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Canterbury History Group
Book, Amanda Scardamaglia, Printed on Stone: The Lithographs of Charles Troedel
This book is the first to document the visual history of print advertising in Australia and in so doing provides a valuable illustrated social history of Australia. Charles Troedel (1835–1906) was a master printer and lithographer, and the face behind the production of most of Australia’s early advertising posters, product labels, and other print ephemera, as well as the iconic Melbourne Album. Troedel’s catalogue of lithographs trace the production and evolution of nineteenth century commerce and culture—in the home, at the bar, in health, hygiene and housework, with fashion and style and in leisurely pursuits—defining the legal categories under which this content was protected and the way advertising came to be regulated. A history such as this is only possible because of the well-preserved archive documenting the work of Charles Troedel and his firm Troedel & Co. This archive includes the corporate records of Troedel’s printing business spanning over a century, and nearly 10,000 copies of print specimens produced by the company, which were donated by the firm to the State Library of Victoria in 1968. The author of the book, Dr Amanda Scardamaglia, has meticulously researched this archive at the State Library Victoria. (Source: Royal Historical Society of Victoria website - https://www.historyvictoria.org.au/product/printed-on-stone-the-lithographs-of-charles-troedel-by-amanda-scardamaglia/)non-fictionThis book is the first to document the visual history of print advertising in Australia and in so doing provides a valuable illustrated social history of Australia. Charles Troedel (1835–1906) was a master printer and lithographer, and the face behind the production of most of Australia’s early advertising posters, product labels, and other print ephemera, as well as the iconic Melbourne Album. Troedel’s catalogue of lithographs trace the production and evolution of nineteenth century commerce and culture—in the home, at the bar, in health, hygiene and housework, with fashion and style and in leisurely pursuits—defining the legal categories under which this content was protected and the way advertising came to be regulated. A history such as this is only possible because of the well-preserved archive documenting the work of Charles Troedel and his firm Troedel & Co. This archive includes the corporate records of Troedel’s printing business spanning over a century, and nearly 10,000 copies of print specimens produced by the company, which were donated by the firm to the State Library of Victoria in 1968. The author of the book, Dr Amanda Scardamaglia, has meticulously researched this archive at the State Library Victoria. (Source: Royal Historical Society of Victoria website - https://www.historyvictoria.org.au/product/printed-on-stone-the-lithographs-of-charles-troedel-by-amanda-scardamaglia/)advertisements, printing industry -
Ballarat Apron Festival
Apron, The Ballarat Apron, 2014
This apron was designed for the Ballarat Apron Festival by local designer Clare Schreenan of Clasch Designs Ballarat. The tartan fabric was designed by Art Gallery of Ballarat for the 2014 exhibition “For Auld Lang Syne: Images of Scottish Australia, from the First Fleet to Federation”, and is officially registered with the Scottish Register of Tartans. The colours are highly significant: grey being chosen for the basalt plains on which Ballarat is built upon; Blue and white representing the Eureka Flag; and yellow for the gold that has made Ballarat so famous. Born in Ballarat, Schreenan attended Loreto College before studying fashion at Melbourne College of Textiles. She has worked extensively in Sydney, travelling to Paris, London and Los Angeles for work projects. She returned to Ballarat in 2006, launching Clash Design. Featuring the official, highly symbolic Ballarat tartan, and made by highly renowned local designer Clare Schreenan, this contemporary apron is of local significance to the Ballarat community. Grey, blue, white and yellow wool tartan fabric apron with asymmetrical design. Velco closures on back with zipper detailing. ballarat, tartan, apron -
Wodonga & District Historical Society Inc
Functional object - Coal Scuttle Sugar Bowl and spoon, Stewart Dawson & Co. Ltd, before 1935
This sugar bowl was manufactured by the firm Stewart Dawson & Co. The firm was active as jewellers and watch manufacturer at Hatton Garden London, with premises in Melbourne and Sydney, Australia. In 1907 the firm was converted to Stewart Dawson & Co Ltd under which name in traded until c1935.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. It belonged to her mother, Mrs. Yardy.A sugar bowl fashioned in the shape of a coal shuttle with a scoop-shaped spoon. Made from silver plateOn underside of bowl: "EP SD & Co. LTD in shield BM/ 4662'sugar bowl, plate silver -
Woodend RSL
Headwear - Military Peak Cap, Possibly 1942. May be associated with jacket bearing 10/12/1943 as date of manufacture
Presumably World War II based on comparison with silimar items. Initials inside cap may be associated with item to jacket, initialled with Lt. H. Dixon, VI. 7290.This item has historical signifigance as a an example of Australian military uniform dating presemably to World War II. Military peak cap, dark green. Brown leather chinstrap, attached by buttons on either side of visor with lettering 'AUSTRALIAN MILITARY FORCES' and Australian army insignia. Top of cap has double row of top stitching in dark yellow thread. Metal rimmed air holes (two) on each side under top of cap. Inner band made of brown leather embossed or printed with maker inscription. Rear of inner band has a row of rectangles punched through leather .50 mm in length, 22 in total, threaded through with gold coloured ribbon, tied together at centre back. Inner cap lining made of pale gold fabric, with diamond shaped liner/swear shield attached and topstitched in gold thread. Bronze coloured badge above visor with lettering Australian Commonwealth Military Forces.'THE MYER STORE FOR MEN MILITARY TAILORS MELBOURNE & ADELAIDE' on inner band in gold. Hand written initials H, and what appears to be D N (area has tears and insect damage) visible on lining behind visor. Initials in black marker. military, war, fashion, uniform, head, style, fabric, textile, cap, hat, visor, peak, outfit, myer, tailor, australian, forces, headwear, commonwealth. -
Woodend RSL
Uniform - Hat, 1968-69
Possibly Vietnam era hat, based on date of manufacture. This hat is an example of Vietnam era military headwear. Hat, or military peak cap of olive drab fabric. Base of cap has four metal rimmed air holes at rear above band. Cap has brown leather chin strap with double band of leather across the front of visor secured by a single leather loop on each side. The chinstrap is attached to the cap at both ends, with gold buttons featuring Australian army insignia. Inside of cap has a brown leather band, attached with brown thread in a zig zag stitch; the other end of brown headband is unstitched. The cap is lined with olive green fabric which is synthetic in appearance, and covered with a clear sweat shield. A manufacturer’s label in white fabric is sewn to the centre of the inner liner. A white, rectanguar identification label is attached to the inner band.‘MADE EXPRESSLY FOR DEPARTMENT OF SUPPLY 1968-69 “EMERCO” MELBOURNE’ on inner leather band in gold. ‘M. REINER &CO.PTY LTD SIZE (BLUE ARROW LOGO DENOTING DEPARTMENT OF DEFENCE) 6 5/8 VICTORIA AUSTRALIA’ on label in blue print at centre of inner cap. ‘REGIMENTAL NO.______________ NAME____________’ in black print, side of cap.emerco, military, hat, cap, headwear, peak, war, fashion, outfit, department of supply, vietnam. -
Falls Creek Historical Society
Ephemera - Brochure J. Molony Ski Shop, 1964
Established in 1854 in King Street Melbourne by James Molony, the family owned business of J. Molony initially specialised in shoemaking. Several members of the family were recognised ice hockey and figure skaters who have represented Australia in international winter events including the 1952 Olympic Games in Oslo, Norway and the 1976 Innsbruck Winter Olympics. Molony’s in Elizabeth Street expanded their business with a focus on ski equipment, opening new premises in Falls Creek in 1960 This brochure advertises their available lines for 1964.A 1964 Brochure for J Molony Ski Shop. The brochure is printed in colour and the front bears a caricature of a skier with equipment On front cover: j. molony SKI SHOP 1964 / Established for 110 yearsj molony, molony ski shop, skiing, falls creek, ski fashion, winter, snow, snow fashion, 1964 falls creek -
Melbourne Legacy
Pamphlet - Document, brochure, Legacy Ball, 1938
A notice of a charity ball that was being held for Legacy. It mentions that the bars open at 9, supper served at 11, and a hot buffet at 12.30am. A newspaper article on Trove describes the attendees and their fashion. Another article mentions that the ball raised £453 for Legacy. Charity balls were held with the proceeds from the evening going to aid Melbourne Legacy. The ball was held under the patronage of 'His Excellency the Administrator of the Commonwealth of Australia, General Sir Dallas Brooks.' From Wikpedia: "Brooks was appointed Governor of Victoria by Premier Thomas Hollway and served from 1949 to 1963. During his term as governor, he acted as Administrator of the Commonwealth three times. He served in this capacity for almost seven months after the governor-general, Viscount Dunrossil, suddenly died in office in 1961 after serving only one year. Sir Dallas was in effect Acting governor-general until the appointment of the Viscount De L'Isle.A record that Legacy used gala dinners and balls for fundraising events. Printed notice of a ball to be held in aid of Legacy, at Palais de Dance, St Kilda, 12 May 1938.fundraising, events -
Merri-bek City Council
C-type print, Rennie Ellis, Richmond Fans, Grand Final, MCG 1974, 1974
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. -
Merri-bek City Council
C-type print, Rennie Ellis, The Streaker, Grand Final, MCG 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a woman streaks at an AFL game – two players stand in frame with her, a Richmond and Collingwood player respectively. Behind them the crowd and a large Richmond banner can be seen. Playful and spirited interactions such as this are a key aspect of Australian football culture. -
Merri-bek City Council
Giclee print, Rennie Ellis, Policeman, Jolimont 1973, 1973
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a young police officer stands on the stadium ground with his arms sternly crossed, while the crowd waits for the game. This photo highlights the tension between passionate crowds and the police at AFL games. -
Merri-bek City Council
Giclee print, Rennie Ellis, Fan escorted by policeman, Jolimont 1974, 1974
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. -
Merri-bek City Council
C-type print, Rennie Ellis, Man standing with table of football fans’ merchandise c.1986, c. 1986
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Kids on MCG after VFL game 1980s, c. 1980
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Richmond teddy mascot in a car 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Three tiers of spectators in stands at game, 1972
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Malcolm Fraser, VFL Grand Final 1979, 1979
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis’ photograph Malcom Fraser, VFL Grand Final 1979 we see a young supporter shake hands with Liberal Prime Minister, Malcom Fraser. In the grand Australian tradition, politicians and PMs are active in the football sphere. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis capturing the nations love of the game. Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Carlton Supporter, VFL Grand Final 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Hymettus Cottage & Garden Ballarat
Magazine, Life Australia
This is volume 1 of 45 held in the library at Hymettus cottage and bound in covers as a book, one of three volumes incorporating every edition in the series.. Life Australia was produced at Melbourne Victoria in 1967 and ran to 45 volumes when closed by the parent company in the USA in 1968. Although very American in the views espoused it was a significant step in attempting to produce a magazine of international focus in Australia. The brief period was also significant in Australia and the magazine covered events such as the Beatles visit to Australia, the seven day war in Israel, the conflict in Vietnam and the drowning of Prime Minister Harold Holt.The magazine, Life, was cosmopolitan and sophisticated in the USA and the Australian edition was identical in format, although fussing on local perspectives. it concentrated on serious current affairs and more profound cultural and political analysis, as well as a strong focus on fashion, lifestyle and nature. It was known for its striking front covers and high quality, stylized photography. and the local product lasted through 1967-68 producing 45 editions before ceasing and reverting to the International product.harold holt, vietnam war, australia, life australia magazine, melbourne, the beatles -
Melbourne Royal
Photograph, 1976
The Sun Country Show Girl Quest, 1976. This presentation is on the stage of Wool Court on the Showgrounds. The compere in the suit is Brian Naylor. Naylor was an RASV Councillor from 1977-83 and a well-known news presenter, particularly for Channel 9. He often provided commentary and was a compere for several Show events, including the Miss Show Girl competition, Arts and Crafts, and the Australian Wool Corporation's Wool Fashion Parades, both before and during his time on Council.Black and white photograph, landscape.[Inscription on A4 History/Identification Project placed with photo] Approx date: 1976. The late Brian Naylor, Channel 7/9 news reader, RASV councillor. Presentation of Showgirl finalists on stage at Wool Court. Tim Morgan 23/4/2013royal melbourne show, naylor, brian naylor, miss show girl, sun miss show girl, 1976 royal melbourne show