White paint flecks on top edge of block.Ornate and engraved wooden block with the letters MHT. Stained dark on front and edges.M H Tmelbourne harbour trust (mba)

Has recently been framed and laminatedFramed list of pennants signifying ships and signals hand drawn with coloured pencil in 1915 on paper. Later corrections made in 1933 in black penM. H. T./SIGNALS/FOR THE USE OF FLOATING PLANT OCT 1915 1915/Corrected Feb 1933/ HUME/ J. A. BOYD/WILLIAM PITT/WILLIAM STRONG/CHAS DUCKETT/EDWARD NORTHCOTE/ H C PIGGOTT/BATMAN/FAWKNER/FRANCIS DUNCAN/WILLIAM ANDREWS/COMMISSIONER/PENGUIN (at Geelong)/ RED BIRD/GELLIBRAND/MOTOR BOAT NO 2 TATEGAMI/MOTOR BOAT NO 3/MOTOR BOAT NO 4/ENGINEER/HARBOR MASTER/LADY STANLEY/HOVELL/ W. S. MOUNTAIN/W.M. COWPER/G.F.H./D. YORK SYME/ SUPER of DREDGING/ASSISTANT/HARBOR MASTER/SUPER of MACHINERY/ELECTRICIAN/INSP of DREDGING/INSP of MACHINERY/INSPECTOR WHARVES/(F WILLIAMS)/INSPECTOR DOCKING/& SHIPWRIGHTS/DIVERS WANTED/ACCIDENT SEND/MEDICAL ASSISTANCE/WAITING FOR/EMPTY BARGES/DREDGING STOPPED/WEATHER UNFAVOURABLE/TAKE AWAY/EMPTY BARGES/TUG WANTED/DERRICK PUNT/WANTED/TAKE DERRICK/PUNT AWAY/TAKE AWAY/COAL BARGE/BUCKETS FOULED/OBSTRUCTION SEND/DERRICK PUNT &/DIVERS/ DREDGING STOPPED/REPAIRING/DREDGING RESUMED/ B. Harris 16.8.15/ Drawing No 3415melbourne harbour trust (mba)

on page 10victoria dock, 1928, fan album, port melbourne, melbourne harbour trust, mht, gasworks, docklands

This photograph was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives.Small black and white photograph depicting a band playing on stage in the Mission's hall: from left to right three male musicians sitting down: a drummer, a saxophonist and the pianist, behind the saxophonist is standing a female singer singing with a microphone on a stand. Behind the band the curtains are drawn, in front of them the stage is decorated with 3 vases of large flowers.orchestra, music, band, dance, drums, saxophone, microphone, flowers, female singer, singer, concert, entertainment, events, stage, curtains

mht, melbourne harbour trust, forks, cutlery

Photo The Devil's Elbow A22 with car travelling through the bend showing hazardous section and clearly showing the flags marking one way sections of the roadPlastic Label tape visible at top of imageg.o.r: devil's elbow, chairman of gor trust, single lane on gor, 1920's

Invitation dated Friday October 2 1936 to Premier of Victoria The Hon A.A. Dunstan. His Excellency the Governor Lord Huntingfield for the ceremony of presenting the deeds of the G.O.R. invitation: g.o.r.-trust-golf-links; the-hon-a.a.dunstan: his-excellency-the-governer-lord-huntingfield; deeds-of-g.o.r.

non-fictiondonation

non-fictionpadre frank leslie oliver, port of melbourne, beverley kent nee oliver, music, photographs, jacki fowler

The photograph was published in the Port of Melbourne Quarterly, July-September 1959, in an article written by Padre Oliver.Large black and white photograph depicting a woman laying a table/ At the back: Written in blue ink: Jacki Fowler Written on a sticker in black ink: Ret to B. Kentjacki fowler, lhlg, social events, dinners, hlg, 1959

Representing the Santa Maria, one of Christopher Columbus' caravel, the beaten copper weather vane made by metalworker J. Starkie Gardner and located on the roof of the Two Temple Place (known for many years as Astor House), was damaged in 1944, restored and re-erected in 1950.After the theft of its weathervane in March 2022, the Mission is aiming at replacing it. Sepai tone postcard reproduction of a photograph of a man erected the windvane in 1950windvane, weathervane, christopher columbus, santa maria, caravel, two temple place, london, astor house, william waldorf, bulldog trust, 1950, j. starkie gardner

Representing the Santa Maria, one of Christopher Columbus' caravel, the beaten copper weather vane made by metalworker J. Starkie Gardner and located on the roof of the Two Temple Place (known for many years as Astor House), was damaged in 1944, restored and re-erected in 1950. After the theft of its weathervane in March 2022, the Mission is aiming at replacing it. Sepai tone postcard reproduction of a photograph of a man erected the windvane in 1950windvane, weathervane, christopher columbus, santa maria, caravel, two temple place, london, astor house, william waldorf, bulldog trust, 1950, j. starkie gardner

The permanent exhibition developed by Georgia Melville opened on 27 July 2016Sponsors: Framed and mounted black and white reproduction of photograph from the archive: group photograph of the crew S.S. Siltonhall after the shipwreck in 1929 with the attached letter sent to thank the mission for helping them.mission to seafarers, mission to seamen, flinders street, melbourne, exhibition, early origins, 2016, helen mcpherson smith trust, bendigo bank

This photograph was taken at the Mission to Seafarers, Melbourne, from the Celia Little Room looking into the kitchen. It was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives. The little girl is Rosamond Kent, granddaughter of Padre Oliver.Frank Leslie Oliver served as chaplain at the Mission to Seafarers Melbourne for 30 years from 1930 - 1960, including time served as chaplain with the Royal Australia Navy aboard HMAS Australia. He was a live-in chaplain and was supported by his entire family, including wife Moira, for whom a memorial window exists in the chapel. It shows the contribution of the members of the Ladies Harbour Lights Guild providing the comfort of home to visiting seafarers.Black and white photograph of four women plating up and serving several meals in the Mission to Seafarers kitchen. They are being assisted by a young girl, Rosamond Kent (daughter of Beverley and Robin Kent - Beverley was the only daughter of the Revd. Frank and Mrs. Moira Oliver), who is holding a white jug in her right hand. She is positioned on the right of one of the women, who is on the furthest right of the photograph. The woman on the far right is wearing a string of pearls. The three women that can be seen from the waist up are wearing nice clothes, two with aprons (one is hidden by Beverley Kent). The head of the fourth woman is the only part of her that can be seen as she is positioned behind the woman on the left-hand side.On the back of the photograph there are two names: one is undecipherable and the other says 'Ro Kent' to signify Beverley Kent. There is also a number 5 in the top left corner with what appears to be a tick underneath it.kitchen, food, vinegar, mission to seafarers, celia little room, ladies harbour lights guild, pearls, aprons, plates, jugs, necklace, lhlg, children, rosamond kent

Black and white photograph with a white border. Image is taken from inside the main hall of the Mission to Seafarers Melbourne. It shows a radiator, noticeboard, group of six chairs around a coffee table (all situated on a mat), jukebox, two chairs next to a wall and three vases of flowers in front of two of the main hall's arch windows. The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. Overhead lights are also visible as is a fan next to one of the windows.window, jukebox, main-hall, wainscote, wood-panelling, arch, chairs, mission to seafarers, mission to seamen, music, arched windows, floorboards, flowers

Details contents of museum and describes the various types of carriages, tools and harnessesHistory of the manufacturing and maintenance of carriages12 page souvenir booklet, coloured front page, illustrated with a reproduction of an S.T Gill painting, black and white interiorcarriages, beechworth, beechworth carriage and harness museum, harness, buggy tools

Statement of Cultural heritage Significance for Mont Park acquired by Victorian state government in 1909 and used as a mental hospital complex comprising Larundel Kingsbury and Greswell facilities, finally decommissioned in1969. Contains extensive descriptions of regionally significant indigenous and exotic vegetation, landscaped by designer Hugh Linaker.2p. typescriptmont park, larundel, gresswell, hugh linaker

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/26 Neg. No 212/ Date taken 30-11-53/ SUBJECT./ Timber Rack - Stores Yard (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/20 Neg. No ..../ Date taken 27-7-53/ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/25 Neg. No 199/ Date taken 2-11-53/ SUBJECT./ Office Extension (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 4/21 Neg. No ..../ Date taken 28-7-53/ SUBJECT./ Weigh Bridge. / Victoria Parade. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: ENGINEER'S OFFICE FROM CLIFF ST. BRIDGE 5.11.52/ View showing Model Shed, Storage fence & 3 phase power supply/ in course of erection. (lower centre) Back: P.H.T./ Print No. 3/11 Neg. No 34/ Date taken 5-11-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: ENGINEER'S OFFICE FROM CLIFF ST. BRIDGE 4.12.52/MODEL SHED, STORES FENCE & 3 PHASE POWER SUPPLY IN COURSE OF ERECTION (lower centre) Back: P.H.T./ Print No. 3/12 Neg. No 83/ Date taken 4-12-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: NEW STORE BUILDING AND WORKSHOP AREA 25.9.52./ VIEW FROM CLIFF ST. BRIDGE (lower centre) Back: P.H.T./ Print No. 3/4 Neg. No 5/ Date taken 25-9-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKSHOP NO. 1. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/17 Neg. No 148/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: HARBOR FROM CLIFF STREET 25.9.52./ GENERAL VIEW (lower centre) Back: P.H.T./ Print No. 8/2 Neg. No 1/ Date taken 25-9-52./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: MODEL SHED 18.10.52. (lower centre) Back: P.H.T./ Print No. 3/10 Neg. No 18/ Date taken 18-10-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKS AREA AT SAND-SPIT. 6/8/52/ SHOWING WORKSHOPS' SITE & STORES BUILDING UNDER CONSTRUCTION (lower centre) Back: P.H.T./ Print No. 3/3 Neg. No // Date taken 6-8-52./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: Workshop No. 1 under construction and New Store Building. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/16 Neg. No 149/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives