Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February, April, June, August 2020. This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, bush block

Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February, April, June, August 2020. This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, bush block

Guest at the opening of Eltham Library; Left to Right: Mr. John Williams from Messrs. Leith & Bartlett Pty Ltd., Architects who were responsible for the interior architecture. Miss Pa, Mrs. Susan Groundwater, Children's Librarian Heidelberg Regional Library with her husband. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, shire of eltham, shire of eltham centenary, eltham library, opening day, john williams, miss pa, susan groundwater, mr groundwater, heidelberg regional library

This item of underclothing, called a "combination" is one of several linen and clothing items belonging to the deceased estate of Susan Henry OAM (nee Vedmore 1944 - 2021) that was donated to Flagstaff Hill Maritime Museum and Village. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crotch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. This particular item is made with lawn (a very lightweight fabric) and is sleeveless, making it suitable for hot weather. Although they were worn under the corset next to the skin (and therefore not meant to be seen), they were often decorated with lace or embroidery. This item is an example of the needlework skills of women in the late 19th century - using machine stitching and lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady’s white lawn and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has four buttons in the front and is trimmed with lace on the neckline, armholes, bodice (in a diagonal design) and legs. The left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, great ocean road, combinations, lady's combinations, undergarment, lingerie, handsewn, underwear, clothing, victorian era undergarments, lady's garment, susan henry oam, vedmore foundation

Newspaper Clipping from the ""Post", 27 April 94, P9. "Athletic coach dies"Theo Orr, a keen athlete and successful coach at the Ringwood Athletic Club, died on March 17 after a short illness. His daughter Jenny Orr was a finalist in the 1972 Olympic Games and another daughter Susan was a champion walker

Colour photograph - 2nd Softball, 1978."Attached to photograph" Back Row-L to R: Robyn Ison, Janet Willis, Andrea Rush, Belinda Kempton. Front Row- L to R: Julie Fawcett, Susan Green, Alison Brownrigg, Sandra Denis, Kylie Ballinger.

Shows Susan Street, Brisbane Street and Bridge Street. Large open field in centre now site of Bunnings The factory in lower centre on Brisbane Street is the Sibbel Builders factory of Martin and Herman Sibbel who were ahead of their time with design and prefabricated frames and also built cabinetry in this factory.Digital file only; created from original colour positive slide transparencyeltham, streets, susan street, bridge street, brisbane street, bunnings, ses, state emergency service, herman sibbel, martin sibbel, sibbel builders

The Boyd family think that this came from Robin Boyd's mother's house. Edith Susan Boyd, Robin’s mother, had a wonderful selection of earthenware crockery storage containers in her pantry, a huge walk-in room with open shelves off the kitchen. This scoop was needed to get any content out of these containers.Aluminium scoop (large) with handleThailand" "240 oz" on handle.cookware, gadget, walsh st kitchenware, robin boyd

Back Row L to R: - - - - - Robert Smith 2nd Back Row L to R: - - - - Susan Cook, Mrs Joyce Hosking, Wendy Jackson, -, Betty Kenworthy, 2nd row from front L to R: -, Hone - - - - - Carol Nye, Hogben, Front Row l to R: -, Wallis, - - - - Ron Saunders

Yields information about trams in the lower section of Sturt St at Grenville St and the buildings during 1968.Kodak Kodachrome cardboard mount, colour slide of tram 20 passing the Grenville St shelter in Sturt St, about to enter Bridge St, with the destination of Mt Pleasant. There is a tram in the City Loop. Taken 5/68. In the photo are signs for T&G, Patersons, Thomas Jewellers, Bill Valpied and a Susan Day cakes truck. In the photo are the Ballarat Mechanics Institute building, the Ballarat Gas Company and Town Hall."5/68" in ink.tramways, trams, mt pleasant, grenville st, sturt st, city loop, tram 20

The "Jack Be Nimble" competition was run as part of Maryborough's annual Wattle Festival.The competition for which the trophy was presented is based on the traditional game of knucklebones or "Jack - Be - Nimble". The now defunct Wattle Festival was a significant feature of the town's cultural life for many years. Varnished wood two- layer base with central pillar, topped with gold coloured knucklebone. Metal plaque on upper layer of base and metal shields on lower level.Jack Be Nimble competition (main plaque) Individual competition winners noted on shields (Betty Briggs (1984), Isa Stewart (1985), Frank O'Connor (1986, 1987, 1988, 1989), Susan Crouch (1990), Vicki-Lee Rush (1992/3).trophy festival

Series consists of colour photographs as follows: I) Two copies each of53 colour photographs measuring 175 x 125mm 2) Twenty colour polaroids of the site taken between 29/5/91 and 13/6/91 The photographs document work done on the site at the corner of Susan St and Brougham St, Eltham.shire of eltham archives, series listing

Bridge Street Bridge Flood level on Eltham pier 18th October 1956 Looking west across the Diamond Creek to Susan Street intersection Beware!.. our rivers are rising (1956, October 19). The Argus (Melbourne, Vic. : 1848 - 1957), p. 1. Retrieved August 24, 2022, from http://nla.gov.au/nla.news-article84392304Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, road construction, shire of eltham, bridge construction, bridge street bridge, eltham, eltham-greensborough road, 1956-10-18, diamond creek (creek), floods, floodwater, silver street bridge

Construction of Eltham Town Park, later renamed Alistair Knox Park. View looking across the front of Shillinglaw Cottage and what was to be developed as the Eltham Town Common (now the site of the Eltham Library) across to the Eltham Town Park development. To the right is the Eltham Trestle Bridge and to the left what was once the overflow site for the Susan Street Tip.35 mm colour positive transparency Mount - Agfacolor Service (Blue)alistair knox park, eltham town park, eltham tip, eltham town common, eltham trestle bridge

Descendants of James and Susan Chapman at a 'reunion' in Greensborough 7th April 2012. Back row (l-r) Peter Blackbourn; Brian Poulter; Peter Chapman; Steve Whatmough; Karen Hough. Front row (l-r) Joanne Blackbourn; Helen Davies (descendant of George Chapman), Val Wilson, Denise Anderson; Shannyn Hough.Digital copy of colour photograph.chapman family

View towards Montmorency Estate from Main Road, Eltham about 1890. Looking down Bridge Street across the bridge (1875). At the corner of Susan Street is the Hill family home. Reproduced in "Montmorency; the farm on the Plenty" by Maureen Jones, 2015, p43 - 'View towards Montmorency Estate from main Road, Eltham, c.1890'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, eltham, bridge street, bridge street bridge, hill family home, montmorency, susan street

Black and white photograph of fourteen Ball Games girls from the Golden Square Primary School. They are photographed under a tree. Date Nov. 2nd 1970. They are wearing sports attire. Their names are: Sandra Whitlock, Debbie Stewart, Linley Richards, Karen Richter, Robyn Lewis, Carolyn Cairns, Heather Henderson, Susan Wade, Alison Miller, Lucy-Ann Hill, Cheryl Greer, Jenny Doyle, Jean Hargreaves, Elizabeth Hangar,education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph ball games, sandra whitlock, debbie stewart, linley richards, karen richter, robyn lewis, carolyn cairns, heather henderson, susan wade, alison miller, lucy-ann hill, cheryl greer, jenny doyle, jean hargreaves, elizabeth hangar

In 2017 members of the Vision Australia Heritage group visited the Black and White Committee to assist them in preparing papers for collection by the State Library of New South Wales. This photo was taken in the B&W offices in Double Bay. L-R: Deborah Mould (VA), Pam Scharrer, Michaelene Graves, Susan Diver, Anne Mountstephens, Gael Vincent (VA)Digital image of six women black and white committee, vision australia

George Garnsworthy Bennett was a son of William Garnsworthy Bennett and Susan Bennett née Williams. He was born at Linton in 1867. He married Ada Bersey in 1896. Around the time of his marriage he established his own butchery business in Sussex Street, Linton. G. G. and Ada Bennett had three sons - Gordon, Harold and Stan.Sepia portrait of a young man with moustache, wearing high necked collar, suit with medallion pinned centre chest.george garnsworthy bennett, surman collection

A "Plain Sewing Sampler" or "Darning Sampler" was intended to showcase the wide range of sewing techniques and skills a girl or woman had. These skills might include hand sewing techniques such as darning, patching, hemming, mending, structural sewing (making pleats, inserting gussets, joining fabric with seams) making buttonholes and embroidery. Samplers could also be intended for practicing a particular technique. There were several articles printed in Australian newspapers around 1889 referring to the "Plain Sewing Movement". In 1889 a Melbourne branch of the "London Institute for the Advancement of Plain Needlework" was formed by a group of ladies led by Lady Loch and Lady Clarke with the purpose of teaching "plain needlework' to women and girls. "Plain Sewing" included fundamental stitches and techniques that were essential for practical clothing construction and maintenance. Several years later in 1891, another meeting was held at Clivedon (the residence of Lady Clarke) to look into the possibility of improving the teaching of sewing in the state schools. This meeting was attended by several school inspectors and the committee of "the Melbourne Institute for the Advancement of Plain Needlework". This "Plain Sewing Sampler" was donated from the estate of Susan Henry OAM nee Vedmore (1944 - 2021). Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. It has not been possible to identify the lady (with the initials L. L.) who made this item in 1897 but it was thought to possibly be a female relation in her maternal (or possibly, paternal) grandmother's family. It has many of the same elements and techniques that were taught by the "Plain Sewing Movement" that originated in England at the end of the nineteenth century.This item is a rare example of the handcraft skills learnt by women and girls in the late 1890's to construct and maintain practical clothing for their families.A cream cotton sampler made from three smaller rectangular shapes, displaying a wide variety of plain sewing techniques including hand stitched seams (french, bound and herringboned), inserted patch, buttonhole, button, gathering, a gusset, frills, pintucks, a placket, cross stitch initials and date (L L and 1897) and decorative embroidery.L L/1897flagstaff hill maritime museum and village, warrnambool, shipwreck coast, needlework, textiles, plain sewing sampler, darning sampler, handwork, sewing, great ocean road, susan henry oam, vedmore trust, hand sewing, sewing techniques

A "Plain Sewing Sampler" or "Darning Sampler" was intended to showcase the wide range of sewing techniques and skills a girl or woman had. These skills might include hand sewing techniques such as darning, patching, hemming, mending, structural sewing (making pleats, inserting gussets, joining fabric with seams) making buttonholes and embroidery. Samplers could also be intended for practicing a particular technique. There were several articles printed in Australian newspapers around 1889 referring to the "Plain Sewing Movement". In 1889 a Melbourne branch of the "London Institute for the Advancement of Plain Needlework" was formed by a group of ladies led by Lady Loch and Lady Clarke with the purpose of teaching "plain needlework' to women and girls. "Plain Sewing" included fundamental stitches and techniques that were essential for practical clothing construction and maintenance. Several years later in 1891, another meeting was held at Clivedon (the residence of Lady Clarke) to look into the possibility of improving the teaching of sewing in the state schools. This meeting was attended by several school inspectors and the committee of "the Melbourne Institute for the Advancement of Plain Needlework". This "Plain Sewing Sampler" was donated from the estate of Susan Henry nee Vedmore (1944 - 2021). Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. It has not been possible to identify the lady (with the initials L. L.) who made this item in 1897 but it was thought to possibly be a female relation in her maternal (or possibly, paternal) grandmother's family. It has many of the same elements and techniques that were taught by the "Plain Sewing Movement" that originated in England at the end of the nineteenth century.This item is a rare example of the handcraft skills needed by women and girls in the late 1890's to construct and maintain practical clothing for their families.A cream flannel sampler made from three smaller rectangular shapes, displaying a wide variety of plain sewing techniques including hand stitched seams (french, bound and herringboned), darned patches, inserted patches, pleats, buttonholes, buttons, a gusset, pintucks, a placket, cross stitch initials and date (L L and 1897) and decorative embroidery.L.L. / ?? Yr 1897flagstaff hill maritime museum and village, great ocean road, warrnambool, sewing, plain sewing, sewing sampler, plain sewing sampler, darning sampler, hand sewing, textiles, susan henry oam, vedmore foundation, sewing techniques

Coloured photo of the Grade 5 Netball - B4 Team of 1981. Photo taken in library. The girls are wearing yellow t-shirts with a printed emblem and Golden Square printed on them and dark blue skirts. The coach, Bev O'Shea is wearing dark blue. The names of the girls are: Maxine Green, Marlo Schade, Vicki Lees, Sharon Herbert, Susan Davis, Julianne Harvey, Jodi O'Shea, Cassandra Johnstone, Brooke Donnellan, Fiona Mason and Donna Atherton.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - photograph grade 5 netball b4, bev o'shea, maxine green, marlo schade, vicki lees, sharen herbert, susan davis, julianne harvey, jodi o'shea, cassandra johnstone, brooke donnellan, fiona mason and donna atherton

Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February and April 2020. "..My father bought second hand bricks and began to pave them over the quagmire outside..."This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, bush block, construction, vw beetle

The Singer sewing machine was purchased [in New Plymouth, NZ] by the donor, Yvonne's, parents as a birthday/Christmas present when she was about six or maybe a little older – therefore about 1935. Much, much later, in the 1960s, it was given to her daughter, Susan, who like Yvonne seldom used it because if the seam was not correctly tied off the whole seam unravelled.Singer sewing machine and original box. Intended as girls sewing machine to teach them to make dolls clothes. Metal with Singer logo and clamp to secure to table top, with appropriate needles.Singerdomestic items, sewing