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Queenscliffe Maritime Museum
Print, Photographer unknown
An original, mounted, print of the sailing ship 'Santa Maria' at sea.Realism, historicalMounted print of the "Santa Maria" - a description & history accompanies the worksheetOn the reverse - "NIL"sailing ship, santa maria, mounted print -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: 1837-1967 130 YEARS OF FINE PRINTING ANNIVERSARY CALENDAR
... prints ...A large green John Sands Pty. Ltd. 1837-1967 '130 years of fine printing' anniversary calendar. The calendar displays some prints of Australian locations including Sydney 1886, Melbourne 1857, Brisbane, Tasmania and Barossa Ranges. Also contains an outline of the history of John Sands company.John Sands Pty. Ltd.australia, history, prints, lydia chancellor, collection, calendar, john sands pty. ltd., printing, history, australian history, prints, sydney, melbourne, kangaroo point brisbane, barossa ranges -
Greensborough Historical Society
Functional object - Key Ring, Wings 'N' Things key ring
Wings 'N' Things key ring, advertising for Montmorency chicken and take away food business.Key Ring, plastic and metal, with printed tag. In original packaging.Printed on key tag: "Wings 'N' Things - phone number and address"wings 'n' things, were street montmorency, local businesses, key rings -
Bendigo Military Museum
Print - PRINT, FRAMED, "Publishers to Her Majesty the Queen and to Their Royal Highnesses the Prince & Princess of Wales"
Representation of all the Commonwealth Forces that served in the Boer War.Framed print with the title of "SONS OF THE EMPIRE". Frame: timber with decorative edge, brown stain colour, glass front. Mount: Cream coloured cardboard with outer mount timber with gold coloured paint. Print: Black and white grouping of men in uniforms of various countries with flag, horses and some soldiers holding rifles. Artist signature at base of print. Title and information printed below illustration.Artist signature on print "Harry Payne/Dec/99" Printed title below illustration - "SONS OF THE EMPIRE" Printed information below title - "Dedicated by Special Permission to / Field Marshall the Right Hon. Viscount Wolseley. K.P., G.C.B/, G.C.M.G./Commander in Chief of the British Army"" with signature in black ink "Wolseley F.M."framed print, commonwealth, boer war -
Footscray Community Arts
Body Form, Rai Banda, (exact); Taken 1994, Printed 2006
MEDIUM: Photographic print. DESCRIPTION: Black and white photography print, no frame. A figurative nude stands against a cracked and splitting wall, the image captures a faceless woman’s body as it curls inward upon itself, her head and chest guarded and held by her arms and hands. A vulnerable moment captured in black and white photography. Signed and dated across bottom of print.photograph, body, print, banda, form -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Print - Black and White pencil, hand drawn, MEDCAP, Uruzgan, Afganistan, 2010
The artist is currently a member of the Tramways / East Melbourne RSL, and has donated these prints himself. Framed print of the image created by 'Andrew Archibald'. Print is signed by the artist and editioned as 11/ 100. Image shows a young child receiving medical attention in AfghanistanPlate states 'Donated by Craig Horne' andrew archibald, afghanistan, medcap, children, medical treatment, doctors, artworks, war -
Ballarat Tramway Museum
Photograph - Tram 671 Wendouree Parade, 11-10-1980
Colour print of W4 class tram 671 in Wendouree Parade possibly on its first day of operation, 11-10-1980 for the BTPS. Photographer unknown.Yields information about BTPS W4 671 in Wendouree Parade on its first day of operation.Colour print - on plain papertramcars, btps, tram 671, w4 class, wendouree parade -
Glenelg Shire Council Cultural Collection
Artwork, other - Reproduction of print - Pen and ink drawing of Kingsley House Portland Victoria, T.V. Lyons, Kingsley, 1980
Displayed at History House.Reproductive print of pen and ink drawing of a turreted two-storey house with bay windows, gabels, an open upper verandah and an enclosed lower verandah.Front: T.V. Lyons '80. (printed, lower left in image) Kingsley (printed, lower centre, in image) -
The Beechworth Burke Museum
Postcard, C. F. Falk, c.1930
This postcard contains a depiction of the Mayday Hills Hospital in Beechworth, Victoria from the direction of Farm Hill, circa 1930. It was designed by C.F.Falk in Beechworth and printed in Saxony which is a landlocked state of Germany which borders the states of Brandenburg, Saxony-Anhalt, Thuringia, Bavaria and the countries of Poland and the Czech Republic. The depiction is a painting of the Mayday Hill Hospital which portrays the extensive buildings an HaHa wall (many of which have not survived to the present day). It provides a unique opportunity to reconstruct this historical site as it may have looked in approximately 1930. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). The extent of buildings displayed in this postcard helps convey the imposing and enormity of the structure before decommission. Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. The title on the obverse of this photograph as "Asylum for Insane, Beechworth" reflects a bygone era and attitude to mental health. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Colour rectangular postcard printed on cardObverse: Asylum for Insane, Beechworth. / Reverse: C.F. Faulk, Beechworth. Printed in Saxony. POST CARD / ADDRESS ONLY / AFFIX / STAMP / B 2298 / 1997.2457 /mental hospital, insane asylum, mayday hills mental hospital, beechworth, mayday hills, asylum, gold town, north-east victoria, ararat asylum, kew asylum -
Bendigo Historical Society Inc.
Book - ANNALS OF BENDIGO 1868- 1891 VOLUME 2, 1914
Annals of Bendigo 1868 - 1891 grey cover with Annals of Bendigo 1868 - 1891, printed in black. Print of 'Firelight reflections' on front. Price one shilling. Author G. Mackay. Silver duct tape on spine.G. Mackay. Printed by Mackay & Co., Market Square, Bendigo.bendigo, history, annals of bendigo, bendigo, history, annals of bendigo, mining, culture, industry -
Melbourne Legacy
Slide, Blamey House exterior from the rear, 1970
A colour slide of the rear of Blamey House, Burke Road Kew, in 1970. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of the rear of Blamey House in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '12' in black ink. Handwritten '5' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house -
Melbourne Legacy
Slide, Blamey House exterior from the rear, 1970
A colour slide of the rear of Blamey House, Burke Road Kew, in 1970. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of the rear of Blamey House in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '14' in black ink. Handwritten '7' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house -
Federation University Historical Collection
Plant specimen, Flowers from the Holy Land, possibly c1949
This item was located in a book called The English Lakes which was owned by E.C. Holmes [Edward Carter Holmes was the name of my mother's, Elizabeth Mary [Elizabeth] Holmes family's pioneer settler. He arrived in Geelong on the 28th of June, 1849, with his wife Sarah and their first child Frances Harriet as assisted immigrants (people whose passage was subsidised by an assisted immigration scheme) to New South Wales at Port Henry, Geelong in the sailing boat ‘Larpent’. Sarah and Edward arrived two years before his mother, Harriet, arrived as unassisted passenger in Geelong on ‘The Eagle’. 200 of the " Larpent" passengers had been selected in England by Rev John Dunmore Lang whose wish was to encourage the migration of hard-working, God-fearing Protestants to the colony. He sponsored two ships, the "Travancore" and the" Larpent', to bring the settlers to Australia in 1849 with Dr Alexander Thomson, a Sydney Presbyterian minister, ready to receive and settle them. Thomson owned section 10 of the parish of Barrabool known as the Kardinia section — a square mile of undulating land west of Colac, still known today as Larpent. Among the 'Larpent' immigrants were many well-known Ballarat and District pioneers including Armitage, Mercer, Oddie and Scott. For more details about this migration scheme refer to: A thoroughly Protestant emigration: the emigration activities of the Rev. Dr. J.D. Lang / Ian Wynd.2006.] [source: Jane Dyer 2024] Printed card with a pressed botanical specimen glued onto it. Printed onto the card 'Flowers from the Holy Land. Placed on the Holy Sepulchrechatham family archive, chatham, holmes, ec holmes. holy land, relic, botanical, botany, holy sepulchre, botanical specimen -
Flagstaff Hill Maritime Museum and Village
Postcard - Scenic, Warrnambool, Bay of Biscay, Hopkins River, Warrnambool, 1902-1910
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Bay of Biscay, Hopkins River, Warrnambool – This same image was published in Table Talk on January 6th, 1910 and in The Age, on December 18, 1929, referred to a revival of fishing at the Bay of Biscay on the Hopkins River. These and similar articles showcased the Bay of Biscay as a popular boating and fishing location and well worth promoting to places outside of Warrnambool. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the figures in a row boat on the river suggests that the location was a popular place to visit. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, portrait orientation, coloured print within a rectangle border with an impressed line around the image and a title in red. The picture shows three figures wearing hats in a rowboat on the bank of a river beside cliffs. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “Bay of Biscay, Hopkins River, Warrnambool” Back in green: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, bay of biscay, fishing, boating -
B-24 Liberator Memorial Restoration Australia Inc
Oral History, Memories Of My Years in the RAAF and RAF 1942-1945 Ian Middleton, Circa 2000's
I.Middleton was in the RAAF from October 1942 until December 1945. He was a B-24 Liberator pilot between December 1944 and August 1945 with 70 SquadronThis oral history of Ian Middleton is of historical significance because it provides a first hand account of the individual's experience during World War II as a member of the RAAF who trained at Somers, Tasmania and Point Cook. He saw active service in the Mediterranean conflict flying B-24 Liberator aircraft from Italy.A4 paper printed transcript in bound plastic cover.Print of an RAAF flying wings badge. In printed silhouette clear roundel,Memories of My Years in the R.A.A.F. and R.A.F. 1942-1945 Underneath this a copy of a photo of a B-24 Liberator, Ian Middleton.oral history raaf world war ii -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Frederick Moses Claxton 1832-1888. Research by R.D. Mosman 25/5/95, Mayor's Report, 1890, Mayor's Report, 1890. Transcribed longhand by R.D. Mosman. 25/5/1995
The Mayor's report1890, confirms that the Claxton Memorial was erected by public subscription during William Little's term as Mayor.F.M. Claxton was instrumental in the development of the Ballarat Botanical Gardens and Lake Wendouree.One page of printed transcriptionIn biro under "Mosman", 25.5.1995. Printed logo, Friends of the Ballarat Botanical Gardens, top centre of page.john garner, doctor, ballarat botanical gardens, fernery, frederick moses claxton, mayor's report, claxton memorial, lake wendouree., claxton, john garner collection, gardens, ballarat -
Ballarat Tramway Museum
Photograph - Norm Maddock and scrubber 8, Warren Doubleday, 6/10/2009
Two colour prints of Norm Maddock, former Assistant Secretary of the Victorian Branch of the Tramways Union and Malvern Tramway Museum alongside Scrubber No. 8 at the BTM depot 6/10/2009. See October 2009 Fares Please! See Melbourne Tram Museum item No. 7582 for a photo of Norm at the Australian Ex-Prisoners of War Memorial. Has a strong association with Norm Maddock, former Assistant Tramways Union secretary and driver of the scrubber tram. Photographed during a visit to Ballarat and the War Memorial.Set of two colour prints on digital prints.trams, tramways, scrubber tram, btm depot, unions, tram 8 -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTO OF JOAN SARTORIE
Photo of Joan Sartori: Black and white photo of Joan leaning against the drivers side of a car with her left foot resting on the running board. She is wearing a dark cardigan and floral dress, she is wearing two toned shoes. On the back is hand written in blue ink is *Joan Sartori * *Estelle Dole 1 Farrell St. Bendigo*. The number 41 is hand written in pencil. A green triangle with green print inside is *Printed by Oliver's Bendigo* and black *Velox*. is Box 116APrinted by Oliver's Bendigophotograph, person, hanro, bendigo. estelle dole -
Lara RSL Sub Branch
Coloured Print of Avro Lancasters, Night Shift
Avro Lancasters of 460SQN RAAF, based at Binbrook Lincolnshire about to join the bomber stream heading into the gathering darkness of the continent, June 1943. Rectangle colour print of a group of Lancaster bombersAircraft Illustrated Series two. Number 1. Signature of Ray Honisett Printed in Australia -
Geelong RSL Sub Branch
Print, 'The Camel Corps at Magdhaba, 23 December 1916', Late 20th Century
The Imperial Camel Corps was a camel mounted infantry brigade raised by the British Empire in December 1916 during WW1.This is a print of the painting by H Septimus Power of the Camel Corps at Magdhaba on 23 December 1916An oblong colour print on paper in a wooden frame.The print is of a painting by H Septimus Power, published by the Australian War Memorial, Canberra, ACTcamel corps, ww1, december 1916 -
Stawell Historical Society Inc
Book, N. Walter Swan, Luke Mivers Harvest by N Walter Swan, 1878
Australian Story by an Australian Author. Awarded the Prize of £100 (100 Pounds), Offered by the proprietors of thh "Sydney Mail" for the best competitve Tale by a Colonial Author.Red Hard Cover with Gold Print on SpinePrinted on Spine. The Title and Author's Name. "LUKE MIVERS HARVEST. N. Walter Swanstawell education, novel -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Future Plan, The Stoddart Statue and the Future of the Collection, c 2010
Author unknown. Significant in detailing a plan for the future of the Statue Collection C 2010.2 photocopies of a pamphlet, printed on both sidesPrinted logo of Clark Conservatory in black and white, by"Lake Wendouree" and words "City of Ballarat".john garner collection, garner, dr, statues, ballarat botanical gardens, ballarat, gardens, thomas stoddart, the stoddart collection -
Tarnagulla History Archive
Photograph: Ah Youk, a Chinese resident of Tarnagulla, c. 1900-1920
Murray Comrie Collection. This photograph is an original print.A small monochrome photograph of a Chinese man with slightly bent posture, outside a slab hut, with a dog and a puppy beside him. Handwritten caption on reverse identifies subject as 'Ah Youk', a resident of Tarnagulla. Handwritten on reverse 'Tarnagulla's Last Chinaman Ah Youk' and 'E. Radnell Tarnagulla'. The latter probably indicates the person who took the photo and/or who gave it to Murray Comrie. Also printed on reverse 'Bock Print'.tarnagulla, people, chinese, radnell, bock print -
Bendigo Historical Society Inc.
Document - CURNOW COLLECTION: FORM DEED OF DEFEASANCE, 19??
'Deed of Defeasance under Mutual Rule . Residence Area Title (Miner's Right). The Bendigo Mutual Permanent Land and Building Society. Four page blank (unused) form. Printer: Cambridge Press Print.Cambridge Press Printperson, individual, curnow collection -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Printed coloured photographic postcard. Image is of a body of water with rocks and a bare branched tree in the foreground. Mountains are in the background. The words Derwentwater and Skiddaw are printed in white along the bottom edge. Reverse is addressed to Miss G Dean Glen Alvie Queenscliff. Handwriting covers the left hand side.BB London Series No G8 Printed in Germanypostcard -
Bendigo Military Museum
Print - PRINT HMAS, MOUNTED, Post 1966
Coloured print of HMAS ANZAC by Tom Freeman 1996. Ship is powering forward firing forward gun turret & 2 missiles from aft. Ground troops with weapons are pictured in top background. Print is mounted on chipboard with white border & black edging. Laminated in clear plastic with small white hanging strap at rear.Above print in black type: “HMAS ANZAC” Below print in black type: “Commissioned 18 May, 1996 Port Melbourne, Victoria” Handwritten in blue ink either side of print: “Signatures” Emblem RHS bottom of print: “ANZAC UNITED WE STAND” Signatures print, anzac, mounted, hmas -
St Kilda Historical Society
Administrative record - Ration Card, Clothing Ration Card 1945-6 Issue, 1945
The ration card includes directions for use, and a page of printed rectangles designed to be cut into separate coupons.Pink coloured card printed in black on both sides.Stamped number 299425. Name, address and identity card number of card holder Emma S Morgan, 42 Foam Street Elwood handwritten in ink.wwii, world war ii, rationing -
Melbourne Tram Museum
Photograph - Colour print - Y1 class trams - Batman Ave
Colour print showing two Y1 class trams at the Batman Ave terminus at Princes Bridge. The tram on the left has the destination of Burwood, with the driver attending to the pole. The tram on the right, Y1 610 has the destination of Wattle Park Elgar Road. Both these trams were based at Camberwell Depot during the 1960s and 1970s. Photo likely mid-1960s. Yields information about the use of the Y1 class trams during the 1960s.Colour print - printed on Kodak Royal paper.trams, tramways, batman ave, y1 class, tram 610, mmtb, route 70, wattle park -
Tatura Irrigation & Wartime Camps Museum
document, The German Templers in Eretz-Israel
Photocopy of printed article.1 chapter of book in blue A4 folder with 14 photocopied printed material in plastic sleevesreports, documents