Faram Bros had occupied this site since 1919Forty two (42) colour photographs (digital) taken on 10 February 2007 at the community farewell, street party and BBQ for the closure of Faram Bros hardware shop. Party held in street outside 405-415 Bay Street. Attended by many PMHPS members and former customers. A 3 piece band and lone piper (bagpipes) were highlights. Doug faram with garland of flowers is at .14 Speech givers included Janet Bolitho at .22 & .23 Lone piper at .26 to.34 Event was sponsored by former customers, Bay Street traders and PMHPSbusiness and traders - hardware, social activities, celebrations fetes and exhibitions, faram brothers hardware, doug faram, janet bolitho

Letter of Reference for Miss Margaret Burn detailing her work as a bookkeeper, machine operator, typist, and stenographer over seven years at Dennys Lascelles Limited. The letter details her leaving the company as she married in 1939. In the same year, Ms Burn returned to the office owing to the shortage of staff caused by various employees being called away for Military Training. Included in the staff called away for military training was her newlywed husband, Mr Jack Ganly. A fellow employee of Dennys, the Ganly name was well known within the company, with three generations of the Ganly family working at Dennys. Margaret worked at Dennys for 7 years during the 1930s. The Letter of Reference is accompanied with a story written by Margaret about her time working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22. Sheet of paper shorter in length than A4 size, creamed with age. Paper has a header for Dennys, Lascelles Limited’s Head Office at 32 Moorabool Street, Geelong. Body of paper is made up of 3 paragraphs in a typewritten message of black ink with subheadings highlighted with a red underline. The text is finished with a signature at the bottom of the paper. Paper is accompanied by its original envelope. Envelope has typewritten text in black ink with a red underline located at the centre. It also has return to sender instructions to Dennys, Lascelles Limited in the lower left-hand corner.Typewritten text, black and red ink. Multiple. See multimediadennys lascelles ltd, worker conditions 1930s, letter of reference

Demonstrates methods of giving information to visitors to Melbourne and yields information about tram services at the time in Melbourne.Very small pocket sized timetable and map book, consisting of 2 octavo cards stapled and folded into 12 pages consisting of three pages of bus and tram round trips, 3 center pages for map of electric and cable trams, route numbers and interest points. Map printed in 4 colours. 4 pages index to routes and first and last trams to City and from City. Also gives points where suburban routes are intersected by City routes. One page devoted to places of interest. All printing in black with red headings and highlights.trams, tramways, mmtb map, mmtb, timetables, tourist trips, map

The donor, whose parents owned an antique shop believed that the evening coat was owned by the family of Cr Morris Nathan and his wife Margaret Frances, nee MacKay. Maurice Nathan was born in Kew in 1914 and died in East Melbourne in 1982. He was a student of Trinity Grammar School, Kew. He was Lord Mayor, and his wife Lady Mayoress, of the City of Melbourne for two terms between 1961 and 1963. The age of the coat, created in a design typical of the 1920s would suggest that it is of an earlier vintage, almost certainly dating from the 1920s, but perhaps earlier. The opulence of the sequinned and beaded embroidery have led to the supposition that it may be an opera coat inherited from an earlier generation.Three quarter length, red and cream silk, padded evening coat highlighted on the cuffs and hem with iridescent sequins, beading and pearls of different shapes and sizes. These decorative features are arranged in a formal design, particularly at centre back. Above the beaded sections are sunbursts outlined in gold beads.Trimmed rabbit fur at collar and cuffs. The sleeves are shaped above the embroidered sections while the hem features a zig-zag profile. MEASUREMENTS - Neck to hem front 93cm; Neck to hem back 100cm; Circumference 126cm; Shoulder to cuff 72cm; Shoulder width 36cm.Traditionally, pre acquisition, stored in brown suitcase embossed in gilt with the name R. NATHANevening jackets, opera coats, fashion -- 1920s

Set of printed table cards on paper and laminated. Gives sign on times, car out, trip details and which "run" takes the tram from the crew. .1 - Camberwell Table 23, last update 5/5/03, route 75 .2 - Camberwell Table V043, last update 19/03/03 - has a highlighter on the top of the sheet, route 75. .3 - Camberwell Table V033 - last update 06/08/01 - route 70 .4 - Camberwell Table 39 - effective 30/12/2007 - route 75.trams, tramways, table cards, camberwell depot, drivers, route 70, route 75

Jean Downing's house, owned by Downing/Le Gallienne, an Alistair Knox house built in four stages between 1948 and 1964. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, le gallienne house, yarra braes road

Jean Downing's house, owned by Downing/Le Gallienne, an Alistair Knox house built in four stages between 1948 and 1964. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, le gallienne house, yarra braes road

Jean Downing's house, owned by Downing/Le Gallienne, an Alistair Knox house built in four stages between 1948 and 1964. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, le gallienne house, yarra braes road

Iron sculpture by Cliff Burtt welcomes visitors to the Gateway of Eltham. It was constructed of Corten Steel in 1994 and won the Eltham Public Art Award in 1996. “Award winning sculptor, Cliff Burtt, often references the geometry of architectural forms in his bold, minimalist public sculptures. In this corten steel work the repeated arches of the temples of antiquity are in dialogue with the nearby spans of the railway trestle bridge that cuts through the Eltham parkland. The formality of the architecture is offset by the organic sweeps of the top profile of the work, which playfully acknowledges the hilly topography of the region” – Highlights from the Nillumbik Art Collection Two colour photographs of iron sculptureclassical landscape, sculptures, art, parks, alistair knox park, eltham, cliff burtt, public art

Boyd argues that modern architecture has triggered a necessity for greater harmony between architects and engineers. Boyd describes the architectural qualities of tension structures through an analysis of several case studies including projects by Frei Otto and Boyd's own house at Walsh St. Being a relatively new concept, Boyd criticises the neglect towards smaller buildings in this structural system, and also highlights some of its shortcomings. A 2-page letter from 'Arthur' (surname unknown) at the University of Melbourne's Department of Civil Engineering provides feedback to Boyd on his analyses of the chosen case studies.Original manuscript of article published in The Architectural Review Vol.134, No.801, November 1963, pp. 324 - 334. This draft was returned with covering letter from: ‘Arthur’ (AJF) Melbourne Uni. Dept Civil Engineering. Typewritten (c copy), foolscap, 14 (+2 quarto letter) pagesMinor handwritten editsengineering, tensile structure, master-designer, bernard lafaille, zagreb french pavilion, matthew nowicki, livestock pavilion, frei otto, paul rudolph, florida house, bill irwin, kevin borland, peter mcintyre, john and phyllis murphy, yuncken freeman, sidney myer music bowl, eero saarinen, yale hockey rink, edward d. stone, brussels u.s. fair pavilion, boston arts centre, walsh street, robin boyd, manuscript

The photograph offers significant information relating to late Victorian / Federation colour schemes and fencing.The block fronted villa has a corrugated iron roof and a flat projecting verandah, ornamented with a trellis design of timber. The front window features a timber shade, mounted on brackets. The treatment of the block-fronted panels shows that there is an attempt to highlight imitation quoining through use of a darker colour. The windows and door are also in this darker shade. The front fence and gate are made of wooden pickets. It is unlikely that the photograph was taken at the time of the villa's construction given the size of the shrub/tree in the front garden.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A real estate photograph, mounted on brown card, showing a double fronted weatherboard villa, located in Kew, Victoria. On the reverse of the photograph is a subdivision plan for the Altyre Estate.Stamped on mount: Top - "KEW. Close tram. Fine View. / W.B. Villa Containing 8 Rooms. / Up-to-date Conveniences. EL Etc." Below - "Land 40 x 165. 615 pounds. Sold"houses - kew, real estate photographs

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. 1 cane basket with 2 side handlesemployment, royal victorian institution for the blind

Jordan Marani is a local artist who makes tongue-in-cheek observations of the human condition. Text-based works have been a major part of his practice (which also includes installation, sculpture, and figurative painting) since he first started creating four-letter word paintings in the late 1980s. He has been exploring wordplay, profanity and the joys of four-letter words ever since – Rent being one of the politer works from this series of text-based paintings. Highlighting the rental crisis in Melbourne, Rent is an objection to gentrification and its impact on artists.

The Victorian Railways promoted tourist destinations around Victoria. A folded paper tourist brochure about Lorne The front cover is a coloured painting of Lorne from above the Erskine River towards the main beach. , on the back is a black and white sketch tourist map of the roads, tracks and beauty spots. Inside the first fold are 6 black and white photographs, Cumberland River, Mt St George, Phantom Falls, Cumberland Cliffs, Teddy’s Lookout, leafy walk towards the pier. Inside contains written descriptions of the highlights of Lorne and six black and white photographs, four general views of Lorne, Lover’s Walk, Erskine Falls . souvenirs, victorian railways, publicity

Paper mentions that credit for the project must go to the Long Gully History Group who have been working to install a sense of pride in the locals by highlighting the contribution the former residents made to the city. Long Gully was once known as Bendigo's Little Cornwall - the Cornish Association was asked to help. Also mentioned Long Gully in the 1870's, Gold discovery, Anthony Trollop's visit to Bendigo and his praise for Ballarat and his comments on Bendigo which were not flattering. Also mentioned was the men and their work, the miners complaint, the unrest in the mining industry and a lot of the miners leaving for West Australia.bendigo, history, long gully history group, the long gully history group - unveiling of mining monument at long gully, long gully history group, bendigo's little cornwall, cornish association, anthony trollop

Copy of a newspaper article titled Memories of area's goldfield history. After becoming involved with a special history program at the Long Gully Primary School in 1984 as a guest speaker, Alan Crossley explained to the children the features of local goldfields and took them on several excursions highlighting the significance of the Long Gully area played in Bendigo's early growth. The school built up a collection of material of the long Gully area and the idea of a gallery was born. Accompanying photo shows Mr Crossley and the Regional Director of Education Mr Doug Weir at the opening of the gallery. Written on the photo is: taken 12-3-86.bendigo, history, long gully history group, the long gully history group - crossley historical gallery, long gully's goldfields, alan crossley, long gully primary school, mr doug weir

Newspaper clipping from The Courier, Ballarat, dated 2/7/1971, about the derailment of SEC Ballarat No. 41 just past the junction of Main St. and Bridge St. at about 4.10p, the previous day on the way to Mt. Pleasant. Has photo of No. 41 with the repair gang and a crew member. Note with the news item, says a pin broke and "the undercarriage of the tram collapsed". Photo has had No. 41 gone over in ink to highlight the number. One of large group of newspaper cuttings from John Bainbridge, 7/4/02. Has cutting date separate from item. accidents, main st, mt pleasant

Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of Bendigo 2011 - 2012. This album provides at in depth understanding of the many responsibilities of a Shire President and partners. The newspaper articles, mostly collected from the Bendigo Advertiser, provides commentary on the key issues of the times. Fifty page photo album containing invitations, photographs, newspaper cuttings and event memorabilia dating from 7th August, 1985 to 20th February, 1986 documenting events attended by Alec and Mollie Sandner during Alec's time as Strathfieldsaye Shire President. Contents are arranged chronologically and the album begins with Alec's election as Shire President and includes letters of congratulations and provides an extensive overview of the breadth of events and activities a role such as Shire President and Lady are involved in. Highlight of the first six months include attending a State Reception for the Prince and Princess of Wales (28th October, 1985). Front cover: Shire of Strathfieldsaye emblem. Throughout: Many letters are annotated as either accepted or declined. sandner collection, mayor alec sandner, helen sandner, eugene sandner, mollie sandner, city of greater bendigo administration item, president of strathfieldsaye shire, shire of strathfieldsaye

Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of Bendigo 2011 - 2012. This album provides at in depth understanding of the many responsibilities of a Shire President and partners. The newspaper articles, mostly collected from the Bendigo Advertiser, provides commentary on the key issues of the times. Fifty page photo album containing invitations, photographs, newspaper cuttings and event memorabilia dating from 6th March - 6th August 1986, documenting events attended by Alec and Helen Sandner during Alec's time as Strathfieldsaye Shire President. Contents are arranged chronologically and provides an extensive overview of the breadth of events and activities a role such as Shire President and Lady are involved in. Highlights include Invitation to Government House Melbourne to meet Queen Elizabeth and the Duke of Edinburgh ( 6th March, 1986) and initial plans to amalgamate Shire's across Victoria including Strathfieldsaye Shire with the City of Bendigo.sandner collection, helen sandner, eugene sandner, mollie sandner, shire of strathfieldsaye, president of strathfieldsaye shire, strathfieldsaye shire council, city of greater bendigo events, city of greater bendigo community groups

The black and white A4 sheet of paper is titled P.S 3893 Bendigo East School Profile. It highlights the school guiding principles, curriculum, resources and facilities, as well as future plans. The introduction gives a brief history of the school's early days. The green 8-page booklet titled Bendigo East Primary School N0. 3893 1916-1998 has a grainy photograph of the school on the front cover. Inside the cover is a brief history of the school from 1916 to 1998. The brochure mentions the school closure and amalgamation with White Hills Secondary College. There are four photographs in the brochure and a list of headmasters/principals.bendigo east state school, bendigo schools, gemma starr collection

Fold out series of 8 photographs relating to Phillip Island. Donated by Dr Cook.Black & White Folder of photographs: 1: Summerland Surf Beach 2: Koala 3: Breakers At The Nobbies 4: The Jetty at Cowes 5: Seals on Seal Rocks 6: Newhaven - San Remo Bridge 7: Penguins at Summerland Cowes 8: The Nobbies and Seal RocksFront Cover: "Camera Highlights illustrating Cowes Phillip Island, Vic. The Isle of Enchantment" Photos by A. J. Murray - Copyright. Each photo inscription as above in Physical Description. Back Cover: "Postage Rates within the British Empire - Without correspondence, in an unsealed envelope, will be 1.1/2d. If correspondence is added, postage will be 2.1/2d. whether envelope is ealsed or unsealed. Foreign rate, 3.1/2d. To..................................... From..............................."phillip island, penguins, seals, the nobbies, seal rocks, the jetty shed cowes, summerland surf beach, newhaven to san remo bridge, dr cook

Macgregor Knox house (1976) - a small building of note on the Knox property. It is an attic bedroom that Alistair's son, Macgregor, built for himself when he was fifteen. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, macgregor knox house, mudbrick

A function to launch Legacy Week in 1989. The photo appeared in the President's Highlights Report in 1989, the caption said 'A distinguished cross section of the Melbourne community joined for the official launch of Legacy Week. A grow of Vietnam Veterans were among the guests to listen to the address given by the Guest of Honour, former Chairman of the ANZ Banking Group, Sir William Vines, A.O.' More photos of the event are at 01644. Four men are seated at a numbered table and others are behind. The banner in the background says" Lest we (crossed out) You Forget. Legacy Appeal. Terry Walsh in second from the left in the back row. Other names not known.A record of a function for Legatees.Colour photo of 8 Legatees at a launch of Legacy Week in 1989.Hand written on back "6" in blue pen".legacy week, vietnam veterans

Robin Boyd’s unbuilt scheme for two residential towers for Carnich Pty Ltd in East Melbourne is one of his most striking late projects – remarkable for its daring scale, its indebtedness to the megastructural polemics of Paul Rudolph and Japanese Metabolism, and its prescience – a high-rise apartment building now sits on the same site. The drawing is spectacular: trays of space are held aloft on angled concrete props that branch off trunk-like vertical slabs. With balconies and spandrels highlighted in white, the scheme’s dynamism echoes El Lissitzky’s mad Wolkenbugel (‘Skyhooks’) while also signalling a tragic last hurrah before Boyd’s 1971 death. Philip GoadIncludes sketch of two structures and surrounding flora.Inscribed upper left of recto, "ROBIN BOYD'S SKETCH FOR / COMBINED PROJECT 60-64 / CLARENDON ST. + CORNER SITE"architecture, mid-century modern, emigre, rmit design archives

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This style of washing basket was commonly used by families until the introduction of cheap plastic baskets.1 cane basket with 2 side handlesemployment