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Wooragee Landcare Group
Photograph, 5 September 2004
This photograph was taken at Tatong Tavern, Victoria on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee was also researching how small landholders could run some enterprises around the time of the trip. This photograph includes Jo Luisi, Bob Bennet, Christine Stewart, and Julius Holt. Tatong Tavern was built in the 1880's as Tatong Hotel or 'Pub' hotel for Mr. William Worrall. The original hotel was destroyed in 1923 by a fire, but was rebuilt for Mr. M. C. Clarke. The building is a representation of the changing society, as it changes as its uses and visitors change. The photograph shows the beer garden, which has been added more recently. The Tavern has a bar, restaurant, and accommodation area. Wooragee Landcare Group was created in 1988. Its core mission is to work towards eradicating animals and pests from the land to protect the natural vegetation and promote revegetation projects.This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management. It showcases the social aspect of the Group, as well as the historic Tatong Tavern. Landscape colored photograph printed on gloss paper. Reverse: WAN NA E0NA2N2. NNN+ 1 4240/ [PRINTED] (No. 22) / 375wooragee, wooragee landcare group, wooragee landcare's collection, land use, social, tatong tavern, tatong hotel, tatong pub -
Wooragee Landcare Group
Photograph, 5 September 2004
This photograph was taken at Tatong Tavern, Victoria on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee was also researching how small landholders could run some enterprises around the time of the trip. This photograph includes Christine Stewart, Julius Holt, Graeme Missen, Peter Finedon, and Sue Brunskill. Tatong Tavern was built in the 1880's as Tatong Hotel or 'Pub' hotel for Mr. William Worrall. The original hotel was destroyed in 1923 by a fire, but was rebuilt for Mr. M. C. Clarke. The building is a representation of the changing society, as it changes as its uses and visitors change. The photograph shows the beer garden, which has been added more recently. The Tavern has a bar, restaurant, and accommodation area. Wooragee Landcare Group was created in 1988. Its core mission is to work towards eradicating animals and pests from the land to protect the natural vegetation and promote revegetation projects.This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management. It showcases the social aspect of the Group, as well as the historic Tatong Tavern.Landscape colored photograph printed on gloss paper. Reverse: WAN NA E0NA2N2. NNN+ 2 4240 / [PRINTED] (No. 23) / 376wooragee, wooragee landcare group, wooragee landcare's collection, land use, social, tatong tavern, tatong hotel, tatong pub -
Bendigo Military Museum
Photograph - APPEALS BRSL, Post 2005
This photograph was taken on the Portico of the Soldiers Memeorial Institute Pall Mall Bendigo. The man in the photo is "William James Norman Smart" known by all as Norm. He was a legend in Bendigo RSL Appeals having raised near $250,000.00 over the years. His selling spot was Coles Central where he sat for a fortnight each Appeal, ANZAC and Poppy. He had a loyal clientele who only bought their tokens from Norm. On ANZAC day especially he would come into the kitchen at the Soldiers Memorial about 5.00am and sort his tray out while others there were making the Rum and Coffee. He would then go out and walk among the people before the Dawn Service selling tokens. Norm was still selling tokens after he turned 90 years. he retired from all Volunteer work in the Bendigo RSL in August 2015. Refer Cat No 8131.2P for Norms RSL history. Norm enlisted in the CMF on 5.11.1941 No V245294 in the 38th Battalion, the unit later moved to WA by train 30.3.1942, he transferred to the AIF No VX88596 on 31.7.1942, they entrained back to Vic on 19.1.1943, then entrained again to the NT 0n 18.6.1943, transfer to the AIF No VX88596 on 8.8.1944 in the 11th Aust Infantry Battalion, embark for New Britain 25.11.1944, embark from Rabaul for Aust on 8.1.1946, discharged from the AIF on 5.2.1946..1) Photograph, gold timber frame with photo in a black inset showing a man in a hat with a Tray of poppies for sale, he is wearing a name tag and a red poppy. .2) Funeral card of "W.J.N. Smart", double sided with a portrait one side and wedding photo the other.On the name tag, "RSL Welfare Appeals - RSL unpaid collector", name hand written, "Norm Smart"brsl, smirsl, photograph, appeals, norm -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Epacris impress - Common Heath), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Boronia pilosa, Pultenaea subalpina, Boronia latipinna), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This framed work is considered by him to be the most significant botanically. Boronia pilosa – Hairy boronia. [Wikipedia says it’s a plant in the citrus family Rutaceae and is endemic to south-eastern Australia MH] Pultenaea subalpina - Rosy Bush-pea. Grampians endemic listed as endangered and only found on the tops of Mt William, Major Mitchell Plateau and Mt Rosea - named for the Rosy Bush-pea that grows on its top! This is the only rose-coloured bush pea in the entire genus, which occurs right across Australia!! We have plants ready to plant in the WAMA endemic garden! Boronia latipinna - Grampians Boronia. Grampians endemic only found on the higher peaks of the central Grampians ranges - listed endangered. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower paint, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henrietta D'Alton, WAM, Wild Art Museum Australia, Wildlife Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanThree small paintings of pink wildflowers mounted together in original frame. The central image is an oval, flanked by two rectangular images. The frame is probably original – smooth gloss olive green simulating wood or bamboo. It has a new backing paper.Each image LL ' MW' (underlined), central image has signature obscured by oval vignetted matt. On the reverse side it is marked in black felt pen, “McLennan 106 Bennet Rd (4)” This refers to preparation (rematting / framing?) for exhibiting at Horsham Art Gallery in 1981.wildflowers, flowers -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Hardenbergia violacea - Purple Sarsaparilla Creeper and Ultricularia dichotoma - Fairy's Apron), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers -
Linton Mechanics Institute and Free Library Collection
Book, Duncan, Sara Jeannette, A daughter of to-day, [1894]
281 p.fictionfiction -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Payne, Robert, Love and Peace by Robert Payne, 1945
Chinese culture and history novel. The first in a series of novels describing the life of a Chinese family from 1908 to present day.Hardcover book which is the first of a series describing the life of a Chinese family from 1908 to the present day (1945). 206 pages. Book plate pasted to rear cover, indicating prior ownership: 'Griffiths Booksellers and Stationers Geelong.' Stamps inside book: 'This belongs to W. J. Griffiths Circulating Library'.fictionChinese culture and history novel. The first in a series of novels describing the life of a Chinese family from 1908 to present day.robert payne, chinese culture, chinese history, fiction -
Linton Mechanics Institute and Free Library Collection
Book - Memoirs, Sevey, Louis, The dark cloud : or, priestly influence in Ireland in the present day : a tale, 1862
Memoirs of the author's time in Ireland around the time of the Crimean War, when he attempted to set up a Protestant school amid Catholic opposition.Hardcover book, 215 pages. Book has a dark green cover.non-fictionMemoirs of the author's time in Ireland around the time of the Crimean War, when he attempted to set up a Protestant school amid Catholic opposition.ireland, catholic church, louis sevey, schools, history -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: TEAM MATES
Bendigo Advertiser ''The way we were'' from 2003. Teammates: do you know who these cricketers are? Bendigo Advertiser from 2003. Cricket team member identified: I am almost certain the player second from the right in the front row is William (Bill) H. Stephenson. I played with the Bendigo united Cricket Club from 1954 to 1961and then from 1966 until the early 70s. Bill Stephenson was one of, if not the leading umpire of the day during my time at BUCC. Letter from Derek Gibson, Bendigo. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Greensborough Historical Society
Photograph - Photograph (Framed), From Willis Vale to Greensborough 1889, 1889
A view of Greensborough township from Willis Vale, home of the Partington family. Taken on the day of Ellen Whatmough's funeral, this photograph shows both Eva and William Partington.From the John Mackey collection. this item was displayed at the offices of Ryan, Mackey and Kelly, solicitors, Main Street Greensborough.Timber-framed photograph of view of Greensborough, black and white.greensborough, john mackey, partington family, ellen whatmough -
Sunbury Family History and Heritage Society Inc.
Photograph, Lochton Mill at Bulla, C1980s
The building in the photograph is a present day view of the former Lochton Mill which was built on a bend of Deep Creek in Bulla on 1856 on property owned by Captain William Morrison Hunter. Lochton Mill was one of a few mills that were set-up on the banks of Deep Creek in Bulla and Jacksons Creek in Sunbury.A non-digital coloured photograph of the ruins of a bluestone mill that was built on a bend of a river. It is an elevated view and clearly shows the river's course in the deep valley as well as the surrounding hilly countryside. lochton mill, bulla, deep creek, captain william morrison hunter, milling -
Federation University Historical Collection
Book - Minute Book, Eureka Stockade Memorial Park Committee Minute Book
From the earliest minute book (1918) the committee of this organisation included women in decision making positions.Nine red hard covered books with the handwritten and computer generated minutes Eureka Stockade Memorial Park Committee . .1) Includes duties of officers, events, fundraising, payments, placing a tablet on the monument, list of members of the committee (139 names) .2) Eureka Widows and Orphans Fund, plan of proposed gardens, extension of the hall .3) Swimming pool improvement, proposed tramway extenson, electric light .7) Glasshouse .8) planting of trees .9) Eureka Stockade Centre .10) Financial Statements 11/2000-8/2003 Note, the minutes form 02/1932 to 1/1943 are not held within this collection, and were deemed to be missing when donated. gordon, eureka stockade, ballarat fine art gallery, lake penhalluriack, eureka caravan park, eureka hall, frank williams, eureka walk, dale kelly, john barnes, eureka s children, old colonists club, peter nicholson, paul wiliams, taite, ken clements, darren gamston, eureka playground, roly mckenzie, janet dore, len fox, pikeman s dog, f nielson, thomas keneally, al grasby, s jones, brian harvey, t bibby, eureka centre, eureka stockade centre, eureka stockade park committee, eureka stockade committee, e.g. pearce, bernardi, ratford, mckay, carey, mcgregor, ham, fallow, feary, jones, j.r. hams, j. davey, w. wye, r. quick, d. bernardi, eddy, gingell, micklejohn, w. mckay, w. carey, r. mcgregor, c. davies, sports programm, eureka stockade anniversary celebration, s. barker, d.c. mcgrath, m. baird, annual carnival, r. britnall, w. elsworth, g. williams, f. britnell, eurkea stockade improvement and progress association, w.j. corbett, crago, a. harrison, b. groves, s. leonard, h. parsons, e. plumridge, j. dynan, e.parsens, w.k. hood, walter a. shaw, f. pearce, a. pearce, vic carey, william carey, de gaafe, j.h. stanley, j. andrewartha, w. marshall, v.c. jones, m. byrne, caravan park, anan day, helen mckay, a. jones, n. jones, w. bromley, j. lamb, w. strange, p. hetherington, alex barnett\k. catios, l. eva, j. collins, j. shannon\, g. calions, l. o'brien, j.a. cook, w.g. fleet, g. lee, d. crooke, s. mckenzie, r. chittock, g. drake, s. romeo, p. williams, g. taite, j. webb, g. mckenzie, j. berriman, f. kennan, d. miller, d. scanlon, eureka luncheon, t. bibby, f. nielan, eureka dioramo