Showing 524 items matching "william band"
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Hellenic Museum
Neck Amphora, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe rim with stripes, inside of mouth with twin bands, the vertical twin strap handles with zigzags, the neck with panels of double crosses between double vertical lines, bands above and below over the shoulder with swastika on each side, the body with red band between sets of lines, single line to lower body, painted foot. cypriot -
Hellenic Museum
Squat Amphora, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe inside of the mouth painted, the neck with sets of lines and wavy bands, over frieze of spots, the shoulder with three red bands alternating with sets of lines, over painted twin loop handles, with red and black cross-hatched panels between, red band between sets of lines below, double lines to lower body, band and set lines over painted foot. cypriot -
Hellenic Museum
Neck Amphora, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric Period/Cypro-Archaic PeriodThe mouth has two painted bands inside, rim is adorned with panels triangles. The twin vertical, triple ribbed handles, with the middle painted red between two black, looped below; each side of the neck is centred with crossed panel flanked by zigzag panels. (neck heavily repaired, one handle in fragments). cypriot -
Hellenic Museum
Amphora, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodBlack bands are found on the interior and under the rim. The tapered neck has two red bands. The twin loop handles are painted with a wavy line between each side and two bands are found on the lower body. cypriot -
Hellenic Museum
Amphora, 1050 - 600 BCE
Cypriot White Painted Ware from Cypro-Geometric/Cypro-Archaic PeriodThe inside of the mouth has two dark black bands, the rim has a zigzag painted on the outer rim. The neck has a frieze of cross-hatched diamonds. The shoulders are centred with cross-hatched chequerboard triangles flanked by wing like shapes. the painted twin loop handles have two cross-hatched diamonds. (neck chipped and heavily repaired). cypriot -
Hellenic Museum
Amphora, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe interior has a broad red band over a set of black lines. The twin vertical strap handles are painted with a serpentine band, rim painted underneath, the neck with wavy line, black band at shoulder, the body with broad red band between sets of black lines and band below, the broad disk foot painted and stem below. cypriot -
Hellenic Museum
Amphora, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe interior with broad red band, the exterior is painted to the twin vertical double ribbed handles, the neck and shoulder each have a frieze of concentric circles, broad horizontal black band between, ochre painted horizontal line centred over circles, a broad red band between, black bands on body, red band over lower body and foot. cypriot -
Hellenic Museum
Trefoil-Lipped Jug, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe lip and double strap handle painted back, the narrow column neck with two bands at top and one at bottom, the shoulder with frieze of concentric circles, over set of lines, two red and two black bands below. cypriot -
Hellenic Museum
Jug, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe mouth painted inside and out with black bands, the neck with double wavy lines continuing to vertical strap handle, band at lower neck, over broad red and between two sets of black lines on body, foot painted. cypriot -
Hellenic Museum
Neck Amphora, 750 - 600 BCE
Cypriot Bichrome Ware from Cypro-Archaic PeriodNeck with red bands, brown lines on neck and body, with single frieze of concentric circles on shoulder between twin horizontal loop handles. cypriot -
Hellenic Museum
Biconical Amphora, 750 - 600 BCE
Cypriot Bichrome Ware from the Cypro-Archaic PeriodWide mouth, the lip with black lines extending to shoulder, above twin vertical strap loop handles painted with crossed lines, and a frieze of alternating red and black crossed staffs and concentric circles between, encircling bands below. cypriot -
Hellenic Museum
Neck Amphora, 750 - 600 BCE
Cypriot White Painted Ware from Cypro-Archaic PeriodThe mouth and rim painted black, the neck with two rows of concentric circles between lines and bands, another set of lines and bands above and below the painted twin horizontal loop handles flanked by columns of three concentric circles and centred by a pair of concentric circles, traces of concentric circles on lower body, foot painted. cypriot -
Hellenic Museum
Hydria (Water Jar), 750 - 600 BCE
Cypriot White Painted Ware from the Cypro-Archaic PeriodThe rim is painted black, one encircling horizontal band on interior, the top and bottom of neck with black bands, the strap and painted twin horizontal loop handles over an encircling band, the shoulder with two concentric circles, another flanking the loop handles, the strap handle painted with vertical stroke continuing to body and flanked by another on each side. cypriot -
Hellenic Museum
Hydria (Water Jar), 750 - 600 BCE
Cypriot White Painted Ware from the Cypro-Archaic PeriodThe rim painted black, the top of the neck with two encircling lines, a band at the bottom, the strap handle with vertical stroke to shoulder, flanked by vertical strokes, two angled strokes below, the shoulder with two pairs of concentric circles on each side and a set of horizontal lines below. cypriot -
Hellenic Museum
Neck Amphora, 750 - 600 BCE
Cypriot White Painted Ware from the Cypro-Archaic PeriodThe interior has a painted black band, the rim with sets of strokes between lines, continuing on twin strap handles, the neck with wavy line, two bands at bottom, the body with two sets of encircling lines and broad band between, set of three narrow bands on lower body. cypriot -
Hellenic Museum
Neck Amphora, 750 - 600 BCE
Cypriot Bichrome Ware from Cypro-Archaic PeriodThe wide mouth painted with bands on inside, sets of striped panels on rim painted to twin vertical strap handles with zigzags, zigzag line around neck, band at lower neck, body with red band between two sets of four black lines, single band to lower body, painted foot. cypriot -
Hellenic Museum
Biconical Neck Amphora, 750 - 600 BCE
Cypriot Bichrome Ware from the Cypro-Archaic PeriodThe round mouth painted inside, rim with panels of stripes continuing to twin vertical double ribbed handles, a wavy line between bands on neck, body with red bands between black lines overlapping by alternating red and brown crossed staffs, wavy line between bands on lower body. cypriot -
Hellenic Museum
Biconical Jar, 750 - 600 BCE
Cypriot Bichrome Ware from the Cypro-Archaic PeriodThe rim with red band and panels of stripes, twin vertical loop handles on shoulder with frieze of crossed staffs over horizontal red and black bands continuing to lower body. cypriot -
Hellenic Museum
Amphora, 750 - 600 BCE
Cypriot White Painted Ware from Cypro-Archaic PeriodThe inside of the rim and the round of the mouth are painted. The neck has two friezes of circles separated by lines, two bands above and below and a set of lines on the shoulder. The body has columns of concentric circles painted between the twin-looped handles, another set of horizontal lines below. cypriot -
Hellenic Museum
Biconical Jar, 750 - 600 BCE
Cypriot Bichrome Ware from Cypro-Archaic PeriodThe rim of the wide mouth with bands, continuing on to shoulder over twin vertical double ribbed handles painted with stripes and horizontal lines, above a series of horizontal lines and bands overlapped by a frieze of alternating red and black vertical crossed staffs, a wavy band below and a single band on lower body. cypriot -
Hellenic Museum
Amphora, 750 - 600 BCE
Cypriot White Painted Ware from Cypro-Archaic PeriodThe rim with black strokes, painted on the exterior under the rim, twin vertical strap handles painted with zigzag lines, each side of neck centred with panel of vertical cross-hatched diamonds and triangles flanked by sets of vertical lines between two panels of double cross lines flanked by sets of vertical lines, the body with horizontal lines and bands, single band on lower body, foot painted. cypriot -
Hellenic Museum
Trefoil-Lipped Jug, 750 - 600 BCE
Cypriot Bichrome Ware from Cypro-Archaic PeriodWith a short neck and a single strap handle painted with horizontal stripes and loop below, horizontal black stripes over neck and body with single wide red band in middle. cypriot -
Bendigo Historical Society Inc.
Newspaper - ANZAC COLLECTION: NEWSPAPER CLIPPING RE ENLISTMENT FOR WWI, 2nd August, 2014
Newspaper clipping Bendigo Advertiser Saturday August 2 2014.Articles of friends who enlisted for WWI together. Private George Every, son of W. H. Every enlisted in July 1915, and sailed for Egypt in January 1916, and his imminent return home wounded. Private S. H. R. Elliott No. 782, K.I.A. April 25 1915, aged 28 years. Son of the late Mr. & Mrs George Elliott of Peg leg Road Eaglehawk, enlisted in August 1914 and embarked from Melbourne. N. S. Draper enlisted at the same time. Sydney Elliott was a member of the Eaglehawk Fire Brigade, Rifle club and was chosen to do sniping duty. G. Of the Loyal Catherine lodge, M.U., Odd fellows band , Comrade's class connected with the Eaglehawk West Methodist Sunday School, Church Choir ,Lawn party , and the swastika club, esteem of the Eaglehawk mechanics institute, Foundry man at the Austral Drill foundry at Eaglehawk. He had one sister, Mrs W. Graham, of Peg leg Road and five brothers - Messrs George & Abe, Bootmakers of Eaglehawk, Fred of Vine Street Bendigo, William of Farnsworth Street Eaglehawk,Stanley of Eaglehawk, and well know in musical circles and as choirmaster at St. Pauls Church Bendigo.military, world war 1, bendigo soldiers -
Bendigo Historical Society Inc.
Document - HISTORY OF BENDIGO PERFORMING ARTS 1870-1963, 1870-1963
History of Bendigo Performing Arts 1870 - 1963. Presented by Charles Murray Bendigo Historical Society Inc. (13 pages,paper clipped). Performers and Palaces November 24, 2000 at the Bendigo Bank Theatre BRAC View Street Bendigo. Negative of The Bendigo Liedertafel in Opera, the performance of 'Pinafore' in 1888. Names of the cast(negative) are: Back row - Miss A Gellmiek(Josephine), Mr F. Macoboy(Ralph Rackstraw), Miss Forsyth(Hebe), Mr. M. Macoboy (Sir Joseph Porter), Miss E. O'Flaherty (Little Buttercap), Mr. L. Germann(Captain Corcoran). Front Row: - Mr. C,. Pallett (Bill Bobstay), Mr. H. Monaghan(Conductor), Dr. Penfold (president), Mr. H. M. Marks(Stage manager), Mr. A. Tawse (Dick Deadeye). The Bendigo Lieddertafel waqs extablished in 1884 by MNr. A. T. Crook. Mr. William Brown, the well known solicitor, took and active part along with his brother, Mr. T. Brown, in its inauguration. Mr. W. Brown always took a warm interest in matters musical, and for many years was one of the most prominent singers in the district. Contemporary with him in the sixties were Mrs. Betham and Mrs. Ellis, and in the seventies, Mrs. E. E. Casey. Negative of halla's Premier City Band. Standing ,from left to right - H. Middleton, T. Ash, J. Graham, G. Foster, W. Hicks, S. Mauley, J. Eaton, V. Byrne (Drum Major), - Sullivan, R. Lindsay, C. Crawford, R. Meakin, D. Westphalen, W. Hall, G. Hunter, B. Broadbent, W. Higginbotham. Sitting, from left to right - T. Sayer, R. E. Crawford, C. Foster, J. Mappin, G. Meakin, G. Coleman, F. Lindsay, Nat. Hallas (Bandmaster), J. Swift, C. Anderson, J. Armstrong, W. Mappin (at back), I. Moore (in front), W. Bannister, J. Whitlam, J. Daley, Bert Daley. Negative of Mr. W. J. Dillon as 'Hamlet'. Negative of Mr. Tone and Mr. Nalder, The Grave Diggers in 'Hamlet'. Negative of Amy Castle. Negative of Mr. E. A. Bindley, Conductor. Negative of miss Pauline Bindley as Hamletta. Negative from 'Boccoccio' 1909. Mr M. Gallagher (Lotteringhi), Mr. G. Brayshaw (Scalza), Mr. A. E. Sayer (Lambertuccio). Negative of Kob Samuels.bendigo, tourism, theatre history 1870-1963 -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: KALIANNA SCHOOL DEBUTANTE BALL, 3rd August, 2007
Program for the Kalianna School Debutante Ball held on Friday 3rd August 2007 at the Weerona Secondary College. Program is light grey with a purple sticker on an angle with the name on it. On white paper on the inside is the names of the debutantes and their partners and who they were presented to, Master of Ceremonies & Deb Set Co-ordinator, Chaperones, Compares, Music by Emu Creek Band, Flower Girl and Page Boy. Pasted on the back is a matching grey card thanking businesses and people who helped. Names are: Cr Kevin Gibbons, Debbie Gibbons, Lindy & William Lupo, Alison & Geoff Byron, Leon Scott, Debbie Price, Peter Burch, Cherryl Fyffe, Leon Scott, Emu Creek Band, Rebecca Nelson, Caleb Richardson, Charmaine Scown, Alicia Owen, Jessica Brereton, Nikita Riordan, Laura Semmens, Rebecca Apps, Chloe Gruber, Lauren Hawken, Amanda Anderson, Victoria Jelbart, Rachell Sutherland, Amy Roberts, Sally McMurtrie, Chevonne Strauch, Ben Holmes, Dean Snelson, Zac Flint, Tamati Poindestre, Brandon Kelly, Paul Drinkell, Adrian Brown, Chris Oojges, David Boyce, Josh Rosewall, Michael Semmens, John Wiktorek, Kane Wojcicki, Matthew Mitchell, Hairem Scarem, Grant Rule Menswear, Sean Walsh Photography, Mary Smith (Plant Exhibits), Anne Hastings (Deb Ball Seamstress), Debbie Price, Tracey Wojcicki, Glenys Jelbart, Pam Holmes, Rae Hall, Samantha Wearne, Kylie Salter, Cathy Brew, Judy Richards, Aileen Gilbee, Marie Loch, Noel & Lorna Thomas, Ron & Janette Moss, Tracey & Peter Wojcicki, Val & Neil Cartledge, Warwick Strauch, Kevin Salter, Grant King, Kay Tamblyn and Christine Smith.Weerona Secondary Collegeentertainment, dance, ball, peter ellis collection, kalianna school, weerona secondary college, cr kevin gibbons, debbie gibbons, lindy & william lupo, alison & geoff byron, leon scott, debbie price, peter burch, cherryl fyffe, leon scott, emu creek band, rebecca nelson, caleb richardson, charmaine scown, alicia owen, jessica brereton, nikita riordan, laura semmens, rebecca apps, chloe gruber, lauren hawken, amanda anderson, victoria jelbart, rachell sutherland, amy roberts, sally mcmurtrie, chevonne strauch, ben holmes, dean snelson, zac flint, tamati poindestre, brandon kelly, paul drinkell, adrian brown, chris oojges, david boyce, josh rosewall, michael semmens, john wiktorek, kane wojcicki, matthew mitchell, hairem scarem, grant rule menswear, sean walsh photography, mary smith (plant exhibits), anne hastings (deb ball seamstress), debbie price, tracey wojcicki, glenys jelbart, pam holmes, rae hall, samantha wearne, kylie salter, cathy brew, judy richards, aileen gilbee, marie loch, noel & lorna thomas, ron & janette moss, tracey & peter wojcicki, val & neil cartledge, warwick strauch, kevin salter, grant king, kay tamblyn, christine smith -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: NORTHCOTT'S CITY BAND
Mr. Northcott served all through the Crimean war, and obtained three service medals. He was most fortunate, as he did not even receive a scratch. While fighting in the trenches one day he happened to glance round, and was surprised to discover that his brother was by his side. They had not seen each other for a long time, and the meeting under such circumstances can be imagined. Two of his brothers, John and William, served throughout the war. At its close he came to Victoria, the gold fever being then at its height. His stay in Bendigo was brief, as the New Zealand rush attracted his attention, but he returned in 1858 to Bendigo, and as the outlook was quiet, he went back to New Zealand in 1859. Finally, in 1860, he settled in the Bendigo district with his father and mother and brother William. They took up some land at Leichardt and remained there for some years. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, is at the present time one of the leading cornet players in the United States. In 1867 the late Mr. Northcott married Miss Lansell, sister of Mr. Geo. Lansell, her demise having taken place about three months before. When he left Leichardt, Mr. Northcott became Mr. Lansell's general manager, and continued in that capacity for 26 years. While he was manager of the 180 Mine it is estimated that gold to the value of a million sterling was taken from the mine. It is, perhaps, in his capacity as a bandsman, that Mr. Northcott was best known, as he became a familiar figure not only in the chief centres of Victoria but throughout Australia. He first became leader of the old Volunteer Band, and he was subsequently leader of the Battalion Band at Castlemaine. It was when he became leader of the musical combination known as Northcott's Brass Band that his fame and the fame of the band became widespread, as some 25 years ago it was one of the finest bands in Australia, and held that distinction for many years. Although many changes in the personnel of the band have taken place, it still retainsits old name. Mr. Northcott was a cornet player of high ability, and in 1871 he was presented by the citizens of Bendigo with a handsome silver cornet, in recognition of his services as a musician. His home contains a great array of trophies, photographic groups of bandsmen etc., which serve to indicate in a sense the reputation he enjoyed as a bandsman. During his career in Bendigo he invested in mining a good deal, but was not very fortunate in this respect, as he lost a good deal of money on the New Chum line. Naturally he was well known and warmly respected, especially by bandsmen. He was a genial citizen, and made a large circle of sincere friends. He was a member of the Zenith Lodge of Masons, having passed through the chairs twice. He was also a member of the A.O.F., and formerly a member of the School of Mines Administrative Council. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, was one of the leading cornet players in the United States.Black and white photograph of Northcott's City Band, Bendigo. 3 rows of men in Band Uniform. Drum centre, brass instruments.men laying in grass at front.organisation, band, northcott's city band -
Bendigo Historical Society Inc.
Headwear - Brass Band Cap Plume
Eaglehawk Brass band was established in 1884. At Christmas 1885 the band appeared in their new uniforms of which this hat plume was a part. The uniform was made by Mr William Cameron, tailor. These were the first uniforms to be made locally in this district. The band wore them again at the Myers Flat Boxing Day Sports event.Borough Brass Band 1896. Red horse hair plume 20cm long attached to a four pronged metal holder with screw attachment. A photo of a band member holding a trombone. Written beneath the photo, "Borough Brass band 1896." Has a tag attached. On tag there is a name on the back H.J. G. Biggs Health Inspector.brass bands bendigo, cap plume, horse hair, brass band photo -
Bendigo Historical Society Inc.
Textile - Men's Drawers
The Arrow shirt company was founded by William H.Titus and his partner in Chicago, Illinois and in the late 1800s merged with Cluett Peabody. In 1929 Cluett, Peabody & Co. established a national menswear business under the Arrow brand name. The "Arrow" name gradually grew into a product line that included shirts, collars, handkerchiefs, cravats, pyjamas, and underwear for men and boys. (Wikipedia)Two pairs of men's underwear. "Arrow" Trademark. Made from "Sanforized Shrunk fabric - ironless finished cotton". Cotton tape threaded through the top band allow for some adjustments to sizing. One garment appears to have hand stitching on the top band to allow for resizing or repair. Each pair has three silver coloured press studs for front fastening. 1930s - 1940s.arrow clothing, underwear -
Kew Historical Society Inc
Clothing - Black Lace Evening Dress, c.1907
Lily and William Wishart lived during this period in 'Noranook', Fernhurst grove, Kew. There are numerous contemporary accounts of the social and civic activities of Lily Wishart as mayoress of Kew. In a description of a 'Mayoral At Home' in the Kew Recreation Hall, a report in The Australasian (10 Aug 1907, p.46) described the event thus: MAYORAL AT HOME In the Kew Recreation-hall on Thursday evening the Mayor and Mrs. W. Wishart gave an at home to between two and three hundred guests. ... Prior to the musical programme, the mayor and mayoress held a reception, standing on a dais at one side of the room. Mrs. Wishart was gowned in black glace silk, trimmed with handsome lace applique, and she wore a cream Maltese lace scarf over her shoulders, and held a bouquet of cardinal carnations.' This may be the dress in the collection. Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'The dress is locally significant as the work of a skilled home-dressmaker in Kew, who was also a leading civic figure in the municipality. One tends to think of amateur dressmakers as women who could not afford to purchase clothes from a retailer. Clearly, 'women's work' and the skills that educated and wealthy women acquired in the period allowed them to fashion their own garments.Full length evening dress in four parts. Undergarments include two items: a basic black silk petticoat and an upper black silk slip, the latter with two bands of ruffles. The lace dress is in two parts: a bodice and a skirt. The black, high-necked bodice is constructed of silk organza to which guipure lace has been extensively applied. The bodice has long puffed sleeves, gathered on the forearm to form a wide band of lace and ribbon at the wrist. The skirt is constructed of the same black fabric with descending bands of gathered black silk ribbon, used as ornamentation. The skirt also features a long train. Apart from the donor information about its provenance, the style of the dress can confidently be dated to the period 1900-1910. The dress was made and worn to civic functions by Mrs Lily Wishart, Mayoress of Kew in 1906-7. Earlier items belonging to William and Lily Wishart entered the collection as early as 2002. The dress was donated by a descendant of a friend of Lily Wishart in 2020. The photograph of the dress and its components attached to the record needed to be digitally enhanced so that details of the dress could be viewed online, as the fabric of the dress is an intense black. A physical assessment of the dress is included in the condition report.fashion & design collection - kew historical society, australian fashion - 1900s, evening dresses, lily clara wishart, fashion design, fashion -- 1900s -
Kew Historical Society Inc
Photograph - Family group in buggy
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children: Lilian Mavis, Orlando George Barnard, William Edwin and Henry Clifford (the husband of the donor).An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention. Photographic positive on mounting board. The image depicts a woman and three young children in a buggy drawn by a donkey. The road on which they pause is surrounded by fenced and cleared farmland, stretching away to the distant hills. It is presumed that the subject of the photo is Elizabeth Christian (nee Schoberg) and three of her four children. The photographer may have been her husband, Orlando Henry Beater Christian.christian family, washfold family, kew pioneers, christian-washfold collection