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Federation University Historical Collection
Drawing - Architectural Drawing, Ballarat School of Mines Proposed Trade Workshops (M.B. John Building) 07/1979 by Ewan Jones and Associates, Architects, 07/1979
On 11 June 1987 The M.B. John Trade–Art building (Albert Street front) of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs include 3 Dimensional Art, Painting & Decorating, and Engineering Trades. (SMB Institutional Plan 1989)Large format copy of a drawing projecting the new M.B. John Building into the Ballarat School of Mines environment. The view is from within the School of Mines in close proximity to the Ballarat School of Mines Botanical Gardens. ewan jones and associates, architects, m.b. john building, m.b.john, morgan b. john, morgan bevan john, ballarat school of mines, buildings -
Melbourne Legacy
Article, Bulletin VALE Legatee John Ernest Cooper
An article from the Melbourne Legacy Bulletin on the death of Legatee John Cooper (President of Melbourne Legacy in 1968). The article is a reprint of Legatee Kemsley oration at the funeral on 2 April 1980 at St Andrew's Anglican Church Brighton. The Bulletin published articles on Legatees when they passed away. Legatee John Cooper, born in 1919 and died in 1980. During his war service he served in 2/4th Field Regiment with 7th Division in PNG and Borneo, gaining the rank of Lieutenant. He joined Legacy in 1951 after being nominated by Legatee Dudley Gallagher. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee John Cooper a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Typed copy of a page from the Legacy Bulletin on the death of Legatee John Cooper - President 1968Bulletin No 2481. 8.4.1980. Page No 1 and 2past presidents, vale, john cooper -
Melbourne Tram Museum
Map, Russell J. Nowell, "The Melbourne Tramway System", mid 1960's
Printed map (dye line process) on a large sheet of paper contained within an envelope. .1 - Brown paper envelope with a printed sheet glued to the envelope - giving title "The Melbourne Tramway System", publisher ("Unitrans - Universal Transport Research and Planning Services" - with a space for the retail price. .2 - Map printed on paper and folded into 16 parts - details the track layouts for routes and depot, route numbers, sections, Latrobe and William St services and details of fares. Has a sketch of tram 980 in the top right hand corner along with details of the tram system. Also includes depot locations, reserved tracks and derails at level crossings, though railway level crossings are not shown. Produced by Russell J. Nowell - gives address and phone number along with the "UniTrans" logo. Advised by other members, he was a Tasmanian. Not dated, but appears to be mid 1960's. Plan scanned 1-3-2016 as a tiff file.Envelope has the name and address of the donor "Brian Weedon 5/124 Alexandra St East St Kilda"trams, tramways, map, mmtb, depots, tram routes, trackwork -
Vision Australia
Photograph - Image, John Wicking in his office
Portrait photo of President John Wicking sitting at his desk at the Association for the Blind, taken for the annual report.B/W photograph of John Wicking wearing a dark jacket, white shirt and striped tie, sitting at his desk with his hands resting on a blotter.john wicking, association for the blind -
Federation University Historical Collection
Photograph - Photograph - Black and White, John Brittain
On 28 June 1907 John Brittain, a well known writer and lecturer on astronomical subjects was appointed lecturer and demonstrator in Astronomy in the Department of Engineering and Surveying at the Ballarat School of Mines. A man in a jacket looks toward a microscope on a table with white tablecloth. The man is John Brittain who lectured at the Ballarat School of Mines. ballarat school of mines, scientific equipment, microscope, john brittain, astronomy, astronomical, scientific objects, observatory -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Major Peter John Badcoe
Dark timber frame, burgundy, matt board box display of twelve replica medals, four badges, photo citation, officers' peaked cap; two sleeves with cloth badges & rank insignia of Major Peter John Badcoe.Brass plaque, "Major Peter John Badcoe VC 41400 Australian Army Training Team Vietnam, Royal Australian Infantry.victoria cross, medals, vietnam., major peter john badcoe -
Kiewa Valley Historical Society
Folder - Family History, Descendants of John Hansen Damm and Marion Simmonds. Multiple copies, 1989
John and Marion Damm (nee Simmonds) selected 317 acres of land at Gundowring in 1873. They lived there until 1902. Left for 4 years before returning to the Kiewa Valley in 1906.The Damm family is a pioneer family of the Kiewa Valley.Plastic red cover with transparent front held by 2 gold metal slide clips. 10 clear plastic sleeves holding a brief history, family tree, 4 typed pages, 5 handwritten pages, 4 typed pages - family of John Damm Jnr and handwritten pages - family of John Damm Jnr.damm family; simmonds family; kiewa valley; -
Kew Historical Society Inc
Photograph - Photograph [copy], John Hodgson, 1845-1852
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical SocietyA print of a portrait of John Hodgson, prominent early settler of Melbourne and of Kew.Niljohn hodgson, kew, dorothy rogers, studley park -
Lakes Entrance Historical Society
Photograph - John and Kaye McMillan, Lakes Post Newspaper, 1/07/1991 12:00:00 AM
John and Kaye McMillan of McMillan of Metung with their Tourist Award for accommodation Metung Victoria. Also three more photographs of John and Kaye McMillan with further tourism awards 1992 1994 and 1995 numbers 04168.1, size 16 x 12 cm, number 04168.2 size 12.5 x 13 cm, 04168.3 size 16 x 19 cmBlack and white photograph showing John and Kaye McMillan of McMillan of Metung with their Tourist Award for accommodation Metung Victoria. Also three more photographs of John and Kaye McMillan with further tourism awards 1992 1994 and 1995 numbers 04168.1, size 16 x 12 cm, number 04168.2 size 12.5 x 13 cm, 04168.3 size 16 x 19 cm tourism, accommodation -
Surrey Hills Historical Society Collection
Photograph, Dr John Willmott Bennett
John was the eldest son of Dr Jack (Frederick John) and Mrs Doris Bennett (nee Willmott). His paternal grandfather, John Henry Bennett, was also a doctor who practiced in St Arnaud and Hawthorn. John was born in Melbourne on 23 October 1924 and attended Scotch College for his early education. The family moved to England shortly before WW2 and he completed his schooling at Mill Hill in Uxbridge (and at St Bees School in Cumberland to which Mill Hill was evacuated). He entered St Bartholomew's Hospital Medical College in 1946. He married Christina Hudson in Cambridge in 1946 and they followed the rest of the family back to Australia in 1948. John was Resident Medical Officer at the Repatriation Hospital in Heidelberg from 1948-1953. He was an Honorary Clinical Assistant at the Royal Melbourne Hospital from 1950-1965 and became a member of the Royal Australasian College of Physicians in 1953. He joined Drs W Langley Carrington, William (Bill) Vorath and Norman Rose at the Surrey Hills Medical Centre in 1953. He lived in Camberwell and had 2 sons and 1 daughter; one son also qualified as a doctor, working in Hobart. His brother Robert, a radiologist, lived in Mont Albert and one of his 4 daughters, Dr Penny Bennett, also worked at Surrey Hills Medical Centre at a later period. Ref: Article in Chiron - Medical Genes: The Bennett Family written by Dr WRC (Robert) Bennett, 1989. The donor was a niece of John Bennett.The Surrey Hills Medical Centre was one of the first, if not the first, general practice to include specialists as partners soon after WW2. Black and white formal head and shoulders photo of Dr John Willmott Bennett who was a general practitioner in the 1950s and 1960s at the Surrey Hills Medical Centre. doctors, surrey hills medical centre, dr john willmott bennett -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
The five stained glass windows were made by Rosemary Spencer. to the design of Bruce Hutton. The stained glass depicts the story of St John of God in Ballarat. Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Colour photograph of a detail of stained glass windows at the Chapel of the Visitation at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, ship, immigration -
City of Whittlesea Art Collection
Painting - Watercolour & gouache on Fabriano paper mounted on board, John Borrack, Cravens Road, Mernda, 1987
“Like "Red Gums, Hunters Lane", this painting is a deliberate attempt to infuse some new qualities into my work of that period, particularly in the painting of local subject matter. The heightened chroma and simplification of forms accentuated by a more rhythmic quality, endow the picture with a decorative characteristic which places it outside the category of the picturesque. Such colour harmonies, despite the heightened intensities, particularly in the road, do nevertheless exist, and it is the artist's prerogative to select and emphasize these certain qualities in his quest for expression. Unlike oil painting, watercolour and gouache can be unforgiving media, and once a commitment is made to the initial marks and washes on the paper, one must employ a certain deftness of touch to develop the work and retain the initial freshness. Some technical planning before painting is essential.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda -
City of Whittlesea Art Collection
Painting - Watercolour on Arches paper, Yan Yean Swampwater, 1995
“A nature painting commenced on site and completed in the studio. More of a morass lying to the west of Yan Yean Reservoir in Dunnets Road, this intriguing site has nevertheless all the primeval qualities associated with swamps in general. The rhythmic movements of the old red gums dominate the surrounding bush with the tranquility of the water from recent rains. Painted directly onto a saturated sheet of rough paper, the large masses of foliage and integrated sky areas determine the tonal and colour key of the painting, while the strong horizontality of the lower water area stabilizes the design and contrasts with the vertical and oblique rhythms of tree trunks. The white of trunks and branches have largely been achieved by the lifting of colour with a stiff wet brush although slight touches of bodycolour are added for a few critical accents. Such a subject and its execution demands a sound concept and plan before any painting is commenced as the wayward nature of the medium demands great control. The painting must be bold and decisive. Sometimes the qualities of the medium should be allowed to take over in its wateriness and its soft and hard edge properties.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackyan yean -
City of Whittlesea Art Collection
Painting - Gouache on Fabriano Paper on board, John Borrack, East of Mernda. Late Evening, 1995
“A nature painting commenced on site and completed in the studio. More of a morass lying to the west of Yan Yean Reservoir in Dunnets Road, this intriguing site has nevertheless all the primeval qualities associated with swamps in general. The rhythmic movements of the old red gums dominate the surrounding bush with the tranquility of the water from recent rains. Painted directly onto a saturated sheet of rough paper, the large masses of foliage and integrated sky areas determine the tonal and colour key of the painting, while the strong horizontality of the lower water area stabilizes the design and contrasts with the vertical and oblique rhythms of tree trunks. The white of trunks and branches have largely been achieved by the lifting of colour with a stiff wet brush although slight touches of bodycolour are added for a few critical accents. Such a subject and its execution demands a sound concept and plan before any painting is commenced as the wayward nature of the medium demands great control. The painting must be bold and decisive. Sometimes the qualities of the medium should be allowed to take over in its wateriness and its soft and hard edge properties.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda -
City of Whittlesea Art Collection
Painting - Gouache & Watercolour on Saunders Paper on board, John Borrack, Mernda Plains, Landscape, 1995
The expression of the spirit of a place which in landscape painting is aesthetically more important than a literal topographical recording, can really only be achieved after a lifetime's experience of an area one has constantly observed, painted and loved for its innate characteristics. I gaze across the red gum plains of the Mernda landscape from my studio and witness them in all seasons and moods. Such a painting as this, free of all inhibitions of literal transcription are done relying purely on memory impressions. These are often inspired by a particular season or day, but the content of the work is a total of past experience and observations that lie in one's mind. The staccato quality of tree forms against vast horizontal spaces, the open colour planes and marks that define forms, the calligraphy and tonal resonance of the work, all find their origins in direct observations of nature that remain with me. Experience has taught me that the more direct and less complicated one can express an idea in watercolour and gouache, the more significant and vital the work will be. Occasionally one succeeds and manages a complete statement without recourse to reworking or additions. This painting typifies the direction in which my major work started to move in the late 1980's. Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda -
Lakes Entrance Historical Society
Photograph - Memorial Carvings by John Brady, first sculpture carved by John Brady, 1999
first sculpture carved from WW1 Memorial Avenue cypress trees of WW! Digger carved by John Brady , Lakes Entrance VictoriaColour photograph of first sculpture carved from WW1 Memorial Avenue cypress trees of WW! Digger carved by John Brady , Lakes Entrance Victoriaworld war 1914-1918, memorials -
Ballarat Heritage Services
Photograph - Photograph - Colour, Headstone for John Egan, the Drummer Boy at Eureka, 23/09/2004
Historian Dorothy Wickham could not find the death registration for John Egan, and after some research she discovered he did not die on the way to Ballarat, but lived to be Court martialled in New Zealand. It was eventually removed. Photograph of a headstone in the Ballaarat Old Cemetery for John Egan, the Drummer Boy at Eureka. The headstone was erected in the Soldiers Enclosure in the late 1980s. john egan, eureka stockade, military, drummer boy, dorothy wickham, ballarat old cemetery, ballaarat old cemetery -
Eltham District Historical Society Inc
Folder, John Johns, 1862
Folder of information on John Johns, Eltham, 1862john johns -
Lakes Entrance Historical Society
Photograph, John Carpenter, 1880 c
John Carpenter was contractor for building artificial entrance Lakes Entrance VictoriaSepia toned photograph of John Carpenter showing a middle aged man with grey hair and trimmed beard wearing white shirt with narrow bow tie waistcoat and suitcoat Melbourne Victoriacelebrations, clubs -
Surrey Hills Historical Society Collection
Photograph, Jackson family, c.1905
The Jackson family were manufacturing jewellers who lived at 7 Russell Street and had their business factory next door at 9 Russell Street. George James Jackson born 1868 in Handsworth, Staffordshire married Alice Eleanor Taylor, born 1868, in 1890. The house in Russell STreet was named 'Handsworth'. They had a large family - this list may not be complete: William George (1894-1895), George Hall (1896-1984), Gertrude Annie (1898-1989), Edward James (1900-1937), Allan Alfred (1902-1969), Joseph (1904-1954), Henry Hadley (1905-1958), Eleanor Isobel (1911-1984), Sylvia May (1914-2008) and Alice Louise (dates not known). George died in 1950; Alice died in 1924. They are buried in Box Hill Cemetery.A black and white photograph of a family seated around a table.There are seven children.jackson family, 1905, clothing and dress, mrs alice jackson, mr george jackson, jewellers, russell street -
Flagstaff Hill Maritime Museum and Village
Book - Literary Work, John F. Moodie Heddle, Seven In the Half-Deck, 1949
This book is a true account of the experiences of seven Australian boys beginning their career as seamen on the last voyage of the ‘John Murray’ when they became stranded on a South Pacific Island. The author John F. Moodie Heddle was an apprentice on board at that time. The publisher firm of Longmans, Green & Co. was founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including the name Longman, Green, Longman and Roberts from 1859 to 1862, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The three-masted iron baque 'John Murray' was built and registered in Glasgow, UK, in 1877 as a general cargo vessel maned the 'Loch Ryan'. It traded between the UK and Australia from 1877 to 1909. In 1909 the Loch Ryan was purchased by the Defence Department of Victoria, refitted at Williamstown as a training vessel and renamed ‘John Murray’. It was commissioned from 1910 to 1917 for reforming juvenile offenders as seamen for the Navy and Merchant Navy. The training project ceased after reports of the treatment of the boys. Although 411 did their training under this scheme, the success rate of them qualifying to serve on other vessels was less than twenty per cent. The ship was named after John (Jack) Murray (1851-1916), who was born near Koroit. He was the 23rd Premier of Victoria (1909-1912), and a Warrnambool Member of Parliament for twenty years. In 1917 the John Murray was sold to the Government of Australia to serve during the Great War, World War I. The ship was loaded with a cargo of dynamite and petroleum at San Francisco then departed for Melbourne when, during its passage, it was wrecked at Malden Island reef in the mid-Pacific Ocean on May 29th, 1918.The book gives us a first-hand account of the wrecking of the sailing ship John Murray, named after a past Warrnambool Member of Parliament for twenty years and the 23rd Premier of Victoria, born locally, near Koroit. The book is significant for its association with the vessel John Murray, which was formerly the 'Loch Ryan' of the Loch Line General Shipping Company of Glasgow. The same company owned the Loch Ard, which was wrecked and tragically lost 52 lives. The book is significant as a record of one of the many clipper ships that traded between the United Kingdom and Australia, with goods collected from other countries along the way. The book has an important connection to Victoria's training ship John Murray, which aimed at reforming delinquent juveniles to be suitable as seamen for Australia's Navy or Merchant Navy.Seven In The Half-Deck: An account of the wreck of the Barque John Murray Author: John F. Moodie Heddle Publisher: Longmans Green & Co Date: 1949 Beige cloth hardcover book with colour sleeve pasted to front cover, depicting a lifebuoy with a sailing ship in the centre. Some words of the title are in rope-inspired writing. There are inscriptions on a label on the spine, a sticker on the front loose endpaper, and the image on the cover.. Label; typed text "RA 910.453 HED" Inside front loose endpaper has sticker "Warrnambool Children's Library" On lifebuoy: "JOHN MURRAY" "MELBOURNE"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, seven in the half-dec, true story, wreck of the barque john murray, shipwreck, john murray, barque, wreck, john f. moodie heddle, j f moodie heddle, longmans green & co, j moodie heddle, warrnambool children’s library, 1949, melbourne, the john murray, loch ryan, loch line, general shipping company, government of victoria, training ship, juvenile reformation, delinquent boys, james & george thomson, iron barque, three-masted ship, clipper ship, uk to australia trade, dynamite cargo, petroleum cargo, maldon island reef, 1909-1917, 1910, 1918, 23rd premier of victoria, warrnambool member of parliament, koroit, juvenile delinquent training, navy training, royal australian navy, merchant navy, first-hand account of a shipwreck -
Flagstaff Hill Maritime Museum and Village
Instrument - Marine Telescope, 1870-1880
This telescope was amongst various items collected from a sea dive in Port Phillip Bay. The diver was the caretaker of the Port Lonsdale Lighthouse, who dived on various wrecks in the bay during the 1960's. After the caretaker's death, his son sold off many of the shipwreck artefacts. The telescope was purchased from the caretaker's son in the 1990's by a previous owner of the Marine Shop, Queenscliff, Victoria. John Browning was particularly well known for his scientific advances in the fields of spectroscopy, astronomy, and optometry. Between 1856 and 1872, Browning acquired provisional patents for designs of numerous scientific instruments. He was also the recipient of an award at the 1862 International Exhibition held in London. Also recognised for his temperature-compensated aneroid barometer. Browning's scientific instruments were used in physics, chemistry, and biology. The products he designed and manufactured included spectroscopes, telescopes, microscopes, barometers, photometers, cameras, ophthalmologist, and electrical equipment such as electric lamps. John Browning was born around 1831 in Kent, England. His father, William Spencer Browning, was a maker of nautical instruments. John Browning's great-grandfather was also an instrument maker as well as John’s brother Samuel Browning of the firms Spencer & Browning and Spencer, Browning & Rust, who also manufactured navigational instruments. The latter firm was in operation in London from 1784 to 1840 and was succeeded by the firm of Spencer, Browning & Co. John Browning initially intended to follow the medical profession and entered Guy's Hospital, a teaching hospital and a school of medicine. Despite having passed the required examinations, however, he abandoned his plans. Instead, he apprenticed with his father, William Spencer Browning. At the same time, in the late 1840s, he was a student attending the Royal College of Chemistry several days per week. By the early 1870s, practical optics had become John Browning's primary interest, and he listed his occupation as an optician on the census records from 1871 to 1901. He was well known among London's ophthalmic surgeons for his various ophthalmic instruments. He had a large part in reforming the art of crafting spectacles. Other achievements were as an author of the book, How to Use Our Eyes and How to Preserve them by the Aid of Spectacles. Published in 1883, the book included thirty-seven illustrations, including a diagram demonstrating the anatomy of the eye. In 1895, he was one of the founders of the "British Ophthalmology" the first professional organisation for optometry. He was not only its first president but also registered as its first member so many considered him to be the first professional optometrist. Other professional organisations he belonged too was as a member of “The Aeronautical Society of Great Britain”. In 1871 constructing the first wind tunnel located at Greenwich Marine Engineering Works. He was also a member of other scientific organisations, such as the “Microscopical Society of London”, the “Meteorological Society”, and the “Royal”. Then in 1908 the company of W. Watson & Son, opticians and camera makers, took over John Browning's company since 1901 John Browning had been semi-retired but in 1908 he fully retired and moved to Bournemouth in Hampshire. He died in Cheltenham, Gloucestershire in 1925.The telescope is significant for its association with one of the world’s leading scientific instrument makers and inventor of the 19th and early 20th century. It is believed the donation came off a wreck either in Port Philip Bay or between Point Lonsdale and the Nepean Heads making it a significant maritime historical artefact. Its provenance is good given it was taken off a wreck in this area by the Point Lonsdale lighthouse caretaker. Examples of John Browning's telescopes because of their scientific and historical importance are highly valued by collectors.Marine style single draw brass telescope with a sunshade. The single draw has no split and the second cartridge is held in a long brass tube within the single draw, mounted from the objective end. The eyepiece is flat and at the end of the first draw in a very faded engraving that is believed to read "John Browning, 63 Strand, and should read London under the word strand but this is hard to establish given the engravings condition. This interpretation of the engraving has been arrived at by examination of other John Browning telescope engraving examples."John Browning, engraved to the first tube in copper plate style "63 STRAND" Engraved under in capital textflagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwreck artefact, port phillip bay, port lonsdale lighthouse, wreck, 1960’s diver, queenscliff marine shop, john browning, telescope, spectroscopy, optometry, scientific instruments, william spencer browning, optician, navigational instrument, microscopical society of london, aeronautical society, marine technology -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1905
This bottle once contained John Fletcher’s ginger cordial. It was found in August 2014 in the sand dunes at Levy's Point, near McKinnon's quarry, Warrnambool. ABOUT JOHN FLETCHER of WARRNAMBOOL John Fletcher Cordial (or Beverage) Co . Warrnambool, supplied cordial and aerated drinks to the Western district of Victoria. John Fletcher was named as a cordial manufacturer in the Warrnambool Standard of June 13th 1895, when he attended a Publican’s Association meeting. Mr John Fletcher, aerated water and cordial manufacturer of Koroit Street Warrnambool, had a summary of his factory printed in a short article in the Advocate, Melbourne, in February 1901. The article said “one of the most complete plants outside the metropolis … spacious … well appointed …old-established business … noted for the excellence of the quality … a trial [of the beverage] is solicited.” John Fletcher and Harold Caffin, trading as J.S. Rowley & co cordial manufacturers in 1903; were prosecuted in September 1903 when the Board of Health found an analysed sample of Raspberry Vinegar to contain coal tar colouring, which could be injurious to health, particularly to the kidneys. The factory was still in operation in December 1924, when sadly, Mr S. Fletcher, who was carrying bottles of aerated water at Mr John Fletcher’s cordial factory, sustained an eye injury when one of the bottles burst. Later the eye had to be removed at the Warrnambool Base Hospital. ABOUT CODD BOTTLES During the mid-to-late 1800s there were many inventions to keep the fizz in carbonated drinks such as ginger ale, soda water and fruit drinks. Hiram Codd, an English engineer invented a successful process that he patented as “Codd’s patented globe stopper bottle” in 1872. The Codd-neck bottle (commonly called Codd or marble bottle) is manufactured in two parts. The body of the bottle is cast in two sections. At the time of joining the sections a glass marble and rubber seal are inserted into the neck section. The lip is then applied to the top of the bottle. The Codd bottle is filled upside down as the pressure of the gas from the carbonated liquid holds the marble up and out of the way. When the bottle stands upright the gas pushes the marble up against the washer, creating a firm seal to keep the fizz inside. The bottle is opened by pushing the marble down firmly to allow some of the gas to escape. The marble drops down and is caught in a depression formed in the neck. When the bottle is tilted to pour or drink the liquid the marble rests in a dimple. Some have said that the bottle as a character, the shape having a face with its mouth keeping the marble out of the drink and eyes that catch the marble so that it doesn’t roll into the mouth of the drinker. The Codd bottle was expensive to produce and children loved to destroy the marbles to play with the marbles inside. Many shops and factories added a deposit to the cost of buying the drink to encourage children to return the bottles rather than break it for the marble. Codd bottles are still being produced in India and Japan for soft drinks. A Codd bottle with the same markings as this one is valued on today’s Australian auction sites from $35 - $75 AUD. Bottle, aqua/green glass, with glass marble inside. John Fletcher's Ginger Ale, Warrnambool. Container is often called a "Codd neck bottle", “marble bottle” or “Codd’s patent bottle”. Bottle made by Dobson. Inscription on bottle and base. c. 1905Marks moulded into glass; "JOHN FLETCHER / GINGER ALE / WARRNAMBOOL" and “DOBSON” and on base “G”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, codd bottle, codd neck bottle, marble bottle, ginger beer bottle, john fletcher soft drinks, warrnambool soft drinks and cordials, john fletcher cordial (or beverage) co ., codd neck bottle, glass stopper bottle, hiram codd, antique bottle, harold caffin, john fletcher -
Mission to Seafarers Victoria
Photograph - Photograph, mounted, Reverend John Ashley, D.D. - Pioneer Chaplain in the Bristol Channel
Reverend John Ashley was a key initiator of missionary services to seafarers isolated and confined to moored ships or islands with families in the Bristol Channel of the 1830s. Attention was also focussed by other individuals, groups and churches in ports and led eventually to the establishment of the Mission to seamen, London which in turn inspired establishment of similar services in other countries and ports. Rev'd Kerr-Johnson who arrived in Australia was appointed by a Bethel Union of non-conformist churches in late 1856 and delivered the first shipboard service in 1857 for the Victorian Mission to seamen. refs: 1895-1905 Epitomised history... (MtsV) and Dr Ashley's Pleasure Yacht publication MTSV collection.John Ashley portraits are rare and this is the only image of him held in the collection at the Mission to Seafarers Melbourne. See also History for full significance.Sepia toned photograph of John Ashley mounted on dark blue card. Text at the bottom section of the photograph reads "THE REV.JOHN ASHLEY, D .D. /Pioneer Chaplain in the Bristol Channel"city of bristol, seamen's mission, mission to seamen, reverend john ashley (1801-1886) -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Book, Cox, John, The Miraculous Lives of a Man Called Jack, Reprinted 10/2002
No 85, Trooper Jack Cox served for four years in the 4th Australian Light Horse Regiment during World War 1, He was in most of their campaigns in Gallipoli and Palestine. He was awarded a DCM for his actions at the charge at Beersheba in capturing a Turkish machine gun and its 11 man crew.Biography of Arthur John Cox, 1879-1959Signed by author, John Cox, 20/5/2007. ISBN 0 9579556 6 9 biography, a j cox -
Melbourne Legacy
Article, Bulletin VALE Legatee John Sullivan, 1997
An article from the Melbourne Legacy Bulletin on the death of Legatee John Sullivan, a long serving Legatee, on 2 August 197. The Bulletin published articles on Legatees when they passed away. Legatee John Sullivan was President in 1991, he had joined Legacy in 1983 proposed by his father-in-law Morrie Tonkin. He had served in WW2 as a Flight Lieutenant in the RAAF with Beaufort Squadrons. Also a death notice and note published in the Bulletin when his second wife Jane Sullivan (daughter of Legatee Morrie Tonkin) passed away in October 2002. The article was part of an folder about of past presidents that served on the LCC in preparation for the photo board that was produced. The folder included biographical details and obituaries, eulogies and death notices of some Legatees. The items have been catalogued separately.A record of the life and service of Legatee John Sullivan. The information was published in the Bulletin and collected to record the lives of prominent legatees in a folder.Typed copy of a page from the Legacy Bulletin on the death of Legatee John Sullivan and notices on his wife's death.vale, past presidents, john-sullivan -
Vision Australia
Photograph - Image, John Moule, 1995
John Moule was President for the Association for the Blind from 1992 until 1999. Shortly after his commencement, political changes forced the realignment of government departments and expenditure, requiring a reduction in nursing home accommodation and staffing levels. With the demand increasing for services, and the need for a financially sustainable model, he oversaw the increasing amount of government support for the AFB as well as the successful centenary appeal. In this image, John Moule Man is dressed in pinstripe suit, light coloured shirt and striped tie, and stands outside a building. A coloured version of an image taken during this photo shot appeared in the 1995 AFB Annual Report.1 B/W photograph of John Moule in pinstripe suit, light coloured shirt and striped tie standing outside a buildingassociation for the blind, john moule -
City of Ballarat
Public Artwork, Peter Nicholson, John Malcom Fraser (Prime Ministers Walk) by Peter Nicholson
John Malcolm Fraser, served as Australia's 22nd Prime Minister from 1975 to 1983. The Prime Ministers walk at Ballarat Botanical Gardens has over time created a special and unique understanding of our Prime Ministers and the strength of belief, passion and understanding we had for these leaders. The different styles used reflect the times and the techniques used to undertake these portraits of leaders makes us consider those elements of official portraiture, including textures, sizes and features and proportions used by some of the artists. The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite and concrete plinth.John Malcolm Fraser Prime Minister 1975-1983malcolm fraser, prime minister, australian pm -
City of Ballarat
Artwork, other - Public Artwork, John Winston Howard (Prime Ministers' Walk) by Peter Nicholson, 1996
John Winston Howard, Australia’s 25th Prime Minister, served from 11 March 1996 until 3 December 2007. When he lost the seat of Bennelong in 2007, John Howard also became the second Australian prime minister to lose his seat, the first being Stanley Melbourne Bruce in 1929. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite plinthJohn Winston Howard Prime Minister 1996-2007prime minister, australian pm, john winston howard, liberal party, ballarat botanical gardens, richard armstrong crouch -
Lakes Entrance Historical Society
Photograph - Memorial Carvings by John Brady, 1999
sculptures carved from WW1 Memorial Avenue cypress trees by John Brady 1998-1999, Lakes Entrance VictoriaColour photograph of sculptures carved from WW1 Memorial Avenue cypress trees by John Brady, Lakes Entrance Victoria c 1999 plus 2 other photographs world war 1914-1918, memorials