Set of four Photographs, Black and White, of the MMTB Tourist Bus late 1920's. .1 - Side on view of the MMTB Tourist bus showing the lettering and logo. .2 - Front on view showing the radiator, head lights and other details including the crank handle. .3 - Interior view looking along the bus from the front. Shows the curtains and the extensively upholstered seats. .4 - ditto showing the woven cane seats. Photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.In ink on the rear: All "M&MTB Tourist bus late 1920's" and the photographers stamp, with .3 and .4 adding "Interior" KSK print number SA957 to 960trams, tramways, mmtb, tourist bus, buses, interiors

Set of two tickets for an Australian Electric Traction Association tram tours: .1 - 40 Mile Tram Tour - 15/2/1947 - leaving Glenhuntly Depot - P. W. Duckett Secretary and L. Marshall-Wood - President. Ticket No. 33 on Manila cardboard. .2 - 30 Mile Tram Tour - 29/11/1947 - leaving Camberwell Depot - C. L. Busch - Secretary and L. Marshall-Wood President. Ticket No. 31 on Blue cardboard. On the rear of .2 is an advert for Coles and Garrard, Optometrists Bourke St.trams, tramways, aeta, tours

Colour postcard 5 panel featuring Melbourne trams - SW5 758 (Route 5), 802 (Glen Iris Route 6) (both Transporting Art), Bourke St Mall and 847 in St Kilda Road with the Shrine in the background. The middle one is Princes Bridge with the City Skyline. Back has space for name and address, stamp and a message and details of the postcard. Produced by Steve Parish Postcards. Card No. PC311 and a historical note regarding trams on the back. Has "Melbourne Australia" along the bottom edge.trams, tramways, princes bridge, sw5 class, route 5, route 6, transporting art, tram 758, tram 802, tram 847

Book - 5 sections, sewn with green cloth spine binding, card covers, 188 pages, 118 maps, titled "Morgans Official Street Directory - Melbourne and Suburbs" Has many advertisements around edges of the maps. Shows the Latrobe St line (opened 1/1951), but not the Bourke St tram line. Price 12/6. Published by Val Morgan and Sons of 64 Elizabeth St Melbourne. A web search for similar directories - Museum of Victoria - https://collections.museumsvictoria.com.au/items/1217271 gives background to the directory.trams, tramways, maps, melbourne, street directory

Set of 6 Posters - printed on paper with an adhesive backing for: .1 - Tram Diversions - Bourke St - Moomba Mile footrace 27/2/1981 .2 - Moomba Festival Float Parade - gives diversions and alterations - for 9/3/1981 .3 - Anzac Day - 25/4/1981 .4 - Latrobe and William St tram services - Show Day - 24/9/1981 .5 - Doncaster Routes - ditto .6 - Eastern Freeway - ditto All signed by R. C Drummond Traffic Mangertrams, tramways, moomba, showgrounds, anzac day, operations, latrobe st, william st, doncaster, buses

Item written by Shaunagh O'Connor for the Herald Sun at the time of the publication of a book, "Trams and Streetscapes, Metropolitan Melbourne 1950's 1960's edited by Emile G Badaway and John Sargent and published by Train Hobby Publications. Features photos of W2 231 in Flinders St, T181 in North Fitzroy and Footscray, W6 982 in Bourke St, W2 636 in Market St, W3 667 in Swanston St, Y1 613 in Elizabeth St and X1 677 in Footscray. Features in the centre a photo of the photographer, Keith Atkinson. Keith was a Ballarat Tramway Museum member and benefactor.Yields information about publication of a book, the photographer and his work.Newspaper - centre page titled Tracked on film - Keith Atkinson, from the Melbourne Herald Sun, 9/1/2001 featuring a story on a new book of tram photographs. trams, books, keith atkinson, melbourne, train hobby publications

Black and white photograph of MMTB No. H60 at Kew depot. Tram painted in MMTB chocolate and cream colour scheme. Side elevation photo with depot buildings in background. Taken prior to modification of roofs at end of cars to building in destination box. Tram of same class at SEC No. 18 See also Registration No. 555 ( for end view of tram) and 550 for another copy of this print. Has "Sutcliffe Pty. Ltd. Photographers Cromwell buildings 366a Bourke St. Melbourne" stamp in purple on back of photo, different stamp to previous items from the same company.On rear in pencil "P & M", "M&MTB" and "38" in a circle.trams, tramways, mmtb, kew depot, h class, tram 60

Sixty page book - gloss paper, plus end papers and heavy card covers, titled "SKF Bearings in Tramway Service". Published by the "The SKF Ball Bearing Company Ltd" in August 1939, gives details of the type of ball bearings available for tramcars - axle boxes, tramway motors, current collection - trolley poles and pantographs. Has drawings, illustrations, photographs etc. Photographs include Hobart 8 and a Wellington Fiduca tram. Address of Melbourne office given as 539 Bourke St, also addresses for Sydney and Brisbane. Printed in Sweden.$20 inside front cover.trams, tramways, tramcars, bearings, skf ball bearings, hobart

Magazine or newsletter, A3 gloss paper full colour folded to A4 - titled "Tramlines - issues 13 August 2008" published by Yarra Trams. Front cover has a photo of C2, bumblebee 5113 turning into Bourke St from Spring St with the bumblebee symbol on the sheet as well. Other stories are report from CEO Dennis Cliche, wind powered trams, environmental news, laying of new track for the platform stops at the Arts Precinct St. Kilda Road, Route 86, TramTracker, tickets and the International Film Festival.trams, tramways, c2 class, environment, platform stops, route 86, tramtracker, tickets, events

Pamphlet or report printed on A3 gloss paper, folded into A4, with a brown printed cover and a photograph of Z3 117, Melbourne, in Bourke St Melbourne, with the destination of City - Spring Rides and in the route number box "New Tram - Free Rides today". Inside pages and rear cover give details of the trams, its equipment specification, how a chopper control works, car control systems, rotary converter for 24V DC and 220V AC systems, drawings of the trams, and technical data, including a simplified wiring diagram. Produced by AEG - Telefunken of Berlin.trams, tramways, z3 class, aeta, specification, preston workshops, new trams, tram z3 117

Agfa Colour slide, cardboard, by Keith Caldwell dated March 1963 with W2 533 northbound in Swanston St, route 8, followed by another tram. A large Royal crown has been positioned in the middle of the intersection with Bourke St along with banners. There are two other crowns over Collins and Flinders St intersection in the view. In the background is the concrete framing for the Royal Mail House building on the corner, Copolovs Furniture and carpet centre, Town Hall Chambers and the Melbourne Town Hall and an ANZ bank. In the distance is St Paul's CathedralIn ink "Swanston St R. Visit Decs Mar 63"trams, tramways, swanston st, royal visit, w2 class, melbourne town hall, route 8, tram 533

Black and white photograph of VR 40 and bus No. 49, at the St Kilda Railway Station, 7/7/1957. Detailed description on the rear of the photograph in ink, particularly about the bus - one of 30 built by Commonwealth Engineering during 1949/50 for the MMTB. Surplus to needs after the conversion of Bourke St and that the seating reduced from 41 to 37 to facilitate one many operation. Bus sold to the Eastern Suburbs Omnibus services Pty ltd for the operation of the former railway service. In the background is the St Kilda Railway Station and The George Hotelsee image i2 for details.trams, tramways, st kilda, buses, vr, closure, tram 40, tram 49

Report 12 A4 pages, including card covers, centre stapled, full colour printed on off white paper, titled "Route 96 Project Overview". Looks at the route itself, project objectives, governance arrangements, communications and consultations. Includes a note that the Government has order 50 new trams. Notes the proposed works packages and who would be managing them - VicRoads, Yarra Trams or PTV. Includes photos of Bourke St, street plans and information numbers. Has the State Government, VicRoads and Yarra Trams logos. Published 2012.trams, tramways, ptv, route 96, east brunswick, yarra trams

A document recording the history of the Intermediate Legacy Ladies Club (ILLC). It was put together by Legatee Chas Wilks for publication in the Bulletin for the information of Legatees. It starts with the formation of the early girls' classes in 1927. Then the older girls formed the 'Old Girls Club' which then was renamed 'Intermediate Legacy Ladies Club' (ILLC) in 1955. At the time it was printed, they had been meeting for 34 years and fundraising for Legacy. They ran Special Efforts Bowls mornings, card afternoons, house parties, crazy whist nights, and produced a recipe book. They had fetes in the Melbourne Town Hall and even a couple of stalls in Bourke St Mall on Badge day.A first hand account of the early classes by a junior legatee.White A4 photocopy of an article about Intermediate Ladies Legacy Club.illc, girls classes

Photographs of H class car 60 at the Kew Depot c1920's. .1 - Tram painted in MMTB chocolate and cream colour scheme. Side elevation photo with depot buildings in background. Taken prior to modification of roofs at end of cars to building in destination box. Tram of same class at SEC No. 18. Tram E45 can be seen in the shed. .2 - Front elevation photo with depot buildings in background. Has old style destination box on roof, showing "DEEPDENE" and a route number box above the headlight. Both photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.Yields information about H class tram No. 60 and Kew DepotSet of two Photograph, Black and White, In ink on the rear: .1 - "M&MTB H-60, Kew Depot `1920's (E45 in shed)" and the photographers stamp. .2 - ditto. KSK print number SA938 and 939.trams, tramways, h class, kew depot, deepdene, e class, tram 60, tram 45

First Voyage won the first £200 2 mile Trotting Cups in successions, contested in Victoria, driven by T HardmanLarge rectangular black and white photo of horse and driver mounted on cream paper.Centered at the bottom: Belmont Stud Farm's / "First Voyage" (Imp) / "Bon Voyage," - "Elsie Downs" / Who won the first two (£200) 2 mile trotting cups in succession / Contested in Victoria / Driven by T.R. Hardman Bottom right corner: Sutcliffe & Akers / Cromwell Bldgs / 366A Bourke St / Melbournetrotting, first voyage, belmont stud farms, bon voyage, elsie downs, t.r. hardman, brian glasheen

Published by the National Trust Victoria features a front cover photo of the interior of an SW5 class car by Brian Gilkes. Has an article by Frank Strahan on Melbourne W class trams and puts a case for their classification. Includes a photo of the Great Strike lineup of trams in Bourke St, An article by Celestina Sagazio on Melbourne's cable tram system looks at its history, remaining buildings, and Alf Twentyman's cable cars. Concludes with a note on the impending demolition of the Richmond Power or Engine house on the corner of Bridge Road and Hoddle St. Notes the moves to retain it and includes a photo of the building by Brian Gilkes. There is also an article on the Port Melbourne railway line, its heritage, and demolition.Yields information about the National Trust's proposals for the W class trams, cable trams and the Port Melbourne rail line.Magazine - 32 pages - part colour centre stapled.national trust, cable trams, w class trams, tramways, richmond, engine houses, port melbourne railway

Magazine - 32 pages - full colour print on full gloss or plain paper titled "Trust News Victoria - Vol 22, No. 4, February 1994. Has a number of items of tram and rail interest. page 12 - 14 - Article titled "Going Up, A look at the history of lifts in Melbourne: - includes notes and photograph of the Melbourne Tramway and Omnibus Co. lift at the Bourke St offices - MTCo. page 15 - "Melbourne's Moving Icon - How the W's should look" - about the images of the W class trams, includes photos of 1031 and 1032. Both articles written by Rohan Storeytrams, tramways, w class, national trust, cable trams, mto co

Colour postcard divided back - Biscay Greetings, series of 5 photographs of Melbourne, with the words "Greetings from Melbourne" in the top right hand corner. Features Z3 223 class tram outside Parliament, the Arts Centre, a view looking east along Bourke St, the Yarra River overlooking the King St bridge and the city and a general city photo. For the photo of Z3 223, see Reg item 2642. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG 178.trams, tramways, postcards, yarra river, z class, melbourne, tram 223

Legal document within a light brown manila document - titled "C. L. Watt / Patent Rights of "Barrier Rail catch" Patent". Charles Watt a consulting engineer of 418 Bourke St, signing over the rights for a sum of 250 pounds. Patent No. 10473. Dated 22/3/1929. Has the seal of the MMTB and a personal seal and 2d duty stamp, signed by the MMTB Chairman and Acting Secretary and Charles Llewellyn Watt Agreement consists of two sheets, bound together with green tape. Only one page used. Folder has file number "94" written on the outside.trams, tramways, mmtb, tramcars, patents

Series of 3 black and white photographs of MMTB tram route maps. .1 - map showing route numbers, terminus names, and major streets - early 1970's after route renumbering that stopped using routes like 4A. .2 - similar presentation but with a different style of showing the routes - double parallel lines. .3 - photograph black and white of an early 1950's map, showing Latrobe St, bus routes, but Bourke St still as a bus route. Shows Point Ormond and Footscray lines. Shows guest houses - see Reg Item 3720 for the actual map.trams, tramways, melbourne, map, tram & bus services, all night services, mmtb, guest houses

Document. KELLY & ALLSOP COLLECTION. One page handwritten letter from B. Allsop to Dr. Arthur, dated 14 th Nov.1901. Written on a Tattersall's Club, 224 Bourke St., Melbourne, letter head. B&W image of Sol Green, member of Tattersall's Club printed at top left corner. Relates to bank instructions not to pay a cheque of Frank Austin on the Union Bank, Geelong. Also a bit of personal chat. Names mentioned include Bill Moffat, Paddy Burns, Hautvillier, N. G. Lawrence, Charlie, George, Bank of Victoria, Heathcote, Tommy O'Brien, Lot Hood.B.Allsopbusiness, stockbroker, kelly & allsop, kelly & allsop collection, dr. arthur, b.allsop, tattersall's club, frank austin, paddy burns, union bank, hautvillier, n.g.lawrence, tommy o'brien, lot hood.

Colour postcard with serrated edges of MMTB Z class tram No. 2 in Spring St. Melbourne about to turn into Bourke St. Has two people stepping out of tram onto safety zone (no barriers). Tram has destination of "CITY - SPENCER ST." In background are the buildings of the Windsor Hotel, the Imperial Hotel and Nauru House. On rear of card is name of company "Nucolorvue" and caption "Melbourne Australia / Melbourne's new Z class tram Number 2.", card number NCV1419 in place for postage stamp, and copyright and symbols. See Destination City re introduction of Z class trams (1975)trams, tramways, spring st, melbourne, z class trams, tram 30, tram 25, tram 28, tram 5, tram 19

Colour postcard green border, divided back - 5 panel, titled "Melbourne Trams", 1 - W1 431 2 - SW6 872, Moreland, Route 15 3 - A288, Bourke St, route 111 to Exhibition 4 - W5 682, Merrin Eirth, Transporting Art Tram, Malvern Bourke Road, route 5. Tram was painted during 1987. 5 - Z2 113, route 95, route 95, Parliament House. Back has space for name and address, stamp and a message and details of the postcard, giving a brief history of trams in Melbourne, gives a date of 1983 for track distance. Photographs by Geoff Inkstertrams, tramways, w1 class, sw6 class, a class, route 111, route 15, route 5, z class, route 95, tram 431, tram 872, tram 288, tram 113

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography