Showing 3726 items
matching the cut
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Mont De Lancey
Functional object - Butter dish, Unknown
Two cut glass round butter dishes, with a diamond pattern on the base and sides and fluted edges.butter dishes, butter containers, dishes -
Mont De Lancey
Butter dish, 1909
Mrs. F. WilmsCut glass butter dish with gilt edge. Has lid with glass knob. Matching no. 505.butter dishes -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Downtrodden [Zertretene] 1900, Kathe Kollwitz
German 1867 - 1945Etching, K.44 B ii: larger, r/hand portion of cut-down plate -
Ballarat Tramway Museum
Document - List, "Disposal of Ballarat Tramcars", c1972
List titled "Disposal of Ballarat Tramcars", possibly late 1972 given notes 4 and 10. Lists the disposal of all Ballarat tramcars and where they went too following the closure of the Ballarat system. Based on the handwriting possibly prepared by Keith Kings for publication. Gives the removal date or storage locations.Yields information about the disposal of the Ballarat fleet following closure of the tram system.Handwritten list on two foolscap sheets of ruled paper and one small cut sheet as a heading.tramcars, ballarat, lists, disposal, sale of trams -
Mission to Seafarers Victoria
Print - Nativity, Mounted, η γέννηση του Χριστού (The Birth Of Christ), Unknown
IconBrightly-coloured paper cut out of Nativity scene glued to a rectangular, varnished, wooden blockGreek script upper central quadrant: "η γέννηση του Χριστού"nativity, mary, jesus, star, kings, sheep, joseph, orthodox, artwork-paintings, nazareth -
Stawell Historical Society Inc
Photograph - Portrait, Miss Lorna Huttley about 9 Years Old
Huttley - MartinB/W: Oval Portrait, young girl Short bob cut, embroidered yolk on dressLorna Huttley about 9 years oldhuttley, martin -
National Wool Museum
Sign - Leeds Stencil
Woolbrokers Shipping Department stencil "LEEDS"Silver metal stencil with cut lettering. Stencil has two holes in each top corner.LEEDSstencil, shipping, export, wool industry, woolbrokers -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1938, 1938
School Council, Members of Staff, Magazine Committee, List of Full Course Students 1938, Full Course Commercial Students, Editorial, Personal Column, Obituary - Roy S. Hall - F. J. Martell, S.M.B Old Boys' Association, The Literary Society, Centenary Jottings, Fumes from the Lab, Broken Hill, News from Papua, Sidelights on the B.H.P. Cadet Training Scheme, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs, Junior Technical SportingBlack soft covered magazine with yellow font, green and white images. 64 pages including advertisements. Artworks * Lino cut - By Maureen McRae * Lino Cut - By B. Delima * Lino Cut - By Bessie Martin * The dog you's like to kick - By Gordon Yorke * Harry - By Ernest Gribble * Digger - By Ernest Gribble * Lino cut - By Gordon Yorke * Our little girl - By Dorothy Woolcock * Miss W - By Ernest Gribble * Joan - By Ernest Gribble * Roma - By Gladys Bilney * Doing art for t'arts sake - By Gilda Gude * Una - By Dorothy Woolcock * My Bill - By Dorothy Woolcock * The Sec. - By Ernest Gribble * Hassell - By Dorothy Woolcock * Chief Engineer - By Dorothy Woolcock * Rusty - By Ernest Gribble * Lino Cut - By Jeff Wilkinson * Dick - By Dorothy Woolcock * Goosey - By Ernest Gribble * Pen Drawing - By Dorothy Woolcock * Parking 1 - By Max Coward * Miss King - By Dorothy Woolcock * Goal Umpire - By Ernest Gribble * To Prep Girls - Joe - By Ernest Gribble * Dreamy Dolan - By Ernest Gribble * Lino Cut - By Max Coward * Norma - By Dorothy Woolcock * Lino Cut - By A. Janetski * Dorothy - By Patsy Walsh * Jean - By Dorothy Woolcock * Lino Cut - By Joy Martin * Lino Cut - By Max Coward and A.2., * Ben - By Bob McHutchison * Polly - By Ernest Gribble * Dobber - By Ernest Gribble * Francies - By Ernest Gribble * Ad a line not a bite - By Dorothy Woolcock * Dulcie - By Dorothy Woolcock * Joan - By Ernest Gribble * Kitty - By Bob McHutchison * Stumpy - By Elva Brimacombe * Pegleg - By Dorothy Woolcock * Fat - By Gladys Bilney * Dawn - By Dorothy Woolcock * Joy - By Ernest Gribble * Nipper - By Ernest Gribble * Mac - By Ernest Gribble * Puss - By Bob McHutchison * Tinted Lino Cut - By W. Edward * Lino Cut by G.Day ballarat school of mines, magazine, maureen mcrae, b. delima, j. woolcock, herbert j. trevenan, n. palmer, olwyn williams, gordon yorke, bob mchutchinson, w. edward, keith heriot, sylvia wyres, jeff wilkinson, peter richards, d. gordon, f. morris, mr proctor, ernest gribble, dr. j. r. pound, muriel boyd, george downing, roy s. hall, f. j. martell, d. v. shore, ken wilkie, eoin macdonald, g. berriman, dorothy woolcock, russell h. s. ewins, v. e. greenhalgh, max coward, shelia moss, frank t. jelbart, neil crouch, graham white, mr cornell, francis hollioke, k. vaughan, david j. jelbart, arthur g. veale, bill walters, richard menhennett, james redford, w. monteith, mr hillman, john t. graham, james w. thomas, keith. walter, james m. martin, lyle s. dimsey, jean birch, margaret turner, lesley stapleton, marjorie day, una kersey, jean lonie, coral robertson, norma rowe, jean bridges, jean cox, a. janetski, d. ditchfield, j. harrison, gladys james, j. brimacombe, sheila moss, r. mathews, joy martin, joan ellsworth, e. salter, a. spence, m. may, f. coulson, i. clow, h. tonkin, l. taylor, s. harris, k. gingell, g. jones, william t. paterson, f. harland, w. harrison, j. pike, a. mcmillan, m. lee, e. mccann, j. harris, a. clack, f. osborne, e. stephens, s. nicol, d. eltringham, j. hosie, v. burt, w. rowe, wm. c. edward, j. donald, m. cox, n. dalton, gladys bilney, gilda gude, patsy walsh, elva brimacombe, g. day, francis hollyoake, centenary, betty brown, alan nye, victor greenhalgh, alan gilpin, george edward, e.h. schache, john dulfer, max bayley, eric rumpff, henry kum yuen, fred j. martell, old boys' association, literary society, j.a. wilkie, cyril callister, g. yorke, broken hill, papua, e. macdonald, j. wilkinson, bhp cadet training scheme, g.r. crouch, salt lake city, utah, photography, photographic class, r.h.e. ewins, f. jelbart, n. crouch, g. white, f. hollioake, p. richards, d. jelbart, a. veale, w. walters, e. gribble, r. mchutchison, r. menhennett, i. redford, k. heriot, j. graham, j. thomas, r. ewins, k. waller, j. martin, j. king, bena lamb, j. birch, m. turner, l. stapleton, m. day, u. kersey, j. lonie, c. robertson, n. rowe, j. bridges, m. mcrae, o. williams, j. cox, g. james, s. moss, b. martin, junior technical school old boys' association, des marks, cornell's little liver pills, ballarat wattle tea rooms, the modern dairy -
Bendigo Military Museum
Literary work - BOOK, 1) Hold Hard, Cobbers Vol. 1 1912 - 1930 .2) Hold Hard, Cobbers Vol 2 1930 -1990, 1992
Two volumes detailing the story of the 57th, 60th and 57/60th Australian Infantry Battalions from 1912 to 1990. Donated by Frederick Ernest Addlem VX142253 57/60th Batt Refer Cat No 432.2 for his service history and 937P.Both volumes of Hold Hard, Cobbers. Both are hardcover with illustrations and illustrated dust jackets. .1 288 page, cut edged. Brown buckram and brown dust jacket. .2 352 page, cut edged. Green buckram with green dust jacket.Both items, on front end paper "Presented from the 57/60 Battalion (AIF) Association to the Bendigo RSL by Fred Addlem 1996"books, military, ww2 -
Halls Gap & Grampians Historical Society
Photograph - Photocopy
This is a photo of Fred Warren, a timber worker.A photocopy of a photo showing a man standing with his hands on his hips beside a large felled log. A cross-cut saw and axe are lodged in the log and four pieces of cut timber form a pyramid at the left front. A dog sits to the right of the man."Fred Warren, Timber Worker". This seems to have been added to the bottom when the photocopy was made.people, warren, timber industries, logging -
Kiewa Valley Historical Society
Table Runner Dressing
This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and embroidered central design tatting diamond shape with embroidered scrolls either side cut work leaves top and bottom L shaped tatting inner border with triangular tatting 2cm outer bordered hole patternembroidery, handcrafts, bedroom linen, trimmings, cut work -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Wooden Silhouette, 1940's
Carved by Mr A Koenig an internee in camp 3 Tatura.Wooden cut-out silhouette wall hanging of 2 dwarf-like characters. Hand painted in various colours. Has dark brown base featuring white spotted toadstool. String attached to 2 leather tags attached to wood cut. Handmade.Handwritten inscription, date, addresshandcrafts, woodcarving, wooden silhouette, camp 3 tatura, alfons koenig, emma polocsek, emma hoffmann, camp 3 wood carvings -
Mont De Lancey
Tool - Hay Knife, Unknown
A steel curved double bladed silage or hay knife with two wooden handles at the top attached by rivets. The long blades have sharp points at the end. The handle bracket is joined to the steel blades by a nut and bolt. It has a cog mechanism to move the blades. It was used to cut hay when it is dry. Blocks were cut for the ? or stack as needed for stock feed. Silage is an animal feed cut and stored while still green.agricultutal tools, hay knife, agricultural equipment -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Reverend John Reginald Weller, Chilean Sailmaker on the Skaregrøm, 1925-1926
The Skaregrøm was a swedish windjammer. On his log during his time on the Skaregrøm Captain Archie Horka often mentions "Chile John" or "Chileno/Chilano John". He also mentions his real name John Oyarzo, probably Juan Oyarzo (see Sea History Magazine)The picture shows one of the work on board a sailing ship. It also demonstrates how international ship crew were at the time. The photograph was published in the annual report for 1926.Sailor with grey shirt and cap sitting on the deck of the ship, repairing sails. Around his right hand is one of the sailmaker tool: the sailmaker sewing palm is a leather strap with metal piece on the palm called the eye. This piece has indentations to accept the head of the needle as you push it through the cloth. The number 14 at the back indicates the photograph was previously on one of the grey album pages with the legend: "Chilean sailmaker on the Skaregrom".in pencil: "cut off"is written twice on the top and bottom of the photograph. Number 14 was added later in black inkskaregrom, sailing ship, sailmaker, skaregrøm, chilean, sailor, reverend john reginald weller (1880-1969), weller album, windjammer -
Yarrawonga and Mulwala Pioneer Museum
Bottle-small
Small glass bottle with a cork stapler used by the local chemist.(on label).."Try Hughes Healing Ointment For All Cuts ,Bruises, Sores Burns etc" Price 1/-perglass, bottle, chemist -
Buda Historic Home & Garden Castlemaine
Linocut print, Hydrangeas, c 1925
Acquired by Kate Leviny. The Leviny daughters were friends with Ursula Ridley Walker. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.Ursula Ridley Walker is a little know Australian woman artist who was working in many artistic fields during the first part of the twentieth century. Buda holds the largest public collection of Walker's work in Australia.Print by Tasmanian woman artist, Ursula Ridley Walker, depicting blue hydrangeas in a dark blue jug with a green octagonal plate in the background. Mounted and framedLower left: 'Hydrangeas' Lower centre: '- Coloured Lino Cut -'. Lower right: 'Ridley Walker 5/50'.ridley walker, linocut print, australian women printmakers, hydrangeas, leviny collection, buda, castlemaine, 1925, ursula ridley walker, tasmanian artist -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Containers, Tobacco, ‘State Express x2 tins, 20th C
State Express 555, simply known as 555, is a brand of cigarette originally manufactured in the United Kingdom by the Ardath Tobacco Company. The overseas rights to the brand, excluding the United Kingdom, were acquired by British American Tobacco (B.A.T.) in 1925. It was sold widely throughout the world. Sir Albert Levy (1864 – 1937), born in England became a successful tobacco trader, cigarette manufacturer and exporter. On 31 July 1895 Sir Albert Levy registered the trademark ARDATH in the Republic of Ireland.. He visited the United States and while in New York State, he was a passenger on the Empire State Express train. . The word trademark was first registered in Ireland on 10 March 1896. In the United Kingdom, Ardath's brands endured, to the point where they were granted a Royal Warrant by King George VI in 1946 and again later by H.M Queen Elizabeth II. In 1961, British American Tobacco bought out Imperial Tobacco's share of Ardath, thus gaining full control of Ardath's trademarks2x Tins with hinged lids to contain State Express Ready Rubbed Virginia Tobacco . Outside: STATE EXPRESS / READY RUBBED / Absolutely Unique in its quality / VIRGINIA TOBACCO / ARDATH FINE CUT Inside lid : EVERY TIN OF GENUINE / STATE EXPRESS / READY RUBBED / ARDATH FINE CUT / has the name of ARDATH / printed on the paper liningtobacco, cigarettes, moorabbin, bentleigh, cheltenham, early settlers, ardath tobacco company ltd, levy sir albert, state express cigarettes, lucky strike, cigarettes, british american tobacco company ltd, imperial tobacco company ltd, -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: ALAN CROSSLEY AND CROSS CUT SAWS
Photocopy of two photos with two cross cut saws lodged behind the garage door bar. Alan Crossley is standing n front of them. Written at the end is: Two 6' hand cutting saws for cutting timber. Cross Cut Saws, Alan Crossley.bendigo, history, long gully history group, the long gully history group - alan crossley and cross cut saws -
Orbost & District Historical Society
silage knife, c. early 20th Century
Used in the farming industry around Orbost to cut silage or hay. Used to cut compacted hay or silage prior to the baling of hay or silage, until the late 1940s.A typical tool from the Orbost farming industry pre 1950.A large coarsely serrated flat metal blade set with two wooden handles.silage-knife agricultural-implemement -
The Beechworth Burke Museum
Tool - Cigar Cutter, Unknown
The exact creation of this Cigar Cutter is unknown, however the vintage nature and style of this cutter indicate that it was made in the early to mid 20th century. This cutter closely resembles the V-cut style of cigar cutter. These cutters are the most common type of cigar cutters and have been historically widely used. They cut a 'wedge' into the cigar cap rather than removing the whole cap like guillotine cutters do. This type of cut allows the smoker to get a deep cut into the V shaped cigar. Social history objects held in the Burke Museum help to tell the stories of Beechworth's past by showing the town's social, artistic and cultural community. This cutter shows significance through it's vintage artistic style and it's ability to show the social habits within Beechworth's history. A small bronze metallic cigar cutter with cigar insert on one side of the object and handle on the other side. A01152beechworth museum, cigar cutter, bronze, burke museum, social history -
Flagstaff Hill Maritime Museum and Village
Instrument - Mariner's astrolabe, Late 20th century
This representative example demonstrates a mariner’s astrolabe. Historical examples are rare. There are less than one hundred known to exist and most of these have been recovered from shipwrecks, many from Spanish and Portuguese vessels. An astrolabe is a measuring device once used to navigate the seas by observing the sun and stars to measure their altitude. The measurement of altitude could then be used to calculate the ship’s latitude but at that time in history there was no means of measuring longitude. The body of the navigational astrolabe was cast brass and much heavier, and less complicated than the variety used on land. The heavier weight and cut-away shape reduced the effect of the wind and waves when trying to use it at sea. A mariner’s astrolabe or ‘star finder’ is a simplified version than that used by Arabic astronomers to find the altitude of the sun and stars above the horizon, and time of the sunrise and sunset. It is a forerunner to the quadrant, octant and sextant and was popular for about 200 years over the 1500s and 1600s to find the latitude of a ship at sea. The user held the astrolabe at eye level and, usually with assistance, aligned the stars through the two small sights (pinnules), then read the altitude indicated by the pointer on the arm. It could also be used to sight the sun by holding it lower down, aiming it at the sun, and adjusting it until the sun shone through both pinnules. This astrolabe is an example used to demonstrate the mariner’s astrolabe, which was navigational tool of the 1500s and 1600s, in the time before longitude was able to be determined. It is a forerunner to modern navigation technology. Mariner’s astrolabe – a representative example. A gold painted, disc shaped object with cut outs and revolving arm in centre. The arm has two sights attached at right angles. The top has a ring attached. Measurements are marked in degrees in a circular scale around outer edge.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, navigation instrument, navigation tool, navigation, astrolabe, mariner’s astrolabe, measure latitude, measure altitude, arabic navigation, measuring device, star finder, astronomy, marine tool, marine instrument -
Orbost & District Historical Society
wagon wheel rim, mid 19th century -mid 20th century
Could have been from a hay rake and used on a local farming property.This item is an example of early farming machinery used in the Orb ost district.Rim of an iron wheel. Possibly from agricultural machinery. The 13 spokes have been cut off.iron wheel-rim agricultural-machinery -
Orbost & District Historical Society
scrapbooks, Gilbert, Mary, 1960's
Belonged to Mary Gilbert who was a passionate local historian. She was awarded a British Empire medal in recognition of her work for education and the community. . Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert, and had seven sisters and one brother. Four siblings died at a young age. .She was a teacher historian loved and respected by her family and the wider community.Mary Gilbert was the first curator of the Orbost Museum, and a local teacher. These scrapbooks contain articles which reflect the social standards of the 1960's.Two scrapbooks containing pasted in cut-out magazine articles on manners, presentation and clothes for young women.Handwritten on the front cover of 1840.1 : Words of Wisdomgilbert-mary scrapbooks 1960's -
Eltham District Historical Society Inc
Photograph, Elizabeth Shillinglaw in middle, possibly sister Mary on right, c.1925
Elizabeth (Lizzie) Ann Shillinglaw born August 15, 1879 at Bundoora, Victoria was the fith child of Phillip Shillinglaw and Sarah Ann (nee Kidd). She commenced school at Eltham State School No. 209 (Register No. 391) in 1883 at age 3 years, her final year being 1892. She was engaged to a local Eltham lad who enslisted in the First World War and presented her with a gold ring with Lizzie inscribed on it. He never returned from war and Lizzie never married. Lizzie was quite involved with the local Methodist church where father Phillip was a Lay Preacher. She also had a dress making business in Smitrh Street, Collingwood. At the time of her father's death in 1914 she was living at 18 Stanley Street, Richmond. She returned to Wattle Brae in Eltham where she and her unmarried sisters, Mary and Ada and brother Ernest Samuel continued to live. Mary Shillinglaw born November 5, 1880 at Bundoora, Victoria was the sixth child of Phillip Shillinglaw and Sarah Ann (nee Kidd). She commenced school at Eltham State School No. 209 (Register No. 423) in 1885 at age 4 years. Mary did not marry and spent most of her life at Wattle Brae (Shillinglaw Cottage). In his Will, Phillip Shillinglaw provided that any of his unwed sisters would be able to live at Wattle Brae, rent free. When Eltham Shire Council aquired the property in 1963 to build new Shire Offices, both Mary and her sister Lizzie (also unmarried) were still living at the cottage. Council paid for the women to relocate. Mary moved to Elizabeth House, a nursing home in Ivanhoe but found it very hard to adapt to her new surroundings and living consdtions. She died there only a few months after departing Eltham on October 29, 1963 at age 83 years. Lizzie died June 28, 1972 at age 93 years. Post Card printed on back with photographer's details: W. Mason & Co., 144 Bridge Road, Richmond. W. Mason & Co. operated from this adress from 1903-c.1932 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1925, elizabeth (lizzie) ann shillinglaw (1879-1972), elizabeth docherty (nee shillinglaw 1861-1942)*, mary ann shillinglaw (1880-1963), reading -
Eltham District Historical Society Inc
Document - Folder, Poems and writings of Gwendoline Margaret Baker, nee Bowes, 1997
Various short pieces of writing, some dated, earliest 1971, latest in 1997. Gwen Baker (1928-2005) was a foundation member of EDHS. See Also Newsleter 162, May 2005 GWENDOLINE MARGARET BAKER NEE BOWES 1928- 2005 Gwen Baker as we knew her, often used her full name in her writings and even acknowledged her maiden family name as a means of reinforcing her own personal identity. Gwen died on 28 Februrary 2005 and has been buried at Arthurs Creek Cemetery in accordance with her wishes. It is typical of her humour that after visiting the site she wrote: "I have seen the Cemetery, so if I wake in sleep it has a nice view" Gwen was a foundation member of our Society. We remember her mainly for her contribution to our meetings, her witty comments or questions to our speakers and, of course, her collection of plants that she contributed to help the finances of our Society. Her friends in the Society also remember her cards and brief letters on a wide range of subjects. Gwen's wide range of interests included pottery, poetry and of course her gardening. She was an active member of many organizations including the Red Cross, Catholic Church, Nillumbik Garden Club and the former Eltham Arts Council. Her small self- published booklet of poems and writings starts with tins item written at 2am on Easter Sunday 1975. THOUGHT The seeming steady stillness of this quiet night has varied sound to one who sits and thinks of life. Of times of your of pleasant things and if the future has in store a place to be - a reason to exist. One hears a bird upon the roof scratching at his mate while in the distance a car goes by returning home quite late. A neighbours dog goes forth and bark! then stillness once again, like sunshine after rain. and so the thinker having heard and thought, carefully turns out the light and goes to bed. 41 pages (20 A4 pages cut in half). Folder 76 from Harry Gilham Collectionpoetry, creative writing, gwen baker -
Bendigo Military Museum
Newspaper - DEATH NOTICE 1975, c. June 1975
Death notices for Frederick Gardner Davey DFC who died suddenly on June 13th 1975 aged 56. Refer Cat No 3536P for his service details for his service details.Photocopy of death notices cut from a newspaper on a sheet of A4 paper. Features eight separate notices.f.g. davey, death notice -
Bendigo Military Museum
Card - CARD WW1, Post 1915
Photo relates to "Frederick Campbell MOLLER" No 2233 AIF. Refer Cat. No 1661.3 for his service details.Card section cut from an envelope showing a photo of ANZAC beach in black / white with address underneath.Handwritten address in black: “To: Mrs Moller Glengarry Victoria. From: Driver F.C. Moller”card, 13th, frederick campbell moller -
Bendigo Military Museum
Book, William Blackwood and Sons, With Kitchener to Khartum, 1901
Volume 3 of The Works of George Warrington Steevens.Red buckram cover with title in black letters. 326 pages with cut edges. Contains coloured maps.Inside on 2nd page: Percy H Morcom 26.1.'02 from A.M. with many happy returnsbooks - history, military -
Bendigo Military Museum
Book, The Twenty Thousand Thieves, 1992
Soft card cover. Colour illustrated front cover with title in white. 317 pages with cut edges.On front page. "F.Fuller".books, military history -
Bendigo Military Museum
Book, War for the asking. How Australia Invited itself to Vietnam, 2002
Book argues the case that Australia invited itself into the Vietnam War.Illustrated soft cover with title in red and white. 240 pages with cut edges and black and white illustrations.Inside on front page: "FRANCIS DEAN'books, military history, politics