Necktie of MTS member, used for more formal or representational occasions. Worn by Captain Keith Dann founder of the Mission to Seafarers, Hastings From the personal Collection of Mrs Pat Dann a former member of the Central MtSV and later with her husband Captain Keith Dann supported and founded the Hastings branch of the Mission to Seamen in the late 20th C. Men's polyester fabric dark blue necktie, with small prominent flying insignia in white tie, necktie, flying angel, pat da, pat dann, captain keith dann, hastings mission

From the 1960's this beret badge (in lieu of the official metal badge) was worn by officers of the Regiment as field dress. It was an individual purchase rather than official issue.Cloth Regimental beret badge. Coloured metallic thread on black stiff fabric backing.badge, 4/19 pwlh

Handkerchiefs have been used by men and women for centuries. They could be made of any bit of cloth, but eventually they became a symbol of social status and wealth. As they became a status symbol, they also became more than just scraps of cloth, and were decorated with lace and embroidery. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Hand-embroidered silk dress handkerchief. Flowers embroidered on front. Fabric colour is beige.handcraft silk-handkerchief embroidery

This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers. A small handmade fabric pincushion. It is edged in beading and embroidered on the top side. The padding is soft.

This gentleman’s silk cummerbund once belonged to Mrs W N Barnard of Portland, c. 1910.This gentleman's silk cummerbund is representative of men's fashion in the 1910s. Gentleman's silk cummerbund; a long narrow hemmed piece of white fabric, c. 1910flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, gentleman’s cummerbund c. 1910, gentleman’s silk cummerbund c. 1910, gentleman’s fashion c 1910, cumberband, silk cumberband

Otto Lilienthal (1848-1896) from Berlin, Germany, is widely credited as being the first person to make repeated successful gliding flights. He was known for adopting a thorough scientific approach founded on observations of the flight of birds in relation to the problem of inventing a man carrying heavier than air machine that would fly. He developed and tested bird-like gliders controlled by weight shift by the pilot (a similar method to modern hang gliders). The pilot held on to the glider with his forearms resting in hoops mounted on the main structural beam connecting the wings. The weight shift was achieved by the pilot swinging his trunk and legs. In contrast, the pilot of a modern hang glider is suspended below the glider and, with the use of an A-frame, allows the whole body to be moved around to achieve control. The Lilienthal design apparently had a tendency to pitch down and a tailplane was added to mitigate this problem. Lilienthal flew from hills in the Rhinow region and from a conical hill he built near Berlin. He made over 2000 flights. Importantly, for others seeking to progress manned flight at the time and also for the historical record, reports of Lilienthal’s flights (some with photographs) were published and Lilienthal detailed his experiences and corresponded with other flight pioneers. Lilienthal’s work became well known and influenced Orville and Wilbur Wright in their initial experiments with gliders in 1899 (although in their quest to design and fly an aeroplane they relied on new data created by wind tunnel testing). The replica built by Bruce Hearn is of the 1893 Lilienthal glider. It is very similar to the “Normal-Segalapparat” (Normal Glider) for which patent protection was later granted a few years later. The Lilienthal replica glider is an important addition to the AGM collection as it represents the beginning of successful gliding flight. Hang glider made of wood with wire bracing – yet to be covered with authentic cotton fabric. The glider has a small plate with identification details including name of builder (Bruce Hearn) glider, hang glider, lilienthal, hearn, replica

Yellow fabric banner, printed in black. On banner ' Primary 1267, Bendigo North School'.bendigo, education, bendigo north primary school

Unused piece of silk fabric (left-over from construction of a Basil Watson plane?)aviation, civilian, silk fabric

Framed painting of armed soldiers on a hill with a display of red poppies below. Poppies are fabric.display of red poppies

The Councillor Minstrel symbol is a C and two crossed horns.A pair of royal blue stiffened fabric with chrome metal Councillor Minstrel symbol epaulets.methodist order of knights

These are reproductions of the cushions that were originally designed for the platform bed (item F007). In later years these were replaced by more colourful cushions (items F009 and F010).Three flat square cushions upholstered in the same fabric as the sofa in this room (item F004).walsh st furnishings, robin boyd

The Commander symbol is crossed gavels above a crown. These are symbolic of authority.Royal blue stiffened fabric epaulets with metal Methodist Order of Knights Commander symbolsmethodist order of knights

Wangaratta Art Gallery CollectionA handwoven textile sculpture made from red fabrics and threads shaped into a tubular shape.textile, liz williamson

The panels from the I Am Because We Are series are woven from cut-up donated socks. They were woven on a four-shaft floor loom with a cotton warp. The names of the donors have been typed onto polyester ribbons which have been woven in with the socks. It’s possible that the typewriter ink could fade if exposed for long periods to strong light, but the sock material should be fairly stable as they were almost exclusively commercially-produced socks. The wood of the frames has been painted with an acrylic paint, and covered with MDF boards. The fabric is stretched over the frames and secured with staples.Wangaratta Art Gallery Collection. Donated by Artist.A woven textile work using fabric in shades of black, grey, white, green, and orange.

Gloves belonged to the husband of the donor, a member of the Society.The gloves were worn with dinner suit on formal occasions during the 1950's.White cotton fabric, three pin tucks on back, silver press stud at wrist.costume accessories, male

The 7th Australian Light Horse (VMR) was raised from companies of the pre-federation Victorian Mounted Rifles mainly in the central area of Victoria and the Goulburn valley. In 1912 it was renumbered 15th Light Horse with the motto Pro Rege et Patria and retaining the territorial title Victorian Mounted Rifles. Following World War One the regiment was renumbered 20th Light Horse (VMR)Tqo lapel badges with red fabric backing of the 7th Light Horse Regiment (VMR).goulburn, vmr, 20th, light horse

Black with part covering of brown adhesive fabric. Small magnifying eye pieces missing. Original markings Colmont F1 Paris on each eye piece. Engraved No 2MK11 and IMI5075. Large lense end engraved 809 and square symbol with arrow pointing upwards.

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Cotton apron comprised of scalloped panels of plain green and white floral patterned fabric.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s

Four page fold out booklet containing coloured fabric samples and printed text. front: [printed] Fashion Shades / Autumn 1933. / SANDOZfabric samples, textile industry, fashion, sandoz, switzerland, autumn

Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962-1972)Green canvas carry bag with three compartments each with brown fabric fastening straps.bag, pack, canvas

Small plastic handbag, 'patent leather' look. Owned by Dawn Petts of Greenhills in the 1960s.Bone patent leather style handbag with fabric lining, metal clasp and leather strap.Manufacturer's label: "Made in NSW. by French Handbag. Fashion plastic."purses, handbags

Fabric covered photo album, painted rural scene, spiral binding, hand paintedphoto album