This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.These images record the photographer's family in 1953Black and white photos of Fred Griffith's family at the Hume Weirbogong, falls creek, snow, snowfields

This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.These images record work being carried out to clear and maintain land in the Falls Creek area in 1953Black and white photos of men clearing trees with a ploughbogong, falls creek, snow, snowfields

Two documents that show that in 2003 Melbourne Legacy decided to sell two of its properties, 22 Selwood St, Hawthorn East and 9 The Avenue, Windsor. This decision was taken due to rising maintenance costs and that the money raised from the sale of the properties could be used to benefit all 24,000 widows under their care. One document was a statement by President Tony Parkes about the decision and the other a letter from Jellis Craig offering to be involved in the sale. They had read about the decision in the Leader newspaper. No time frame had been set and all residents of these two properties would be consulted by Legacy personnel with a family member present. Also photocopies of the two land titles for the properties.This shows the commitment of Melbourne Legacy to ensure that residents individual circumstances, accomodation, needs preferences and location were considered in the move, and cause as little disruption to the residents as possible.Cream A4 paper, plus brochure from real estate agent, Jellis Craig,Stamped 'Received 09 JAN 2003 Melbourne Legacy' in blue ink, top left hand corner. Top centre Jellis Craig letter head. Letter signed Peter Batrouney and Micheal Armstrong (Jellis Craig).widows, properties, titles

Every month Legacy's handicapped dependents are invited to go on outing for take part in recreational and educational activities. These programmes aim to develop independence and thus lessen the need for reliance on others for simple routine functions. Once a year there is a two week camp at Somers Camp (believed to be Somers School Camp). This photo is from 1991. An article in the widows' newsletter in 1992 explains more detail on the 1992 camp. The article mentions that the annual camps run for two weeks at Somers Camp. It is a wonderful gathering of Junior Legatees, Legatees, and dedicated helpers. 50 junior legatees attended this camp (in 1992) with the personal attention almost one-to-one. With ages ranging from 22 to into the 60s, Legacy has to ensure it caters for the differing needs. Legatees headed by Camp Chief, Jim Hammon and Chairman of the Handicapped Dependents Committee, Merv Tickell, were supported by two Camp Co-Ordinators and 50 helpers known as 'leaders'. Many of the leaders are people in the workforce wishing to give something back to the community. Junior Legatees are organised into groups. They participate in horse-riding, swimming, golfing, strawberry picking, and many other activities. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided for the handicapped dependents of the Legacy families. Colour photo of a HDC camp and a yellow paper label.Handwritten in blue pen ' HDC Camp Jan 91'junior legatee outing, hdc, somers camp

In 1991 a relay of school children ran to the Shrine to coincide with the annual pilgrimage in 1991. A photo shows President John Sullivan holding the Legacy Torch with a group of children in yellow Legacy T shirts at the Eternal Flame at the Shrine of Remembrance on 1 September 1991. Also photos of the widows processing into the Shrine, some with wreaths to lay. From an article in Melbourne Legacy Widows' Newsletter in September 1991 it is a photo of a special torch relay. To coincide with the Annual Pilgrimage to the Shrine of Remembrance over 50 runners covered a 25 kilometre distance from War Grave Memorial in Springvale to the Shrine. President John Sullivan accepted the Legacy torch from the young runners before leading the Legacy family into the Shrine. (From the same roll of film as the event in City Square (00491) and a Legacy dinner with President Sullivan at the head table (00492). A record of children participating in a torch relay during Legacy week ending at the Eternal Flame.Colour photo x 8 of a pilgrimage to the Shrine and a torch relay in 1991. pilgrimage, wreath laying ceremony

The letter from Eric Harding to Legacy President Ron Foskett in 1978 was in response to a call for information and photos for the archive that was being compiled. Legatees Frank Doolan and Brian Armstrong were making an attempt to collect items relevant to Legacy's history for an official archive project The letter suggests L/- Eric Harding provided a photo in which Cyril Smith, Dudley Treagent and others appear but that photo was not with the letter. It also referenced the photo that appears here, with of a group of people at a weekend party at Ocean Grove. No names are identified but it must have been a Legacy event for it to be sent to the archive project. It could be Legatees and their wives and children socialising together at a weekend event in Ocean Grove. Legatee Eric Harding OBE, MM, was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)The photo shows that Legatees and their families socialised together. Also that the archive project in the 1970s approached legatees for items to be included in the archive.Black and white photo of a group of people in Ocean Grove and a letter from L/- Eric Harding.Handwritten on reverse of photo is 'No. 2' in blue pen. Letter is signed 'Dear Ron / Warm regards. Yours sincerely, Eric. / P.S. Another photo print No.2 is enclosed . This was a weekend party at Ocean Grove. I can pick out may wife but no others.' in blue pen.legatee event, founding legatee

Every month Legacy's handicapped dependents are invited to go on outing for take part in recreational and educational activities. These programmes aim to develop independence and thus lessen the need for reliance on others for simple routine functions. Once a year there is a two week camp, this is believed to be Somers School Camp. These photos are from 1992. An article in the widows' newsletter in 1992 explains more detail on the 1992 camp. The article mentions that the annual camps run for two weeks at Somers Camp. It is a wonderful gathering of Junior Legatees, Legatees, and dedicated helpers. 50 junior legatees attended this camp (in 1992) with the personal attention almost one-to-one. With ages ranging from 22 to into the 60s, Legacy has to ensure it caters for the differing needs. Legatees headed by Camp Chief, Jim Hammon and Chairman of the Handicapped Dependents Committee, Merv Tickell, were supported by two Camp Co-Ordinators and 50 helpers known as 'leaders'. Many of the leaders are people in the workforce wishing to give something back to the community. Junior Legatees are organised into groups. They participate in horse-riding, swimming, golfing, strawberry picking, and many other activities. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided for the handicapped dependents of the Legacy families. Colour photo x 5 of the HDC camp in January 1992 and a white paper label.Label says 'January is holiday time for Legacy's Junior Legatees. Children aged 7 to 17 join together for a 10 day action packed holiday at Camp Howqua and Legacy's disabled dependants enjoy quality time at Somers Camp. Legatees, members of the Melbourne Legacy Leadership Group and volunteer helpers ensure all have a memorable time.'camp, handicapped dependents, somers school camp

A portrait of His Royal Highness Prince Philip, Duke of Edinburgh that has been owned by Legacy for many years. It was previously hung alongside a painting of Her Majesty Queen Elizabeth II, but has been moved to storage in the archive. Extremely similar to a portrait of Price Philip that is owned by the City of Melbourne. It had been painted in 1956 just before Price Philip opened the Olympic games in Melbourne. Perhaps this was a draft or copy of the City of Melbourne portrait. Prince Philip was an honorary member of Legacy after a visit to Sydney Legacy in 1954.Oil painting of Prince Philip in a gilded wooden frame.Author signature in bottom right, 'Dargie'.portrait, prince philip

An example of a medallion issued by Legacy to commemorate centenary of the start of the first world war and Anzac service personnel. It features an image of a soldier with his head bowed. On the reverse is the Legacy torch and wreath. The emblem of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of an item produced by Legacy to commemorate the centenary of start of the first world war.Round gold tone medallion with black enamel, image of a soldier with his head bowed and a matching badge with the Australian Army rising sun emblem. In a black cardboard box with a gold Legacy emblem.Embossed 'Legacy Caring for the families of Australia's incapacitated and deceased veterans' on reverse with the Legacy torch. Text 'Commemorating the Centenary of ANZAC 1915 - 2015' around the outside.medallion, souvenir, world war one, soldier, rising sun

A portrait of Her Majesty Queen Elizabeth II by William Dargie that was acquired in 1967. It was previously hung alongside a painting of HRH Prince Philip, Duke of Edinburgh, but has been moved to storage in the archive. A newspaper article in 1967 shows Governor of Victoria, Sir Rohan Delacombe and President of Melbourne Legacy, George Cowan at the unveiling of the portrait.Oil painting of Queen Elizabeth by William Dargie in a gilded wooden frame.Author signature in bottom right, not legible.portrait, queen elizabeth, dargie, delacombe, george cowan

Index, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography

Printed colour postcard with a view from the City Family Hotel of Pall Mall Bendigo, Two ESCo trams, one possibly tram 15, along with the mine poppet head, the Town Hall, the Shamrock Hotel, and Henderson & Goodisson Beehive building. Card by Valentine & Sons, printed in Great Britain. Yields information about Charing Cross c910Postcard coloured - divided back - used as a letterHas the "K J Magor No. " stamp along the bottom edge on the rear and short note from a M Law.tramways, trams, bendigo, esco, town hall, pall mall, tram 15

From Abbott Family album (Box 892). Mary Hannah Abbott was child of J.H. Abbott and Ann Abbott (previously Ann Smith)A Mendelssohn, View St. Bendigo, sepia head and shoulders photo of Mary Hannah Abbott in a lace shouldered dress beaded down central front and attached with pins at throat. Two copies.In ink on reverse 'Mary Hannah Abbott born May 11th 1862 taken Dec 1895. For Harold with Mothers love'.abbott, mendelssohn

From Abbott Family album (Box 892). Richard.Hartley Smith Abbott was the stepson of J.H. Abbott and son of Ann Smith and Richard Hartley Smith (Record 5847) A Bartlett Bros Bendigo sepia head and shoulders photo of Richard H.S. Abbott dated 1899 wearing a checked vest and jacket- two copies.In ink on reverse 'Richard H.S. Abbott 1899'r h s abbott, bartlett bros.

Kancoona School is at Kancoona/Running Creek which runs off the Kiewa Valley Highway. In the 1960s small communities had their own school.The students and families were part of the Kiewa Valley. Social history of small schools and education.Photos of 1. Kancoona Primary School (School Number 3576) students in 1967 2. Names of 1967 students in photo and Teacher Alan Crilly 1963-1967 3. Kancoona P.S. 4. House in Mt BeautyStudent photo has names of students written on the back and school photo has dates for head teacher.1960skancoona, running creek, kancoona primary school

Printed postcard with a coloured image looking from the City Family Hotel over Charring Crossing and looking along Pall Mall. There are four tramcars in the view. Given the tram track colour, the photo was taken possibly soon after the opening the electric tramways in Bendigo in 1903. In the view is a gold mine poppet head, the Town Hall and the various buildings along Pall Mall. Published by E W Cole Book Arcade, part of their 48 views Cole's Sunny Australia Series.Demonstrates a Bendigo postcard featuring Charing Cross and Pall Mall.Postcard colour - divided back - unusedtramways, trams, bendigo, alexandra fountain, charing cross, esco, pall mall

Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill

Malcolm Cameron, came from Scotland to Australia with his wife in 1862. From late 1862 they lived in Bacchus Marsh and remained there for the rest of their lives. After working as a shepherd for sometime Malcolm Cameron was able to acquire land for a farm a few kilometers north west of Bacchus Marsh. The farm was called Glen View but this was later changed to Grand View. It is known to have been a wheat farm, Malcolm Cameron died aged 89 in 1922. His wife died in 1926. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group, the Cameron family of Bacchus Marsh, standing and sitting in a paddock on their farm. Cows graze in the paddock nearby. In the background, in the distance, can be seen the Cameron family home.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmers, farms, wheat farms, cameron family bacchus marsh

The letters in this folder all revolve around Arthur Edmund TRANTER V50166 & VX52843 POW, his wife Pat, daughter Brenda, Family members, POW mates, plus correspondence from Brenda or to Brenda from POW's and family. Names on the letters written by include, Lt Charles Baeyeritz, Lt N.S. Garvey, Wynne (friend of Pat), Mary Hopson (Wife of Pte Ted Hopson), Pte Bob Sime, Lola Stapleton (Wife of Jack Stapleton), Florence Fogarty (Sister of of Gnr James La Hay), Pte Bob nelson, Pte Frank Sawyer, Kay Martens (Daughter of Ted Maughn) Lt Arnold Nicols, Wilfred Parish, Albert van de Waag KMIL (From the Netherlands), Lt John Purvis, Sandy Sandilands (re his Father), Pte Hilton Stanton, John Nicols (Son of Lt A Nicols), Betty Raison (Cousin of Ted Hopson), Neil Nunn (nephew of Pte John F Nunn), Bob Christie (Secretary 2/29th BN Society), Pte Fogarty. Family members re letters, G.M. Downie, Robert Downie, Fly Officer James Downie, Pte Robert Downie, Loius Tranter. There are two more Archival folders Cat No's 7956.2 & 7957.2. Refer Cat No 7944 for E.A. Tranters service history..1) Black Archival folder box .2) Black Archival folder 3 ring Binder with plastic inserts containing the following: 1. Six letters written from 1943 - 1945 to Tranter from his Wife Pat. 2. Two letters written by Tranters Daughter Brenda when she was in Grade 3, on a second page is a colour drawing by Brenda. 3. Two letter written on combined Salvation Army, Aust Comforts Fund and the YMCA letter heads in 1945. 4. Sixteen letters from various people including Family written up tp late 1945. 5. 36 letters written from 1946 - 2010 from various people associated with the Tranter Family. 6. Three colour photos taken at Tranters 90th birthday which includes POW mates.album, archival, tranter, letters

The book was used by Charles Bacon who studied at the University of Nevada in the late 1930s/early 1940s. Bacon worked at Bunker Hill Mines and Kellogg Idaho, before arriving in Australian in 1951. He worked for CN Myers, a company involved with paper converting. CN Myers was a family business (on Charles Bacon's maternal line). William Emmons was Professor and head of Geology and Mineralogy at the University of Minnesota; Director of Minnesota geological Survey; and previously Geologist, Section of Metalliferous Deposits, United States Geological Survey.Maroon soft covered book of 529 pages. Chapters include Magmatic Segregations, Pegmatities, Hypothermal Deposits, Sedimentary Depostis, Openings in Rocks, Metasomatic Processes, Mineral Associations and more.Inside front cover "Charles Bacon 1940 Lincoln Hall Ass. University of Nevada Reno, Nevada"charles bacon, mining engineering, metallurgy, university of nevada, mackay school of mines, geology, california

William Rae (1823-1887) was born into a farming family in Scotland and came to Australia in i852. After coming to the Bendigo area, he established a puddling machine in American Gully. He then bought a claim on the Victoria reef and was quite successful. Subsequently he bought a steam engine and three batteries to begin crushing quartz. This was such a boon that he moved to a more convenient location in Happy Valley, where he set up a crushing battery with 35 heads.Sketch of a crushing works. Printed underneath is: Wm. Rae's Crushing Works, Happy Valley, Bendigo. Written on the back is: Happy Valley Rd. South side below Wells St. Picture shows a crushing works building with a tall chimney and some smaller outbuildings. On the hill in the background are poppet legs, other mine structures and some trees. There are heaps of mullock and in the foreground are a number of people.bendigo, history, long gully history group, the long gully history group - wm rae crushing works, george ellis

John Porter was a school teacher in the district for a number of years and then became Secretary of the Butter Factory and bought Fernbank in the late 1800s. The house was located in Lal Lal Street, Strawberry Glen John Porter was a well known, teacher, businessman and Wesleyan church member and head of a large well regarded family of the districtCopy of photograph of John Porter and family outside "Fernbank" circa 1900 showing Strawberry Glen in the backgroundE. Poynton Photo, Buninyongschool teacher, fernbank, porter family, strawberry glen

John Porter was a school teacher in the district for a number of years and then became Secretary of the Butter Factory and bought Fernbank in the late 1800s. The house was located in Lal Lal Street, South of Brim BrimJohn Porter was a well known, teacher, businessman and church member and head of a large well regarded family of the districtCopy of photograph of John Porter and family outside "Fernbank" circa 1900E. Poynton Photo, Buninyongschool teacher, fernbank, porter family, strawberry glen

This photograph was taken at the Triennial Congress, Melbourne. Frank Leslie Oliver served as chaplain at the Mission to Seafarers Melbourne for 30 years from 1930 - 1960. He is in this photograph, second from right, with a cigarette in his hand. Also in this photograph, at the far right, is the Most Reverend F. Head, Archbishop of Melbourne. The photograph is a record of a historic conference of MTS representatives from Australia and New Zealand. , September 1-3 , 1936: Revd Wm Hoog (Brisbane) Revd W.H. Terry (Port Pirie) Revd H.C Cuthbertson (Adelaide) Revd W.R. Tyler (Melbourne) Mr J.W. Neill (Melbourne) Revd. F. J. Evans (Sydney) Revd Frank L. Oliver ( Melbourne MTS) F W Melbourne (Archbishop F W Head 1929- 1942) Mr J.C. Grahame (Hobart) Rev B.J. Williams ((Wellington NZ) Rev J.C. Clift (Fremantle)Frank Leslie Oliver served as chaplain at the Mission to Seafarers Melbourne for 30 years from 1930 - 1960, including time served as chaplain with the Royal Australia Navy aboard HMAS Australia. He was a live-in chaplain and was supported by his entire family, including wife Moira, for whom a memorial window exists in the chapel. The Chaplains' Conference was held in 1936.Black and white photograph of a group of chaplains outside the Mission to Seafarers building in Flinders Street, Melbourne. Frank Oliver is second from right holding a cigarette in his right hand.Top left in blue ink (written by Padre Oliver): Australian MTS, Chaplains gathered in Triennal Congress, with most Rev.J Head, Abp of Melbourne. Top right corner in black ink: prior to 1939 In black and blue ink some names: Archbishop Head, Dad, Bill Tyler Port Melbourne, Padre Williams Wellington, Pat Neil Layreader Faded stamp in pink ink: Herald Feature Service, Melbourne A sticker with: Ret to B Kentroyal australian navy, mission to seafarers, anglican, frank leslie oliver, archbishop head, triennial conference, chaplains, herald newspaper, cigarette, robin kent, beverley kent nee oliver, chaplains conference, padre oliver, new zealand, pat neil, lay reader, bill tyler, port melbourne, reverend william wellington, chaplains group

From Record (Emerald Hill, Vic. : 1881 - 1954), Saturday 12 April 1930, page 3 "On Wednesday, at the 24th meeting of the Victorian Mission to Seamen. Archbishop Head welcomed a new chaplain, the Rev. F. L. Oliver, formerly of Newcastle. Mrs. Oliver was also welcomed. The old executive was re-elected except Messrs. Durham and Holmes, who declined the honor. Lady Fraser was elected president of the Harbour Lights Guild. The Rev. \V. M. Robertson of the Port Melbourne Mission, was among the speakers."First photograph of Padre Oliver and his family at the Mission in 1930.Written in black on verso: Dad (Padre Oliver) , Miss Tracy, Mum (Mrs Oliver), Phyllis Atkins (secretary), Beverleyfrank oliver, flinders street, garden, phyllis atkins, secretary, alice sibthrope tracy, moira bird oliver (nee good), archbishop head, beverley oliver, rev. w.m robertson

Phar Lap tobacco tin, produced in Melbourne 1931 - 1932 is an early example of the use of the name and image of any Australian notable, in this case a racehorse, the tobacco referred to in the family as "The sweepings from the stable floor" due to its poor quality.Produced in, Victoria during 1931-1932 Phar Lap tobacco was Phar Lap tobacco tin, It is considered Australia's most desirable tobacco tin due to its rarity. An early example of the use of the name and image of an Australian icon the tobacco was often referred to as "The sweepings from the stable floor" due to its poor quality.Rectangular metal tin with a hinged lid. On the lid is lithographed an image of the horse's head and within a scroll the words PharLap Fine cut tobacco. Significant rusting to tin and wear to lithographic detail tobacco

Studio portrait of Ballarat railway family in the 1920s with Michael Taffe Senior in his Head Porter uniform, and son John as Station Master beside him with Michael Jnr behind his father and Patrick rear right facing the latter two being Assistant Station Masters at that stage.On Mounting board: "Thornton" Studios Ballarat.

One letter (1490.a) and two flyers (b and c) a. A covering letter dated September 1985 to Anglican congregations and their representative on Mission letterhead with a typed message headed Sea Sunday' from Michael Chin, Senior Chaplain. b. Monotone flyer with red colour title 'Your Daily Bread Costs Him His Family Life' depicts bearded man holding photo of woman and child aboard a ship. There are four different associated organisation logos. c. Deep blue three-colour flyer titled 'Remember Seafarers on Sea Sunday; July 10th' features a graphic of a silhouetted figure framed by porthole looking at tanker out to sea; features three logos below. Additional inscriptions and logos: a. The Mission letterhead in blue featuring the Missions to Seamen flag. b. The sub-title 'Sea Sunday Oct 20 is your chance to remember him and his family in your prayers' and featuring four logos; the International Christian Maritime Association circle, the Apostleship of the Sea flag, the British Sailors Society flag and The Missions to Seamen flag. c. The sub-titles 'Seafarers are members of God's family too' and 'The Church serving ALL seafarers' and featuring three logos; The Mission to Seamen flag, the Apostleship of the Sea flag and the British Sailors Society flag.mission to seamen, international christian maritime association, apostleship of the sea, british sailors society, flyer, reverend michael chin, sea sunday, 1985

Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road