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Wodonga & District Historical Society Inc
Functional object - Balloon Flashlight Magnifying Glass
The Balloon flashlight magnifying glass was donated by a resident of Wodonga and is an unusual example of glass magnifiers with an inbuilt light made by the Balloon company.The flashlight magnifying glass has local significance due to its donation by a resident of Wodonga. It also has historical significance as an example of a relatively rare type of vintage Balloon magnifying glass with an inbuilt light.Metal and plastic flashlight magnifying glass, with a light attached to the interior end of the handle, to illuminate the magnified area."TRADE MARK / BALLOON / MADE IN HONG KONG" on the dark brown plastic end of the handle.magnifying glass, flashlight magnifying glass, balloon magnifying glass, balloon hong kong -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Swan, Annie S. (Mrs Burnett Smith), The magic of love, [n.d.] [first published 1909]
250 p. : plain red coverfictionfiction, annie s. swan -
Creswick Campus Historical Collection - University of Melbourne
Still Image, 1964 - 1966
Subject: Combienbar River Project. 1964. 2 brown envelopes marked Run 16, 17 of c.18 prints total. Subject: Errinundra Project. 1966. 2 brown envelopes marked Run 12, 13 of c.14 prints total. Stored in an unmarked brown cardboard file box . Related to item 1507. Marked Errinundra Project..Combien Project...Ballarat Plantation.Aerial Photographs -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, c. 1850's
In the words of the donor, Betty Stone, "This pewter plate belonged to Joshua and Susan Chamberlain. They, with their family, arrived in Australia as assisted migrants in January 1855. Our Chamberlain family was among those chosen to participate in a Bounty Scheme and on 24 October 1854 embarked on SS Shand to begin their journey. A few years later they set up a home on a small farming property in Wangoom, Warrnambool with the possessions they had brought with them from the village of Thriplow, Cambridgeshire, England. Amongst those household possessions was this plate. During the first half of the nineteenth century, a Bounty scheme was introduced to encourage migrants to Australia to work on properties granted or sold to settlers. Agents in England were engaged to select suitable emigrants; applicants had to be "sober, industrious and of good moral character....and married men over the age of forty-eight were only eligible to receive the bounty if they had five or more children over the age of ten years'. The successful applicant also had to pay one pound sterling for each adult, and ten shillings for each child between the ages of one and fourteen years. This payment covered the cost of a mattress, bolster, blanket, small box, knife and fork, two spoons, metal plate, and drinking mug, all of which became the emigrant's property on arrival in the colony. The pewter plate, handed down from one generation to the next, was always valued by members of the family as an important artefact. The plate has a mark stamped on the back which is almost indecipherable." (Reference- Brown Martyn- Australia Bound! The story of West Country connections 1688- 1888 Bradford on Avon Wiltshire Ex Libris Press 1988 p 112.) (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The plate is an example of the goods emigrants brought to Australia under the Bounty Scheme in the 1850s.Pewter plate: metal plate with a wide rim and shallow bowl. The top has a gold-brown colour, underside is grey with a red-brown mark. Made c. 1850. The plate has an Inscription stamped on the back and front.It is part of the 'Chamberlain, Dale and Lees Collection' Maker's Mark on back: 'rectangle with rounded corners / T H all within a circle' almost indecipherable. Mark heavily stamped on front: 'L / T M'flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, pewter plate, emigration, bountey system, dinner ware, joshua chamberlain, susan chamberlain, 1855, emigrant, assisted migrant, ss shand, wangoom, triplow, cambridgeshire -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: LIGHT BROWN FOX FUR COLLAR, 1880-1900
Clothing. Light brown fox fur collar. Lined with brown cotton fabric. Two X 1 cm brown buttons at either end and seven X 1 cm brown buttons along length of collar.costume accessories, female, light brown fox fur collar -
Federation University Historical Collection
Booklet, Chatham-Holmes Collection: Holiday Diary, Elizabeth Chatham, 1985, 1985
Journal kept by Elizabeth Chatham while travelling overseas in 1985. Trip was to the United States of America and Canada.Brown Diary.journal, elizabeth chatham, 1985, canada, united states of america, chatham-holmes collection -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Belt
Leather Brownuniform, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Boots
Brown (with Cleats)uniform, c1945, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Shoes
Brown Womensuniform -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Binocular Case
Brown leatherequipment, ww2, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Shoes
Womens Brownuniform -
Ballarat Base Hospital Trained Nurses League
Dropper Bottle - Chloroform
Brown, glass.dropper, bottle -
Ballarat Base Hospital Trained Nurses League
Dropper Bottles x 2
Brown Glassdropper, bottles -
Ballarat Base Hospital Trained Nurses League
White Spirit
In brown bottle.white, spirit -
Ballarat Base Hospital Trained Nurses League
Trikresol
Brown Bottletrikresol -
Whitehorse Historical Society Inc.
Thimble
Brown Thimblehandcrafts, equipment, handcrafts, needlework -
Buninyong Film Festival
Newspaper Article, Pianist brings music to films
First piece of publicity to feature in The Courier newspaper, regarding the inaugural Buninyong Film Weekend (now known as the Buninyong Film Festival).Browned with age.Wed, May 19th, 93 -
Ringwood RSL Sub-Branch
Uniform - Tie from Prisoner of War reunion, C 2002
Probably made by a Prisoner of War Association for a reunion.Tie, brownRed triangle with gold crown and wording in gold JAVA 1942 -
Old School House Museum
Book, Second Book The Victorian Readers, 1937
Primary school reader pre world war IILight Brownschool book, frankston -
Queenscliffe Maritime Museum
Functional object - Bottle
Recovered from the wreck site of the Fiji. The barque Fiji left Hamburg on 22nd of May 1891. The vessel went ashore at 3 am on the morning of the 6th of September 1891in squally and boisterous weather soon after sighting Cape Otway. The wind had suddenly veered, and the vessel missed stays after attempting to wear ship and was driven onto the rocks. Attempts were made to launch the boats but they were swamped and dashed to pieces. Delays in getting the lifeboat and rocket apparatus to the scene resulted in 12 of the 25 crew drowning after 10 hours trapped on board. A local resident, Arthur Wilkinson, lost his life trying to save one of the crew who was struggling in the surf. Coffins were made out of the wreck timbers and the men buried on the cliff top above the wreck. The deaths precipitated critical comment in the press over the lack of prompt action. Other news items appeared claiming drunk and disorderly behaviour by plunderers amongst the corpses and wreckage on the beach. The controversy reached parliament.Brown bottleWarner's, Safe, Cure, Melbourne Aust, London Eng, Toronto Can, Rochester NY USAwrecks, salvage, bottle, barque fiji -
Buninyong Visitor Information Centre
Container - Ceramic bottle, K. Evans Potteries of Nottingham, Brown glazed stoneware bottle
Made in Nottingham, England by K. Evans. K. Evans Potteries in Nottingham has an intriguing history. During the construction of the Manchester, Sheffield & Lincolnshire Railway Company’s new London line (now known as the Great Central) through Nottingham, several objects of antiquarian interest were discovered. Among these treasures was an ancient pottery kiln, buried for centuries beneath the soft yellow Bunter sandstone rock that forms a significant part of the city’s foundation. The excavation took place near the point where Parliament Street intersects the railway, at a depth of ten to twelve feet below the original surface. The credit for rescuing many of these pottery fragments from destruction goes to Mr. C. B. Wright, of the late firm I. & I. C. Wright & Co., Bankers. His dedication and ingenuity allowed him to piece together broken parts, sometimes assembling as many as thirty or forty fragments to form a single complete specimen. These pottery pieces provide a fascinating glimpse into the past. Here are some details about the pottery found at K. Evans Potteries: Material: The pottery is made of coarse, reddish-brown clay. Construction: Evidence suggests that the potter’s wheel was used in their creation. Ornamentation: The vessels lack decorative patterns, except for indented or grooved handles. These handles exhibit a crude attempt at foliation, with the potter’s thumb leaving its mark. Function: The pottery likely served practical purposes, such as carrying water, ale, mead, or wine. Stew jars and drinking vessels were also part of this collection. This discovery remains almost unique, and its age continues to intrigue local antiquaries. While theories about its origin are scarce, the K. Evans Potteries offer a fascinating glimpse into Nottingham’s ancient craftsmanship. Cylindrical brown pottery jar (Bottle) with broken neck section. Uneven and work appearance of glazed surface.'... Stone bottles. K. Evans. ...Potteries of Nottingham'ceramics, pottery, bottles -
Coal Creek Community Park & Museum
Tea Pot
Gold-brown and brown coloured with fancy handle. Short gold-brown spout from near top. White inside from half way down. . -
St Kilda Historical Society
Ephemera - Booklet, With Remembrances and Hopes from the Padre of the 14th, 1917
Contains list of names of members of the 14th Battalion AIF 1917-1919. Published with 'remembrance and hopes from the padre of the 14th'. Booklet with cream coloured card cover (torn), printed in brown and gold and tied with a brown ribbon. Insert of single sheet of paper, folded, and printed in brown.14th battalion aif -
Whitehorse Historical Society Inc.
Leisure object - Chess pieces - 44
Mitcham Chess Club was established in 1970 and disbanded Dec 1976. Nunawading Chess Club reformed from Mitcham Club Jan 1977 and disbanded permanently 1998. It operated from The Avenue Neighbourhood House, Mitcham.Assorted chess pieces. Black pieces: 21, 7 ivory colour. Brown pieces: 3 brown wooden colour, 13 light brown colour.toys, games -
Falls Creek Historical Society
Photograph - Paul Hogan at Julian's Lodge 1973
Julian Newton-Brown arrived at Falls Creek in 1957. He had studied Pharmacy at Melbourne University. After developing a love for the mountains, Julian moved to Mt. Beauty and then Falls Creek. He worked for the SEC in the test laboratory at Rocky Valley reading weather instruments. By working several jobs, Julian was able to build a small lodge of 10 beds named “Arundel”, located at 18 Slalom Street, Falls Creek. The lodge is now the “Elk at Falls”. Arundel prospered and Julian extended it to include 32 beds and changed its name to "Julian’s” in 1961. When alcohol restrictions were eased in Falls Creek, Julian built a night club which he called “Big Julian’s” and later “THE MAN”. When Julian and his wife Beth retired and left Falls Creek, their son took over running the lodge. An active community man, Julian was a member of the Falls Creek Chamber of Commerce, a member of the SES, a stakeholder in Falls Creek, an author and a documentary maker. Julian Newton-Brown died in May 2020. In 2003 when this flyer was published operation of Julian's Lodge transferred from Julian and is wife Beth to their son Charlie Brown, a former Australian Champion and World Cup skier and his wife, Bena.This item is significant because it gives details of an important lodge at Falls Creek, Victoria.A black and white image of Paul Hogan, John Cornell and other people sitting near fire place in the dining room at Julian's Lodge in 1973. Paul Hogan and a group of actors and film crew spent several days in Falls Creek filming a Winfield cigarette commercial, in which they were portrayed as ski instructors. According to Julian Brown's book "Falls Creek - How it came to be", they brought in a truck load of polystyrene balls to create snow. The commercial was in 16mm for television and 36 mm for cinemas. It took them three days to shoot a six second scene in the dining room at Julian's lodge.julian's lodge, julian newton brown, falls creek ski lodges, accommodation falls creek, charlie brown -
Stawell Historical Society Inc
Archive, Stawell High School Welfare Union, 1926 - 1935
Stawell High School Welfare Union - Subscription Stubs Four Books - 1- 75 - 151 - 226 - 226 - 300 - 301 - 276 All wrapped in tissue Paper 1 Brown envelope - Correspondence 1 Brown Envelope - Balance Sheet 1930 & Receipts 1928 - 1934 1 Brown Envelope - Balance Sheet & Receipts 1927, 28,29 1 Brown Envelope - 1930 - to 1935 2 Bank Books Sunday Letters of Reply Subscription Forms Subscription Book 1926 - 1935 (Green Cover) Rough Minute Book 1929 - 1-35 (Black Cover) Series of Books and Records. Includes Subscription Book 1926-1935 and Rough Minute Book 1929-1935stawell, education -
The Beechworth Burke Museum
Animal specimen - Australaisn Bittern, Trustees of the Australian Museum, 1860-1880
The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australaisn Bittern is a stocky bird with mainly yellow and brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation it resides amongst in shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise its bill skyward in a pose which helps it camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern -
Creswick Campus Historical Collection - University of Melbourne
Still Image, 1956
Subject: Ballarat-Creswick Plantations Block A . 1956. 9 brown envelopes marked Run 4 No. 127 - 139 of c.75 prints total. Stored in a brown cardboard file box marked Creswick Run.6.Aerial Photographs -
Ringwood and District Historical Society
Memorabilia, Ringwood Horticultural and Agricultural Society Journal and membership list 1945 - 1978, including Ringwood Garden Club Constitution and Rules, 1945 - 1978
Ringwood Horticultural and Agricultural Society, including Ringwood Garden Club. Member names and receipts.Journal with brown leather spine and corners. Dark green covers 270 pp. - all used. Red label with 'Journal printed on it.; Member names and receipts. Ringwood Horticultural and Agricultural Society, including Ringwood Garden Club.Package includes: . Journal with brown leather spine and corners. Dark green covers, 270 pages- all used. Members names and receipts. . Ringwood Garden Club- Constitution and Rules, 1977. . Schedules for Annual Autumn Show, 1976 and 1977. . Suggested amendments to the Constitution of the Ringwood and District Garden and Horticultural Society. . Newspaper cuttings from The Mail dated 1934 and 1960. . Miscellaneous items of memorabilla. -
Merri-bek City Council
Acrylic on cotton, Amaya Iturri, Turbo, 2013
Turbo is a portrait of beloved local artist Trevor ‘Turbo’ Brown by Brunswick-based artist Amaya Iturri. Brown was a Latje Latje artist known for his bright paintings of dogs, birds and other Australian animals. Iturri worked with Brown in 2013 for the One of a Kind mural commission, supported by Merri-bek City Council, which can still be seen at Sparta Place, Brunswick. The two artists complement each other’s work, as they both use bright, figurative methods of painting to explore their subject matter. Iturri uses vivid blocks of colour to bring together a candid image of Brown drinking a coffee, which he often carried when out and about in Brunswick. The flecks of colour in the portrait blurs what is light and shade, and what is paint on Brown’s hands and face. True to Iturri’s painting practice, this portrait depicts Trevor ‘Turbo’ Brown as a local icon inseparable from his artworks – the perfect meeting place between life and art.