The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the black glass eyes and a pale yellow bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper tag tied to its right leg and a grey/back label on the wooden platform.Platform: "Banded Landrail" Paper tag: "National Museum Victoria. Banded Landrail Hypotoenidia w8 427 Philippensis (L)"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail

The Australian Spotted Crake can be found the south-east and the south-west of Australia. It is unlikely to be seen in Queensland or Tasmania and frequents much of New South Wales, Victoria and north-eastern South Australia. They reside in wetlands and are often found in dense growths of plants. The Australian Spotted Crake is a timid bird which flicks its tail as they walk. If disturbed, they may run away in a crouched position with their tail raised. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a small, stocky bird with yellow legs and bill. The Australian Spotted Crake has grey colouring on its neck and an orange on the nape of its neck. The torso and rear are striped with black and grey/cream colours and have white spots along the rear. The specimen has brown feathers on the wings. It stands on a wooden platform in a standing position with a paper identification tag tied around its left leg. 19c Spotted Water Crake. See Catalogue, Page, 35.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, spotted crake, crake, australian birds, australian spotted crake

Dusky Moorhens are a medium sized, dark coloured water bird. They are located in the wetlands of eastern and south-western Australia. They can also be found in India, New Guinea, Borneo and Indonesia. These birds have a bright face shield located above the bill; however, the bright colour of this feature grows duller in females and young males during autumn and winter. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Dusky Moorhen standing on a wooden platform with a paper tag attached to its left leg. The specimen has a sooty-black plumage with a yellow bill and black/yellow legs/toes. It has remnants of what would have been a reddish-yellow shield on its forehead. "18c Australian Coot. See Catalogue, Page, 35"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, dusky moorhen, waterbird

The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. it has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.87a / (89a)? Musk Lorikeet / See catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet

The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. It has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.88a / Musk Lorikeet / See Catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet

Bendigo Advertiser ''The way we were'' from 2000. Stayers: located at 104-6 Pall Mall, Bendigo, this pair of two-storey shops is another reminder of the early days of Bendigo. Built for the Wolfe brothers in 1860, they were originally occupied by a chemist and the tailors Robathan and Stevens. The façade is in good condition considering the shortcomings of the materials available at the time. The clip is in a folder.newspaper, bendigo advertiser, the way we were

George Meudell was born in Bendigo in 1860, the son of a bank manager. He became a public accountant. He worked for B J Fink. He took up a seat on the Stock Exchange. He later wrote a book, 'The Pleasant Career of a Spendthrift'. The book caused a stir and was withdrawn from sale. There was a later edition where a lot of names were withdrawn from the book.document, names of bendigo pioneers, the meudell mystery, the land boomers, michael cannon, maurice brodzky, george meudell, table talk, bendigo high school, money miller's bank of victoria, grant meudell, hnry miller, isaac pitman, john alsop, melbourne savings bank, andrew lyell, mercantile finance co ltd, b j fink, g w taylor, thomas bent, w l baillieu, stock exchange melbourne, william knox, broken hill proprietary, f m dickenson, historical society of victoria, the pleasant career of a spendthrift, george routledge & sons ltd, routledge & kegan paul ltd, frank campbell, robertson & mullens ltd, j m gillespie, sir matthew davies's mercantile bank, unofficial history of victoria, booksellers' association, the pleasant career, theodore fink, the herald, wilke & co pty ltd, the pleasant career of a spendthrift and his later reflections, lionel robinson, william clark, s m bruce, premier building society, j kitchen & sons ltd

The weatherboard cottage was built in the 1860's on land owned by Thomas Hiscock, the discoverer of gold near Buninyong township.The weatherboard cottage was built in the 1860's on land owned by Thomas Hiscock, the discoverer of gold near Buninyong. It is a good example of a miner's cottage of its era.B/W photo of Miner's cottage, Learmonth St west, Buninyong. Streetscape photo taken in 1993 of a weatherboard building with picket fence.miners cottage, house, building, weatherboard, thomas hiscock, hiscock, buninyong, learmonth st

Kew became a separate municipality in 1860.The plaque commemorates that event. It was once located on the rotunda in the Alexandra Gardens in Kew.Important commemorative plaque signifying an important event in Kew's history.Brass plaque, originally attached to the first rotunda in the Alexandra Gardens in Kew, commemorating the Jubilee of Kew in 1910.Erected by / Public Subscription to Mark / The Jubilee of the Municipality of Kew / Opened by Sir Thos. Gibson Carmichael / Bart. K.C.M.G / Governor of Victoria / 8th Decr. 1910. / H.H. Harrison, Town Clerk / J.F. McCrae, Mayorjubilee of kew, rotunda, alexandra gardens, kew

The Marong PO opened 1/1/1860 and the area was declared the Marong Road District 19/8/1860. On 12/12/1864 it was redesignated as the Marong Shire and then in 1990 it was proclaimed a rural city. The Sutton Grange PO opened 1/8/1865 and closed in 1970. The Sutton Grange School operated from 1970-1988 and the Uniting Church opened in 1874.Manilla folder titled: Marong's centenary November 1964, also of Sutton Grange March 1965. Inside several newspaper clippings from the Bendigo Advertiser relating to the two events.marong, sutton grange, centenary

The white-browed babbler is a a very active bird and is often found in noisy social groups. It lays two nests: one to lay its eggs in, and a separate nest to roost in. The Babbler is located in dry sclerophyll woodlands throughout mainland Australia. The diet of this species is varied: including insects, spiders and other invertebrates, small amphibians, crustaceans and reptiles. These birds will also eat fruits and seeds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The White-browed Babbler is a small bird with dark brown/grey plumage. It has a white throat, a white tipped tail and a long, pointed curved bill. This species have a distinct white brow and dark eye stripe which inspired its name. The specimen stands upon a wooden mount and has an identification tag tied around its leg.Label: 68a. / White-[illegible] Pomatostomus superciliosus /See Catalogue, page 20 /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, white browed babbler

Fan-tailed Cuckoos are found throughout eastern and south-western Australia. They are also sometimes found in nearby small island nations as far as New Caledonia. Their call is a distinct, descending trill, which they are known to make even outside their breeding season. The neck is thin compared to a typical Fan-tailed Cuckoo - potentially a taxidermy error or damage. Otherwise, the specimen is reasonably representative. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This fan-tailed cuckoo has a dark grey/brown back and a pale rufous (a yellowy brown) underside. The tail is also brown with white spots on some of the feather tips. The front of the face is pale rufous and blends into the black at the top of the head and neck. Some of the feathers around the neck are grey. There is a patch of white on halfway down the body on the left wing. The eyes are brown, the feet are yellow, and the beak, which is missing at the bottom, is yellow. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg. There is a swing-tag on the left leg.Swing-tag: 71a. / Fan-tailed Cuckoo / See Catalogue, Page 21 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, skin, reynell eveleigh johns, bird, fan-tailed cuckoo, cuckoo, australian bird, australian museum, australian animal

The New Holland Honeyeater can be found throughout southern Australia, from about Brisbane, Queensland to just north of Perth, Western Australia. They are native to Australia and are named after Australia's first name (new Holland). This specimen is mounted correctly but looks different to the typical images of this bird because it is a younger New Holland Honeyeater and is; therefore, brown in colour instead of the typical black. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Young New Holland Honeyeater is brown in colouring and has grey glass eyes (like this one) while adults are black and white with white eyes. Both have a large yellow wing patch and yellow sides on the tail. It has a small white ear patch, a thin white whisker at the base of the bill. This honeyeater is an active bird, and rarely sits still long enough to give an extended view. Sexes are similar in looks, but females are slightly smaller in size.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, new holland honeyeater, brown, black, yellow, australia, new holland

The Noisy Friarbird are conspicuous and active Honey-eaters mainly seen in small groups and often active in flowering plants, especially eucalyptus trees. Noisy Friarbirds are found along the east coast of Australia, from north-eastern Queensland to north-eastern Victoria. They often feed in noisy flocks, alongside other Honey-eaters such as the Red Wattlebird. This specimen has been mounted in an accurate, yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Noisy Friarbird has a characteristically black head which lacks plumage and has a prominent casque (bump) on the base of its strong bill. The specimen has an off-white underbody and neck, a light brown back and tail with a white tip at the end of the tail. This specimen stands upon a wooden platform and has an identification tag tied around its leg.59a / Friarbird / See Catalogue Page 18 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, noisy friarbird, friarbird, australian birds, oz animals, wattlebird

The Bassian Thrush is a secretive bird, often difficult to see, as it is an unobtrusive species that forages among dense vegetation. When disturbed, it sometimes crouches on the ground and freezes, relying on its scalloped plumage to conceal its presence. The Bassian Thrush feeds on the ground, scratching under the leaf-litter for small invertebrates. This specimen has been mounted in an accurate and yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The plumage of this Bassian Thrush specimen is a mottled brown to olive-brown colour, heavily scalloped with black crescent-shaped bars on the back, rump and head. The paler underparts all have brown-black scalloping. It has a white eye-ring which surrounds glass eyes which have been included by the taxidermist to replace the originals. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing Tag: 44a / mountain Thrush / See Catalogue Page 15 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, bassian thrush, thrush, zoothera lunulata

The Common pheasant is a gregorious, colorful bird renowned for the striking plumage of the male. It is native to Asia and parts of Europe but has been widely introduced elsewhere as a game bird, including Australia. In their natural habitat, Common pheasants live in grassland near the water with small copses of trees, but can also be found in can be found in woodland, farmland, scrub, and wetlands. Common pheasants are diurnal and spend most of their time on the ground. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Pheasant is colourful and has striking plumage. It has a small white crest, greenish/blue neck and a pinkish/brown chest. The rest of its feathers are brown, black, white with hints of light grey, where a variety of speckled patterns are apparent on its belly, legs and back feathers. This specimen stands upon a wooden perch attached to platform, facing forward and leaning slightly to the right.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common pheasant, phasianidae

The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird

There is no known information about the species of snake that this skin belongs to. However, generally speaking, Australia has over two hundred known species of snakes. They are elongated, legless and carnivorous reptiles with scaly, textured skin. Snakes are especially important in Aboriginal dreaming, representing one of the great and powerful forces of nature and spirit. In the Rainbow Serpent Dreamtime story, they are considered the great life giver and protector of water, which is their spiritual home. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Caramel coloured long snake skin curled around in an oval shape.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, snake skin, snake, reptile

The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australaisn Bittern is a stocky bird with mainly yellow and brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation it resides amongst in shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise its bill skyward in a pose which helps it camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern

The Grey Petrel is commonly seen around New Zealand and rarely around mainland Australia. They are large birds with a grey-white-brown colouring who fly just above the water and are often solitary. They mainly eat squid and fish which they catch by shallow diving. Their scientific name, Procellaria cinerea, is derived from Saint Peter and the story of his walking on water. The Grey Petrel can appear to run on water as they prepare to take off. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Grey Petrel is a large bird with a grey and cream coloured plumage. It has short legs with webbed feet and a stout bill. The specimen stands on a wooden pedestal with a paper tag tied around its right leg. The eyes are small and made of a dark coloured glass.15a Great Grey Petrel - Catalogue, page 40.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grey petrel

The Hoary-headed Grebe can be located in all states and territories in Australia as well as New Zealand. These birds are usually found in large open bodies of water away from shorelines. They mainly feed on aquatic arthropods which they catch by deep diving. The Hoary-headed Grebe is bird-like in appearance with darkish grey and white plumage. When threatened while in a flock, these birds often dive beneath the water in a synchronised manoeuvre. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Hoary-Headed Grebe in a standing position on a wooden platform. The bird is small and stocky, similar to a duck in appearance, with a darkish grey and white plumage. The eyes are made of glass. The bill is black and the legs are a pale yellow/grey. A paper tag is tied to the left leg of the bird. Only half of the tag survives and records: "25a Hoary... Catalogu[e]...". This identifies the bird as a Hoary-Headed Grebe."25a Hoary... Catalogu[e]..."taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grebe, hoary-headed grebe

The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australaisn Bittern is a stocky bird with mainly yellow and brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation where it resides amongst the shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise it's bill skyward in a pose which helps it to camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.Paper tag: ...Bittern... [Catalogu]e, page 3...taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern

The Australasian Shoveler is a species of duck that can be commonly found in heavily vegetated swamps in southwestern and southeastern Australia, Tasmania and New Zealand. The species, Australasian Shoveler, is aptly named after their large shovel-shaped bill. These birds use these large bills which are equipped with fine hair-like components which strain the water and mud for food including tiny creatures including insects, crustaceans and seeds while it swims. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australasian Shoveler is a species of low-floating duck with a dark head and brown plumage. The rear of this specimen is a dark brown, with mixed white and brown colouring on the upper torso. The underparts of this bird are brown and orange. The specimen has glass eyes made in an amber colour. The Shoveler is standing on a wooden platform which is labelled number 136. Amongst the feathers on the wings, this bird has a green coloured feather. The legs of the Shoveler would have once been a bright orange; however, the legs of this specimen have darkened in colour throughout the taxidermy process. This bird has a large bill shaped like a shovel from which the name "Shoveler" has been derived.5a. / Australian Shoveller / See Catalogue, page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, heron, duck, australaisian shovelor, shovelor

The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the orange glass eyes and a pale grey bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper identification tag tied to its left leg.29 c. / (22c)? Spotted Water Crake / See Catalogue, page, 35. / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail

The Latham's Snipe is the largest of the Snipe species in Australia. This species do not breed in Australia. They breed in Japan and on the east Asian mainland and migrate to south East of Australia, Tasmania and New Guinea. They are commonly found in small groups in freshwater wetlands or along the coast in areas with dense cover. These birds use their colouring to help them camouflage with the terrain which makes them very difficult to see. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Latham's Snipe has a distinctive long and straight bill with brown and cream coloured plumage. The colouring of this bird enables it to camouflage well with the terrain. The wings and tail are short. This specimen has been stylised on a wooden platform and has a paper identification tag tied to its left leg. it also has small brown glass beads for eyes. The eyes are set back on the head which is a rounded shape.26c. / Indian Snipe - / Catalogue. page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, latham's snipe, snipe, japanese snipe, migrating bird, tasmania, new guinea

The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position with its neck stretched forwards on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the orange glass eyes and a pale grey bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper identification tag tied to its left leg.20D. / Land Raid / See Catalogue, page, 35. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail