Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, leather grip.Inscription on head: "Don Walker. Rustless. Hand forged in Scotland. Mashie Niblick. No. 7 iron" The hand symbol is that of the Gorge Nicoll Company of Leven, Fyfe, Scotland.heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf)

Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, leather grip.Inscription on head: "Don Walker. Stainless. Hand forged. Designed by PGA Australia. Registered number 14052"heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf)

Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, rubber grip.Inscription on head: "Don Walker. Stainless. No.9"heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf)

Hoda Afshar's 2018 body of work, "Remain," offers a forthright and unapologetic political commentary on Australia's border protection policy, shedding light on its impact on human rights. This collection comprises a film and a series of photographic portraits that chronicle the stories of stateless men who chose to stay on Manus Island, Papua New Guinea, even after the closure of the immigration detention centre in October 2017. In the accompanying film, the experiences of these men are conveyed through episodic fragments, narrated with a mix of lyrical and brutal voiceovers. Some express themselves through poetry, others through song, while some recall the riots and suicides. Set against the backdrop of a picturesque landscape featuring lush foliage and crystal-clear water—a stark contrast to the harsh realities described—the emotional impact of the work is intensified. It creates a simultaneous sense of beauty and horror. The photographic portraits of the same individuals are equally compelling. Positioned prominently against a dark backdrop, these subjects assert their presence, emphasizing their right to be seen. The deliberate simplicity of these portraits serves as a powerful political statement, countering the invisibility imposed by the act of detention. Afshar metaphorically acknowledges the struggles faced by these men, depicting them contending with the elements—fire, water, and earth—yet never questioning their inherent humanity. Here we see Behrouz Boochani, the Kurdish Iranian writer whose memoir ‘No Friend but the Mountains: Writing from the Manus Prison’ won the Victorian Premier’s Prize for Literature and the Prize for Non-Fiction in 2019. Boochani was held in detention on Manus Island from 2013 until the centre’s closure in 2017 and was forced to remain on the island in a stateless condition.

The image is based on a 3D component of one of my recent series of jewellery artworks. The heart metaphorically alludes to two locations of Merri-bek. One is Moreland Road, the other is Wallace Street in Brunswick. These locations pinpoint a time of collective trauma and communal experiential reflection. I was born in Brunswick in 1984 and have lived and worked there since. Brunswick for me is filled with stories of family, community, growth, tragedy and history experienced across a Greek Diasporic framework.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

A bluish coloured cardboard cover with black information on it. Top of the booklet written in blue texta is the word Library/ Top right hand corner written in blue texta is the number 1. Under this reads W.O. Code No. 8503. In the middle of the cover there is a photo with a show on the shovel, two hands tying a know and some tents in the background. the cover is ripped at the bottom left hand side. There are two metal staples and three punch holes down the left hand side of the booklet.australia - armed forces - service manuals, field engineering, mine warfare

A blue coloured back cover with the front cover which has rutned to a brownish colour with some blue at the bottom of the cover and it looks like possible water marks on the cardboard cover. Top right hand side reads DSN 7610-66-034-5750. There are two punch holes down the left hand side of the booklet.australia - armed forces - service manuals, australina military forces, field engineering, mine warfare, mine "anit-personnell m18a1, claymore mine

A beige coloured cardboard cover with black information on the front. Top right hand corner reads WO Code No. 7151. There is a black and beige picture in the middle of the cover with the word Demolotions under it. There are three punch holes and tow metal staples down the left hand side of the booklet. Inside of the booklet there is an amendment that has been stapled to one of the pages.australia - armed forces - service manuals, royal engineers, pocket book, demolitions

A blueish coloured cardboard cover with black information on it. Top right hand side reads WO Code No. 8776. Under the heading Field Engineering and Mine Warfare there is a pictue which has been damaged. There are three punch holes and two metal staples down the left hand side.british armed forces - service manuals, field engineering, mine warfare, demolitions

A blue coloured cardboard cover with black information on it. There is a code near the top right corner which reads WO Code No. 9665. There are two metal staples down the left hand side.british armed forces - service manuals, field engineering, mine warfare, obstacles

A crfeam coloured cardboard cover with black information on the font. Top right hand corner reads W.O. code No. 6774. There are three punch holes and two metal staples down the left hand side of the booklet.australia - armed forces - service manuals, r.a.m.c., royal army medical corps, drills, exercises

A blue coloured cover with black writing. Top left hand corner there is a rectangular white label wih 66-018-0066. Section 2 RAE. and 970 in brackets. There is also a WO Code No: 9790 in the top right hand corner. There are three punch holes and two metlal staples down the left hand side of the Manualbritish armed forces - service manuals, field engineering, mine warfare, detection and clearance of mines

A blue coloured cover with black writing. There is a rectangular square at the top with the word "Restricted" above the rest of the information. there is also a WO Code No: 9790 in the top right hand corner. There are three punch holes down the left hand side of the Manualbritish armed forces - service manuals, field engineering, mine warfare, detection and clearance of mines

Photographs and description of machines and devices used throughout history. Photographs and text by Damien Lewis.126 p., with text and colour photographs. Hard cover.antiques, history, australian history

A biege colourd cardboard cover with black information on the front. Top of the cover and bottom on the cover reads Restricted. There is the Australian Coat of Arms with the details of the booklet under this. The booklet is held together by two metal staples.australia - armed forces - service manuals, raasc, standing orders, safety for raasc amphibians, amphibians

A blueish coloured cardboard cover with black information on the front of the cover. Top right hand corner reads DSN 7610-66-065-9677. Under the Australian Army Insignia is the information of the booklet. There are twp punch holes dowm the left hand side and the booklet is covered in a plastic cover.australia - armed forces - service manuals, field engineering, mine mechanisms

Series of photos of Tram No. 32 at the Maryborough Historical and Wildlife Co-op park, after transport to the park post March 1973. Tram transported to Maryborough 3/73, see Reg Item 953. Slide 1 - after the building to cover the tram has been constructed, but not roofed. Slides 2 and 3 are prior to the shelter being built. .1 - at the park, with the frame of the building erected, has other buildings in the background. .2 - ditto, but before the frame erected. .3 - ditto, showing the short piece of track that the tram was placed on. .4 - Interior view .5 - ditto .6 - ditto .7 - ditto .8 - showing motor with a trolley pole based wedged inside. See also Reg item 6632 for another photograph of the series. Yields information about tram 32 following its disposal and how it was sheltered.Set of 8 AGFA blue and white plastic mount 35 x 23mm or 27mm square slidesVarious notations by John as to the slide number and the trams in pencil and ink.tramways, trams, disposal, maryborough, tram 32

This is a story of Catherine McMahon, whose home is featured on the coverorange card cover with black and red print above black border, below is a B?w photo of a cabin. On Front cover in red print: below black and white . authors Names.stawell

this book is dedicated to the loyal fighting men of: 2 Section 2 Platoon Victor 6 Company 4 RARvietnam war, 1961-1975 - personal narratives, new zealand, soldiers - new zealand - biography, 4 rar, 2 section, 2 platoon, 6 company

painting

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

triptych