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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
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The Mrs Aeneas Gunn Memorial Library
Book, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
... to be styled doctor of Medicine". Plays and comic puppet theatre ...Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama -
Kadimah Jewish Cultural Centre and National Library
Programme, Joshka Musicant; 1933
Play also known as The Singer of His Sorrow -3 Actsdovid herman theatre, d. morris, miriam ginter, mrs. rosenberg, m. shadur, miss e. dun, miss segal, mrs silman, mr. gershov, mr. ginter, mr. rosenberg -
Kadimah Jewish Cultural Centre and National Library
Programme, In the Desert of the Negev; 1950
Play in 3 acts by J. Mosinson. Produced by Rachel Holzer. Mount Scopus College - Parents and Subscribers Associationdovid herman theatre, s. hochgelernter, rachel holzer, m.goldberg, l. rothman, p. kochen, m. dombrovski, d. rothman, j. sher, s. brustman, b. rosenberg, s. king, a. rosenberg, ch. goldab, a. shadur -
Kadimah Jewish Cultural Centre and National Library
Programme, Ida Kaminska and Company; 1960
Two Plays - Mirele Efros and The Trees Die Standingdovid herman theatre, ida kaminsa, karol latowicz, sam migdalek, meir melman, rachel levita, yasha sher, anne light, ruth turkow-kaminska, pnina kochen -
Kadimah Jewish Cultural Centre and National Library
Programme, God, Man and Devil; 1949
Play in 4 acts. Premiere. Produced by Y. Greehausdovid herman theatre, helen beverlen, leah naomi, lazar freed, david opatoshu, izidor kashir -
Kadimah Jewish Cultural Centre and National Library
Programme, Der Dybuk; 1905
Sz. An-Sky Performed in Warsaw, Poland. Play also known as Between two worlds. 3 Actsdovid herman theatre, shoshana, strugash, tubeltshik -
Kadimah Jewish Cultural Centre and National Library
Programme, Concert to celebrate Avrom Reizen life; 1953
Concert to celebrate Avrom Reizen lifedovid herman theatre, introduced by e. rozen, the grandfather's watch by doris nussbaum, the young mother by shulamit gurewicz, revenge by jacob waislitz, a word about reizen by j. giligich, choir sings 3 songs conducted by ch. weiner, the new patch by danielle gryfenberg, poem yiddish by aviva kowadlo, the jew who destroyed the temple by jacob waislitz, a capable bride by jacob waislitz, one act play -dilapidated house - y. silman. l. glicksman. s. gurewicz. m. skraynik. sh. tigel -
Kadimah Jewish Cultural Centre and National Library
Programme, A small artistic presentation; 1943
Produced by N.Ginter to showcase Nossen and Sara Ginter. 1)Play The Miser 2) Concert 3) Play - Chaim Josher the discoverer dovid herman theatre, n. ginter, sh. ginter, n. wald, k. korn, k. mischa, m. rochlin, e. fox, n. fabish, r. jedwab, m. wald -
Kadimah Jewish Cultural Centre and National Library
Programme, A Night of Films and Theatre; 1982
Development of Yiddish films from Poland, Israel and America- and a one act play by Sholem Aleichem 'Mentshn'dovid herman theatre, m. szmerling, j chaberman, i. lustig, a. wygushin, t. rosenbloom, m. ceprow, r. levita, m. pfau, c. meerkin, r. kenigsztajn -
Kadimah Jewish Cultural Centre and National Library
Programme, Purim Concert 1951; 1951
1st play - Only a doctor, 2nd play - The Melbourne Megilladovid herman theatre, rochel beker, chaim lenzer, miriam rochlin, shia tigel, a. biderman, f. sivak, m. okerfeld, h. hirsh, a. simon, m. shadur, i. unikovski, s. lefkovitch, e. giligich, n. sukhvolski, y. sher -
Kadimah Jewish Cultural Centre and National Library
Programme, Purim Concert 20 Mar 1954; 1954
Play - The Bakers, Song by M. Broderzon The Melbourne Purim Megillah of Esther written by B. Warshavky on the honour of Queen Elizabeth's visit to Australia - read by Yasha Sher. (b) It is being said in our town - written by E. Honig and read by J Giligich. (c) At the ticket office of the Jewish theatre written by A. Shulman and read by Yasha Sher. (d) Kupletn- written by B. Rozen. (e) R. and Ch, Swiatlo sang songs from Gebirtig (f) The Photoalbum a montagedovid herman theatre, s. burstin, avram vygushin, chana kotlazs, pnina kochen, sara cykiert, yasha sher, shia tigel -
Kadimah Jewish Cultural Centre and National Library
Programme, Plays by I. L. Peretz ; 1952
Orchestra - Miriam Rochlin, Ch. Wainer, Y. Vilerdovid herman theatre, jacob waislitz, moshe potashinski, chana light, i silman, eva meletski, i. levine, pnina kochen, mila waislitz, shia tigel, a. vygusin, meyer ceprow, b. rosenberg -
Kadimah Jewish Cultural Centre and National Library
Programme, Mirele Efros. Front cover advertising of 2 forthcoming events; 1938
Play in 3 acts produced by N. Ginterdovid herman theatre, s. ginter, s. oliver, p. jedwab, e. silman, i.ginter, a. mrocki (mortski), n. ginter, r. oliver, l. jedwab -
Melbourne Tram Museum
Leisure object - Tram Ticket cards - Child's toy?, C1959
Items appear to be used to simulate or play being a tram conductor with tickets collected and sorted into denominations and stapled to three cards. Tickets are not in numerical order. Tickets have been torn from the card. Card 1 - Pink City Section 6d, brown 1/-, red 1/2. green 1/3 and teal 1/9 Card 2 - Purple 9d, brown 1/-, yellow 1/6, teal 1/9, pink 5d Card 3 - Miscellaneous tickets, light yellow 9d, pink 5d, manila City Section 4d. The miscellaneous tickets consisting of Pensioner Concession check ticket, Road Passengers Services Organisation blue bus ticket 1/2, Canberra bus ticket, Metro Theatre ticket for Ben Hur (1959), Stadium Melbourne, The Show of 1959, Festival Hall TV Stars Parade (17/5/1955?) and LTAV Kooyong Sam Snyers Water Follies 1957.Demonstrates making an item to be used by children to simulate or play being a tram conductor.Set of three cardboard cards each with a set of tram tickets stapled to them.tramways, tickets, toys, conductors, theatres, bus tickets -
Melbourne Tram Museum
Pamphlet, Theatre Works, "Storming Mont Albert by Tram", 1982
.1 - TheatreWorks Newsletter No. 1 featuring a photo of a Mont Albert route 42 trams cast - seeking support, details of the production, photo of Peter Sommerfeld artistic director, the cast details, details of their location and other works. .2 - Pamphlet associated with the production and details of the play and its basis. .3 - Pamphlet or flyer for the production giving dates, costs and booking details. .4 - Ticket for the production in the form of a Travel card, punched for 14 March. See also Reg Item 1026.8 - Metra News - page 1, Autumn 1982. - see image htd1178i5 For a similar work in 1988 - Storming St Kilda by Tram, see item 7210.Yields information about a 1982 Theatreworks production that involved a tram.Set of four documents or pamphlets associated with the theatre production of 1982, "Storming Mont Albert by Tram"trams, tramways, mont albert, route 42, theatre, theatreworks -
Federation University Historical Collection
Poster - Advertisment, Spring Awakening, 15375.1 - 2002; 15375.2 - 2014
15375.1 The poster is an advertisement for the performance presented by University of Ballarat Arts Academy, Third Year Acting Students, 2002, for the play 'Spring Awakening A Children's Tragedy'. A play by Frank Wedekin translated by Edward Bond. Director - Fiona Blair; Design - John Bennett; Costumes - Melanie Liertz; Lighting - Rob Irwin. It was performed at PO Box Theatre from Thursday September 4th - Saturday September 13th, all performances at 7.30pm except Sunday 7th at 6pm. Ticket prices: Adult $22, Friends of the Arts Academy (FAA) $20, Concession $15.50, Student $12, UBSA Student $7.50, AA Students $5. 15375.2 A flyer advertising a performance by Faculty of Education and Arts, Arts Academy 2014 Graduating Music Theatre Company of 'Spring Awakening A New Musical'. Book and Lyrics by Steven Sater; Music by Duncan Sheik. Based on the Original Play by Frank Wedekind. Director - Tom Healey, Music Direction - David Piper. This production of Spring Awakening has been double cast: Austria Cast and Germany Cast. (See Media for names). The musical was performed at Helen MacPherson Theatre from Wednesday 9th April to Tuesday 15th April and with four Austria and Four Germany productions. There were two performances on Saturday 12th ( 2pm & 7.30 pm) and a 4pm performance on Sunday 13th. All other performances were at 7.30. Spring Awakening is a coming-of-age rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the 1891 German play Spring Awakening by Frank Wedekind. Set in late 19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of adolescent sexuality. In the musical, alternative rock is employed as part of the folk-infused rock score.15375.1 Original Poster 15375.2 A paper flyerspring awakening, frank wedekind, edward bond, fiona blair, rob irwin, university of ballarat, the university of ballarat arts academy, po box theatre, steven sater, duncan sheik, tom haley, david piper, anna -francesca armenia, cody arthur, prudence bell, robbie bennett, jamie bray, shelley cocker, tamara cohen, ryan hawke, ben hodges, eden holmes, josh kerr, lauren marshal, shaly mccomas, grace sabbatucci, josh sanders, regan schmidt, christopher southall, sharon wills, kylie baker, robbie bennet, isabella bevan, chloe bruer-jones, darcy dann, louisa fitzhardinge, kirsty gayther, rebecca koroneos, stephanie long, vanessa menjivar, elizabeth sahlstrom