The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1White polo shirt with the logo "The Celebrated Emu Creek Bush Band" printed centre front in blue and yellow. In the centre of the logo is d drawing of the head of an emu with one eye open and one eye closed. Clothing label identifies the manufacturer - Centavic Clothing, For Embroidery and Screen Printing. Includes Phone and Fax numbers. Size XXL.colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection

The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1Sky blue windcheater with the logo "The Celebrated Emu Creek Bush Band" printed centre front. The Band's symbol of the head of an emu is in a circle enclosed by the Band's name in blue and yellow lettering. Clothing label identifies the manufacturer - "L. Baker,". Includes Phone number. Reverse of label gives care instructions and "Made in Australia".colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection.

Rose Series postcard No. P 119, titled "Swanston Street Melbourne", looking south from just to the north of Bourke Street. Has trams W5 class No. 803 (Route 8 - Toorak) and W2 class 277 (route 2A City). There is a bus on the right hand side of the photograph. Also In the photo are the Royal Mail Hotel advertising Black and White Cigarettes, Fosters Larger. Carlton Ale, the Leviathan building, the Town Hall and a sign for Browns.Yields information about Swanston St. at the intersection with Bourke St. C1938.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Unused.Has the tram numbers in pencil on the rear of the card.trams, tramways, w2 class, swanston st, w5 class, tram 803, tram 277

"Meeting Under the Pergola to Chat" is part of the Banksia Gardens collection from 1998. It captures a moment of social interaction within a public space designed for residents of social housing to meet and engage with their neighbours. This image highlights the significance of communal areas in fostering a sense of community and belonging among residents. The pergola serves as a focal point for social gatherings, reflecting the thoughtful urban planning aimed at enhancing social cohesion and quality of life in the housing development during that period.The photograph titled "Meeting Under the Pergola to Chat" is part of the Banksia Gardens collection from 1998. It depicts social housing with public spaces designed for neighbours to meet and interact. This image captures the essence of community life and the importance of shared spaces in fostering social connections within the housing development. The photograph not only documents the architectural and social planning of the era but also highlights the value placed on communal areas for enhancing the quality of life for residents.Colour photograph on glossy photographic paper."Pergola where neighbours meet to chat, Public Housing"/"Banksia Gardens 1998"social housing, banksia gardens, pergola, meeting place, 1998

The meeting place at Banksia Gardens Estate in Broadmeadows, captured in 1998, holds significant historical value. This public housing area, where people gathered at the pergola, serves as a testament to the community spirit and social interactions that were central to the estate's external development. The photograph records the evolution of Banksia Gardens, highlighting its role as a hub for community engagement and support. It reflects the importance of creating accessible and inclusive spaces that foster social connections and enhance the quality of life for residents.The meeting place at Banksia Gardens Estate in Broadmeadows, captured in 1998, holds significant historical value. This public housing area, where residents gathered at the pergola, exemplifies the community spirit and social interactions that were integral to the estate's external development. The photograph documents the evolution of Banksia Gardens, highlighting its role as a central hub for community engagement and support. It underscores the importance of creating accessible and inclusive spaces that foster social connections, enhance the quality of life for residents, and contribute to the overall development of the community.Black and white photograph on glossy photograph paper.Public housing where people meet at the Pergola/Banksia Gardens, 1998banksia gardens, broadmeadows, 1998, public housing

In 1998, the Banksia Gardens Estate was a hub of community activity, as evidenced by various neighbourhood gatherings. One notable event captured in a colour photograph shows a group of women and children engaging in conversation by the side of the road, with a boy on a bicycle nearby. This image, taken out the front of a residence, in Banksia Gardens, highlights the social dynamics and communal interactions that were prevalent in the estate during that time. Such gatherings were integral to fostering a sense of community and belonging among the residents.The photograph from 1998, depicting a group of women and children conversing by the side of the road in the Banksia Gardens Estate, holds significant historical and social value. This image, taken out the front of a residence, captures a moment of everyday life and community interaction. The presence of a boy on a bicycle adds to the scene's authenticity and charm. Such neighbourhood gatherings were crucial in fostering a sense of community and belonging among the residents. This photograph serves as a poignant reminder of the social dynamics and communal spirit that characterised the Banksia Gardens Estate during that period.Glossy colour photograph on white photo paper.Neighbourhood Gatherings Public Garden/Banksia Gardens 1998banksia gardens estate, broadmeadows, public housing, 1998

This appears to be a photo of all or most of the Pupils and Staff of Ararat Church of England School, ca1920s. The names of all or most are written on the back of the photo.This is an early photo of the Ararat Church of England School. The date, and the names attached to or written on the back of the photo add to the signficance of the photo, making it of local significance.Black and white photograph mounted on cardboard. The photograph shows a group of 39 students in four rows and a man and woman standing to their left. They are in front of a brick building.Inscription: on back, both written in ink, and repeated on an affixed cardboard label. Church of England Grammar School 1920's./ Back row left to right L. Wright, H. Banfield, T. Butt, N. Gamson, R. Hodgetts,/ T. Webb, Mr T. C. Cochrane, Miss K. Webb, First row M. Webb, L. Robertson,/ J. McKay, T. Brown, E. Brown, B. Edwards, D. Hayman, I. Edwards/ Second Row - G. Foster, J.H. Webb, B. Hayman, E. Noltenius, Temple/ B. Richardson, I. Gibletr/ Front Row: F. Ramage, W. Owen, J. Dunn, J. Foster/ M. Hayman, L. Ford, B. Nolteniuseducation, 1920, school, teacher, church-of-england, pupil, ararat-church-of-england-school, ararat-school, ararat-education

Indicates the boom time experienced for Junior Cyclists at the Geelong Cycling Club during the years 1996-2006 This shield has an important place in the history of juniors in road cycling in Geelong.A mahogany coloured wooden shield with brass plated plaques containing inscriptions of winners of the junior road aggregate of the Geelong West Cycling Club during the years 1996-2006. There is an emblem of a cyclist and a banner at the top centre of the shield. "Geelong West Cycling Club/1996/Tim Wilson/1997/Andrew Tivendale/1998/Christopher Fry/1999/Mark Hudgell/2000/Rohan Chisholm/2001/James Stewart/2002 Danielle Budgell/2003 Brittany Foster/2004/ Chesney Milne/2005 Chesney Milne/Sponsored by/Junior Road Aggregate/Bill Clifton"geelong west cycling club; tim wilson; andrew tivendale; christopher fry; mark hudgell; rohan chisholm; james stewart; danielle budgell; brittany foster; chesney milne; chesney milne; junior road aggregate; bill clifton;

The subject of this photograph was unidentified for many years, but in 2014 the photograph was identified as probably of Mary Broadstock Tame, the aunt of John Burnham Tame. (J. B. Tame was the son of Mary's brother Charles Tame). Mary Broadstock Tame was the wife of Joseph Shepherd, who ran Shepherd's Family Grocery & Ironmongery store in Sussex Street, Linton. They had no children of their own, however they are known to have fostered several children, including Mary's nephews Alfred and Edwin Darling, as well as Ruby Barton.Sepia Carte de Visite portrait of a woman with hair drawn to back of head, wearing dress with white collar.mary broadstock tame, mary shepherd nee tame

These two cards have been sent In 1929 by two early Warrnambool amateur radio persons to William (Bill) Douglas, an amateur radio person with the call sign, VK3GA. The cards are QSL cards, sent as a result of radio contacts being made between two amateur radio persons. Bill Douglas (1898-1986) was a Victorian schoolteacher who was the first licensed amateur radio person in the Otway Ranges district. He was licensed in January 1929 and these cards refer to radio contacts in the July of that year. The cards do not feature the call signs of the contacts but were standard cards used by amateur radio people who did not have personalised cards at the time,. One card was sent by J.F. Anderson (VK3WN) whose address at the time was 100 Foster Street, Warrnambool. He was possibly connected to the family of James and Jane Anderson who lived for some time in Foster Street but later went farming in the Nullawarre district. The other card was sent by W. Brown of 23 Mackay Crescent South Warrnambool (call sign unknown). No information has been found on this person.These two cards are of some importance as they are very early examples of amateur radio operations in Warrnambool. .1 A rectangular card, very faded and torn at edges. The card has a red border and red and black printing and handwritten material. On the back is a handwritten letter. .2 A rectangular card, very faded and torn at the edges. The card has a red border and black and red printing and handwritten material. On the back are a postal franking stamp, a green postage stamp and a handwritten address.1 a handwritten letter .2 Radio VK3GA Lavers Hill Victoriaamateur radio stations, w. douglas vk3ga, j.f.anderson vk3wn, w.brown warrnambool

Large cream, beige and greenish certificate awarded to Miss A. Foster for First Prize in the Piano Solo (under 12) at the Austral Literary and Debating Society's Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1906. At the top are two angels, 1 playing a harp and 1 writing. At the sides in the centre are ladies dressed in robes and at the bottom is a lady dressed in robes and carrying a harp. Decorative scroll work and leaves decorate the certificate. On the back is a label: From D. G. Coope & Son, Picture Frame Manufacturers, The Fine Art Gallery. Mitchell Street, Bendigo. Established 1871. Signed by E. ??, President and ? Byrne, Hon. Secretary.document, certificate, music, foster & wilson collection, piano certificate, miss a foster, austral literary and debating society, ? byrne

Black and white print of a donated negative. Print made 12/1998. Photo of SEC tram No. 33 at the Sebastopol terminus with the Royal Mail Hotel in the background. Photo taken during 1968. Tram still has destination of Sebastopol on north end, Fosters Lager sign on hotel and Twin Lakes sign on the tram. Tram overhead has the sheet metal device to assist in putting the trolley pole back on. Two parked cars in the photograph. Photo shows ground conditions at the terminus and taken at same time as Reg. Item 863. Driver turning the pole at the time. Negative rescanned 9-5-2020 and image updated.tramways, trams, sebastopol, royal mail hotel, ballarat, 33, tram 33

From the 18th Century museums and individuals have collected man's manufacturing work, the bottle. In Australia some collections have been in existence for over 60 years although most collections stem from the mid- to late 1960s. This national exhibition, the ninth Australian exhibition, is conducted by the Colac Bottle Collectors Club in 1980 to foster the collection, study and preservation of old bottles. The majority of bottle shows are run on competitive lines with the host club setting the categories and judged by collectors considered to have wide knowledge and experience. Ninth National Bottle Exhibition, Colac, Victoria. Your souvenir booklet. Colac Bottle Collectors Club; Colac (Vic); 1980. 36 p.; illus. Soft cover.colac; bottles; collectors; history; glass; ceramics;

Through his position as a stockagent's clerk Billy, a proper dingo if ever there was one, is able to learn that some of the cattlemen intend to beat the duty by swimming their newly bought cattle back to Victoria. Sneaking down the back alley to the Police Station he sells this information to the authorities. Only Lennie, the halfwit roustabout from the store, follows and observes him, and, by riding O'Day's horse out of town, prevents his friend from travelling with the drovers who get caught in the police trap. W.O. Tom Foster as a N.S.W. trooper.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 13des martin, many a mile, ringer's river, northeast victoria stories

This 1994 photograph of Jacana Primary School’s students and staff holds lasting historical and emotional significance as a visual record of early childhood education within a now-closed institution. It reflects the school’s vibrant community spirit, cultural diversity, and nurturing environment, preserving the legacy of a place that once played a vital role in shaping young lives and fostering local identity. As a snapshot of its era, it also offers insight into the fashion and hairstyles of the time, making it a meaningful artefact for former students, staff, and the broader community.This photograph of the students and staff of Jacana Primary School in 1994 holds enduring historical and emotional value as a visual record of early childhood education in a now closed institution. It captures a moment in time that reflects the community spirit, diversity and educational environment of Jacana during its operational years. As the school has since closed, the image swerves as a poignant reminder of the role Jacana Primary played in shaping young lives and fostering local identity. It is a valuable artefact for former students, staff and the broader community, preserving the legacy of a place that once stood as a cornerstone of learning and connection. The image is also a record of the fashion and hairstyles of the era. Colour photograph, mounted on white card with a black border and laminated.jacana primary school, students, staff, 1994, education

The two little girls are Regina (Nina) and Marguerita (Rita) Black, daughters of Constantine and Toula Mavrokefalou (Black). They had three other siblings - John, Elly and Olga. Their parents were early immigrants to Australia and in the 1910s Constantine opened the Paris Residential Cafe at 54-56 Swantson Street, Melbourne. Nina was passionate about fostering Greek culture and language within the Ithacan, Greek and wider Australian community in Melbourne and was very active in a variety of Greek community activities, including the performing arts and education.Photograph of a black and white photo of two little girls. The older girls is standing next to a decorative column on which her younger sister is sitting.

This colour photograph of Jacana Primary School’s softball team, taken in 1987, offers a vivid glimpse into the school’s dynamic sporting culture and its role as a central pillar of the community from 1959 until its closure in the early 2000s. More than a record of athletic participation, the image preserves the energy and camaraderie of late-1980s school life, reflecting the social values and collective spirit that defined the era. It stands as a visual reminder of the school’s commitment to fostering teamwork, resilience, and community pride through extracurricular engagement. This 1987 colour photograph of Jacana Primary School’s softball team holds notable historical and cultural significance, capturing a moment that reflects the school’s strong sporting spirit and its role as a central institution in the Jacana community. Operating from 1959 until its closure in the early 2000s, the school was a hub of learning, social connection, and extracurricular activity. The image preserves the energy and camaraderie of late-1980s school life, offering insight into the values of teamwork, participation, and community pride that defined the era. It stands as a lasting visual record of the school’s legacy and its enduring impact on generations of local families. A colour photograph of a school Softball team on satin finish paper.Back (Blue Label): PH. 5534jacana primary school, photograph, school photograph, education, softball, 1987

Provides an account of the origins and histories of local names in the South Gippsland region.Maps, b&w illustrations, b&w photographsbunerong, kulin, gunnai, kurnai, brataualung, seaspray, phillip island, mirboo, wilsons promontory, woodside, foster, inverloch, leongatha, wonthaggi

9 Rectangular black & white photos of various groups of members of the AIF during WWI. Photography: .1) One of our big guns, 10" Howitzer gun on the Somme in France. .2) Names Cotton Osmond, Drury & Chris. .5) St Power AT, Sgt Whelan F, L/Sgt Bruce DD. .6) L Bryant, WBT Maysey, Richards AJ, Wilson LR, Ronald AF, Jamieson D, Bohun CA. .7) Lt Heathcote, Lt Taylor, Lt Rider, Lt Smith, Lt Hutton, Lt Foster, Lt Ridgway, Cap Fitzgerald, C & ? Burison, Lt Hier, Lt McNichol.Various names written on the rear.documents-postcards, military history, photography-photographs, passchendaele barracks trust

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of a Bogie car at Long Gully Loop, in the far distance, with a Hotel and the ESSO service station in between. Has Fosters Lager and Carlton signs on hotel. Note sign on the closet pole - "No standing between Notices". The film strip notes (Reg. Item 2560), provided the following caption details: "Meandering roadway and centre road track were a feature of the long "EAGLEHAWK" line. Here an inbound car negotiates the Long Gully Loop. - April '72 (Graham Evans)" See image btm2593p.tif for high level scan of image. Stamped on base of slide "11803" and written in ink on top edge "Eaglehawk line"tramways, trams, are, film strip, long gully, eaglehawk

Negative (120) of a cable tram grip car and saloon car 565 outside the Nicholson St Winding house tram stop, with several passengers walking from the tram, the conductor attending to the "dolly" for the Gertrude Street cable so the gripmen can line it up with grip and the grip man looking down. In the image are adverts for Col. W. de Basil's Covent Garden show at Her Majesty's Theatre, Fosters Lager, Hoyts De Luxe Bourke St a Richard Greene film. See Also Reg Item 3600 for the full bill board. Based on the date for the Covent Garden show commencing Thursday March 14, the year is 1940. trams, tramways, cable trams, nicholson st, winding houses, conductors, passengers, tram stops, tram 565

Black and white photograph of W2 's at the Batman Ave terminus late 1950's to early 1960's. .1 - W2 388 with destination of Burwood, route 74 with Flinders St station Swanston St awning in the background. Has adverts for Long John whiskey, Apex Ford, and Foster Clarks family food. .2 - W2 337 just after arrival with the conductor about to raise the pole front pole. Has passengers leave and boarding the tram from across the roadway. Showing route 76. Has advert on the drivers panel for Remy Martin Brandy. Printed on Fujichrome paper. Not known who took the photograph or when it was printed.Stamped in black ink on back "TMSV Sales"trams, tramways, batman ave, conductors, burwood, tram 388, tram 337

Born in Richmond, Victoria, in 1947 Bruce Pascoe is a school teacher, deck hand, barman, farmer, Director of Commonwealth Australian Studies project, editor, publisher, and works in Indigenous language retrieval. He published and edited Australian Short Storiesquarterly magazine for 16 years, and was joint winner (with David Foster) of Australian Literature Award (1999) and winner of the Radio National Short Story Competition (1998).( ref macquariepenanthology.com.au/BrucePascoe.html) He is married to Lyn Harwood, has two children and lives at Gipsy Point, Far East Gippsland in Victoria. A paperback book with tree sketch on the front cover . This is in black ink. The title is "A Corner Full of Characters" , the history, yarns and stories from the corner of a continent. The book wass compiled by Bruce Passcoe who was a secondary school teacher in Orbost in the 1980's.pascoe-bruce gippsland

This is a book produced by Rex and Bernice Battarbee and contains reproductions of aboriginal art work, including the work of several of Albert Namatjira’s children. Reginald (Rex) Battarbee (1893-1973) was the son of George and Mary Battarbee who lived in East Warrnambool at a property called ‘Skiddaw’. Rex’s sister, Florinda was a local artist who was his first teacher of art. Rex became a well-known artist, depicting mainly the Central Australian landscape. He is credited with discovering and fostering the artistic talent of Albert Namatjira, the best-known of the early Australian aboriginal artists. This is one of the few mementoes we have of the artist Rex Battarbee who was born in Warrnambool and spent his early years in this city. This is a hard cover book with the pages unnumbered. The cover is brown with colour reproductions of two aboriginal paintings on the front and back cover. The printing on the front cover is in yellow and white lettering. The book contains written text and many reproductions of aboriginal paintings. The inscription on the first page is handwritten in black biro. ‘L. Durrant, From Russ, May 1979’. rex battarbee, aboriginal art, albert namatjira

This is a booklet that was once bound, probably with staples. The front cover is a beige colour with black print and ornamental scrolls and images forming a border. The front cover has writing in black ink. The back cover is missing and several pages are loose. The pages contain printing and calligraphy work and lined spaces for a person to copy from the original. Some of the pages are stained and torn at the edges. non-fictionChild's Copy Bookschool copy books, vere foster copy books, dorothy rutledge