Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with handles and flowers at base. White.pottery, bowls

Hand painted faience pedestal depicting flowers Floral markings painted with green, olive, white, blue and yellow glaze. historic object, former royal mint

Handmade by Julia Eaton ( nee Thomas), daughter of George and Granny Thomas, respected Aboriginal couple of Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Square shaped calico cushion cover. It is hand-embroidered with ribbon embroidered leaves and flowers. The edging is flounced. Flowers are pink with yellow stamens and green stems. handcraft needlework thomas-julia

Rupert Henry Treganowan No 18321. Sent by Rupert Treganowan to his sister Reka. Possibly made in Egypt in 1918. Refer Cat No 1862.5 for service history also 1861,1863.Embroidered white silk handkerchief with pink edges, small circles near each corner with leaf and flower designs and circular design in centre with leaves and flowers,costume accessories-haberdashery, handcrafts-embroidery, silk

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This particular plant is Correa reflexa variety angustifolia – Grampians Correa. It is endemic to the Grampians and listed as rare. It has been propagated by the Marriotts and planted in the new Endemic Garden at the WAMA site. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSmall painting of red/yellow Correa reflexa angustifolia showing 2 flowers and 1 in bud, painted on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, von mueller, baron von mueller, henrietta d'alton, wama, wildlife art, halls gap, painter, goauche

Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower stem view on left, with flower details on right, leaf and stepal details on left. On far left are two leaf views of front and back in dark green - back view shows smalls hairs on leaf. On lower left is a side view of the leaf. The stem study depicts leaves up both sides of the central stem and side stems. Two stems have flowers near the top end. The flowers are dark yellow with an orange tinge, with red and purple centres. On right is a detail of stem and leaves, two side views of flower buds, a top view of full flower and a side view of full flower. Mounted in a double matt (off-white on pale tan) in a gold paint and wood glazed frame.Front: Pultenaea humilis (lower left) (pencil) CEW 29/1/77 (signature, lower left) (pencil) Back: 3 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. Eight drawings including one pink and green seed pod, one flower detail (side view, bell-shaped), one cutting with foliage and flowers, one stem detail with leaves or buds, one flower detail (above view, star-shaped), one flower bud (side view) and one dark green and one green-brown leaf details. The work is mounted in a double matt (grey on white) in framed under glass in a gold and green-grey frame.Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

Document. Malone Collection. Small white card with narrow raised edge. Towards the left is a silver rectangle with a white and green inner and a bunch of small blue flowers. On the bottom left is a small spray of small blue flowers. On the right is small blue flowers and silver dots twining to the bottom of the card. Inside the top of the flowers (printed in silver) is: Sent in all Sincerity to Greet You.person, greeting cards, malone collection, malone collection, greeting cards

.3) Hand written on the card, “CUP and SAUCER (HARRODS 1915)/SISTER MARGARET CUMMING/Q.A.N.S (M.I.D)/ GENERALS DRANK FROM THIS CUP AT AFTERNOON TEA WHEN INSPECTING FIELD HOSITALS IN FRANCE/SUE McCASKER”.1) & .2) Glazed white china cup and saucer decorated with violet and green flowers. The flowers are arranged in a garland near the rim of the cup and saucer, further flowers dotted around on both. Identification marks on the bases in the glaze. .3) cardboard piece with a hand written note..1) On base of cup hand written “052” in the glaze. .2) Red ink stamp with the words “MANUFACTURED for/HARRODSBURG/ LTD BROMPTON Rd./S.W.” Within an oak leaf garland “Reg.No. 479676”cup and saucer, harrods

This is a photo of Leptospermum Turbinatum (Shining Tea-tree).Photo shows a close-up view of a native flower (tea-tree).The flower has five white petals with small dark pink/red centre petals. Small, red tipped, green leaves surround the flower and can be seen on the stems. The background is out of focus.natural history, flora

Jim Brehaut and his children, Jimmy & June, stand in front of the 'Flower Basket' ornamental flower bed at the Ballarat Botanical Gardens.jim brehaut, jimmy brehaut, june brehaut, ballarat, botanic gardens, garden, costume

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes, A hand made rectangular shaped white table cloth made of fine linen. it has lace insertions which are flower shaped. The flower stems and leaves are embroidered.table-linen handcraft needlework

From the estate of the late Jean Ord, mother of the donor.A scalloped edge square mat with lace filled three petalled flowers at corners. Buttonhole stitched edging with satin stitch flowers. All white embroidery and material.handcrafts, embroidery, manchester, table linen

The bag was used by the donor as a stocking bagCream cotton bag bound with red tape & embroidered with red embroidery cotton ( a basket with three flowers & flowers under the basket). Two cotton handles for carrying.costume accessories, female

Donated by Heather McNamara on behalf of her mother-in-law Isobel McNamara.Oval doiley with crochet edge and needle worked Australia wild flowers, scalloped edge, beige coloured green leaves, red, pink, gold embroidered flowersneedle work, heather mcnamara

Tall cream oval shaped ceramic vase with pink/purple rose flowers on the front, surrounded by green leaves. Contains a selection of pink/cream imitation flowers.vases

Set of nine laminated A4 colour sheets giving instructions on how to make plastic flowers for the 2019 Begonia Festival Floral Tram. .1A - Plastic Bottle Flowers (top) - page 1 .1B - ditto page 2 .1C - ditto page 3 .2A - Plastic Bottle Flowers (bottoms) - page 1 .2B - ditto page 2 .3A -Plastic Bottle Flowers (Middles) - page 1 .3B - ditto page 2 .4A - Plastic Bag Flowers .4B - ditto .4C - dittotrams, tramways, floral tram, btm, instructions

Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFlower study with detailed views. View on left is of a stem of two entwined pale green tin stalks, with three-leafed stems coming from it, flower buds, flowers and a seed pod. Views on right are details of (top-bottom): a blue flower (top view), two leaves, a seed, and three views of flower emerging from purple sepals. View labled in pencil and with typed letters on paper glued to surface of image. Mounted in a double matt (grey on pale blue) in wooden frame with gold and blue paint.Front: Glycine clandestina (lower left) (pencil) Back: 75 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

Relates to John "Jack" Hindley, WIA and captured 11/4/17, died as POW in Germany 6/5/17. See also item no 1776.3P. The item was from the Bendigo Fire Brigade of which Jack was a long member off.WWI souvenir glass dome containing artificial flowers.ornaments-glass, military history-souvenirs

Scarf possibly owned by Alice Robinson (nee Clark)Nylon scarf with map, flowers and animals of Phillip Island.Phillip Island and names of towns and places of interest.souvenir scarf, alice robinson

Displayed in History House (Cabinet, South wall) Owned by Mrs. . Keiller?Tea cup and saucer with paintings of flowers and vignettes of a couple.Front: Base, 4198.2: Worchester/Gift/1884 (blue pen, hand-written)

Photograph, flowers in a field surrounded by mountains on a dull day.cottage, miners, flowers in a field, flowers in a field

Conservatory Gardens, Bridge Street, Bendigo. Cyclamens in flower.slide, bendigo, conservatory gardens

Chinese flower bearers, Eaglehawk Dalia Festival, 1987.slide, bendigo, chinese flower bearer, chinese flower bearers, eaglehawk dahlia and arts festival