historic, miningColour photo, Mine holes and mounds in open field, dry grass, gum forest in valley below. Green Hill Diggings, Sandy's Hill Rd., Durham Leadmining, green hills, sandy's hill rd., durham lead

Sketch was done as a sample of the artist's work when a drawing was sought to be the picture of the station on the interpretive sign planted at Yendon station. Although this is an excellent interpretation of the station building, it was thought to be too detailed for the purpose.Pen and ink detailed drawing of Yendon station building, with 2 people standing on the platform. Frame is timber, 50mm wide, mat black, with an 8mm silver trim around the cut-out hole.Signed by Mervyn Hill at the bottom right hand corner.yendon railway station, hill, mervyn, ink drawing

Gouache and ink painting of an abstract design. Signed (L.r) 'Daryl Hill' and dated (L.r) 1963.daryl hill, painting, gouache, ink, abstract

Towong Hill Homestead is a 110-year-old Federation style mansion situated on a rock outcrop, with views of about 260 degrees. It was built over 2 years by grazier Walter Mitchell from bricks made from local clay dug from the river bank, to be the family home for his new bride Winifred. They established their home in 1904. After the death of Walter in 1917, Winifred relocated her family, but the homestead remained in the families hands. In 1935, Thomas Mitchell (1906-1984) returned home to Australia, a successful Lawyer, and married city girl, Elyne Chauvel, and settled himself back at his childhood home, Towong Hill. Thomas was a world champion slalom skier, had been a prisoner of the Japanese at Changi, and was elected for the Country Party in 1946 and served as attorney-general in the McDonald government. His wife Elayne (1913-2002) is best remembered for her Silver Brumby series of novels for children. But Elyne also wrote a substantial number of non-fiction works about the Snowy Mountains. Photographs demonstrate local Kiewa Valley residents enjoying a community visit to the historic homestead at Towong Hill which holds significance to the early history of the area. Also demonstrates a pictorial history of social activities undertaken during this period2 black and white photographs mounted on buff card. Kiewa Valley residents attending afternoon tea at Towong HillHandwritten in black pen underneath photo - T.W.Mitchell Towong Hill. Afternoon Teat w mitchell, towong hill, kiewa valley

Trig Point Big HillBlack & white copy of a photograph of an iron frame, which is shaped like a tripod. Known as a Trig Point - it marks the highest point on the hill. It has a metal disc on the top. Car in the foregroundnonestawell, triangulation pillar

This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. MARINER'S CROSS symbol: - The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says, “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery are examples of traditional handcraft skills used over the centuries and continuing in use today.Altar cloth, white linen, with custom-made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand-stitched. The cover has two white tape ties and embroidered text in blue silk thread. This cloth and cover is part of the St. Nicholas Seamen's Church Collection. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross, flagstaff hill maritime museum and village, maritime village, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church

Opening of Pioneers’ Memorial c 1938. The photo was taken to commemorate the crowd gathering at the opening of the Pioneers' Memorial. To the right in the photo, people are seated, while on the right the majority of the crowd is standing. Black & white photograph of the opening of Pioneers' Memorial c 1938. The photo is taken from the memorial looking down into the crowd. To the right in the photo, you can see the sides of the steps and people seated in cane chairs. On the left side the majority of the crowd is standing. In the background the moonlight dam can be seen plus a ladder leaning against a pole to the right.Opening of Monument on Big Hill. stawell

Shows old drive in theatre screenFebruary 1987. Taken from Mahnke Street.Big Hill Feb 87mining

Victoria Theatre at Sovereign Hill ran Music Hall theatre weekly. Players in this group included (left to right) Andrew Dark, --- , Jacqueline Dark, Wendy Holgate and Peter Eyres. The program included songs, melodrama and skits. Photograph of performers on the stage at the Victoria Theatre Sovereign Hill. To the far left is Andrew Dark, and in the centre is Jacqueline Dark.B'RAT 4302 N N N+1Asovereign hill, victoria theatre, jacqui dark, andrew dark, theatre, goldfields, music, jacqueline dark

The building of a three-storey mosque has been approved by Whitehorse Council to be built at 245 -247 Canterbury Road, Forest Hill in place of an old funeral parlour.The building of a three-storey mosque has been approved by Whitehorse Council.forest hill, religious structures and establishments, canterbury road, forest hill no. 245 - 247, city of whitehorse

Mollie Hill was a famous Welsh-born Australian watercolourist who studied at the Melbourne National Gallery Art School and is known for her 'eye for colour'. Her work features many landscapes of northern Victoria as she lived for some time in Shepparton and Wandiligong. She was also a well-known journalist. Depicted in this painting is the old council borough offices which were demolished in 1962. Rural City of Wangaratta Collection. Gift of Wangaratta Co-operative Housing Society No. 3 Ltd.A watercolour landscape of the old Wangaratta borough offices painted using shades of green, red, blue, and brown.Obverse: Mollie Hill/ (bottom right corner) PRESENTED/ TO THE BOROUGH OF WANGARATTA/ BY WANG. CO-OP. HOUSING SOCIETY/ NO. 3. LTD. IN APPRECIATION OF THE/ GENEROUS ASSISTANCE RECEIVED./ (in mounting board)wangaratta art gallery, mollie hill, watercolour, painting, landscape, borough offices

Student enrolments for Forest Hill State School from 1926 to 1937.A photocopy of School enrolments of Forest Hill Elementary School NO. 4251 stating student's name, date of birth, date of admission, parents' occupation and previous school and day of last attendance at the previous school.forest hill state school no. 4251

A group photograph of the men and women of the Brown Hill Progress Association. Back Row: Charlie Rice, Bill Tainsh, Bill Proven, Ernie Williams, Bill Bawden, Eddie Dovington, Joe Morrison, Lou Heighway, George Palmer, Tim Eustace, Jack Quinn, Frank Opie, Tim Fauldo. Second Row: Melville Anstis, Frank Nankervis, Bob Shattock, Ernie Craig, Alex Clark, Harold Leeder, Chris Wendt, George Thomas. Third Row: Lil Banoy, Eric Powell, Dolly Ellis, Val Buchanan, Em McPhail, Estelle Young, Gwen Collett, Pearl Findlay, Katie Roberts, Ruby Fanar, Evelyn Hassell, Mavis McTaggart, Mr Williams, Earl Clark. Fourth row: Doris Wilton, Marg Lamont, Lil Messer, Nancy Strange, Mavis Franklin, Eva Trevenen, Gwen Grose, Millie Richards, Doris Lugg, Nell Oliver, Rita Robbins, Josie Saff, Eunice Rodda. Fifth row: Mr Lovett, George WIlliams, Miss Cousins, Mr Webb, Nellie Hodgetts, Mr Chaplin, Miss Molly Hayes, Mr Shattock, Mabel Richards, Mr Squires, Myra Reny, Prue Rooney, Jessie McIver, Mr Lavaro Front row: Jack Beng, Henry Foss, Albert Benjamin, Ralph Stout, Jack Collinsbrown hill

The Whitehorse Landscape as seen by the first settlers contains elements of natural history, geology, weather, local hydrology, vegetation and Fauna. With list of sources, glossary of terms and index. With photographs.25 page booklet, indexed. White covers with picture on front and embedded in the text. +Additional Keywords: Presland, GaryThe Whitehorse Landscape'

This book describes the type of vegetation that covered the landscapes of the area, where streams flowed, when wetlands occurred and which species of mammals, birds, reptiles, fish & insects inhabited the area. Author: Gary Presland.This book describes the type of vegetation that covered the landscapes of the area, where streams flowed, when wetlands occured and which species of mammals, birds, reptitles, fish & isects inhabited the area. Author: Gary Presland.whitehorse region, natural history, vegetation, fauna, geology, (mr) gary presland

The wood from which the bowl was turned came from the original Lone Pine Tree that stood by the Shrine of Remembrance in Melbourne for many years.A round bowl made from pine wood. Details around the bottom. "The Lone Pine Gallipoli produced seeds which were subsequently planted in Australia. This bowel was made from the wood of one of those trees"

Paul Lambeth's photography classblack and white photographin pencil on verso "Black Hill Ballarat"black hill, ballarat, east ballarat heritage project, paul lambeth

St. Patrick’s Catholic Church and surrounding buildings 1880's. Poppet heads can be seen in the foreground and mining spoil around Big Hill. Behind the church is the Poppet Head of No4 North Scotchmans. The Poppet Head at the left of the photo is No1 & No2 North Scotchmans which joined with the Stawell Amalgamated Scotchmans Company in 1887. Early view of St Patrick's Catholic Church and surrounds from Big Hill. Mining works and spoil in the forground. stawell, panorama, mining

Some of the earliest regular attendees at Brown Hill Methodist Chapel (tent) were Mr and Mrs J.I. Kelly, Daniel Kelly, Mrs Heywood (formerly Kelly), Mrs Powell, Mr and Mrs Robert Allan, Mr and Mrs Fitzsimons.Copy of a black and white photograph of the Brown Hill Methodist Church, later the Brown Hill Uniting Church. A weatherboard church was built c1857 at a cost of 400 pounds. Itg also served as a school house. The brick church was built in 1969 at the cost of 714 pounds. The architect was Joseph Attwood Doane and the foundation stone was laid by George Smith. brown hill uniting church, brown hill methodist church

Panorama View of Stawell from Big Hill with Grampians in Background. c 1960 looking Down top end of Sloane Street across Fisher Street. Stawell Court House visible. Top end of Main Street Visible corner of Patrick and Main StreetBlack & White photo of Stawell from Big Hill. View showing Upper Sloan St with Fisher St crossing to the right. stawell, panorama, streetscape

A thousand years of Warrnambool history has been documented in this creative tapestry, woven in 1988. The Tapestry hangs in the Great Circle Gallery at Flagstaff Hill and complements the theme of the display. Three local women with the help of Museum staff researched and designed the tapestry, which was woven in 1988 from wool and cotton. It is 10 meters long and 70 cm deep and took 7 months to create. The tapestry introduces the seafaring theme of the Center and illustrates a timeline of events dating back to the arrival of Europeans in the Warrnambool area. It begins with the settlement of the area by Europeans and travels back in time as you walk further into the gallery, depicting shipwrecks along the coast, whaling of the area, early exploration by Europeans James Grant and Nicholas Baudin, back to the indigenous settlement of the area, represented by middens and indigenous symbols. (Interestingly prior to being hung in the gallery, the tapestry was originally hung with the intention of being framed from right to left). All materials in the cotton and wool tapestry, includinghand-dyed dyed wool, were prepared for a cost of $33,000. (This information is from Flagstaff Hill Maritime Village's Exhibit fact sheet)Tapestry of the early history of Warrnambool area, rectangular in shape. Materials include cotton and wool, some of the wool being hand dyed. Made in 1988 by local women.A plaque accompanies the Tapestry "Flagstaff Hill Maritime Tapestry / 1989 / Tapestry: Woven Cotton and Wool / Mary O'Brien Gerda Shanley / Judith Stewart Beryl Conlan"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tapestry, warrnambool history, warrnambool textiles, south west victoria history, south west victoria timeline, indigenous people

The Hill Hotel was one of 3 hotels in Mitcham in the 1890's.The licensee was Mrs Bridget O'Callaghan. The hotel was situated on the south-west corner of Station Street and Whitehorse Road. It was delicensed in 1919Black and white photograph of the Hill Hotel, Mitcham, after it had closed in 1919. Graffiti on chimney.|See also NP1329. Alternative name - O'Callaghan's Hotelhill hotel, o'callaghan's hotel, hotels

This item is part of a collection donated by Helmut Grzegozewski (Ziggy) who served in the Royal Australian Infantry Corps, 3rd Battalion, The Royal Australian Regiment from December 1967 to November 1968 This flag was raised by signallers of Company Headquarters C Company, 3 RAR, on Hill 323 in the Long Hai Hills, Vietnam, during Operation Pinnaroo on 19 March 1968. The Company had been warned for a move up the hill by foot through suspected minefields to secure a landing zone for the insertion of A company. The flag was carried up the hill by the signallers and raised.A laminated copy on white paper is the Australian Flag from Hill 323, Long Hai, bearing a nominal roll of members of C company, 3 RAR, who took part in Operation Pinnaroo 8 March - 13 April 1968.australian flag, hill 323, long hai, nominal roll, c company, 3 rar, grzegozewski, helmut, ziggy, 39121, royal australian infantry corps, 3rd battalion

In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971.Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 3. Watercolour on dyelinetower hill, robin boyd, ohm2022, ohm2022_15

Valentine Series No. 1085. Panorama of Stawell. c1930 Tree on Right of photo taken from Big Hill. Businesses in Patrick Street Visible. Town Hall does not have Clock Tower. One postcard & one enlargement. Black & White Panorama of Stawell from Big Hill with 9 evenly spaced trees in foreground & large tree to the right, c 1920's.Valentine Series No. 1085 Panorama of Stawell.stawell, panorama, streetscape

Sunset from Big Hill. The photo shows the Stawell township with the Grampians in the background and the sun setting behind the Grampians. The majority of the image is a view of the cloud formation. Photo taken by Carol Anne JonesColour photograph of sunset from Big Hill. The photo shows the Stawell township with the sun setting behind the Grampians. The majority of the image is a view of the cloud formation.Carol Anne Jonesstawell