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Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon -
Victorian Interpretive Projects Inc.
Book, Janice Newton, 'Mullawallah: The Last King Billy of Ballarat' by Janice Newton, 2015
Dr Janice Newton has had a long term interest in Indigenous Studies and Aboriginality, and has published papers linking Aboriginality to the counterculture and to artists and musicians. She has published a paper commenting on Ballarat's response to the death in 1896 of King Billy, the so called 'last of his tribe'. Janice has recently taught courses on 'The Anthropology of Indigenous Art' and 'Indigenous History' at Federation University Australia.56 page soft covered booklet outlining the life of Ballarat's Mullawallah (also known as King Billy or Frank Wilson). Numerous photographs. The book 'Mullawallah: The Last King Billy of Ballarat' is an initiative of Victorian Interpretive Projects. It is available for purchase for $15.00 (additional for postage). Please email [email protected] for further details. Images include: Ercildoun, Lake Burrumbeet, Lal Lal Falls, William Buckley, Warrenheip, King Billy and his Camp in McCree's Paddock, King Billy and His Tribe, Carl Walter King Billy, Mary of Carngham, Rosa of Carngham, King Billy (Bullip Bullip), Queen Mary of Buninyong, Queen Marie of Ballarat, Queen Mary and King Billy and their original mia mia, Football at Ercildoune, Thomas Jerusalem, Samuel Wilson, Frank the last of the Ballarat Tribe, The Burial of King Billy, King Billy's Grave. mullawullah, frank wilson, king billy, aborigines, wathauwrung, wadawurrung, aboriginal, ercildoun, ercildoune, lake learmonth -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Sir Douglas Mawson, 26/05/2013
Sculpture of the bust of Sir Douglas Mawson located in North Terrace, Adelaidedouglas mawson, antarctica, explorer, exploration -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, Unmarked grave, Ramparts Cemetery, Lille, France, 2014, 17/07/2014
Digital copy of a World War One gravestone in Ramparts Cemetery, Lille, France. The buried soldier is unknown so the gravestone includes the words 'known unto God'.world war one, ramparts cemetery, known unto god -
Victorian Interpretive Projects Inc.
Photograph - Colour, Australian tour party at Menin Gate with Senator Michael Ronaldson, 2014, 18/07/2014
Australian Tour party at Menin Gate. The man in the red tie is Senator Michael Ronaldson, the woman in the striped shirt is Ann Gervasoni.menin gate, world war one, michael ronaldson, ann gervasoni -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, Gravestone for F. Rawlings, Pheasant Wood Cemetery, Fromelles, 2014, 19/07/2015
The photographer, Ann Gervasoni, was in Frommelles for the reburial ceremony for 5 previously unidentified Australian soldiers. "AFTER almost 94 years, Ballarat soldier Private Frederick Rawlings, and a long-standing family mystery, can finally be laid to rest. Private Rawlings was one of 5533 Australian soldiers killed in the bloodiest conflict in Australian history, the World War I Battle of Fromelles, France. He was one of 250 men buried in a mass grave at Pheasant Wood after the battle of July 19 and 20 in 1916. In the past two years, a joint Australian and British project has aimed to positively identify the remains of those soldiers buried at the site. This week, the Federal Government announced Private Rawlings was one of 75 men who had been identified by name. Also on the list were Corporal Leslie Hart, born in Clunes, and Lance Corporal Allan Bennett, born in Ballarat, both of whom joined the army in Western Australia. All but one of the 75 soldiers have now been re-buried, with full military honours, at a specially constructed cemetery near the battle site. Private Rawlings' grand-niece, Maureen Holding, of Mannibadar, got a call to confirm the news on Tuesday night. 'It's just quite incredible after all these years and huge loss of life, they've actually identified him,' Mrs Holding said yesterday. Last year, Mrs Holding and her brother, Leo Rawlings, gave DNA samples to the Australian Army to help with the identification process. But until seeing a newspaper article more than 20 years ago, they did not know Private Rawlings or his younger brother, Corporal Sydney Rawlings, had even been in the war. On Anzac Day 1988, The Courier published a photo of Cpl Sydney Rawlings and excerpts from a letter from an army chaplain that informed Ballarat family members of Cpl Rawlings' death in Northern France in 1918. 'About two years later, my husband, Malcolm, found in a tin of rusty nails and shoe buckles belonging to my late dad, a set of war medals,' Mrs Holding said. They were inscribed with Sydney's Rawlings' name, and checks of family records and The Courier story confirmed the connection. In 1991, this newspaper published a list of soldiers who had memorial trees in Ballarat's Avenue of Honour. Next to Sydney's name was that of Frederick Rawlings.(http://www.thecourier.com.au/story/543125/remains-of-ballarat-soldier-killed-in-france-during-wwi-identified/, accessed 16/04/2014.)A number of colour digital images showing the grave of Frederick Rawlings of Ballarat in the Pheasant Wood Cemetery, Frommelles, France.world war one, fromelles, pheasant wood, frederick rawlings, allan bennett, leslie hart -
Victorian Interpretive Projects Inc.
Photograph -Colour, Lisa Gervasoni, Guildford War Memorial
Colour photographs of the War Memorial in the Victorian town of Guildford. The memorial lists those who served during World War One and World War Two.guildford, world war one, aberdeen, annear, bardi, binns, brocchi, carter, carty, colgan, cox, davidson, davenport, dell, dewsnap, donovan, dunstan, hughes, kidd, kirkpatrick, knights, lockhart, mars, mannington, martin, mcelhinney, mcquay, mein, milligan, morrison, munro, potter, passalaqua, ramsay, slatter, solomano, stevens, greenwell, hill, horn, walker, wilson, wilton, barassi, barlowe, curnow, davis, foletti, franzi, gill, kirkpatrick, mein, mcelhinney, morse, pavilach, simms, sullivan, stevens, williams -
Victorian Interpretive Projects Inc.
Photograph - Colour, Corindhap Avenue of Honour, 2015, 23/08/2015
"The Corindhap Avenue of Honour, located on Colac-Ballarat Road, was planted to commemorate those who served in the First World War. The avenue was planted on the 15th September 1917 as a mark of admiration for the men of Corindhap who had left to fight in the Great War." (Ballarat Courier, 19th September 1917) A number of colour photographs showing trees from the Corindhap Avenue of Honour. The trees are not in good condition, and one has fallen over. corindhap, corindhap avenue of honour, avenue of honour, world war one -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Window in St John's, Colac, 2015, 23/08/2015
St John's Anglican Church was dedicated to St John the Evangelist. The current church replaces an earlier building and was constructed from plans prepared by Henderson and Davidson and was opened on 8 May 1870, and was consecrated on 18 April 1882. Stained Glass Window recognizing the Australian Commonwealth Military Forces, and the death of Lieutenant Benjamin Meredith who was killed in action at Beersheba.To the Glory of God in loving memory or our dear parents John jenner Meredith - Born 29th Nov 1929 Died 30th March 1914. Margaret Meredit - Born 14th Jan 1843 Died 16th August 1915 and our dear brother Lt Benjamin P.G. Meredith Born 9th July 1882 killed in action at Beersheeba 31st Oct 1917. Erected by Annie F.T. and Charlie Meredithst john's colac, colac, john jenner meredith, margaret meredith, benjamin meredith, annie meredith, charles meredith, world war one, beersheeba -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, World War One Honour Board at St John's Anglican Church, Colac, 2015, 23/08/2015
"It has been decided by the managing body of St. John's Church of England to erect a war memorial to commemorate the thirty brave men of the congregation who have given their lives at the front, and the 98 men whom they expect to welcome home again. The memorial will cost from £250 to £300 to complete in its entirety, and active steps have been taken to raise the amount amongst the members and adherents of the church. ... The sanctuary panels will be placed on each side of the altar, and will become the permanent Honor Roll by having the names of the soldiers and nurses who enlisted from the congregation inscribed thereon.The whole scheme when completed will be a noble monument to the loyalty, response to duty, and self-sacrifice of the members of the church who enlisted, and will in years to come remind the worshippers of the response of the young members of the congregation to the call of our Empire in her great need. (Camperdown Chronicle, 20 March 1919) LocationPhotograph of a timber World War One Honour Board at St John's Anglican Church, Colac. Plaster 'Station of the Cross' on either side of the honour board are by Mattei brothers. st john's colac, colac, world war one, world war one honour board, mattei brothers -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Windows in St John's Anglican Church, Colac, 2015, 23/08/2015
The stained glass windows are a memorial to parishioners who served during World War Two.Colour photographs of two stained glass windows by Alan Sumner in St John's Anglican Church, Colac.st john's anglican church colac, colac, stained glass, alan sumner, world war two -
Victorian Interpretive Projects Inc.
Photograph - Black and White, Ballarat, c1854
The town you see had over 50,000 people. Bridge Street on the left is well established. The crude pans and cradles of the early “diggers’ were already giving way to steam power and the deep shafts of the “miners”. Money and machinery were needed to get to the deeper leads, and the smoke stacks of the great company mines can be seen across the photo.Four black and white photographs placed together to make a panorama of Ballarat looking towards Mt Warrenheip. On the left the chimney and gasometer indicate the corner of Dana Street and Albert Street. This is now the Ballarat Law Courts. The photograph is behind glass in a black frame. These four photographs were taken from the slope of the Ballarat School of Mines where the Uniting Church now stands. When joined they give a panoramic view of one of the world’s richest alluvial goldfields. The Waterloo Mine was one of the first deep shafts and was sunk at the foot of the Dana Street hill. Its tailings are seen in the second photo from left. The following was typed and placed with the framed image. Ballarat Circa 1858 This is the most significant of the photographs of early Ballarat. The photographer stood on the slope near S.M.B. where the Wesley Church now stands and took four pictures. When joined them have this panoramic view of one of the world's richest alluvial goldfields. Seven years earlier this landscape was empty. The town you see had over 50,000 people. Bridge Street on the left is well established the Ballarat gas Company stands on the same place as today. The crude pans and cradles of the early "diggers" were already giving way to steam power and the deep shafts of the :"miners". Money and machinery were needed to get to the deeper leads, and the smoke stacks of the great company mines can be seen across the photo. The Waterloo mines was one of the first deep shafts and was sunk at the foot of the Dana Street hill. Its tailings are seen in the second photo from the left. ballarat, ballarat townscape, panorama, waterloo mine -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, View from Armstrong Street South, Ballarat, towards Mt Warrenheip
A changing array of images taken from the same place in Armstrong Street South, Ballarat, looking towards Mt Warrenheip.ballarat, ballarat east -
Victorian Interpretive Projects Inc.sttereoscope
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Victorian Interpretive Projects Inc.
Copy of Book, Baxter & Stubbs, An Appreciation: The Arch of Victory, 1921
Trees planted in Avenue of Honour to remember all Ballarat men & women enlisted in WW1. Planting started in June 1917. The Prince of wales opened the Arch of Victory it on 3rd June 1920.24 page soft cover book. Cover features stylised picture of soldier in slouch hat & knight riding horse. Includes numerous photos including Ballarat Arch of Victory, Opening of the Arch, the Prince of Wales, Eleanor Lucas, Lucas girls at work, Ballarat Avenue of Honour and Armistice Day.ballarat arch of victory, ballarat avenue of honour, word war one -
Victorian Interpretive Projects Inc.clark
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Victorian Interpretive Projects Inc.roger
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Victorian Interpretive Projects Inc.
Photograph - Colour, University of Ballarat Pipe Band, 2000
Since 01January 2104 this pipe band is now known as Federation University Pipe Band.federation university pipe band, university of ballarat pipe band, scottish, piper, kilt -
Victorian Interpretive Projects Inc.
Photograph - Colour, Piper with the University of Ballarat Pipe Band, 1998
university of ballarat pipe band, federation university pipe band, piper, scottish -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Alipius' School, Ballarat East, 2015, 05/04/2015
Three colour photographs of St Alipius' School, Ballarat East.st alipius', catholic, education, school -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, View or Ballarat from St Paul's Ballarat, 2015, 05/04/2015
St Paul's way is located on Bakery Hill, in the vicinity of the Ballarat Reform League Monster Meetings of 11 and 29 November 1854.Colour photograph looking down on the City of Ballarat from the high vantage point of St Paul's Anglican Church, St Paul's Way, Ballarat East. st paul's bakery hill, bakery hill, ballarat east, religion, ballarat reform league, eureka stockade -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Paul's, Bakery Hill, Ballarat East, 2015, 05/04/2015
St Paul's was an early church on the Ballarat Goldfields. Built on Bakery Hill, it is situated close to the site of the Ballarat Reform League Monster Meetings. Colour photograph of a brick church with bell tower. It is St Paul's Anglican Church, Bakery Hill, Ballarat East.st paul's anglican church, bakery hill, ballarat east, religion -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Scots Presbyterian Church Koroit, 23/12/2013
Colour photograph of a sandstone church in Koroit known as Scots Presbyterian Church.scots presbyterian church koroit, koroit, church -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Koroit Motor Garage, 2013, 23/12/2013
Exterior view of Koroit Motor Garage, including an old petrol bowser and coin operated petrol machine.koroit motor garage, koroit, petrol station, petrol bowser -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Mount Franklin From Franklinford Cemetery, 2015, 25/10/2015
The Mt Franklin Aboriginal Protectorate was in the shadow of Mt Franklin. Edward Stone Parker, the Assistant Protector of Aborigines in charge of the Mt Franklin Protectorate is buried in the Mt franklin Cemetery, along with a number of the Aboriginal people from the protectorate.Two images showing the pine covered Mount Franklin from Mount Franklin Cemetery.mount franklin, mt franklin, mt franklin aboriginal protectorate, edward stone parker, e.s. parker, mount franklin protectorate -
Victorian Interpretive Projects Inc.
Mt Franklin from the Convent Gallery, Daylesford, 2015, Clare Gervasoni, 16/10/2015
The Convent Gallery was formerly Holy Cross Convent in Daylesford, which was run by the Presentation Sisters. Mount Franklin is named after John Franklin.The pine covered Mount Franklin dominates the horizon line as seen from the top floor of the Convent Gallery, Daylesfordmount franklin, mt franklin, holy cross convent, convent gallery, daylesford -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Koroit War Memorial, 2015, 25/12/2015
The bulk of World War One soldiers from Koroit were Protestant. It was a traumatic and divisive time for the Koroit Community based on religion, which was put behind them after the conclusion of the war. The Koroit War Memorial was not built until 1928. HONOR AVENUE AT KOROIT. Last year one side of Albert-street, Koroit was planted with plane trees, with strong guards, in honor of the men who had gone to the front from Koroit and district. The trees were planted rather late in the season, but fortunately there were only two failures, and the remainder are now higher than the guards. This year, the committee appointed decided to do the work earlier, and the King's birthday was set apart for it. On Saturday afternoon, states our correspondent; a lot of the preliminary work was done and on Monday some 30 residents assembled and went to work and by tea time the whole of the 52 trees and the guards were finished. There are 52 trees on each side of the street planted at intervals of 15 yards so that the avenue is about 800 yards long, running from the Botanical Gardens to the Lake Bank, and in a few years, when the trees are well grown, there will the a magnificent avenue. The weather was beautiful, and during the afternoon number of ladies were present. The ladies brought baskets of good things, and afternoon tea was provided at Mr. W. J. Stevenson's residence, which is situated about mid-way in the avenue. A suggestion has been made that the name of the street should be changed to "Anzac Avenue."' (Warrnambool Standard, 6 June 1918.) The Koroit War Memorial on the edge of the Koroit Botanical Gardens.world war one, world war two, world war, koroit, koroit war memorial, koroit botanical gardens, cenotaph -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Koroit Avenue of Honour, 2015, 24/12/2015
In October 1918 the name of Albert Street Koroit was changed to ANZAC Avenue as a memorial to those who served during World War One. An Avenue of trees was planted in their honour Koroit Avenue of Honour in ANZAC Avenue, Koroit.koroit, koroit avenue of honour, world war one -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Tower Hill Interpretation Centre by Robin Boyd, 2015, 25/12/2015
interpretation centre in the crater of Tower Hill near Koroit. The centre was designed by Robin Boyd.tower hill, tower hill interpretation centre, robin boyd -
Victorian Interpretive Projects Inc.
Photograph - Colour, Lisa Gervasoni, Tower Hill Volcanic Ash Layers, 2015, 25/12/2015
tower hill, volcano, volcanic ash, volcanic ash layers, geology, koroit