Ernest Lance Young was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Beryl Mair (1916-1976) was the daughter of David Miller (Dave) Mair and Lily Vipond Deakin. Dave Mair (1879-1938) was founder of the Kangaroo Cricket Club based at the MCG. The logo or emblem of the club was a kangaroo facing forward. From this one can assume that Mr Holland was a member of the club. The card was most probably sent prior in 1939 or soon after as following Dave Mair's death, as a mark of respect, the emblem was changed to a kangaroo facing to the left but with its head turned back. (Information from the donor).This is part of a large donation of material relating to the Deakin, Mair and Young families, all of whom had connections with Surrey Hills / Mont Albert. The donor is the daughter of Ernest Lance and Beryl Young.A light green card on thin paper with a total size slightly smaller than A4, folded into four. The lower edge of the front is folded back to reveal an embossed figure of a kangaroo facing forward in burnished gold. Inside are printed greetings personalised from Mr Holland and Marion to Mr and Mrs Young.On the folded triangle of the front in blue biro is the later addition of the number one within a circle. This mark was made by the donor. Inside in blue ink, inner LH side: "To / Mr. & Mrs. Young"; signed below the printed standard greeting in the same hand " Mr. Holland / & / Marion"christmas card, dave mair, david miller mair, ernest lance young, beryl mair, beryl young, mr. - holland, kangaroo club

This photograph was taken during the flood of 1934 in Orbost. The people in the photograph are related to Billie and Ilma Nixon and Charlie Johnston. Damage estimated at £500,000 was caused by the 1934 floods in the Orbost district. This 1934 flood was devastating, destroying a section of the 1922 Orbost bridge, wrecking fences, bridges and roads, dumping silt and debris on the rich river flats and drowning cattle.This item is a pictorial record of a significant event in Orbost's history. It is associated with local families.A black / white photograph / postcard of floodwaters. On the right is a young man with four young boys sitting on a log. In the bckground is a rowing boat with one man rowing and three others sitting on the edges . A field of maize / corn is in the background and a large willow tree on the right.on back - "M. C. Rice Orbost 19 /1/20 M Gilbert. Mostly Billy Nixons & Charlie Johnstons 1934" [Note alteration: W C Rice rather than M C Rice].floods-orbost-1934 nixon-william johnston-charles

Black and white photograph showing partially built McKillops Bridge on Snowy River, East Gippsland, Victoria.Cantilever new bridge over Snowy River at McKillops Crossing, 45 feet above recorded flood, washed away before officially opened, decking, etc, down stream more than a mile. (on back)bridges, waterways, topography

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Remains of a number of teaspoons in a clump of concretion raised from the wreck of the Loch Ard. There are parts of at least 4 spoons visible with one spoon more complete and exposed than the others. Pieces of glass are embedded in the sediment. Original teaspoons made of thin layer of copper alloy (brass) electroplated onto nickel-silver base metal. No makers marks visible.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham brass plating, makers marks, teaspoons, william page & co, william page & co

Letter written on blue paper with A.O.F. B.U.D. Emblem in top left corner and dated Nov 22/71. Letter of resignation from W. ? (signature unreadable) from his position as ? Of District Arbitration Committee in consequence of his appointment as D.C.R. and he suggests than some brother be nominated for the vacancy this evening.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, mechanics institute, court king of the forest, ? of district arbitration committee

This tea pot was used in the original Kiosk at Healesville Sanctuary during the 1940'sParamount medium-sized 2 pint silver teapot; functional classic design is similar to ones used in hotel dining rooms during the 1940's - quite plain with no markings or embellishment. Long spout, handle with swirl on upper side and marble-sized knob on lid. Larger in diameter at bottom than at the top. Stamped on base - "PARAMOUNT / PLATE / BEST QUALITY / EP NS AI /WARRANTED / HARD SOLDERED / K G LUKE MELB / 2 PT" teapot, k-g-luke,

Titled - Enid Gilchrist's 70's Styles. More than 70 basic designs for mature figures. Picture of two women on front cover - one dresses in yellow and the other in a brown & white floral. Paper magazines of 55 pages featuring how to cut out patterns. Costing 75c. Special Reprint.books, magazines

Shows a special tram operating on the View Point line, which was not regularly used and difficult to get a tram along the line at the time. Almost not used at all prior to closure. Shows crossing on a curve of Mair St and the way the road level was built up - dates from horse tram days.Kodak slide, white cardboard of No. 21 operating a special on the View Point Ballarat line. Taken 3.11.1970 by Carolyn Dean. Tram about to cross Mair St. Shows how this section of tram line was higher than the general road level of Mair St. at this point. Tram has the destination of View Point . ."3-11-70" in ink on slide.tramways, trams, ballarat, view point, ripon st, mair st, tram 21

Diggers & Mining. Diggers and miners. Quartz gold mine, Clunes, c. 1861- - - and in the quartz reefs. Slide shows that mining is done on a much grander scale than a pan by the river of shallow mines. It could now be a large industry for its times. Markings: 29 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Stores at the diggings. Not all the men who went to the diggings were diggers. Some found it more profitable to sell to the diggers than to dig for gold themselves. Small stores were established on the goldfields and along the roads leading to them. Markings: 2 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

This framed compilation was presented to Councillor Thomas Wilson J.P., President and Trustee, by the Members & Committee of the Brighton District Brass Band as a token of esteem on 23 September 1915.brighton district brass band, band, brass band, councillor, committee, members, w.a. adamson, d.e. mcbryde, cr. g.h. alford, cr. j.j. hanby, cr. t. wilson, cr. w.p. frances, cr. j.r. burrows, j.h. taylor, d. bridgen, h.l. glenn, g. sheppard, d. mcpherson, w. octagon, h.r. wonnacott, w. booker, j. grundy, e. sangwell, h. teeson, c. dunham, w. lawrence, l. blight, h. leftley, g. rumney, f. monk, j.j. passe, a.e. brown, h.j. thorns, n.l. orford, a. grant, j. monk, w. graham, g. nickells, c. temme, h.f. northe, e. harding, g. reed, w. mason, w. lott, h. cooper, j. eldred, h. holmes, a. brame, sepia photograph, portrait, gainsborough studios

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

Insulates electrical wire/cable which is attached in the groove. Screwed into the cross arm of a power pole. Non conductive so electricity doesn't short out to the ground.Used on power poles in the Kiewa ValleyClear blue tinted glass insulator - bell shaped at the closed end. Deep, wide groove towards the wide open end. The wide end is inscribed and opens to a decorated edge of small balls around the circumference. Inside there is a cylinder which is threaded for screwing onto a power pole. This cylinder is shorter than the outside part."Hemingray - 19" "Made in U.S.A."electricity. power lines. insulator. hemingray.

As the former j Kitchen & Sons site was being cleared, Lionel Layfield, who had worked at the site for many years undertook several pictorial perimeter surveys. These photos were taken c. May 2014.Series 2 of colour photographs taken by Lionel Layfield again walking around the perimeter of J Kitchen and Sons, but several months later than series 1, and so demolition has progressed. Many photos show bricks, bluestone and other salvage materials. Photos .10 and .11 include the old bomb shelter.industry - manufacturing, built environment - industrial, demolitions, j kitchen & sons pty ltd

A black and white photograph at the 1st Australian Field Hospital, Vung Tau, South Vietnam, X-Ray Sgt prepares a digger for an X-Ray. The facilities within the hospital were first class, better than a great many smaller hospitals back in Australia. Wounded and sick diggers received first class care.photograph, 1st australian field hospital, nui dat, gibbons collection catalogue, digger

Lever tyned walking scarifier, pulled by a horse. Designed for use in market gardens and is adjustable so the distance between rows may be varied. These items were on sale between C1900 and C1940 .Its lightweight construction suggests that this exhibits a late rather than an early model. Similar to a horse hoe scuffer used in America.rural industry, agriculture

Photocopy of a drawing showing the proposed transverse sections of the Box Hill to Doncaster Tramway. Drawing prepared at a scale of 4 feet to the inch. Shows the dimensioned sections with the tramcar, poles, sleepers and metal ballast in cutting and in bank (fill). Photocopy larger than original drawing. Has part of a stamp in the lower right hand corner.trams, tramways, box hill, doncaster, plans, sections

Black & white photo of side view of M&MTB tram No. 988, testing overhead in Clifton Hill area on 19 June 1955. Part of bus 564 visible behind tram. Tram has both doors open, with M&MTB crest and number on saloon ends of the car rather than the centre panel.On typed paper on rear "988 side view at Clifton Hill 19 June 1955" and in btm rh corner "Geoff Grant" stamp.trams, tramways, melbourne, bourke st., commissioning , tram 988

black and white photo. Cavalcade of trams in Pall Mall - more than 10 on two lines. Photo looking towards City Family Hotel in rear of photo, War Memorial on RH side. Various cars parked along street on LH side. In a red and cream Kodak envelope with clear plastic viewing window.basil miller, bendigo trams

Plastic Postcard. Joy Bells for Your Wedding. I Take this opportunity to wish you greatest joy That every blessing may be yours, all bliss without alloy, Though many greetings you receive, not one is more sincere, Than this that now send today ,God bless you year by year……………..Terry.

Metal seal that covers the Cork Seal Orange Label with 1 and a half lemon's with a man holding a glass on itJoe's This food contains not more than 2 grains of salphur Dioxide to the pint Lyre Bird Brand Lemon Juice Cordial Contains appox 1 pint GGFL.OZS Manufactured by south gippsland cordial co kumburra`

Black and white copy of photographTyped below photograph: "White Horse Road" and statement underneath reads, "Photo of the new Savings Bank recently erected at Ringwood. An evidence of the progress of the District. Buildings like this are more eloquent than pages of Newspaper Talk."

This blacksmith’s drawer cabinet once belonged to Goodall and Sons, who were blacksmiths in Terang. The drilled holes in the drawers may have once had knotted rope handles. Some of the drawer fronts have been split, on broken, in the area of the holes, indicating that they drawers have had heavy use. The stencilled numbers could have been used for sorting different blacksmith items such as tools, scraps of materials, fasteners and horse shoes. The smith was called upon to do a variety of work. In the early 1900s he was often the nearest person to be able to perform an engineer’s services for many miles around. HENRY GOODALL & SONS Henry Goodall (1870-1936) was proprietor of garages as H. Goodall & Sons Pty. Ltd., at both Terang (McKinnon and High Streets) and Mortlake (Dunlop Street). His business was in operation in at least in 1916 and perhaps well before, considering the date of the tyre bender and its use for wagons with wooden wheels. It was still in operation in 1953, chasing up debtors in Mount Gambier Court. Amongst the employees of H. Goodall & Sons Pty. Ltd. was Ernie Entwistle, a blacksmith (a soldier who died in 1916 ) and Alfred Hodgetts, radio expert (killed in a fatal accident in 1943, when he was in his early 30s ). Henry Goodall was involved in the community as a Justice of Peace, a deputy coroner, President of the Mortlake Hospital, trustee of the Soldiers’ Memorial Hall, and as a prominent Freemason. He and his wife had two sons (Charles and John) and one daughter (Mrs. Chas. Newton, of Skipton). The drawer cabinet is locally significant as it was used by a local company in Terang and Mortlake in their blacksmith, wheelwright and garage business. It is an example of the furniture of the blacksmiths’ trade in Victoria in the early to mid-1900sBlacksmith's drawer cabinet with 8 compartments and 7 drawers (the 8th drawer is missing). The drawers each have two drilled holes. Both top and base of the cupboard extend past the sides, the base further than the top to give it stability. The cupboard once belonged to Harry Goodall & Sons, blacksmiths of Terang. Dated early to mid-1900s.Stencil or hand painted on drawers “5” “3” “12” “11” “4” “4P”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, h. goodall & sons of terang, terang blacksmith, h. goodall & sons pty ltd, mortlake, ernie entwistle blacksmith, alfred hodgetts radio expert, charles goodall, john goodall, mrs. chas. newton nee goodall, terang 1900s, warrnambool district 1900s, box cupboard, drawer cabinet, drawer storage unit, blacksmith’s furniture

Slate has been used for hundreds of years as a base for writing and many young students began their schooling using one to practise their writing. They had many advantages among them the fact that they were reusable and errors could be erased and corrected. A small duster or cloth was often attached for cleaning. This is an example of a typical school slate and as such has representative and historic value.Many older people would identify it as an object from their own school days.Rectangular black slate, bordered with timber, which is painted green, darker on one side than the other. The lighter side has the alphabet engraved down either side and animals on the top and bottom. The reverse has numbers 1-10 at the top and also animals. engraved. There is a red felt tie at the top , threaded through a hole in the wood.The lighter side has the alphabet engraved down either side and animals on the top and bottom. The reverse has numbers 1-10 at the top and also animals engraved. Made In Portugal trade mark. warrnambool, school slate, slate, writing slate

These three rocks were given to KVHS on the understanding that they were Indigenous rocks used as tools.No knowledge of their origins.These rocks have been stored in the Kiewa Valley on the understanding that they are Indigenous tools. It is not known where they came from.1. Dark grey rock with smooth surfaces and ridges with one flat side. Size of an adult's hand 2. Grey rock with smooth surfaces and ridges with one flat side. Smaller than no. 1 3.Narrow dark grey rock with beige section on rounded side. One flat side and a sharp pointed end.rocks, aboriginal tools, kiewa valley

Photo relates to Beryl Grimshaw (Morrel) Ron Morrell, Cat No,s 306, 315, 316, 304P, 305P, 312.Heavy glass frame with thick timber backboard (smaller than glass) joined together with 4 metal screws. Beige mount. Hand tinted photo, 3/4 length portrait of female in a nurse's uniform, blue dress, white apron, sleeves, collar & veil. Red cross on apron bib & veil. Blue armband.photography - photographs, frame accessories, trades - carpentery