waterways, topography

Also Black and white copy 12.5x20.5 Good condition P01146.1Black and white postcard of Cunninghame township, mud flats, North Arm Bridge, wooden bridge to mud island in North Arm, post and rail fence, beside main road. Road appears to have a sand surface. Bicycle leaning against fence. Lakes Entrance Victoriabridges, fences, topography, roads and streets

Cloth backed off white paper ticket with black printing, used for a Scholar's under 15 years, monthly tickets with a large rectangle for an expiry date stamp and printed conditions of use. Has space for the student's name, address and school to be written in. Used by Shirley Bosworth. The ticket was found behind a tram sand box and was most likely lost by the holder. It was in an almost inaccessible position and recovered when the sand box had to be removed for maintenance, along with other tickets. Was designed to be folded.Yields information about the use of SEC Ballarat Scholar tickets.Orange cloth backed paper ticket- 5/-. Scholar's monthly ticket, dated to expire 2 Aug 50. Ticket No. 06958trams, tramways, tickets, school tickets, scholar tickets, sec tramways

Glimpse of arched bridge between trees from left to right of photograph. Scrubby low bush in foreground. Tranquil water behind and under bridge to Newhaven sand beyond.Glimpse of bridge, San Remolocal history, photographs, bridges, san remo, black & white photograph, mona condrick

4341. Musical Viva Society of Australia, City Hall, Bendigo. The Music Advancement Society of Bendigo Presents the FOURTH CONCERT 1967 series by arrangement with Musical Viva Society of Australia. The Vegh String Quartet: Sandor Vegh - violin, Sandor Zoldy - violin, Georges Janzer - viola, Paul Szabo - cello. Wednesday, 18th, October, 8-15pm. Photo of quartet on cover. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Annual Meeting, Friday 24th November, Committee Room, City Hall. All Subscribers are invited to attend. Advetisements: Hesse Bros, Edgars, Allan's Music.entertainment, theatre, music advancement society of bendig, musical viva society of australia, city hall, bendigo. the music advancement society of bendigo fourth concert 1967 series musical viva society of australia. vegh string quartet: sandor vegh - violin, sandor zoldy - violin, georges janzer - viola, paul szabo - cello. wednesday, 18th, october, 8-15pm. photo of quartet on cover. president: e beilharz. joint hon. secs. madge edgar, emily bright. annual meeting, 24th november, committee room, city hall. advetisements: hesse bros, edgars, allan's music.

Set of 10 Digital Images of the work involved in the repairs to tram No. 40 during the period 7/8/2004 to 26/12/2004. .1 - No. 1 end panel removed .2 - work to sand down underway - not top gutter rail. .3 - Trolley with trolley pole bases .4 - damaged to gutter metal work .5 - close up showing the rust to the metalwork at No. 1 end drivers dash .6 - removed panels .7 - rust to the gutter metal work .8 - Alastair Reither sanding one of the pillars .9 - ditto .10 - work progressing with undercoat and new timber panel - ex the packing case that arrived with the Isolating Transformer.trams, tramways, btm, maintenance, painting, tramcars, trolley poles, tram 40

Section of silk fabric from Biplane partly painted with airforce type symbol. Encrusted with fragments of red and blue paint (also loose). Plus sand? Could be from Basil Watson's plane that crashed into Port Phillip Bay, near Point Cook in 1917. Basil died in the accident.aviation, civilian, fabric

In a black frame two coloured Photograph. the top one is of a sunken ship with the number 62 on it at sea. the bottom one there are many beached vessel parts in the sand. Bottom left hand side reads Voyages To Vietnam Collection, bottom right hand side reads Copyright Tony EyVoyages To Vietnam Collection. Copyright Tony Ey

Yields information about the instructions about emergency braking of tramcars given to Ballarat crews.Two page foolscap, duplicated instruction titled "Tramcar Emergency Braking" - undated, describing tramcar braking techniques, emergencies, compressors, sanding. Produced by the SEC for use in Ballarat. See Reg Item 3457 for a later issue, 3520 for a 1950 instruction on the same issue, and 271 for another version.trams, tramways, braking, instructions, sec, emergency, driver training

Eight page - two folded A4 sheets, printed on sand colour paper in red ink, providing the program for the 2008 COTMA Conference in Launceston, 22/8 to 26/8, titled 'COTMA Conference 2008 - Launceston - Conference Program'. Features a photo of Launceston 29 on the front cover.trams, tramways, cotma, launceston

BHS CollectionVana exercise book 48 page 9mm ruling. Check front in green purple orange and white. Blue Label white background. Australian Red Cross Victorian Division Kangaroo Flat Branch Monthly Balance sheets of receipts sand Expenses August 1975 to September 1980 Biro blue crossed on top third of front coversreceipts, expenses

Black and white photograph of women members of the Lee family at the family home The Hummocks on the sand dunes south shore of Cunninghame Arm. Shown are Mrs Kathryn Delahunty, Mrs Cathryn Lee nee Delahunty, Mrs Emily Carstairs nee Lee and Ina Carstairs Lakes Entrance Victoriagenealogy

Part of the Uebergang Collection. Made by the firm of Triaca & Picchi. Camilo Triaca (1887-1972) was a sculptor born Tuscany, Italy. He arrived in Melbourne in 1909 and practised his craft in Richmond, Melbourne, before returning to Italy in 1914 to serve in the Italian Army. He returned to Melbourne in 1923 and continued to sculpt at his Richmond home before relocating to Fitzroy. A 1927 image of workers at his studio workshop taking a lunch break is in the Italian Historical Society collection (http://trove.nla.au/version172106091). The workshop was situated at 76-78 King William St, Fitzroy.Plaster figurine depicting a boat with a girl sitting in the front holding the rope of an anchor and a boy holding the back of the boat which is up on the sand. The girl wears a short sleeved frock with green edged neck and sleeves, and a matching scarf. The boy wears a V-neck shirt with sleeves rolled up.Triaci & Picchi/1773triaca camilo, triaca & picchi, italian immigrants, families, businesses, trades, sculptures, sculptors, melbourne, allansford, uebergang

Owned by Arthur McCann a guard at Camp 3Camp 3Wooden Jewellery Box, with corner feet attached with tacks and a double hinged lid , 4 x section lift out insert. Light colour wood, insert lined with green felt. Lid in 2 sections and glued to a surrounding edge. Lid also appears to have been sanded downNumbers on bottom written in pencil 4....32.....18 .... 2 .......30 .... some writing un readable