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Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Bossiaea walkeri (Cactus bossiaea/Cactus pea), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant. Leaves grow from a central stem. Five red flowers in full bloom are attached to the leaves, and there are four buds. Leaves are grey-green and have serrated edges. Mounted in a double matt (cream on olive) in glazed timber frame with gold paint.Front: CEWoolcock (signature, lower left in image) (purple pencil) Bossiaea walkeri (lower right) (pencil) Back: 56 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Butter Dish - Portland Harbour, n.d
White china round, fluted butter dish. Transfer of 'the Harbour Portland Victoria. Scene shows Bentinck St. Baths piers and Battery Point. Dish edged in gold paint. Red Stamp on base: Crown with IBC underneath, surrounded by 'Royal scenic china made in Czechoslovakia'.souvenir of portland, portland harbour, butter dish -
Melbourne Tram Museum
Negative, Wal Jack, c1950
Black and white negative, by Wal Jack, Q class 190 in the shunt at Camberwell Depot. Behind the tram is a building advertising Shell and Ampol. Tram in Chocolate and cream paint scheme and looks in poor condition. See Reg Item 3435i2 - Charles Craig and TAP343_190 by Jack Strangertrams, tramways, camberwell depot, q class, tram 190 -
Melbourne Tram Museum
Functional object - Badge, "Life Member - Vic SA Tramways Cricket Council", 1960's?
Metal badge, plain back with an eyelet and ring through the top of the badge - with various colour infill paint, to indicate the wearer is a "Life Member - Vic SA Tramways Cricket Council". Has the South Australian and Victorian Government's logos of the Piping Shrike and Southern Cross badge respectively.trams, tramways, sports, social club, badges, cricket -
Glenelg Shire Council Cultural Collection
Photograph - Daguerreotype, Captain James Fawthrop, c. 1967
UnknownColour photograph on glass. Oval mount in rectangular frame, gold paint under glass. Four seals in each corner of the mount. Photograph of Captain James Fawthrop in Harbour Master's uniform wearing the gold medal awarded for his role in the rescue of surviviors from the Admella wreck.Front: (no inscriptions) Back: (no inscriptions) -
Bendigo Military Museum
Memorabilia - CERTIFICATE & PHOTOGRAPHS, 1) May 1941
Fredrick Lloyd CARLETON VX33476, 2/23rd Batt 9th Div AIF. Fred was one of ten to receive this special commendation signed by General Wavell. Refer Cat No 142.7 (medals) for his service history. .1) Framed certificate awarded to Cpl F.L. Carleton. Yellow background, black paint re an award for "good services in action in the Western Desert." Frame is wood cream colour .2) Photo, Sepia colour pasted on cardboard, Portrait of F.L Carleton. .3) copy of .2)photography, certificates, photographs, military history, army, commendations, documents -
Lakes Entrance Historical Society
Photograph, Gainsborough House Lakes Entrance Victoria, 1930c
Black and white photograph of Gainsborough House, showing guests on the veranda of an attractive guest house, iron roof, single brick chimney centre rear of roof ridge. Building is of concrete construction. White painted rail fence, wire lace single gate. Lakes Entrance Victoriaguesthouses, architecture, tourism, people -
Melbourne Tram Museum
Sign, Melbourne & Metropolitan Tramways Board (MMTB), "Designed and Manufactured at the Tramways Board Workshops Preston", 1920's
Plate fitted to W class trams built at Preston Workshops by the MMTBDemonstrates a MMTB Preston Workshops builders plate that were fitted to Trams built at the Workshops.Builders Plate, sign - cast brass with raised letters within two raised lines and four screw holes in each corner. Black painted background. "Designed and Manufactured at the Tramways Board Workshops Preston" Three copies held. See Reg Item 5041 for replica plate.Has on the rear in black text pen "239". Copy 2 has chalk marked "417" on rear and Copy 3 has with a label on the rear "Off W2 549 Burnt" trams, tramways, signs, tramcars, tramcar bodies, mmtb, new trams, w2 class, tram 459, tram 417 -
Warrnambool and District Historical Society Inc.
Plaque, Hoadsville, C 1990
This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool Racecourse. This plaque notes the win of horse Hoadsville in 1966These items relate to a significant part of Warrnambool's sporting and social history.2 Galvanised rectangular metal plate with engraved text, in filled with black.Mr & Mrs K Bullock's Hoadsville winner of the Grand Annual Steeplechase 1966.hoadsville, grand annual steeplechase, warrnambool may races -
Surrey Hills Historical Society Collection
Photograph, Faraday & Kent, 172 Union Road, Surrey Hills, 1983
Prior to Faraday and Kent establishing a paint retail business of this site, there was a car hire business called Cobb & Co and prior to this the site was a Golden Fleece Service Station. Paul Towers bought the property from Faraday & Kent, for whom Norm Henderson was the proprietor, in 1996. In 2003 it was bought by Evan Lewis. (NOTE re source: undated note re verbal history given by un-named person).A colour photograph of a two storey building with Faraday & Kent Pty Ltd on the front of the building. A small brick fence has an address on it identifying it as 168-172 Union Road. There are cars parked to the right of the photo and a number of trees.guildford road, surrey hills, faraday & kent, businesses, cars, 1983, paint shop, 1993, cobb & co, 1978, union road, mr norman henderson, car hire, evan lewis, paul towers -
Ballarat Tramway Museum
Photograph - Tram 33 Main and Barkly Sts, Ken Winney, 12/1949
The photograph shows SEC Ballarat tram No. 33 turning from Main St into Barkly St on its way to Mt Pleasant. In the background is a shop selling Sunshine Biscuits and Carnation condensed milk. As well there is a truck with a canvas rear cover and two schoolboys and their bike by the tram stop pole. The tram still has its WW2 window paint scheme. Photo by I Ken Winney 12/1949.Yields information about tram 33 and the corner of Main and Barkly Sts in 12/1949.Black and white print with photographer's notes on the rear.On rear in ink "No. 33 turning fro Main into Barkly Sts Ballarat en route to Mt Pleasant 12/1949, I K Winney"tramcars, tram 33, barkly st, main st -
Melbourne Tram Museum
Postcard, Howard Frazee, "MMTB Trolley car number 531", c1995
Image shows San Jose tram or trolley, ex Melbourne W2 class No. 531 in their yard. Tram has been fitted with sliding doors and painted in the Melbourne chocolate and cream colours. The rear of the card gives a brief history of the vehicle and the San Jose Historical Museum. Photo by Howard Frazee and published by Mary Jane's Railroad Specialities Inc. See item 3552 for another image of the tram.Yields information about W2 class tram 531 in San Jose.Colour postcard - Divided back, titled "MMTB Trolley car number 531" w2 class, tram 531, san jose, trams -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Flinders St Railway station Melbourne", c1940
Rose Series postcard No. P 1060, titled "Flinders St Railway station Melbourne," shows a W2 with white war time paint on the bumper bar crossing Swanston Street (Route 28?) with many cars and one horse-drawn cart in the view. On the est bound safety zone stop are several men in military uniforms. Note the eastbound safety zone stop on the east side of Swanston Street. Yields information about the intersection of Flinders and Swanston Sts.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.Has been used as a part letter to Ken Magor.trams, tramways, w2 class, flinders st station, flinders st, swanston st, safety zones, world war ii, princes bridge station -
Bendigo Historical Society Inc.
Document - T J Connelly, Michele Matthews Collection, 1992
Thomas Jefferson Connelly played an important role in role in seeking support for the movement towards federation of the Australian colonies. Connelly was the first Bendigo born Mayor of Bendigo, and the youngest Mayor of Bendigo. He died in 1892 aged just 34. The portrait was painted by Robert William Bugg from a Bartlett Bros. photograph. It was unveiled in the ANA Hall in View Street by Alfred Deakin on October 18, 1893.1. Invitation to Michele Matthews to attend the re-enactment of the unveiling of a portrait of Thomas Jefferson Connelly at the Bendigo Art Gallery on 5.11.1993. Invitation includes Sir John Quick Committee letterhead on the invitation. 2. Three newspaper articles from the Bendigo Advertiser reporting on the upcoming Centenary of the unveiling of the Thomas Jefferson Connelly portrait at the Bendigo Art Gallery.sir john quick, federation, t j connelly, thomas jefferson connelly, robert william bugg, alfred deakin, paul boromeo -
Broadmeadows Historical Society & Museum
Photograph, Mural, c 1987
The photograph was published in the Broadmeadows Observer as part of an article highlighting community support initiatives. It features a mural located in the Banksia Gardens estate, which was painted by local residents. The project received funding from several sources, including the Ministry of Arts, the Community Arts Board, the Ministry of Housing, and Broadmeadows Health Services. This mural stands as a testament to the collaborative efforts of the community and various organisations in fostering a supportive and vibrant neighbourhood. The mural featured in the photograph, published in the Broadmeadows Observer, held significant cultural and community value. Located in the Banksia Gardens estate, this artwork was created by local residents and symbolised the collective spirit and creativity of the community. The project was made possible through the generous support of the Ministry of Arts, the Community Arts Board, the Ministry of Housing, and Broadmeadows Health Services. This mural not only enhanced the aesthetic appeal of the area but also served as a lasting testament to the power of community collaboration and the positive impact of public art initiatives.Black and white photograph on glossy photographic paper.Reduce/to/66%/P6.3/OBS/28-10-87banksia gardens estate, broadmeadows, broadmeadows observer, 1987 -
Flagstaff Hill Maritime Museum and Village
Fire Pump, 20th century
This water pump was owned by Dr. W.R. Angus AND was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Fire pump, part of the W.R. Angus Collection. Red metal water pump. "D" shaped pump handle slides within pump cylinder, stand has 'U" shaped footrest. Pump has threaded fitting for pipe at top and wire filter at bottom. Made by Stokes, Melbourne. Remnants of red paint left on pump. Card label is attached. Moulded into metal "STOKES" and “MELB”. Label attached with string to handle (no text visible).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, water pump, fire pump, fire extinguisher, safety equipment -
Puffing Billy Railway
7A Number Plate
Historic - Victorian Railways Locomotive Number Plate used on Steam Locomotive 7A Loco: 7A In service Saturday, 6th May 1905 Livery Maroon Owner Puffing Billy Gauge 762 Status Preserved - Operational 7A Built in 1905 and painted Canadian red & dark brown, this locomotive was issued to the Wangaratta to Whitfield line and saw service on all four lines with most of its service on the Upper Fern Tree Gully to Gembrook line. It was temporarily withdrawn from service in 1958 and returned to service at Belgrave in 1962 for the reopening of this line where it has seen almost continuous service since. 1979 saw the early two-tone green colour scheme applied to this loco as a trial even though it never historically carried it, but its physical configuration was not altered accordingly. It is now painted its original livery of Canadian Pacific red & dark brown and will eventually be returned, as far a possible, to its original condition with a low bunker, narrow ash-chute, etc.Historic - Victorian Railways Locomotive Number Plate used on Steam Locomotive 7ANumber Plate 7A Fabricated steel number board made by the Victorian Railways for locomotive 7A7apuffing billy, 7a, number plate, victorian railways -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, The La Bella, 1980s
This painting of the “La Bella” is associated with Flagstaff Hill’s collection of artefacts from the wreck of the “La Bella”. It was painted around the 1980s by maritime artist Philip J. Gray. Some 15 – 17 ships are believed to have sunk in Lady Bay, but only two have been discovered on the seafloor; the “La Bella” and the “Edinburgh Castle”. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The Kosnar Picture Framing and Mirrors Shop identified the "GRAY 3135, Y04/111" as their job number for the framing and said that the label "ANOTHER KOSNAR FEATURE" was last used before about 1990. About artist Philip J. Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. About the “La Bella” The wreck of the La Bella lies at the bottom of the Warrnambool Harbour in Lady Bay. Some 15 ships are believed to have been wrecked there but only two have been discovered on the sea floor; the La Bella and the Edinburgh Castle. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The story of the final voyage of the La Bella is summarised as follows … The ship from which the sailors were rescued was the three-masted, iron and steel barquentine the La Bella, built in Norway in 1893. She was one of two iron and steel ships by Johan Smith, the company being one of the leading shipping families in Tvedestrand, Norway. She was significant to Norwegian shipping, being one of only 27 iron and steel ships ever built in Norway. La Bella was registered in New Zealand and engaged from 1902 in inter-colonial trading of timber in the pacific, between New Zealand and Australia and was often in Port Phillip Bay, Victoria. On 5th October 1905 the twelve year old La Bella left Lyttleton, New Zealand carrying a cargo of timber bound for Warrnambool, Australia . She was manned by a crew of twelve: the Master, (Captain Mylius, previously 1st Mate of La Bella, appointed Captain to La Bella on 6th February 1903) 2 Mates, Cook, six able seamen, one ordinary seaman and a boy. Bad weather en-route caused her to shelter at Burnie on Tasmania's North West coast. On November 10th, the 37th day of her journey, La Bella approached Warrnambool. Captain Mylius steered her towards Lady Bay Channel in heavy south-west seas and evening mist. He ordered the helmsman to steer for the light. As the ship came round, a tremendous sea struck her on the port quarter, causing her to breach broadside in a north-westerly direction into breakers. The helm was brought round twice more, but each time heavy seas broke over her, the third time throwing the La Bella on to a submerged reef in Lady Bay now known as La Bella Reef (about 100 yards from the Warrnambool breakwater). The sea was so rough that it even wrenched a one-and-a-half ton anchor from its fastenings and into the sea. As Captain Mylius headed to the steel wheelhouse, intending to send up a rocket flare, a huge sea slammed the steel door into him (resulting in massive bruising front and back) Despite his injuries he still managed to set off a blue light, which he held up in his hands. La Bella’s lifeboats were filled with sea water and broke up on their chocks. The blue light was the first indication to people on shore that there was a ship in distress. The Harbour Master, Captain Roe (who lived in the Harbour Master’s House opposite Flagstaff Hill), organised a group of volunteers to crew the lifeboat because the trained crew was unavailable; the crewmen were working on a steamer in Port Fairy at the time. He then poured oil onto the water to try and smooth the sea. At around 11pm three of the crew took shelter in the steel forecastle but the sea crashed into it and broke it up. While the rest of the crew and onlookers watched helplessly in the moonlight the bodies were washed away into the sea, never to be seen again. Some of the crew lashed themselves to the weather rail to keep from being washed away. Watson, the ordinary seaman, became tangled in the rigging lines and was too weak to move, so the 2nd Mate, Robertson, put a line onto him so that he wouldn’t wash off. Around 11pm three of the crew were unconscious from exhaustion. The situation on La Bella was becoming dangerous. The 2nd Mate moved to the ‘house’ and soon afterwards the ship slipped in the heavy sea. The lashings of the 1st Mate and the ‘boy’ Denham had kept them safe until about 2am when they were washed overboard; no one was able to help. One by one, the exhausted crew were being washed overboard, too weak to hold on any longer. During the night the La Bella had broken into two and the deckhouse ran out towards the sea. Two more men drowned when trying to reach the lifeboat. By sunrise the only survivors of the twelve were the Master, 2nd Mate and three seamen. Early in the morning Captain Roe used the rocket apparatus on shore to try and shoot a line to the ship for a safer rescue but each attempt fell short of the target. Several attempts were made by the lifeboat to rescue the stricken sailors, but the rough conditions made this difficult for the boat to get close enough to the ship and the lifeboat had to return to shore. During a final attempt to reach the ship Captain Mylius ordered his men to jump into the sea. Leonard Robertson, 2nd mate, jumped and swam towards the lifeboat, taking hold of the boat hook offered to him. Oscar Rosenholme managed to reach the boat floating on a piece of timber from the ship’s load and a third survivor, Noake, also made the boat. Along with the lifeboat rescue crew, 25 year old William Ferrier rowed his small dingy through the heavy seas and managed to rescue the Captain, whom he landed on the breakwater. Ferrier then returned to the ship to attempt a final rescue, losing his oars and rowlocks into the high sea. Using just a spare paddle he skulled towards the La Bella, reaching her stern in time to cut loose the lone surviving sailor, Payne, from the lashing that held him to the ship; the terrified sailor dropped from the ship and into the dingy. Shortly after the last man was rescued, the La Bella was lifted by a huge wave and crashed back down on the reef; she broke up and sank. The ordeal had lasted ten hours. The survivors were taken to the nearby Bay View Hotel and gratefully received warm food and clothing, medical attention and a place to sleep. In the following days an unidentified body of a young person was washed ashore; it was either Watson or Denham. The body was buried in the Warrnambool cemetery with an appropriate gravestone and inscription. William Ferrier became a national hero as news of the daring rescue spread. In recognition of his bravery in the two daring rescues he was awarded the Silver Medal for Bravery by the Royal Humane Society and was honoured in the letter from the Prime Minister and the Parliament of the Commonwealth, telegrams and a cheque for £20 from the Governor General, over £150 subscribed by the public, including Warrnambool and district and readers of The Argus, and a gold medal from the Glenelg Dinghy Club of South Australia. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. (William Ferrier’s son, Frank, received a similar award almost fifty years later, when he helped rescue four members of the crew on the yacht Merlan, after it ran on to a reef near the Point Lonsdale Lighthouse. ) The wreck of La Bella now lies on her port side in 13 metres of sheltered water inside the reef she struck. The bow section is relatively intact and part of the stern has drifted north-easterly towards the mouth of the Hopkins River. The reef the La Bella struck now bears its name. Those five rescued from the La Bella were Captain George Mylius, Leonard Robertson (2nd Mate, 21 years old), R. Payne, Oscar Rosenholme and Jack Noake. Those seven who lost their lives were Mr Coulson (1st mate), Charles Jackman (cook) Gustave Johnson, Pierre Johann and Robert Gent (all able seamen), Harry Watson (ordinary seaman) and Jack Denham (ship’s boy). Captain Mylius was found guilty of careless navigation; he had sailed into the bay without the services of a pilot. His Master Certificate was suspended for twelve months. Later he was also charged with manslaughter of one of the crew who had died when the La Bella was wrecked, but found not guilty. The event’s adverse publicity and damage to his career took a toll on his health and he died of a heart attack six months after the wreck; he was only thirty-seven. His body was buried in the Melbourne General Cemetery. The La Bella was “the best documented of all sailing ships owned in New Zealand”. Her record books, ship logs, correspondence and supporting papers are still available. At the time of the tragedy she was owned by Messers David C.Turnbull and Co. of Timaru, New Zealand timber merchants and shipping agents, who had purchased her on 13th December 1901. A detailed account of the last journey of La Bella can be read in “Leonard Robertson, the Whangaroa & La Bella” written by Jack Churchouse, published in 1982 by Millwood Press Ltd, Wellington, NZ.This painting of the La Bella by Philip J. Gray is part of the La Bella Collection and is significant at both a local and state level. Its connection to the La Bella shipwreck and the rescue of five survivors highlights the dangers of Victoria’s Shipwreck Coast. The painting connects with other objects and artefacts associated with the wreck of the La Bella. This painting is significant because of its association with the sailing ship “La Bella” . the “La Bella” is of local and state and national significance. It is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks in the bay. Large framed painting of the three masted barquentine "La Bella" fully rigged. Painted by Phillip J Gray. A fine printed line squares off the painting. Beneath painting and line is a gold plate with black copper plate designating "La Bella" is encased in glass, surrounded by a silver-metal frame. Yellow and brown paper label is adhered to back of painting. Picture framed by Kosnar in Melbourne."The La Bella" on gold plaque Logo of "K" inside a brown square. "GRAY 3135, Y04/111", "ANOTHER KOSNAR FEATURE" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, la bella, artist phillip j gray, maritime painting, lady bay warrnambool -
Caulfield RSL Sub Branch
scale model of the Cenotaph,Whitehall & Spring st. Melbourne, unknown most likely 1920s
It is believed that is item was constructed by a veteran in the 1920s. An identical cenotaph to that in Whitehall, London was constructed outside Parliament house in Spring st Melbourne,Australia.This model could be an engineering model for our Spring st version. please contact Caulfield RSL if you have more information. A highly accurate well detailed brass scale model,22 cm high of the original first world war memorial the "Cenotaph" at Whitehall London the UKs national war memorial. An identical cenotaph was constructed outside Parliament house in Spring st Melbourne, Australia.The design is made up of a rectangular base a broad pillar and the cenotaph or coffin on top of the pillar. 3 wreaths also feature, 2 on the narrower sides of the pillar with the years 1914 and 1918 and one wreath on top of the coffin. It has 2 coats of paint on it the second(exposed) being a poor uneven coat of, off white gloss enamel, possibly just house paint.No makers marks or date can be found on the exterior of the model. Visible are the words " THE GLORIOUS DEAD" on each of the narrow sides of the model above each wreath is a year in Roman numerals.One side side for the beggining of world war one "MCMXIV" 1914 and "MCMXIX" 1919 for the official endcenotaph, whitehall -
Ballarat Tramway Museum
Poster, Philip Smyth of Visual Creations Ballarat, "150 years of Gold", 13/06/2001 12:00:00 AM
Poster of banner, "150 Years of Gold" used in the launch of Gold Tram (No. 45) on 14/6/2001 at the depot. Painted using water based poster paint, onto a roll of white paper, with a yellow or gold background, the words have been pained in a deep blue. Has been torn at the right end at the time of the launch. Has been stored rolled. btm1777i1 - shows banner 75% rolled out. btm1777i2 - shows banner - right hand edge showing damage btm1777i3 - shows banner in use at the depot on 14/6/2001 - See Fares Please! July 2001 for further details. See Fares Please! July 2001trams, tramways, gold tram, launch, banner -
Ballarat Tramway Museum
Badge - MMTB Inspector, Stokes & Sons Melbourne, 1940's?
Stamped metal uniform badge for MMTB Inspectors. Tramways Board logo at top of badge in silver finish, the words "INSPECTOR" and the scroll outline in brass or gold colour. The area where the inspector's number has been painted on is in brass/gold finish. The number "103" has been painted on in royal blue colour. The enamel finish within the scroll work also finished in royal blue. On rear badge in brass/gold finish, with word "STOKES" stamped into. Two metal rings have been soldered onto the rear of the badge and a spring steel clip provided to enable the badge to be clipped to a hat. Assumed was Les Denmead's badge when employed by the MMTB.tramways, trams, mmtb, inspectors, badges, uniforms -
Tennis Australia
Racquet, Circa 1937
A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Upper inside of outer prongs reinforced with fibreglass strips. Lower half of head, and all the throat is painted white. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark 'HAZELLS' decal features along central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Fibreglass, Paint, Adhesive tapetennis -
Geoffrey Kaye Museum of Anaesthetic History
Decorative object - Glass platter
A large, square-shaped glass platter decorated in bright colours. The central well has three horizontal stripes of burgundy, burnt orange, and red. The central orange stripe has a black, roughly ovular shape in the middle with a red square in its centre. The lower red stripe depicts a person's face. Outside of the well is painted in an ultramarine blue, with a speckled yellow stripe across the width of the platter below the well. To the left of the well is the image of a snake in gold, and on the right of the well is the image of a goanna, also in gold. Above the well is the image of the Southern Cross painted in gold. In each corner of the platter is a square with a saltire (diagonal cross), each in different colours.platter, snake, goanna, indigenous art, aboriginal art, first nations art, southern cross -
Orbost & District Historical Society
display cart, 1990's
This cart came from Sederlan's Bakery - Newmerella and Orbost. It had been used outside the premises as advertising. The original chassis had been added to extensively with shafts, wheels and tyres added. This axle appears to have part of the cart - either a baker's or butcher's cart. The original cart may have been a butcher's or baker's cart.A wooden two-wheeled cart painted cream. It has a wooden ply top and is fully enclosed. The chassis seems to be original with the rest having been re-constructed from non-original materials. The shafts are the wrong size and shape, It has had car tyres, wheels and axle attached.advertising cart sederlan's-bakery -
Orbost & District Historical Society
badges, 1950's
Snowy River Boat Club was formed in 1950. It was for power boats. By 1956 the Snowy River Club had been reformed and joined the Gippsland Group.This item reflects the popularity of water-based recreation in the Marlo area.Two small square shaped metal badges. 2274.1 has a pin at the back for attachment. 2274.2 is a stud type. Both has an enamel painted pale blue background, a white circle with "Snowy River Boat Club" around a smaller circle with a white boat on a dark blue sea.badge snowy-river-boat-club recreation boating water-sports -
Orbost & District Historical Society
bicycle, 1930's -1940's
This bike belonged to Wally Paten who worked in the Orbost Butter Factory in the 1940's. Wally's father, Thomas Paten came to Orbost in 1893 and began growing fancy seeds in 1907 for H. James. He built the first levee bank in Orbost (ref. Mary Gilbert). The Comet bike was distributed by the Myer Emporium. "Comet:" was their house brand. They also sold the "Peter Pan". It was named "The Comet" probably because it was a fast bike. At the time it was an expensive bike . Ted Waterford made headlines riding Melbourne to Adelaide one way then return on a Comet in 1932.Bicycles have been a part of Australian life for more than 140 years. The bicycle soon began competing with the horse as a convenient and economical way for people to get around. This bicycle is an example of an early style which was used by an Orbost local.A man's road bicycle. It has 26inch wheels, back pedal brakes and has a wire basket attached to the curved handle bars. There is a leather seat in poor condition. The back wheel has a mudguard painted white. The bike is ungeared. This is probably the original frame with newer wheels. The pedals are metal.Tyres - made in Korea down tube -COMETcomet-bicycle bicycle paten-wally transport -
Warrnambool and District Historical Society Inc.
Domestic object - Hip Bath, Late 19th century
Hip baths, such as this one, were used in past times in households for individuals to bathe. Generally the bath was placed in front of the fire in the kitchen and filled with hot water from the kitchen stove.This item is retained as an interesting memento of past household customs.This tin hip bath for an adult is in the shape of a cradle. The exterior is painted light brown. It has curved edges around the rim with two protruding curved pieces for the bather's hands to grip when getting out of it. The base is concave. It appears to be have been constructed in pieces. The bath is rusted and stained.hip bath, vintage domestic item, bathing practices in the past -
Warrnambool and District Historical Society Inc.
Domestic object - jug and bowl set, c. 1920
This jug and bowl set is a household item dating from the early to mid 20th century. They would have held perhaps sugar and milk or cream and used on special occasions for family gatherings or the arrival of visitors for afternoon tea or at an "At Home" occasion.This set has no known provenance but is retained as an attractive example of a household item used when dining on special occasions by the more affluent families in the district..1 A circular clear glass bowl hand-painted around the top area with an engraved band of blue, white and gold decoration, white decoration on the lower section of the bowl and gold bands around the middle section and the rim. .2 A jug of clear glass with hand-painting similar to that on the bowl.jug and bowl set, vintage household item, kitchenware, warrnambool, glass jug and bowl, glass jug, vintage glass jug and bowl, vintage glass, warrnambool history -
Warrnambool and District Historical Society Inc.
Dish, Souvenir Dish, Mid 20th century
This item is one that was sold to tourists in Warrnambool in the mid to late 20th century. The dish has been mass produced in England and the image of Shelly Beach in Warrnambool added later, probably in Australia. As it is a Royal Stafford china piece it would have been a relatively costly item. It could have been bought for use in the buyer’s home or as a present for another person. Souvenir dishes such as this one have been popular souvenir items for tourists for over 100 years. Warrnambool, as a coastal location, has always been a tourist town and it remains today an important industry for the city. This dish is of interest as an example of the items sold to tourists in the mid 20th century. It will be useful for display.This is an oval-shaped china dish with fluted sides and a fluted edge and gold paint around the edge. The gold edging is partly worn off. The dish is white with a multi-coloured image set into the base of the dish. There is a crack on one side of the dish. On the base of the dish is a crown symbol and details of the manufacturer. ‘Shelly Beach, Warrnambool, Victoria’ “Royal Stafford China Made in England” tourism in warrnambool, history of warrnambool -
Bendigo Military Museum
Functional object - FLYING RATION, c1976
Aluminium two part container. It also has two handles which are detachable. The case is painted a drab olive green. The bottom half of the case has a small hole in each corner near the top lip. The food contents are still packed inside in various aluminium packets (untouched).The lid has printed - "Emergency Flying Ration Pkd" - and written beside that in texta is, 12-76.survival, food