Showing 5375 items
matching paintings
-
Kew Historical Society IncBook, John Peacock, Costume 1066-1990s, 1994
Here is the revised, expanded and updated edition of this unrivaled collection of drawings ranging over ten centuries of English historical costume. More than a thousand illustrations, based on surviving garments and contemporary paintings and photographs, demonstrate the astonishing changes in men's and women's clothing over the centuries. The evolution of particular garments can easily be traced, from their origins through their fashionable epochs, to their inevitable demise and resurgence. Designed for quick reference, the book is divided into the reigns of the British monarchs, and the costumes have been chosen to reflect analogous developments in the United States and Europe.Rev. ed. of: Costume 1066-1966. 1986. Bibliography: p. 133-135.non-fictionHere is the revised, expanded and updated edition of this unrivaled collection of drawings ranging over ten centuries of English historical costume. More than a thousand illustrations, based on surviving garments and contemporary paintings and photographs, demonstrate the astonishing changes in men's and women's clothing over the centuries. The evolution of particular garments can easily be traced, from their origins through their fashionable epochs, to their inevitable demise and resurgence. Designed for quick reference, the book is divided into the reigns of the British monarchs, and the costumes have been chosen to reflect analogous developments in the United States and Europe.history of costume, illustrated costume history, clothing -- history -- illustrated -
Kew Historical Society IncPainting - Country Road, Frankston, Hubert C McDonald
The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Gift of Anna French, 2022Frankston country road. Oil on composite board by Hubert Charles McDonald.Reverse: "HC McDonald / Frankston"artworks, frankston, hubert c mcdonald -
Kew Historical Society IncPainting - Rose study, Vida May Wing, 1908-19
The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Rose Study on board, by Vida May McDonald (nee Wing). Pink and red roses on wooden panel.Reverse: "Vida Wing / 1908-19?"still lifes, vida may wing, roses -
Kew Historical Society Inc
Journal, Kewriosity : April 1990
Rates reminder / p1. The greening of Kew / p1. Dates for April / p2. Dog fees due / p2. Streetscaping plan / p3. Commentary / Cr Michael Montalto / p3 Residential policies review / p3 . Community bus / p3. High Street parking changes / p3. [Easter] Holiday Program / p4. Library corner / p4. Notices [Anniversary fete] / p4. The view from the dome [Sacred Heart Church] / p4. Car control course for young drivers / p4. Singles talk / p4. Anzac Day / p5. Office [development] Policy launched / p5. Federal Minister in firing line [Family Day Care programs] / p5. Possums playgroup / p5. World focus on literacy this year / p6. Credit card debt a nightmare / p6. Garden weddings fee [Alexandra Gardens] / p6. Siena [College] is 50 / p6. Painting for Kew Library [Studley Park Conservation Society, Louise Folleta - 'Yarra River at Studley Park'] / p7. One year on for women's club [Kew Ladies Probus Club] / p7. In Brief / p7. Council strengthens YMCA links [Kew Recreation Centre] / p7. Neighbourhood Watch / p8. Traffic Management update / p8. Consumer matters / p8. Back care seminar / p8. Introducing the "Fact Pack" [Youth Services] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionRates reminder / p1. The greening of Kew / p1. Dates for April / p2. Dog fees due / p2. Streetscaping plan / p3. Commentary / Cr Michael Montalto / p3 Residential policies review / p3 . Community bus / p3. High Street parking changes / p3. [Easter] Holiday Program / p4. Library corner / p4. Notices [Anniversary fete] / p4. The view from the dome [Sacred Heart Church] / p4. Car control course for young drivers / p4. Singles talk / p4. Anzac Day / p5. Office [development] Policy launched / p5. Federal Minister in firing line [Family Day Care programs] / p5. Possums playgroup / p5. World focus on literacy this year / p6. Credit card debt a nightmare / p6. Garden weddings fee [Alexandra Gardens] / p6. Siena [College] is 50 / p6. Painting for Kew Library [Studley Park Conservation Society, Louise Folleta - 'Yarra River at Studley Park'] / p7. One year on for women's club [Kew Ladies Probus Club] / p7. In Brief / p7. Council strengthens YMCA links [Kew Recreation Centre] / p7. Neighbourhood Watch / p8. Traffic Management update / p8. Consumer matters / p8. Back care seminar / p8. Introducing the "Fact Pack" [Youth Services] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society IncBooklet - Catalogue, Xavier College, Panorama of Australian Painting: 1818-1968, 1968
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersxavier college, australian art, dorothy rogers, art catalogues -
Kew Historical Society IncBooklet - Catalogue, Xavier College, Panorama of Australian Painting: 1818-1968, 1968
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersaustralian art, xavier college -
![Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road](/media/collectors/550653872162f11fb04854aa/items/57295b902162f108e8d6367a/item-media/614c29d34739c077d925ddc5/item-fit-380x285.jpg)
Kew Historical Society IncPainting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co. -
![Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road](/media/collectors/550653872162f11fb04854aa/items/5729628d2162f108e8d6d03f/item-media/614c29204739c077d925d5a8/item-fit-380x285.jpg)
Kew Historical Society IncPainting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk -
![Section of mural from the Drawingroom of 'Ordsall' [Southesk], Cotham Road](/media/collectors/550653872162f11fb04854aa/items/572965572162f108e8d71dfd/item-media/614c29844739c077d925d8ef/item-fit-380x285.jpg)
Kew Historical Society IncPainting - Section of mural from the Drawingroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.A fragment of the painted domed ceiling of the drawingroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This rectangular fragment of painted plaster is a small section of the rectangular frieze of neo-gothic scenes that were a feature of the drawingroom ceiling. The fragment differs from those remaining from the ballroom in that it includes a section of gold leaf.Label: 'This is from "Southesk" drawing room'ordsall, southesk, cullis hill & co., halfey, john -
8th/13th Victorian Mounted Rifles Regimental CollectionPainting - Oil painting, Capt Albert C Borella VC MM MID, 1960 circa
Lieutenant Albert Borella, 26th Battalion AIF, was awarded the Victoria Cross for his actions at Villers Bretonneux, France, in March 1918.Possibly the only self portrait of an Australian VC winner.Framed self portrait of Captain Albert C Borella VC MM MID in World War One (1914-1918) uniform with 'Sam Browne' belt and medals. Stained wooden frame has been covered with a protective clear acrylic sheet.Engraved plaque on lower face of frame "Capt Albert C Borella VC MM MID presented to 8/13 VMR by Mrs E Borella"borella, victoria cross, self-portrait -
RMIT GSBL Justice Smith Collection
Painting 01 - Top
01 Top North West corner large print rural court? -
RMIT GSBL Justice Smith Collection
Painting 02 - Bottom
02 Bottom North West corner large narrow print with angels -
RMIT GSBL Justice Smith Collection
Painting 03 - Top left
03 Top Left North East corner, north wall 'This saintly woman', honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 04 - Bottom left
04 Bottom Left North East corner, north wall T. W. Smith - young - cigarette in mouth -
RMIT GSBL Justice Smith Collection
Painting 05 - Top centre
05 Top Centre North East corner, north wall Members of the Melbourne Bar, 1937, caricatured by Alan Reeve' feat. T. W. Smith at 21 -
RMIT GSBL Justice Smith Collection
Painting 06 - Top right
06 Top Right North East corner, north wall 'A sure case', honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 07 - bottom right
07 Bottom Right North East corner, north wall T. W. Smith - elderly - photograph -
RMIT GSBL Justice Smith Collection
Painting 08 - Top
08 Top North East corner facing north west corner 'A respected citizen', honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 09 - Bottom
09 Bottom North East corner facing north west corner 'Plead not guilty', honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 10 - Top left
10 Top Left North East corner, facing east corner 'Such a devoted husband', Honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 11 - Bottom
11 Bottom North East corner facing east corner 'Les geus de Justice'[?], 62-500B, Print[?], signature bottom right -
RMIT GSBL Justice Smith Collection
Painting 12 - Top right
12 Top Right North East corner facing east corner 'So goes his story', Honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 13 - Top
13 Top Left whiteboard panel Print of US Declaration of Independence -
RMIT GSBL Justice Smith Collection
Painting 14 - Bottom
14 Bottom Left whiteboard panel Print of US Congress amendments to the Constitution - Bill of Rights -
RMIT GSBL Justice Smith Collection
Painting 15 - Top
15 Top Right whiteboard panel 'Queens Council', 21/100, Briqdale[?] -
RMIT GSBL Justice Smith Collection
Painting 16 - Bottom
16 Bottom Right whiteboard panel 'La fin de l'audience', H Daumier, from a water colour by H. Daumier in the Durand-Ruel Collection, print -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.129, December 2019
A Place of Deposit / Robert Baker p1. Society News: Constitution, Vale John Andrew Ward, End of year dinner, From Municipality to City: Chairmen & Mayors of Kew 1861-1994 / Desley Reid, Judith Scurfield p3. Painting in Glass: the Prince Consort Memorial Window / Suzanne McWha p4. Edward Dumaresq 1802-1906 / Felicity Renowden p6. Thomas Webb & Sons in Australia / David White p8. Looking Back on Highbury Grove / Desley White p10. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionA Place of Deposit / Robert Baker p1. Society News: Constitution, Vale John Andrew Ward, End of year dinner, From Municipality to City: Chairmen & Mayors of Kew 1861-1994 / Desley Reid, Judith Scurfield p3. Painting in Glass: the Prince Consort Memorial Window / Suzanne McWha p4. Edward Dumaresq 1802-1906 / Felicity Renowden p6. Thomas Webb & Sons in Australia / David White p8. Looking Back on Highbury Grove / Desley White p10. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.124, September 2018
History & Heritage / Robert Baker p1. Society News p3. Kew Municipal Baths / David White p4. Kew East Heritage Gap Study / Brad Miles p6. Preserving Visual Evidence in Paintings / Robert Baker {with Don Garden, Lisa Worrell] p5. Performing & Visual Arts: the Vandersluys-Kelly Collection / Robert Baker p9. Notice of Annual General Meeting / Brad Miles p10. Form for Appointment of Proxy; Nomination form p11. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionHistory & Heritage / Robert Baker p1. Society News p3. Kew Municipal Baths / David White p4. Kew East Heritage Gap Study / Brad Miles p6. Preserving Visual Evidence in Paintings / Robert Baker {with Don Garden, Lisa Worrell] p5. Performing & Visual Arts: the Vandersluys-Kelly Collection / Robert Baker p9. Notice of Annual General Meeting / Brad Miles p10. Form for Appointment of Proxy; Nomination form p11. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Friends of WestgarthtownPainting, John Borrack, Ziebells, German Lane, South View
Painted from Gardenia Road. The extensive farm complex on the right. (Western side of Gardenia Road). was demolished in 1972 for housing development. Buildings shown are cowshed, hay barn, engine shed and stables. Painted in the late afternoon, the lengthening shadows and lowering sky, could presage the ominous fate awaiting the farm with development. The Ziebell Farm was known as “The Pines†and sadly none of the many that proliferated there remain. Today they would be equivalent to those at the cemetery, having been planted at the same time. Provenance: John Borrack CollectionWatercolour depicting Ziebell Farmhouse from the north, Thomastown and Mernda. In gold frame with cream border.Artist signature: John Borrack; 70's Ziebells German Lane South Viewillustrations, watercolours, john borrack, ziebell, watercolour, painting -
Friends of WestgarthtownDecorative shield
Oval, zinc steel shield with dome shape. Flanged edges with 5 holes and hand-painted floral motif on raised side.ornaments, metal, painting, floral motif, flowers, shield.
