Watercolour on paperVerso: Signed and dated l.r. cnr., "Louie B. Riggall 1909"

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains patterns for male garments.No. / 408 / Patons KNITTING BOOK / No. / 408 / P&B / WOOLS / 1'3d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments made from angora wool.No. / 407 / Patons / KNITTING BOOK / No. 407 / P&B / WOOLS / 1'3d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. / 404 / Patons / KNITTING BOOK / No. / 404 / P&B / WOOLS / 1'3d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Paper booklet in two shades of brown containing knitting instructions.P+B Knitting Made Easy 1941 Edition Patons + Baldwinsbooks, reference

Black and white photograph of the front of a wine cellar building with horse carts loaded with barrels.On front of building: "Clydeside Cellars, Rutherglen | B Seppelts & Sons Ltd."wineries, wine cellars, clydeside cellars, b seppelts & sons ltd, seppelts

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Sculpture garden, Museum of Modern Art, New York, New York, USA. (Architect: Philip Johnson.)Made in USA / 3 / Encircled 15F (Handwritten) / B (Handwritten) / 04819mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Housing, 5th Avenue, Harlem, New York, New York, USAMade in USA / Patented / 04819 / B (Handwritten) / Encircled 18F (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. House under construction, unknown location, USAMade in USA / 1 / 04819 / B (Handwritten) / Encircled 17F (Handwritten)mit bemis professorship, mit, robin boyd, slide

Senior Officers visiting */13 VMR Annual Camp at Puckapunyal in 1969. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of tank crewman talking to two Officers. Offocer on left Major General McDonald, Commander 3rd Division, at right Major General Daly." General Daly and McDonald with Sgt. Wadley, B Sqn Camp 1969."

Forests Commision of Victoria carbon copy Memo Book cream coloured Ben McCusky written in pencil on the front cover; and the letter B on the spine.history, bendigo, forest commision of victoria

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Photograph George Woodward who was President of Melbourne Legacy in 1994. Appears to be a professional photo taken for use in publications during his term as president. Included is an article from The Answer that George wrote as he was leaving the position. Until 2006 Presidents would serve a single year in the role.A record of the past presidents of Melbourne Legacy.Black and white photo of President George Woodward.Hand written on back Pg 22 B in blue pen on 00804.2past presidents, portrait

Standard issue item as used by American servicemen during the conflict in VietnamMetal dog tag attached to a silver metal chain.Guzman, Cesar. US 67165145. Catholic: B. Pos 391 462121.dog tags, american army

Items issued to Bertram Charles Addington. Refer to Cat No 6853.3 for B.C Addingtons service details.1) Vest, white long sleeves, WO1 metal badges of rank on arms. On collars are metal badges - Oak wreath laurels, Crown on top, crossed swords in centre. Letter “R” on epaulettes. .2) Shirt, cream/white. Long sleeved, 6 buttons on front. .3) Black bow tie, with a neck band attached. .4) Cummerbund, red silk.Written on cummerbund is = “24/01 Addington B. 1/9/72”army, formal uniform, passchendaele barracks trust

Brass scientific instrument used by students at the Ballarat School of Mines. Made specially for H B Selby & Co Pty Ltd (Melbourne)magnetic dip needle, scientific instruments

Twelve page Souvenir History, produced for the Portland and District Pastoral, Agricultural and Horticultural Association's Diamond Jubilee Show. Friday and Saturday 17 & 18 Feb. 1967Front: 'B. Vivian' - handwritten, blue biro 11?1 3.69agricultural, society, 1967

The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin

Dance card/programme. White card, fluted edges, 'Programme' on front, blue script. Inside, list of dances in blue print. Names of partners in pencil. Back: 'Stewards N. HENRY H. VIVIAN' blue print. Holes on inside of the card/programme.Back: Stamp 'B. W. Vivian Box 103 PORTLAND 33O5betty vivian collection, programme

Fabricated French art made from found military components. Part of the Charles Honybun CollectionExample of use of found material relating conflict.A brass/bronze hexagon cigarette lighter made from brass nut with bronze medallions inserted either side.Side A - L' Angelos painting (1859) Side B - Coin (?) Frenchexample of french art, charles henry honybun

Personal sewing kit with two button pockets and one open pocket. The two button pockets have spare buttons, cotton for material repairs, the open pocket has a packet of sewing medals.“3/784485 B. BAKER” In faded red ink, “D^D”passchendaele barracks trust, kit, sewing personal

Brown and white cardboard box with white manufacturer's label adhered to the front. The box contains clear plastic tubes, holding two (2) metal needles in each tube. There is allocation for six (6) needles in the tubing, but only four (4) needles are present. There is allocation for another tubing section, but that is not present.Stamped into flat portion of connector: YALE / RUSTLESS / B-D / 25hypodermic, needle, syringe, yale, regular point, b-d lok, becton, dickinson & co, rutherford

Flower shows or Horticultural exhibitions were a popular form of entertainment and scientific pastime in the nineteenth and twentieth centuries and were widely reported on and followed. Ballarat was a major centre for nurseries and prided itself as a garden city promoting many shows at all levels including grand national exhibitions. Exhibitors ranged from professional hybridists, nurserymen and florists to amateur growers. This award represents the cottage or amateur class in flower shows and was awarded at St Andrew's Jubilee Exhibition and Flower Show. It is one of many in the Taffe family collection won by members of the family between 1899 and 2004. The collection covers three generations of amateur growers and showers across three different centuries.This collection also highlights one of the interactions between members of different religious faith communities in Ballarat in the early twentieth century as this Roman Catholic family were exhibiting at Church of England and Presbyterian functions as well as other shows across the community. An example of the popularity and social significance of flower shows in the early twentieth century. Such items also demonstrate social cohesion and the spirit of interfaith relations before the First World War. It also highlights the importance of gardening in the early twentieth century, the excellence of the gardens at Hymettus in Ballarat and the spirit of self reliance of Australians.Class B, No 14. 57, Six varieties of pansies, Miss Taaffest andrew's, jubilee, jubilee exhibition and flower show, ballarat, pansies miss taaffe, taffe, baxter & stubbs., roman catholic, church of england, presbyterian, interfaith.

Photo of the driver or motorman standing on the bumper bar elevated foot step of PMTT No. 87, changing the destination while the conductor writes up his journal. Demonstrates a driver changing the destination of tram 87 standing on a specially provided step. Photograph, faded with notes on the rear,Has the stamp of the TMSV and "H A Tilley photo, (donated by B A Tilley)"tramways, trams, pmtt, tram 87, destination boxes, conductors, driver, motorman

Black and white photograph of the Basketball Team 1970Labelled, "18/1/73 B. Simpson (1974), A. Taylor (1973)."basketball team, 1970, a. taylor

The cards were sent from Leonard James Kennedy Myers No 593 B Coy 38th Bn. .2) Main text of letter is that he is alive and well and that they have been in and out of the Trenches. .3) Main text is that he is alive and well and that they will be going to France by the end of the month. Refer Cat No 5062.2P for his service details and death..1) Xmas card folding 4 pages joined by a brown ribbon in a bow, front has a raised gold Rising Sun with text and music bars, centre has a 4 line short poem followed by a Xmas greeting, hand written at the bottom in ink. .2) Silk Post card with card surround, centre has silk sewing with flags, flowers, writing in gold, an open section that allows for a small card insert with message on, rear has a hand written letter in pencil. .3) Post card B & W with drawing at top followed by a poem of 5 verses, signed in pencil, rear has a hand written letter in pencil..1) Inside, “From Jim to Father” .2) On silk, “I’m thinking on you”. On small card, “From your loving son”. On rear, “France 31.4.1917, Dear Mother, love from Jim xxx”. .3) On front, “To my truest of Pals, my Mother, from Jim”. On rear, “Nov 6th 1916, Dear Mum, goodbye from Jim”.postcards, xmas, 38th bn, b coy

The album collection belonged to Jack Smethurst VX28896 Australian Army Survey Regiment (Royal Australian Artillery). Refer 549.4, 550.2, 557, 558.6.548.1P. Green front, picture of mosque, photos of Syria. Green cord on side. MIxture of B&W photos and small postcards. Four loose B&W photos inside front cover. 548.2P. Black cover, silver inlay of David's Tower. Brown cord on spine. Tourist and Australian Army B&W photos. Six loose B&W photos between first and second pages. 548.3P. Black cover, silver inlay of Rachael's Tomb. Brown cord on spine. Two loose photos on back pages. Tourist and Army photos of Libya, Palestine and Syria.books-albums, photography-photographs, middle east, military history, royal australian artillery

Bendigo advertiser '' the way we were'' from 2002. Happy days: Marong State School No. 400; circa 1942. Back row from left: L. Symons, B. Millington, R. Andrews, Mr. Redford (head teacher), K. Hayes, B. Cockeral, S. Rule. Second row: H. Keating, A. Smith, B. Rule, D. Donaldson, ? Talbart, P. Hills, M. Knapping, R. Steel. Seated: M. Yates, N. Rule, E. Andrews, M. Rule, B. Millington. Front: P. Keating, M. Elvey, G. Beasy. The clip is in a folder.newspaper, bendigo advertiser, the way we were