Photo Album, heavy blue printed card covers, cord bound, containing some 40 grey sheets. Includes many commercial, Museum and some bus postcards of the San Francisco cable trams, generally on both sides of the sheets, with some Melbourne, Dunedin and Wellington cable cars. Each photo or postcard secured by a clear photo corner. Sample pages only scanned.trams, tramways, cable trams, san francisco, melbourne, dunedin tramways, wellington, tram 1

FAWCETT'S "RHYTHM ACES" PLAYED FOR ALL THE BALLS AND DANCES DURING THE THIRTIES. L-R .STAN THOMAS, BILL FAWCETT, MADGE FAWCETT, THEO HARDENBLACK AND WHITE PHOTOGRAPH OF RHYTHM ACES DANCE ORCHESTRA. CLUNES TOWN HALL BACKDROP IN THE BACKGROUND. .1 postcard photograph of Rhythm Aces. Names on back of photo. Theo Harden (on right) Madge Fawcettt, Stan Thomas, (? Fawcett? on left - no name on photo) .2 Postcard photograph of Rhythmn Aces (no inscription) .3 Enlarged photo of orchestra .4 Photocopy of photo of orchestra .5 Photocopy of photo of orchestra .1 From the left 4th Theo Harden, 3rd, Madge Fawcett, 2nd Stan Thomaslocal history, document, postcard, bands, dance

These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features West Australian trams.Grey covered photograph album with word "Snapshots" on front cover, tied together with a grey cord, light brown paper inside covers holding some 19 sheets of card on which photos have been mounted using photo corners of various types, captions in blue or black ink. Has some 126 black and white photographs including some postcards. Has photos of various locations and lines within Perth, includes works trams, trolley buses, arranged by tramcar class in some places. Also has some Kalgoorlie and Leonora electric trams and Derby horse tram. Includes some tickets and one newspaper clipping re the closure of the Perth system. For details of each photograph and layouts see - /dbtext/Archive Document Files/Reg Item 5010 including a full scan of each page and associated documentation. The Negatives transferred to PETS 9/2021 along with a copy of the files.trams, tramways, perth, kalgoorlie, leonora, tramcars, wal jack

Postcard, WW1, B&W photo of a row of buildings facing a town square. Two copies of the same photo. On the back of one postcard - handwritten in ink 'View of Heliopolis from Palace Hospital Feb'16. Town identified as Heliopolis, a suburb of Cairo, Egypt. Main building with tower probably contains shops. Vehicles parked at lower left includes an ambulance. A tram along the main steet is partially hidden by trees.postcard, postcard, ww1, heliopolis, egypt

Postcard, WW1, B&W photo of 12 camels harnessed to a 7" gun in a desert landscape. Two soldiers standing in front of gun (one in tropical kit). Another soldier standing in front of lead camel. Two more soldiers standing at right background. Handwritten in ink on the back - 12 camels with 7" gun Zeitoun Feby '16 Zeitoun is the site of a New Zealand training camp near Cairo.postcard, postcard, ww1, zeitoun, egypt, camels, 7' gun

Postcard, WW1, B&W photo of three 18 pounder guns practice firing in a desert landscape. Smoke coming from the near gun. Two mounted soldiers observing in foreground. Two horse drawn guns and soldiers standing in right background. An indistinct row of mounted horsemen on a ridge in far distance. Handwritten in ink on the back Cinema Film Series 18 pders in action Zeitoun Feby '16postcard, postcard, ww1, zeitoun, egypt, 18 pounder guns

Colour postcard divided back, four photo panels - Biscay Greetings, 1. - SW5 725 in Collins St, route 9, Northcote 2 - Elizabeth St 3 - A fruit vendors cart 4 - China Town Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG814 Has title "from Melbourne Australia - impressions"trams, tramways, collins st, tourism, sw5 class, elizabeth st, tram 252

Colour postcard divided back, four photo panels - Biscay Greetings, 1. - A class 252 descending the Collins St hill to Swanston St with the Town Hall and the Manchester Unity building in the view 2 - China Town 3 - St Patrick's Cathedral 4 - Melbourne Skyline. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG333trams, tramways, collins st, tourism, a class, tram 252

Colour postcard divided back, four photo panels - Biscay Greetings, of A class 243 (Route 48, North Balwyn) in Flinders St at Swanston St. In the background is the Port Phillip Arcade, ANZ bank and other shops demolished during 2018/9 for the Metro Tunnel works. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG307trams, tramways, a class, flinders st, route 48, tram 243

Digital image of MMTB No. 121, outward bound in Norwood Road (Now Toorak Road), passing under the Alamein line rail over bridge mid 1920's. Note the single track in the street, which was not duplicated until Oct. 1927 (See Timeline history of Melbourne's Tramways). Real photo series Postcard No. 2358 and titled "Norwood Road Burwood" Note the tram has "18" under the bottom of the driver's dash.trams, tramways, burwood, toorak rd, norwood rd, railway bridge, alamein railway, tram 121

Item is part of the BCOF Association collection. Refer Cat No 7625This is a large photo album. The front and rear covers are made from wood. The basic colour is dark brown. On the front cover is painted a picture of Mt. Fuji, a Japanese village, a bridge and a small building on land, a tree and an archway. Colours are white, gold, red and mauve. It also has a very fine layer of reflective material - possible pearl shell. Inside are a large quantity of Aust soldiers in Japan - postwar. There are tourist type photos as well. Tokyo - Kure - Iwakuni. There are coloured postcards amongst the photos. It also has numerous scenes of Japanese civilian life. There are a few unused pages at the end of the album.ww2, japan, bcof

R.H. Hornby & Sons, jewellers, and V. Greenhill's Grocery Store were located at 43 1/2 and 45 High Street (formerly Bulleen Road) respectively, in the block of shops between Brougham Street and Walpole Street. The grocery first appears at this location in 1893 but only in 1902 is the jeweller's shop located next door. (Sands & McDougall Directories). The Greenhill family were significant pioneers of Kew in the nineteenth century and their members participated in many civic, community and sporting organisations.Original sepia, real photo postcard of two shops in High Street, Kew, circa 1902. The businesses were R. Hornby, jewellers and opticians, and V.G. Greenhill, grocer. The proprietor of the jeweller's shop stands in his doorway while a member of staff of Greenhill's is standing on the road with a horse and cart owned by the business. The signage on the grocery shop identifies the kind of business offered - Choice fruits & confectionery / Dairy Produce a specialty. On the windows from left to right are advertisements for Fry's Chocolate, Fry's Pure Cocoa, and Cadbury's Cocoa and Cadbury's Chocolate. Above the doorway is a pane of etched glass reading GREENHILL 45.Unmarked postcard layout on reversev greenhill, grocery stores -- kew (vic.), jewellers -- kew (vic), high street -- kew (vic.), businesses -- kew (vic), hornby family, greenhill family

Set of three Christmas Cards prepared by Peter and Patti Duckett and sent to Mel Elliot. Printed photo on exterior with red printed ribbons, photo corners on inside with another photo and gold block print and the Duckett's address. Photographs by Peter Duckett or from his collection. .1 - Features a photo of Patti and Driver H.N. "Sam" Serman in front of X 217, 8/6/1957 and internally a photo of Members and Friends of the AETA taking delivery of X217 at Preston Workshops. Card text notes the tram on loan to PTC and will be going to Hawthorn - possibly a c2000 card. .2 - Photos and text of the Engine Room of the Ultimo Tramway Power Station. .3 - Photos of the Sandringham - Beaumaris Tramway c1900, including the Sandringham House Private Hotel. See item 6668 for the original postcard. .4 - Photos Circular Quay c1903 and South Bondi terminal, September 1950. 2nd copy of .1 (used for 1999), .2 and .3 added 18/9/2020Inside each card is an inscription "To Dear Cynthia, Mel, David, Heather, With Love" or similar On rear of ,4 is a lable with the words "Donated by John Frost 13/4/2013 KT" .2 and .3 - has "To Dear Keith with Warm wishes" in the Greetings section.trams, tramways, aeta, x class, christmas cards, power station, horse trams, sandringham, tram 217

Yields information about the Ballarat's bogie trams, in particular No. 38 that was decorated for the Royal visit in 1954.Ballarat tram No. 38 decorated for Visit of Queen Elizabeth II to Ballarat, during 1954, about to turn from Lydiard St. into Sturt. St. Has destination of Gardens via Drummond Nth. Decorated with Red, White and Blue cloth on front and sides of cars and over windows and other Royal motifs. It background is Commonwealth Bank building, decorated with banners. Basic colour of building is white. Photo by Keith Kings. See also Reg. Item 1896 for a black and white side on photo/postcard and Reg Item 3862. image i2 - very hi res. .3 - clean up and straighten up by Peter Waugh 21-9-2022'K.S.Kings No. ..' stamped on, and 'TC6, K(k)(11), Ballarat bogie 38, decorated for Royal visit, Lydiard St at Sturt St, 8/3/54, 1/50 at f3' in blue ink.tramways, trams, ballarat, royal visit, decorated trams, lydiard st, sturt st, tram 38

These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features South Australian trams. Brown leather covers, over heavy board, tied together with a black shoe lace, light grey paper inside covers holding some 63 sheets of card on which photos have been mounted using photo corners of various types, captions in blue or black ink. Has some 392 black and white photographs including some postcards. Has photos of various locations and lines within Adelaide, includes works trams, buses, trolley buses, arranged by tramcar class in some places. Includes horse trams at Goolwa and Victor Harbor, Port Adelaide steam tram. Album Scanned Dec. 2019 prior to forward 7 packets of negatives to the collection of the AETM via John Radcliffe. Refer to dbtext\Archive Document files\Reg Item 5009. Each page scanned as a hi res (1200 dpi) jpg file using the Fujitsu Scan Snap Scanner SV600. Advised 3/4/2020, that the negs will be held by the National Railway Museum. All photos scanned 12/2022. See Related documents regarding the negatives -trams, tramways, adelaide, victor harbor, tramcars, wal jack

SECV constructed the Kiewa Hydro Electric Scheme including the township of Mt Beauty. The area became a popular tourist destination.Tourism in the Kiewa Valley especially at Mt Beauty and the Bogong High Plains along with the Kiewa Hydro Electric Scheme became very popular and an important industry.Fold out b & w postcard with 12 photos back to back. All with a title. Kate 1950s 1. High Voltage Transmission Line, showing Mount Beauty Township 2. Clover Dam Reservoir, Kiewa 3. No. 3 Power Station, Kiewa 4. Generators, No. 3 Power Station 5. Turbines, No. 4 Power Station, Kiewa 6. junction Dam, Bogong 7. Mt Beauty Village Shopping Centre 8. Switchyard, No. 4 Power Station, Kiewa 9. Control Room, No. 4 Power Station, Kiewa 10. Winter Scene at Rocky Valley on the Bogong High Plains 11. Water Channel, Mt Bogong in Background 12. Mt Beauty Township, Kiewa Valleytransmission line, power station, generators, mt beauty, turbines, junction dam, switchyard, rocky valley, control room

A white flyer with black and white print. On the front cover is a photo of Paul Dufault and the words, ' Paul Dufault The Great Dramatic Tenor Assisted by Violet Clark Soprano, Ernest Toy Violinist, Harold Whittle Pianist. Lyric Theatre Two Concerts Monday, December 22nd and Christmas Night. Direction Frederic Shipman. On the inside of the document is a list of Dufault's successes in Australasia and on the back cover are biographies and photos of the support cast. Also the words Touring Manager John Griffiths, Troedel & Cooper Pty. Ltd., Print, Melb. There is also a postcard with a photo of 'Paul Dufault the French-Canadian Tenor,' and on the back are the words to ' La Marseillaise the great battle hymn of the French Nation, as sung by Paul Dufault at his Concerts.'program, music, singing, lydia chancellor, collection, music, singing, concert, entertainment, event, programme, program

Yields information about the tram that was decorated for the visit of the Queen in 1954 and has a strong association with those in the photograph.Black and white Kodak copy photograph of Ballarat tram No. 38 decorated for the Royal visit of Queen Elizabeth II to Ballarat, during 1954, Sturt St, with the driver and conductor photographed standing in front of the tram. Decorated with Red, White and Blue cloth on front and sides of cars and over windows and other Royal motifs. See also Reg. Item 412 for a colour slide and 1896 for a black and white photo postcard. Used on page 117 of "The Golden City and its Tramways", photo credited to Mrs. I Butler. .1 - Original print supplied by Lilian Butler with details of the crews on the rear in ink - Driver Jim Mc, Conductor Eric Black. Image rescanned from copy neg and updated 31/5/2020. tramways, trams, wendouree parade, royal visit, decorated trams, tram 38

Shows the details of buildings in the east end of Sturt St, c1916.Digital image from a postcard from the collection of David Critchley, of Ballarat, Sturt St c1916. This 'birds eye' view of Sturt St reveals on of the early fleet standing at the city terminus probably during the Great War. Note the absence of motor cars and women's skirts are somewhat shorter - an economy concession with the shortage of cloth during the war years. A Valentines photo postcard. David scanned this pic at a higher resolution than normal, so you should be able to zoom in on the tram, which has been fitted with windshields and looks typically well used and unloved as did most of the original Ballarat fleet in their latter years. Image supplied by email 30/8/2011 - not to be published without David's authority.trams, tramways, sturt st, bridge st, esco

B&W print and scanned images of a black and white postcard lent to the BTM by Mr. Norm DePomeroy, Dec. 1997. Image is an ESCo tram at the east end of Sturt St. Ballarat, with the Grenville St. shelter in the background. Shows buildings along both sides of Sturt St. Has a few pedestrians in the photo and some horse drawn vehicles in the background. Tram in style with destination box/lights at back of drivers canopy. 2 copies held at 8/98. See also Reg. Item 1988 for postcard with the same photo but different details.See 833i3trams, tramways, esco, sturt st, postcards

Colour postcard divided back, four photo panels - Biscay Greetings, 1. - Evening lights of Melbourne reflected in the Yarra 2 - Bourke St - as for Reg Item 2639 3 - Collins St - with A class 239 at Swanston St (See Reg Item 5206 for a larger image.) 4 - View looking north along Elizabeth St from Flinders St Station with the Robert Risson shelter in the view. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG291trams, tramways, bourke st, z class, a class, collins st, elizabeth st, robert risson, shelters, tram 239

Arthur Edward Stevenson enlisted on 17 September 1914 and served with the 14th Battalion of the AIF. He was killed in action at Gallipoli on 20 August 1915 at age 28. His personal effects of a belt, hairbrush, knife, postcards and photos were returned to his brother John in June 1916. Later that year, John Stevenson wrote to the Officer in Charge of base records, asking for confirmation of his brother’s death, as he had received a letter from Arthur dated 27 August 1915, seven days later than the date on which he was reportedly killed. The Army confirmed that Arthur had in fact died, and concluded that he had likely misdated his letter. In 1920, Arthur’s sister Rachel wrote to the Department of Defence, asking whether her brother’s grave had been located and again querying the date of his death. Later, she completed a form that was sent to next of kin seeking information on deceased soldiers for the Australian War Memorial’s Roll of Honour. Arthur Stevenson’s death is recorded at the Lone Pine Memorial on the Gallipoli Peninsula. Honour Certificates WW1 - From 1915 onwards, recruits in many shires and towns in eastern Australia were honoured by local government authorities. A common form of recognition was the award of honour certificates. The first honour certificates were presented in 1915 and 1916 to men who had yet to leave Australia. The designers and publishing companies solicited business directly from councils. Publishers began to print two different types of certificates: honour certificates to thank soldiers who had survived and memorial certificates to commemorate the dead. D.W. Paterson, a Melbourne publishing firm, claimed they had supplied certificates to over 150 cities and shires in Victoria and New South Wales, including the Shire of Wodonga. Paterson also had the widest range of designs The certificate signified that the officials of the community recognised and shared the family's pride and grief. The certificate was signed by S. T Parker, Shire President and R. H. Murphy, Council Secretary on 4th August 1919.This certificate is significant as it recognises service given to Australia by Arthur Edward Stevenson. Coloured certificate presented to the family of Arthur Ernest Stevenson by Wodonga Shire Council. The certificate is mounted behind glass in a wooden frame.gallipoli, world war 1, arthur edward stevenson

B&W postcard, 'Gembrook Train Leaving Fern Tree Gully'. The postcard has a photo of a level crossing at Ferntree Gully. The down train has just cleared the crossing and a large group have either just crossed the line or are about to. One woman is carrying an umbrella. A horse-drawn carriage is in the process of crossing the track, obscured by a large shrub. There is a warning sign at the crossing saying 'Railway Crossing, Look out for trains'. Behind the train is a hill with scattered trees. The photo has a patterned, printed frame around it. On the back of the postcard is a written message. 'Am sending ad/vanced birthday/ cards to the/ little girls with/ love. Had a letter from Addie last/ week. A.S. Hunt' and in the address panel, 'Mrs W. Upton/ Wyndham/ Werribee.' A postage stamp has been removed from the card, obscuring the date stamp.

Black & white photo ex Postcard? titled 'Where two roads meet', showing a horse tram ( Hawthorn Bridge to Auburn Road (Riversdale Road) and Prahran and Malvern No. 36 on Glenferrie Road with Deepdene destination, at the intersection of Riversdale & Glenferrie Roads, Hawthorn. Corner block (SE) behind photo has a 'For Sale' sign on it, with houses in background. Now a block of shops. Tram No. 36 is an F class car, later renumbered - see p14 of Destination City, 4th edition. See also inscriptions. Questions: How horse tram number determined and date of photograph??`` Reimaged 17/7/2017 both front and back.'T101, No. 26 horse tram of Hawthorn Tramway Trust in Riversdale Road. No. 36 toastrack (enclosed cross seat) of the Prahran & Malvern Trams in Glenferrie Road, Hawthorn 1917. Horse trams ran from Auburn Road to Hawthorn Bridge and connected with the Richmond cable trams. W.Jack.'trams, tramways, pmtt, horse trams, riversdale road, glenferrie rd , tram f 36

Black & White photo in postcard format. 3/4 length male aged early twenties. H J Howship Benalla impressed on bottom right hand front corner. Dark suit and vest, Albert chain and fob. Reverse captions. Addressed to" Miss T Dowsey, 100 Rowan Street Bendigo". Dear sister and brother I am sending you a postcard I suppose you know who it is , hoping to find you all well as per last letter and let me know if you receive this foto alright, from your loving brother, H Harding Somerton 86 10 stone 5 lbs.H J Howse, Benallapostcard, photograph, male, dowsey research.

The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard

The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard

Page with copies of five black and white photos and the back of a postcard. Four of the photos are of a lady and a man dressed in clowns costumes and the fifth is a group of eight. Photo one is Charlie Smith and Beat Bennett; The second is Elsie Fraser and Alf Bennett, The third is Elsie Wandell and Herb Pain, the fourth is the group - Elsie Wandell, Charlie Smith, May Bennett, Alf Bennett, Else Fraser, Bill Holden, Beat Bennett and Arthur Wylie. The fifth is Arthur Wylie and May Bennett. At the bottom of the page is a copy of the back of the postcard - Printed on the back is: The Lockwood Photo Card, Studio Geelong. Written on the back is (Nolting), Fancy Dress', E Fraser A.B.C., Geelong, 1914. Age 23 written in the stamp place.The Lockwood Photo Cardphoto, group, people in costume, peter ellis collection, charlie smith, beat bennett, elsie fraser, alf bennett, elsie wandell, herb pain, may bennett, arthur wylie, bill holden, the lockwood photo card