Showing 6080 items matching "war museum"
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Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. A Civilian with a cartload of possessions. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a civilian with a dog, horse and a cartload of possessions. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War" "E. A civilian with a cartload of possessions". framed accessories, camera on the somme, 38th bn, agrinton, ww1, civilians -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. War damaged town or city. Refer Cat No, 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a landscape of damaged and shattered buildings and rubble with a road and a vehicle in the foreground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "H. War Damage".framed accessories, camera on the somme, 38th bn, grinton, ww1, war damage -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. A French Couple at Home. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting two civilians (French couple) sitting surrounded by vegetation. Cottage/building in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "J. French couple".framed accessories, camera on the somme, 38th bn, grinton, ww1, civilians -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Photo shows the bomb damage inside a Church. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting the interior of a large church with extensive bomb damage. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "F. Interior of a bombed church." framed accessories, camera on the somme, ww1, 38th bn, grinton, bomb damage -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. A French Soldier with his Family. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a family group - informal, full length portrait, French soldier in uniform, woman and boy. Background - building wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "G. A French soldier and family". framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. 38th Bn Soldiers with French children, one is dressed in an Australian uniform. Refer Cat Number 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting two children and one soldier standing outside a building window, with a further six soldiers grouped inside the open window. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "L. Australian soldiers and French children."framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Bomb damaged buildings. Refer Cat No. 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph on paper depicts a street scene of bomb damaged timber and brick houses. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "D. Bombed houses".framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. War Cemetery in Annoeullin France Refer Cat No. 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a war cemetery with many graves marked with a cross. Snow on the ground. Background - trees. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "I. War cemetery in Annoeullin".framed accessories, camera on the somme, ww1, 38th bn, grinton, france -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/09
The Grinton Collection. Taken at the opening of the Macorna War Memorial on 5.3.1920. refer Cat No 5890P for more details. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts the "Macorna War Memorial" - globe upon a column with a square base. Foreground - table and chairs, background timber buildings and trees. Frame - Timber. light varnish finish, Perspex front, cardboard backing."Single Photos Group 2 (end of show): Opening of Macorna War Memorial".framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/09
The Grinton Collection. Unknown French Family. Refer Cat No. 1280 for Jack Grintons service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group portrait of five civilians, two women standing and boy, women and man seated in front. Background exterior building wall and window. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "K. Group portrait of five French civilians."framed accessories, camera on the somme, ww1, 38th bn, 'grinton -
Bendigo Military Museum
Photograph - Bones Day Netball Team - Army Survey Regiment Versus RAAF School of Radio, c1994
These three netball team photographs were possibly taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio circa 1994. The two units took turns each year to host the event. The day competition usually comprised basketball, cross country, golf, sailing, squash, softball, tennis, touch football, rifle shooting, tug-of-war and volleyball. It is also possible these three photos were taken at an inter-area or inter-service competition. The history of the Bones Day competition is best described in the booklet titled - Bones of Contention Souvenir Program. 1965. Refer to Item 6267.This collection of three netball team photographs were possibly taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio, at Bendigo circa 1994. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1994, Fortuna Netball Team, Back Row L to R: Joanne Otto, unidentified (x3), Gloria Lucas, Le-Anne (Smallshaw) Shirley, unidentified. Front Row L to R: Nadine (Paul) Read, Nicole Midgley, Ailsa (Sorby) Miller. .2) - Photo, colour, c1994, Group Netball Teams, Back Row L to R: unidentified (x2), Gloria Lucas, Jodi Cuskelly, unidentified, Peter Barrett, Le-Anne (Smallshaw) Shirley, unidentified. 3rd Row L to R: Ailsa (Sorby) Miller, Nicole Midgley, Joanne Otto, unidentified (x5). 2nd Row L to R: Michelle Withers, unidentified, Annette (Odgers) Wynn, unidentified (x5). Front Row L to R: Allison (Ottaway) Wooldrage, unidentified (x4). .3) - Photo, colour, c1994, Fortuna Netball Team L to R: Annette (Odgers) Wynn, Nicole Midgley..1P to .3P – No personnel are identified. ‘Nikki’ is written in red texta on the back.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, raaf school of radio, bones day -
Bendigo Military Museum
Literary work - STORY BOARD - FRAMED - WW1, Bendigo & District RSL Sub Branch et al, C.2008/09
Refer Cat No. 1280 for Jack Grintons service history.Story board - framed. Story Board - black print on white and pale blue background on synthetic paper adhered to backing board. Frame - metal with wood backing board."A CAMERA ON THE SOMME" "Photography and the FIRST WORLD WAR"framed accessories, camera on the somme, ww1, 38th bn, grinton, photography -
Bendigo Military Museum
Literary work - STORY BOARD - FRAMED - WW1, Bendigo & District RSL Sub Branch et al, C.2008/09
Jack Grinton. Refer Cat No.1280 for his service history.Story board - framed. Story Board - black print on white and pale blue background on synthetic paper adhered to backing board. Frame - metal with wood backing board." A CAMERA ON THE SOMME' "The Burden of War". Photographs top left - "Damaged windmill, France or Belgium 1916-1919" Top right "Guns and human bones marking field graves, France or Belgium 1916-1919" Middle right "Bomb damaged cathedral, France or Belgium 1916-19" Bottom right "Military Cemetery, France 1919" framed accessories, camera on the somme, ww1, 38th bn, grinton -
Glen Eira Historical Society
Letter - Duldig, Karl (Artist)
Two Classification Reports on Public Art in the City of Caulfield. Permanent Art Collection made by the National Trust of Australia (Victoria) on The Family and Adam and Eve by Karl Duldig with an accompanying letter dated 29/10/1993 to CEO D. Aglen informing him of their placement on the National Trust Register. Also included are a photocopy report of the same nature on the Karl Duldig Artworks in the Kadimah Cultural Centre also included, with a letter. Dated 05/05/1992 to the Centre’s president Moshe Ajzenbud. All reports include references.caulfield historical society, national trust of australia, city of caulfield permanent art collection, aglen d, duldig karl, ceramic reliefs, adam and eve, the family, national trust register ward liz, wight ian, glen eira road hawthorn road, bas relief, progress of man, stanmark, inkerman street, caulfield arts complex, caulfield city hall, boyd arthur, perceval john, winton frederick robert, sulton h, de jong – duldig eva caulfield city office complex, the four muses ajzenbud moshe kadimah cultural centre, selwyn street elsternwick, karl duldig artworks classification report for public art, kadimah war memorial, the great awakening kadimah, art, artists, scultpure, stained glass, the candle of hope the menorah youvhanda new dreamland, the flowers and the slar of david, bird of peace, rosh robert melbourne holocaust museum, the martyrs, the sun appearing through dark clouds the muse, the poet, kadimah emblem western wall, summer alan ferguson john -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Ueno Hakuhinkan, Tokyo - Scene around Ueno Museum, 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society Inc
Document - Folder, Pelling, Nicholas and Anna
Nicholas Pelling, son of Charis Pelling, lived at Kangaroo Ground, and was active in local causes, including the Country Fire Authority, being awarded a National Medal in 1992. Contents Newspaper article: "CFA man 'someone who cared'". Diamond Valley Leader ,14 July 2004. Obituary of Nicholas Pelling.Newspaper clippings, A4 photocopies, etcnicholas pelling, charis pelling, woodlands kangaroo ground victoria, the hall kangaroo ground victoria, war memorial tower committee kangaroo ground, andrew ross museum kangaroo ground, plenty valley community radio, kangaroo ground telephone exchange, anna pelling, country fire authority, jeff newland, kerri newland, ron newland -
Glen Eira Historical Society
Letter - Kadimah Cultural Centre, Selwyn Street, Elsternwick
Correspondence from the National Trust of Australia (Victoria) to Moshe Ajzenbud, President of the Kadimah Cultural Centre, dated 05/05/1992, advising that the Karl Duldig artworks of the Kadimah Cultural Centre have been added to the National Trust Register. The file also includes a copy of the four page classification report. The report includes a statement of significance, a brief history of the artist and describes each artwork in detail.ajzenbud moshe, kadimah cultural centre, selwin street, selwyn street, elsternwick, duldig karl, karl duldig artworks, national trust of australia, kadimah war memorial, the great awakening, kadimah, fine art, sculpture, stained glass, the candle of hope, the menorah, youth and a new dreamland, the flowers and the star of david, bird of peace, rosh robert, melbourne holocaust museum, the martyrs, the sun appearing through dark clouds, the muse, the poet, kadimah emblem, boyd arthur, progress of man, adam and eve, the family, city of caulfield, national trust register, classification report for public art -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Memorial, Commonwealh of Australia et al, Family Memorial case for deceased veteran son, post World War One
The War Medal, 1914-1918 Medal and the Victory Medal, Mothers Badge (for being the mother of a deceased soldier) with a plaque from King George honouring the Service of L/Cpl Chester George Mather on the other. L/Cpl Mather enlisted on 8th of June 1915 and embarked for France on HMAT Anchises on the 26th Augest 1915. He was killed at Polygon Wood, Zillebrook near Ypres in Belgium on 4th October 1917 aged 25.Double sided wooden and glass display caseOn one side are the Sons Medals (War Medal, 1914-1918 Medal and the Victory Medal), Mothers Badge (for being the mother of a deceased soldier) with a plaque from King Geaorge honouring the Service of "L/Cpl Chester George Mather of the 22nd Battalion AIF" on the otherworld war one, medal, military, ypres, badge, plaque, polygon wood -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Postcards Display, Letters to home from Harold Coutts
4 Postcards sent home by Harold Coutts, an early member of the sub-branch, to his wife from New Guinea during WW2. This item is significant because it has 4 Original postcard/letters sent home which are hand illustrated with hand drawn sketches relevant to Harold Coutts' circumstances or whereabouts at the time of sending. 4 postcards to home from Harold Coutts during WW 2 illustrated with sketches. All 4 postcards sent to Mrs H F Coutts c/o Tecoma Post Office via Belgrave, Victoria. military, letters, world war 2, postcards, harold coutts, new guinea -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Anchor, Anchor from HMAS Parramatta
HMAS PARRAMATTA had active service during the Vietnam War,escorting the troop transport HMAS SYDNEY to Vietnam in 1965,1968 and 1971. She also served on patrol duties between 1964 and 1966 during the Indonesian Confrontation. In July 1976 PARRAMATTA was diverted to the Indonesian of Bali to provide humanitarian relief following an earthquake which killed over 500 Balinese and injured another 3,000. PARRAMATTA was decommissioned in 1991 as the River Class Destroyer Escorts were replaced by the Adelaide Class Guided Missile Frigates. She was sold to a Pakistani company in 1991 to be broken up.anchor parramatta escort -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Skoda 7.5 cm Model 15, The Skoda 7.5 cm Gebirgskanone M15 mountain gun, 1911-1914
The Germans bought some guns during World War I, but used them as infantry guns in direct support of the infantry where their light weight would allow them to move with the infantry. They complained that the guns were too fragile and didn't have a high enough muzzle velocity to act as an anti-tank gun. Considering that the guns were designed to be disassembled it's not too surprising that they couldn't stand the abuse moving through the shell-pocketed front lines on the Western Front.This particular Gun was captured by Australian Soldiers at the Battle of ST Martins Wood near Ypres in the 3rd Battle for the Somme. The German crew were all killed as were a number of AustraliansThe Skoda 7.5 cm Gebirgskanone M. 15 was a mountain gun used by Austria-Hungary in World War I. In German service it was known as the 7.5 cm GebK 15. Its development was quite prolonged as the Austrians couldn't decide on the specifications that they wanted. Initially they wanted a gun that could be broken-down into no more than 5 pack-animal loads to replace the various 7 cm mountain guns in service, but prolonged trials proved that the 7.5 cm M. 12 prototype to be the best gun. The guns were delivered beginning in April 1915 instead of the planned date of April 1914. For transport, the gun could be dismantled into 6 parts, generally carried in 4 loads. In addition, there was a gun shield fitted on some (perhaps many) such guns. ypres st martins wood skoda gun -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Oil Painting HMAS Australia (1), HMAS Australia (1), 26/06/1910
HMAS Australia (1) The largest war ship in the Australian fleet was the first flagship of the Australian fleet in WW1. She was Commissiond and paid for by the Australian Goverment to ensure sdequate protection for the Australasion Pacific Region. She had a crew of 900 "Officers and Crew" and was equipted with four sets of 12 inch breech loading guns,side firing torpedos and fourteen 4 inch guns for surface and air contacts. On the 12 of April 1924 HMAS Australia (1) was with "Full Military Honours" Scuttled 50 km east of Sydney. Only 14 Years old.Framed Oil Paintinghmas australia oil painting pictures -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Diary, 1914
Gallipoli diary written by Donald Johnson who was killed at the battle of the Nek on the 7th of August 1915Important insight into early 20th century attitudesSmall red covered diary with leather cover and claspTo Dear Don wishing you every success with love and best wishes for a happy xmas from Rubyworld war 1, aif, gallipoli, nek, 7 august 1915, donald mathieson mcgregor johnson, 8th light horse regiment -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Medals - J.Ireland
1939/1945 Star, Pacific Star, War Medal 1939/1945, Australian Service medal 1939/1945. John Ireland NX16933medals, ww2 -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Framed Medals
Framed 1914/15 Star, British War Medal, Victory Medal, Embroidered "for Australia" cloth & Metal Scroll, Death Brooch. L/Cpl Chester George Mather 22 Btn KIAmedals, ww1, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Medals Minatures, Ireland
1939/1945 Star, Pacific Star, War Medal 1939/1945, Australian Service medal 1939/1945. John Ireland NX16933medals, ww2, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Medals & Ribbons- R.Lowe
1939/45 Star, Pacific Star, War Medal 1939/45 Aust Defence Medal 1939/45. with ribbons VX102574 R.F. Lowemedals, ww2, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Shell Case
Spent Flare gun caseammunition, boer war, army -
Lara RSL Sub Branch
Picture Lancaster Bomber Instrument Panel, Lancaster Bomber Instrument Panel S for Sugar R5868
... in service with R.A.F. during World War II. Registration S for Sugar ...Heavy 4 engines Avro-Lancaster Bomber - piIot area and instrument panel in service with R.A.F. during World War II. Registration S for Sugar R5868.World War 2 , heavy 4 engined Bomber Registration Number S for Sugar R5868 maintained at R.A.F. Museum Hendon U.K.Rectangular shaped color print of the interior of a Lancaster Bomber showing the pilots area and aircraft instrument cluster. Rear of the frame is a small strip stating photograph by Tony Watts - title - "After the Battle magazine. Lancaster Cockpit - that of R5868 at the RAF museum, Hendon U.K. Sticker - GEELONG PICTURE FRAMERS - Art Posters . Prints . Framing 70 Ryrie Street, Geelong- Telephone - (052) 29 7805world war two, avro lancaster bomber, r5868 -
Lara RSL Sub Branch
Print - Framed print of USS MISSOURI
USS Missouri (BB-63) is an Iowa-class battleship and was the third ship of the United States Navy to be named after the U.S. state of Missouri. Missouri was the last battleship commissioned by the United States and is best remembered as the site of the surrender of the Empire of Japan, which ended World War II.Missouri received a total of 11 battle stars for service in World War II, Korea, and the Persian Gulf, and was finally decommissioned on 31 March 1992 after serving a total of 17 years of active service, but remained on the Naval Vessel Register until her name was struck in January 1995. In 1998, she was donated to the USS Missouri Memorial Association and became a museum ship at Pearl Harbor.Rectangular shaped glass covered framed print with gold border