Set of six Digital images of All by Chris Phillips. c1970 .1 - No. 30 at Sebastopol terminus showing Lydiard St Nth destination with a lady standing in the front door. Has a Pay as you enter sign. Shows the houses behind the tram in Albert St. .2 - No. 30 leaving the terminus with the hotel and house in the background. .3 - view from inside the tram, looking back along the track towards the terminus. Shows the nature of the Albert St at the time. .4 - No. 30 with Chris Phillips boarding the tram. .5 and .6 - single trucker at dusk with all the lights on.trams, tramways, sebastopol, albert st, night photo, tram 30

Agfa plastic mount (blue base, white cover) of a photograph of 11, 41 and many trams (about 8 others) at Gardens Loop – early ARHS tour, early 1960’s to Ballarat. No. 11 has destination of Mt Pleasant, while No. 41, has "Special" shown. The slide appears to be a copy slide, given the nature of the colour and the additional number WP427. Photographer could be Bill Pearce (WP). Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 60" in pencil.tramways, trams, gardens loop, wendouree parade, arhs, tram 11, tram 41

Agfa plastic mount (blue base, white cover) of a photograph of No. 31 east bound in Hamilton Ave, with a Parlour Car's, bus (coach) in front of the tram heading towards Sturt St. West, Shows the tram stop on a pole, well away from the tram. Tram has destination of Mt. Pleasant. The slide appears to be a copy slide, given the nature of the colour and the additional number WP428. Photographer could be Bill Pearce (WP). Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 61" in pencil.tramways, trams, hamilton ave., tram 31

Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia

The three student nurses are from Footscray Hospital. The photograph is taken outside the RDNS Footscray Centre where Sister Ellen Anderson is the Supervisor. Sister McHugh is about to take one of the student nurses with her to observe her giving nursing care to patients in the community. During their training, Student nurses from several hospitals either attended the Royal District Nursing Service (RDNS), Education Department, or, a RDNS Nurse Educator travelled to the appropriate hospital’s Education Department to educate the Trainees on District nursing through the RDNS Community Nursing Program. Following the lectures Students went to a RDNS Centre and each student accompanied a Sister for a week observing and gaining knowledge of all facets of nursing care in the home. This gave them an insight into the home conditions and situations patients faced following discharge from hospital. During 1971 there were 584 student nurses who received field experience with RDNS.Black and white photograph showing two Royal District Nursing Service (RDNS), Sisters and three student nurses Two student nurses, in their light coloured hospital uniforms, white caps, and dark capes are on the left of the photograph standing on the footpath and nature strip facing Sister E. Anderson, who is standing to the left of a tree on the nature strip. She has short dark curled hair and is looking to her right towards the nurses. She is wearing her RDNS grey long sleeve uniform dress. A grey coloured car is at the kerb to the right of the photograph. Standing by its front open passenger door is RDNS Sister Clare McHugh, who is wearing her grey uniform coat, with RDNS insignia on the upper area of the sleeve, and she is wearing a grey peaked hat over her short light coloured hair. She is holding her rectangular nursing case in her right hand and her left hand is resting on the top of the open car door. The inside padding of the door can be seen. A hospital uniformed student nurse is standing at the opened passenger door close to the car. Part of two white cars are seen in front of the grey car. Two trees are seen in the left background and houses and trees are seen to the right.Photographers stamp. Quote No. KH 64royal district nursing service, rdns, rdns education to student nurses, sister e. anderson, sister clare mchugh, rdns uniform

The exact creation of this Cigar Cutter is unknown, however the vintage nature and style of this cutter indicate that it was made in the early to mid 20th century. This cutter closely resembles the V-cut style of cigar cutter. These cutters are the most common type of cigar cutters and have been historically widely used. They cut a 'wedge' into the cigar cap rather than removing the whole cap like guillotine cutters do. This type of cut allows the smoker to get a deep cut into the V shaped cigar. Social history objects held in the Burke Museum help to tell the stories of Beechworth's past by showing the town's social, artistic and cultural community. This cutter shows significance through it's vintage artistic style and it's ability to show the social habits within Beechworth's history. A small bronze metallic cigar cutter with cigar insert on one side of the object and handle on the other side. A01152beechworth museum, cigar cutter, bronze, burke museum, social history

Pedal Clubs began in the late 1950's to encourage safety, to stimulate interest in getting out into nature, to teach owners how to look after their bikes; to provide to young and old opportunities for healthy recreation; to provide enjoyment and fellowship for all lovers of the open spaces and to develop greater skills in cycling. From the 1970's onwards the clubs developed competitions to encourage safe bike handling and skills. These clubs generally relied on parents to run the competitions for the children in their locations. These clubs provided opportunities for healthy recreation and in addition contributed to social cohesiveness in local communities.Handwritten minutes, reports, correspondence of Geelong West Pedal Club 1986; photographs of club members at club activity days; newspaper articles.geelong west pedal club; sir hubert opperman; 1985; 1986;

Boyd asks "What sort of cities do we want?" Various alternatives were discussed at the 14th Royal Institute of Architects convention 1965. The theme of the convention was Civic Development, accompanied by a public exhibition "Man in the Street". A fairly clear definition of the ideal shape for our urban character emerged. It was accepted that congestion, dullness and ugliness would become even more of a problem. Boyd offers a bird's eye view of the nature of our cities as we move progressively outwards.Original manuscript of an article published as ‘New life for Cities. The choice – metropolitan excitement or Canberra order?' in The Australian, 10.4.1965.Typewritten (c copy), quarto, 6 pagesroyal institute of architects convention 1965, australian cities, arthur odell, john overall, robin boyd, manuscript

Tracked cargo carrier is part of M113 family of armoured vehicles used by 8/13 VMR in 1970s and 1990s. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or Tech Support Troop (TST) and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Buff coloured soft covered manual bound with heavy metal staples, 353 pages being Organisational Maintenance Manual Part Seven for Carrier Cargo Tracked 6 Ton M 548.Published by Headquarters Department of the Army ( USA ) February 1966.Ink stamp on title page " 8/13 VMR Regimental collection " and ink notation on cover " Obsolete " and ink on spine " 21 "

Corporal L. Frohling served with the Tech Support Troop and later Workshop Troop of 8/13 VMR in 1970s and 1980s.Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Green coloured vinyl covered manual, 322 pages, bound with metal screws being Maintenance Manual Truck Cargo 2.5 Ton CL Ford D400. Publisher not stated./On front cover " L. Frohling " Ink stamps on title page " 13 April 1970." RAEME Att. 1 COD Bandiana and ' 8/13 VMR regimental Collection "

Every 'B' Vehicle that is non armoured had an AB 416 Logbook. It was kept on the vehicle and was a record of servicing and repairs. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth centuryHeavy brown coloured card covers with fabric spine, holding paper sheet ruled for entries of servicing, also instructions for drivers.

After going to a Revision Court where the voters' rolls had been revised and certified correct every voter on the Shire of Otway register was listed with his or her surname, christian names, residence or post town, nature of calling or occupation, situation and description of property, the yearly value, and the number of votes to which the incumbent was entitled. It included both local residents and residents from other municipalities who owned allotments in the Shire of Otway entitled to vote in Shire of Otway elections.Typescript. Shire of Otway, Voters' Roll for the East (a), Central (b), West (c) and Apollo Bay [comprising a portion of the Parish of Krambruk] (d) Ridings, made in the year 1963. Certified for each riding that it "has been revised and is correct", signed by W.H. Tann, Chairman of Revision Court, 23rd July, 1963.Variously underlined, marked, and written on the verso.shire; otway; voter roll;

Fundraising badge produced to celebrate the 1919 peace. Many badges were produced at this time for popular causes. Such badges were sold in trams, buses, at railways stations and at rallies to raise money for the stated cause. This badge was produced to raise money for those affect by the war in the Geelong and District region. Badges were a popular fundraising option because of their affordable nature making them available to much of the public, while their design made them popular for collecting well into the future. Badge, circular. Pin back with celluloid cover. Printed in cream, gold and blue. The outer edge is in gold with blue lettering; the inner circle has a white dove holding an olive branch in its beak with lettering in blue below. Attached to the badge through the pin is a small cloth badge in red, white and blue depicting the Union Jack, with lettering across the central bar.GEELONG & DISTRICT / CELEBRATIONS 1919 / PEACE KING & COUNTRY1919, wwi, geelong and district, fundraising

Tickets were produced to enable first-class travel from Middle Brighton Railways station to Sandringham and then by Electric Tramway from Sandringham Railway Station to the corner of Bluff Road and Royal Ave. The ticket colours indicated to station staff, Inspectors, and conductors the nature of the ticket and its availability These tickets were purchased by the donor in 1970 long after the tramway had closed and travel classes were abolished on the suburban railways. They were available for use on the replacement bus service. Yields information about the type of ticket that was issued to enable rail/tram travel on the Victorian Railways and their tramways.Set of two Edmondson style card or pasteboard Victorian Railways return tickets for travel between Middle Brighton and Bluff Road and Royal Ave. Both date stamped 15 June 1970. .1 - Adult - 1st class - No. 1365 .2 - Child - 1st class - No. 00143Both date stamped on rear "!5 June 1970"tramways, trams, tickets, victorian railways, sandringham, black rock tramway, bluff road

This book is the 1835 second edition of John Harrison Curtis' 1833 'A Treatise on the Physiology and Diseases of the Eye, containing a new mode of curing cataract without an operation, experiments and observations on vision, also on the inflection, reflection and colours of light together with remarks on the preservation of sight, and on spectacles, reading glasses etc'. The title page describes J H Curtis (1778-1860) as an oculist and also as an expert on the ear. His knowledge of eye pathology and surgery was poor but this was typical of the medical profession until the middle of the 19th century. He was 'aurist in ordinary' to His Majesty and other members of the royal family and his hospital and teaching appointments had more to do with the ear rather than the eye. The last pages of the book list his other publications most of which concern the ear and the deaf. He was the first person, in 1803, to apply speaking tubes to assist the deaf. He established the Royal Ear Hospital in Soho, UK in 1816.This book is of historic significance as it shows contemporary understanding of ocular pathology in the early nineteenth century. It is quite rare as no other copies of the second edition are known in Australia.'A Treatise on the Physiology and the Diseases of the Eye' by J H Curtis is book of 1835 bound in its original boards, in very good condition, 230 x 140 mm, 242 pages, second edition. There is a coloured plate facing the title page with three figures featuring an ingenious lift up section of a woman's face to show the blood vessels and nerves underneath. There is a philosophical introduction, a chapter on ocular anatomy, two chapters on diseases and their treatment, one on the nature of light and one on the preservation of vision. Cataract is treated by withdrawal of blood from behind the ear and the application of an ointment to an induced blister on the neck, with potash applied to the cornea daily.optics, ocular anatomy, ocular disease, physiology, cataract

Yields information about the appearance of the Sebastopol line shortly before the closure of the first of the Ballarat tram lines. Series of 4 Black and white photographs of tram operations on the Sebastopol line, during August 1971. .1 - Tram 12, with the destination of Grey St and a twin lakes sign, pass the A H Collins hardware store, with adverts for Berger Paints and Trimview windows. shows the nature of Albert St after rain. .2 - Trams 27 (Sebastopol with a Twin Lakes sign) crossing 32 at the Grey St loop. .3 - Tram 12, showing Depot via Drummond North southbound in Albert St Sebastopol. .4 - Tram 26 at the Sebastopol terminus showing City Oval as its next destination. This may not be correct.trams, tramways, sebastopol, albert st, grey st, tram 12, tram 27, tram 26, tram 32

Negative No. N326 and black and white print made by a laser printer (stored in folder ) of view looking along the new track in Nicholson St. Fitzroy, with W6 988 in background by the Exhibition Crossover. Photo shows nature of track construction at this portion of the future East Brunswick, Blyth St. line, an air compressor and the wood/metal barriers to protect roadworks in use at the time. Buildings along the east side of Nicholson St. in background, cable winding house at Gertrude St. can just be seen. Date of photo 19/6/1955. Negative scanned hi res and imaged updated 21/5/2020.trams, tramways, melbourne, nicholson st., east brunswick, track construction., tram w6 988

Demonstrates nature and size of gang undertaking road repairs during 1966 in Bridge St and the buildings on the south side of the street.Black and White copy photograph of a newspaper photograph taken by The Courier, taken 20/9/1966, published 21/9/1966 of track repairs in Bridge St. Shows the nature of the work, and the level of the traffic in the streets at the time. Eight men working in the view. In the background are the buildings on the south side of Bridge St, including Magnin, a Disposal Variety store, Faull's Foot rest, and Dickins. In the far distance are two trams parked in the loop. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and "85%" in ink.tramways, trams, bridge st, road works

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict ‘Africa’. The article records that: ‘Notwithstanding the large size of the drawings they are often marked by delicate touches, and a minuteness of detail in evident sympathy with nature. The figures have grace, life and animation and the skillful shading of the colours used — chiefly amber, gold, light blue, green, light fawn and brown – is in harmony with the quiet tone of the general furnishing of the rooms.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

Neville FRENCH (1955- ) Born Maryborough, Victoria In 1977 Neville French graduated from Ballarat College of Advanced Education after studying a Diploma in Fine Art (Ceramics) between 1974 and 1976, and was a tutor there for six months in 1978. He holds a Master of Arts, Research (Ceramics) from RMIT Universiy, and was awarded the Vitrify Alcorso National Ceramics Award in 2012. Neville has an international reputation as a ceramics artists and educator. From 1982 to 2012 Neville French was teach and coordinator of the Ceramics department at the Ballarat School of Mines and University of Ballarat (now Federation University). From 1982 to 2012 Neville French taught Ceramics at the Ballarat School of Mines TAFE, which later merged with the University of Ballarat (now Federation University Australia). He completed a Graduate Diploma of Education at Hawthorn State College in 1980, a Certificate of Stoneware Glazes from Brisbane College of Advanced Education in 1983 and a Master of Arts Fine Art (Ceramics) at RMIT University in 2000. Between 2010 and 2012 Neville French taught post graduate honours and masters Ceramics students. During his time as a student at Ballarat Neville Bunning would collect clay from the Enfield clay pit. He described following white tyre tracks to find the location. He described the clay as silky smooth and and fired to a beautiful grey colour at stoneware tempreture. When blended with terracotta clay from Nerrina or fireclay from Bacchus Marsh a wide range of different bodies could be created. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two vessels made as a sculptural pair. Statement: "My work involves an exploration of elemental vessels - extending porcelain to develop taut contours and spatial dynamics. I seek to distill an essence of purity to evoke notions of quietude and transendence through the expressive use of glaze and its relationship to form, tactility, weight and light. Forms are wheel-thrown, altered and slowly scraped to develip a soft line and solidity. Coloured matt glazes are layered and fused to the porcelain body through multiple firings to give expression and luminosity to the surface,. The iodosyncratice nature of glaze stimulates the imagination. It evokes associations with the natural environement and alludes to a meditative infinity."Signed on base 'f.'art, artwork, neville french, french, ceramics, porcelain, wheelthrown, thrown and altered, alumni

Black and white photograph of the opening of the tramway along Glen Huntly Road, 13-11-1913. Shows the decorated tram and trams 53 and 63 along with others in the photograph and the unfinished natures of the road surface. Photograph taken near the Elsternwick railway level crossing - has the disc signal for the catch points in the foreground. Has the shop of Rankin and Ev?al chemist in the photograph. A similar Photograph features on page 61 of Ian Brady's book on the PMTT, "Melbourne's Foremost Municipal Tramway". Photograph from the Bob Prentice Collection. Has been removed from sheet with remains of the sheet on the rear with handwritten note on rear.trams, tramways, pmtt, glenhuntly rd, railway crossing, elsternwick, tram 53, tram 63

Set of three Agfa colour slides, blue / white plastic mounts, photos by Keith Caldwell March 1963 of the reconstruction of tram track in Church St Richmond. .1 - Looking south from near William and Church Streets. In the background is Bryant & May buildings and Flexpax (McFarlane Bros) and Penfolds wines on a hoarding. .2 - ditto with W2 397 Southbound, route 79 to St Kilda Beach (has adverts for Milk and Coffey Ford), passing W5 730 to North Richmond. Has adverts for Stillwells of Kew and Drambuie. .3 - ditto showing the nature of the construction of the old track being replaced. 25/4/1964In ink "Relay Chapel St 25.4.64"trams, tramways, church st, richmond, w2 class, w5 class, route 79, trackwork, temporary track, tram 397, tram 730

Digital scans of the Hawthorn Tramways Trust file in the Public Records Office of Victoria archive relating to the report and cost estimate for the construction of a tramway from Victoria St to Prince Patrick St in Church St Richmond. Prepared by McCarty and Underwood. VPRS7860/P1/002 (box 2) refers.. Includes correspondence dated August 1917 from McCarty and Underwood, consulting Engineers about the cost of the project and general report on the nature of the route, correspondence with the City of Richmond, and other councils within the Trust, letters approving the basis of construction, and residents. Correspondence through to Oct. 1918 - do as part of the metropolitan system.trams, tramways, htt, church st, richmond, new tramway, costs

N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it." "The Tilling Group was established in November 1963 and began as a small factory in Eltham Victoria. The company now has large, modern offices and warehouses in most major cities across Australia" - http://www.tilling.com.au/about-us1 black and white photograph printed with white borderInscribed on back: "N.J. Tillings 3rd and recently installed extractor fan at rear of premises. Eltham Council Officers continue to state that such installations require no permit even though the installation involves a change in the nature of the firm's operations. Residents believe that this firm (and others) are no longer classifiable as 'light industrial.' Do residents have to act as watch-dogs to see that regulations are observed or will council officers in future carry out their obligations to do so." industrial estate, brougham street, eltham, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham, milling, fan