The wooden frame uses a flat metal spring to secure the paper and plate in. The frame is hinged at the bottom. Back: "Primus" / British Made"printing frame, photographic, primus

Made by Internee at Camp 3 TaturaTwo round wooden buttons with shanks,tapering to top(flat,round).Light and dark graincamp 3, accessories, buttons, wood, tatura, internees, costume, accessory, clothes

Colour slide in a mount. Flats on the Rue Franklin (1903-4), Paris . (Architect: Auguste Perret .)Made in Australia / 1 (Handwritten) / Encircled 1 (Handwritten)slide, robin boyd

End of WW1 1917 -1918 - Family lived in Fisher Street. copies of 18 B/W Photos taken in yard near fence line of Path some have Peppercorn Tree. Family with pet dogs. Most men have Poppy on lapels. Geoff Bullock purchased Glass Slide Photos in garage sale in Fisher Street Stawell in early 2000'sOne yong Man wearing a flat cap Sitting outside on a chair with wooden builing in background.

Cotton Lace, embroidered with pearls, gold and silver beads and leaf like flat iridescent decorations

Pastorate Bulletin for the Golden Sqaure, Kangaroo Flat, Specimen Hill and Lockwood Methodist Church Congregationsreligion, history, lydia chancellor collection, church

A flat top tennis racquet with metal bracing on throat. Materials: Wood, Metal, Gut, Leathertennis

Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Snell was born in Durham UK. Mayoress Snell was the first Mayoress to wear the gold medallion which came with the office. It was presented on April 11th 1956 at the municipal centenary dinner at the Shamrock and was a gift from Sir George Lansell who followed in the tradition of his late father George Lansell in making a mayoral presentation in gold. (1) p 209 Jackman.Framed, oval photographic studio portrait. Hand coloured detail. Image is flat, glass is domed.cl; Mrs H. W. Snell / Mayoress 1955 - 56 1958 - 59 / 1959 - 60vincent kelly, studio photography, edith margaret snell, city of bendigo mayoress, city of greater bendigo portraits, lansell pendant

Stirrup used by ladies who ride side saddleAs manufactured and sold by Holden and FrostBlack metal ring with flat base , slot on top to fit leather strap from the saddleequine, stirrup

One of seven photographs produced by the Portland Cement Association in 1921 showing how concrete kerbs could be created. Portland Cement Association (PCA) was founded in 1916. From 1917, the association actively promoted the benefits of concrete for road works in Australian newspapers. In the nineteenth century in Melbourne (Vic.) 'made roads' typically had gutters and kerbing lined with bluestone.The photographs are important evidence of the availability of instructional models for the use of concrete in street works in Victoria. While the photographs date from the early 1920s, the use of concrete for kerbing did not reach its maturity until after World War 2. The photos demonstrate knowledge about and the use of concrete in street works in a major Melbourne municipality at an early period.Black and white photograph with printed instructions on the reverse showing the production of concrete kerbing on 67th Street, West Allis, Milwaukee, Wisconsin (USA). The photograph was produced by the Portland Cement Association of Chicago in 1921 and used within the Chief Engineer's Department of the City of Kew (Vic.)."7th - Brushing Surface with flat brush, wet with clean water, to remove tool marks and small surface irregularities." street works, kerbing, gutters, concrete, portland cement association

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, centenary, flats, mair st

This is a set of seven photographs of Royal Australian Survey Corps surveyors setting up observation towers in the field and undertaking survey observations during mapping and geodetic control operations. c1950s. Survey observation towers were used mainly to take angular measurements in flat or heavily forested terrain, where height was necessary to achieve observer’s line-of-sight between field survey station. The Bilby Tower seen in photo .5P was erected to a height of 75 feet (23m) above ground level. The use of the Bilby Tower in Topographic Squadron’s field survey operations from 1955 to 1966 is described in page 54 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. CAPT George Ricketts’ period of service was from 1942 to 1976 reaching the rank of LTCOL. It is noted in page 35 of Valerie Lovejoy’s book that then SGT Ricketts hand lettering skills came to the fore from his contribution to the draughting of one of the Japan’s Instruments of Surrender in 1945.This is a set of seven photographs of Royal Australian Survey Corps surveyors setting up observation towers in the field and undertaking survey observations during mapping and geodetic control operations. c1950s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1950s, ‘Bilby’ survey observation tower. .2) - Photo, black & white, c1950s, CAPT George Ricketts climbing ‘Bilby’ survey observation tower. .3) - Photo, black & white, c1950s, geodetic survey equipment on ‘Bilby’ survey observation tower. .4) - Photo, black & white, c1950s, two unidentified field surveyors on ‘Bilby’ survey observation tower. .5) - Photo, black & white, c1950s, two unidentified field surveyors, with CAPT Ricketts climbing ‘Bilby’ survey observation tower. .6) - Photo, black & white, c1950s, two unidentified field surveyors undertaking observations on survey observation tower. .7) - Photo, black & white, c1950, two unidentified field surveyors erecting or dismantling a survey observation tower..1P with paper tag annotated ‘Bilby Tower’ .4P on back – ‘Bilby Tower’. .5P on back – ‘Survey Observing Tower. Observing tower used for angular measurement in flat country. 75’ high – CAPT Ricketts climbing. .6P, .7P on back. ‘1960s?’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, surveying

The 2nd Light Horse Regiment was raised at Enoggera in Queensland on 18 August 1914. Its recruits came mainly from Queensland but some hailed from the northern rivers district of New South Wales. The 2nd was one of three regiments of the 1st Light Horse Brigade – the first Australian mounted formation raised by Australia during the First World War. The regiment sailed from Brisbane on 25 September and disembarked in Egypt on 9 December. The 2nd Light Horse Regiment deployed to Gallipoli without its horses and landed there on 12 May 1915, joining the New Zealand and Australian Division. It played a defensive role for most of the campaign but did attack the Turkish trenches opposite Quinn’s Post, one of the most contested positions along the ANZAC Line. The first assault wave was mown down and fortunately the officer commanding the attack had the wisdom and courage to call it off. The 2nd was withdrawn from the front line in September and left the peninsula on 18 December. Back in Egypt, the 2nd Light Horse joined the ANZAC Mounted Division. Between January and May 1916, the regiment was deployed to protect the Nile valley from bands of pro-Turkish Senussi Arabs. On 18 May, as part of its parent brigade, it joined the forces defending the Suez Canal. The 1st Light Horse Brigade played a significant role in turning back the Turkish advance on the canal at the battle of Romani on 4 August. In ensuing days the regiments of the brigade participated in the immediate follow-up of the defeated Turks, but were soon withdrawn to rest. The 2nd Light Horse Regiment rejoined the Allied advance across the Sinai in November and was subsequently involved in the fighting to secure the Turkish outposts on the Palestine frontier – Maghdaba on 23 December 1916 and Rafa on 9 January 1917. A stint of protective duty along the line of communications through the Sinai followed. The 2nd’s next major engagement was the abortive second battle of Gaza on 19 April. Gaza finally fell on 7 November, after a wide outflanking move via Beersheba, in which the 1st Light Horse Brigade played a part. With the capture of Gaza, the Turkish position in southern Palestine collapsed. The 2nd Light Horse Regiment participated in the advance to Jaffa that followed, and was then committed to operations to clear and occupy the west bank of the Jordan River. It was involved in the Amman (24–27 February) and Es Salt (30 April–4 May) raids and the repulse of a major German and Turkish attack on 14 July 1918. The final British offensive of the campaign was launched along the Mediterranean coast on 19 September 1918, with the ANZAC Mounted Division taking part in a subsidiary effort east of the Jordan aimed at Amman. Turkey surrendered on 30 October 1918. The 2nd Light Horse Regiment sailed for Australia on 13 March 1919 without their horses, which were either shot or transferred to Indian cavalry units. Events in the daily routine of the soldier were signalled by bugle and trumpet calls. This trumpet is signicant because historically, it was issued to the 2nd Australian Light Horse Regiment in 1912. This Regiment served with distinction in Gallipoli and Palestine in World War 1. It is probable, but not confirmed, that tthe trumpet was used by the Regiment during these operations. Each light horse regiment was divided into four squadrons. Each squadron had a trumpeter sergeant, equipped with a cavalry trumpet, who was employed at the Squadron Headquarters Technically called a cavalry trumpet, this brass instrument can be described as a "simple trumpet" ie. the direct forerunner of the modern valve trumpet. It is in E flat not B flat as is the bugle. Both were carried slung over the player's body by means of green tasselled cords.Crest with inscription: "Exposition Universelle De Paris" with circular logo with inscribed "1900". "Hors Concours Membre De Jury". Logo formed of initials (not deciphered). "Couesnon Cie 94 Rue Dangouleme Paris". Bomb burst type logo with "01" in centre. "W H Paling & Co Ltd Sydney NSW Brisbane" On bell: "Mounted Rifles (2nd ALH)" trumpet, cavalry, musical instrument, 2nd light horse, mounted rifles

This "home made" squeegee was manufactured in the mid to late 1900's by an ingenuous dairyman as a solution to the removal of cow "pats" from the concrete floors of his "milking" sheds. The tea tree made squeegee (being made from nature's anti bacterial material) was an excellent hygienic implement to use. This "home made" wooden squeegee is very significant to the Kiewa Valley and its surrounding regions because it highlights the natural ingenuity found in the pioneer farmer, grazier and other rural folk. It demonstrates the "mother of invention and adaptation" is very strong in rural areas where "off the shelf" products were a rare quantity. Part of the natural psyche of the rural Australian inhabitants is the ability to produce inventions that overcome physical restrictive conditions, "the man/woman of all trades" is an apt description of the pioneers of yesteryear and of those to come.The squeegee handle is a long branch made from a tea tree, inserted into the upper flat side of a slab of tea tree wood which is flat on one side and curved on the other, the natural curve of the tree trunk. This squeegee was used on dairies for removing cow manure.timber, dairy, farm, rural, implement

This chair, one of a set of three, was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. This chair, one of three, is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Chair wooden dark brown with curved back rest, one of a set of three. The 2 front legs are decoratively shaped (turned) while the back legs are plain and flat-sided. Almost square flat seat. Part of the St Nicholas Seamen's Church collection.flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, religious furniture, chair, wooden chair

Also second identical copyColour photograph of the Mossiface Flats, near Bruthen, shows paddocks of the rich river flats, timbered foothills in the distance, with mountain range behind. Some paddocks have been mown for grass hay. Farm buildings in foreground and background. Dam in foreground. Bruthen Victoriaanimals, agriculture, vegetation, topography

A clear glass bottle. It has one flat side and a screw thread. The lip has been chipped.On base - S 193 AGM 926 2glass-container bottle australian-glass-manufacturers

These glass containers were probably used as food containers.These bottles are examples of glass food containers commonly used in the first half of the 20th century.Two clear glass bottles. They have a screw thread and are six-sided ( two curved and four flat).M 843 O F245glass-containers bottles food-containers

This is probably a perfume bottle.This item is an example of a 1930's glass container used for cosmetics.A narrow clear glass bottle. The sides are flat and it has an external threaded neck with a very small aperture.On the base - J338 AGM Mbottle glass container australian-glass-manufacturers

Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. These bottles have an aesthetic element in that the shapes are visually appealing. They reflect the type of glassware that was in circulation in the first half of the 20th century.Two very small clear glass vial bottles with flat rims. Possibly had cork stoppers.glass bottle vial

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historically Significant: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.Steel instrument - handle wide with gentle curve. Blade short, thin, flat and sharp with some rust.H.A.T.MELB. on handle Some rust on blade.medical equipment. hospital equipment. tawonga. mt beauty. hospital. medical. knife. nurse. doctor.

This object would have been used to place on a jacket around the button area. The buttons would have been brass and on a uniform of some sort; probably one belonging to the armed forces or a bandsman or a public utility such as the fire brigade. The source of the lettering has not been traced. An item such as this could still be used today.This item has been retained as a memento of past times when dress uniforms for men were more common.Brass flat oval shape with narrow space ending with a round space in the centre. There are some dents and stains on it.V A 1043 then crossed out 1070

A carrick mat is a decorative-type of knot with the ends connected together, forming an endless knot. The basic carrick mat made with two passes of rope also forms the central motif in the logo of the International Guild of Knot Tyers.The carrick mat was a much used improvised mat used by many seafarers, especially in the days of sail, as a protective or cushioning pad.Is a flat woven decorative knot of coarse hemp rope. There appear to be two to three lengths of rope in the construction. knots, carrick mat, carrick bend knot