Example of wood work and woodgraining popular in 1901 when the room was decorated. Mantel and mantel surround of pine turned and carved with this central panel beneath the mantel shelf all woodgrained in an oak finish.Fireplace surround featuring under-mantel panel with decorative carved acanthus leaves in urn with a rose at each extremity all in a woodgrain finish.woodgrain, decoration, mantel, oak finish, pine

This photo was a loving memento of a young man, possibly kept by his girl friend or even his mother. Perhaps he was leaving home to go to work or even to war. The locks of blonde hair tied with apricot coloured ribbons probably belonged to a young lady or a child.This is of social significance. It is pre digital cameras, pre colour photos. Keeping locks of hair was, popular, especially in Victorian times. Wooden, possibly pine, cigar box with hinged lid. Inside lid is a photo, [male], in a red velvet frame. Base of box contains hair locks tied with apricot coloured ribbon x 3, covered with plastic.Top of box has tape covering the cigar label. memento, photo, personal, love token, cigar box, hair clippings, hair locks

Documents detail specific qualities of the Anzacs that are reflected the medals produced by the Bradford Exchange for the Anzac Centenary. Bravery, mateship, sacrifice, heroism, initiative, determination, empathy and daring are described in specific battles e.g. Battle of Lone Pine, the charge at the Nek. One page for each quality.business, retail, bradford exchange

Landscape painting of a pine in the Australian bush landscape. Painted just after the devastating Victorian bushfires of 1962. Two figures run down the hill in the foreground. There are hills in the background and the sky is shades of pink and violet. Painted in warm earth tones in a painterly, tonal realist style.Lower right, grey paint, signature: 'Sonia Skipper'

The photograph of Lady Bay, Warrnambool, and its surrounds reflects the historical changes to the area since since the early days of the Breakwater, from the 1870's. The foreground shows a lamppost with insulators, showing that electricity was supplied before or at the time.The subject of the photograph gives a reference point to the passage of time and the changes brought about in the growth of the town to a busy city, of the changes in transport and landscape and the management of the Bay.Photograph, sepia, showing Lady Bay, Middle Island, Lake Pertobe, railway line and cows in foreground, steam ship with smoke docked at the breakwater, small hut and larger building at start of breakwater, row of Norfolk pine trees across centre. There is a lamppost with white insulators in the foreground.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, warrnambool, lady bay, lake pertobe, cannon hill, middle island, steam ship, breakwater, warrnambool history, insulators, electricity, power, shed on breakwater

Photograph. Bendigo Post Office and clock in centre of photo, with the Australian flag on high. Pall Mall with trees ling the street, and buildings and cars along the street. The Dome and Pine tree at the Soldiers Memorial on right side . Further back are buildings on View street.On left is a large building.photograph, landscape, bendigo pall mall and post office

Canvas painting highly coloured and mounted on pine frame, showing five Vietnamese soldiers. Two soldiers in green uniforms manning a long range gun. Three soldiers manning another long range gun. Yellow and red writing in Vietnamese. Propaganda (North Vietnamese) on frameHanoi Self defense forces are determined to protect Hanoi Skiespainting, propaganda, north vietnamese, poster

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Valda Treadwell sitting with a cup of tea on the base for Harry Jenkins sundial with the entrance to the orchard in background.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 Valda Treadwell Sitting on the base for Harry Jenkins Sundial. Behind here - entrance to the orchard. Pine trees in background'churchill island, valda treadwell

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of Doug Finlayson and Valda Treadwell standing on the path in front of Amess House, with a wooden arbour visible on the left side of the photo.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. DOUG FINLAYSON AND VALDA TREADWELL ON PATH IN FRONT OF HOUSE. NOTE - PINE TREES AND THE BIG DAM BEHIND THEM'churchill island, valda treadwell, doug finlayson

"Pioneer" chainsaw with green housing. Pull start, no chain. Compliance plate on back (see Below) second plate on top.Compliance plate on back "Pioneer Saws / Model / 450 / Serial No. A10778 / Division of Outboard Marine Australia Pty. Ltd. / Bankstown NSW". Cast in relief on side "Pioneer & Pine Trees".machinery, wood cutting

Black and white photograph of nurses and a man and women in ordinary dress standing in garden in front of brick building. (4 copies)Written below photograph, "Ringwood Private Hospital, Adelaide Street (later 'The Pines')". Also, "The Kendalls who ran the hospital". Written on back of one of the photographs, "Ringwood Private Hospital, Adelaide St. c1920. Later 'The Pines' next to 'Mail' office". "R to L - Sister B. Kendall, Mrs. J. Roberts (Sister of nurses), Vera Kendall, Mr. James Kendall, Sister Annette Kendall, Sister Edith Kendall".

Rose Series post card # P. 3565 showing the Sassafras - Olinda Road taken outside Rostrevor Guest House. Photograph taken pre 1920 prior to the pine plantation planted by Melbourne High School.Black and white copy of Rose Series post card P. 3565 showing a section of the Olinda - Sassafras Road with a large tree in the foreground.On Front: THE ROSE SERIES P. 3565 THE OLINDA - SASSAFRAS ROAD. VIC.sassafras-olinda road, sassafras, olinda, rostrevor, post card, the rose series, rose series

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the Queenscliff camp, Anzac Student ceremony, Glenelg River canoe journey, donation in memory of Private Greg Sher, and Widows' High Tea. Also the history of the Battle of Lone Pine and the Lone Pine trees grown in Australia since. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from Feb/Mar 2022.activities, answer, widows

Township of Bright celebrated its centenary during the week from 10th - 18th March, 1962. This booklet outlines the program for the week.Bright is a nearby town to the the Kiewa Valley and currently the location of the current Shire (Alpine). The program gives historical information on activities in the early 1960s.Yellowy/Orange cover with brown title and sketch. One sketch is at the bottom and includes hills, pines, saw mill and bus. Sketch at the top is of a bullock team and in the middle on the right a gold miner. Inside cover has print as has both sides of the 4 pages held by 2 staples. 'C. Roper' on inside of the front cover.bright, centenary of bright

Wooden cabinet with wire mesh inserts on sides and doors. Swivel door with latch at the top and three shelves. Polished pine body with rough sawn timber back. A raised surround on three sides of the top. Evidence of a latch hook on left hand door and keyhole on right hand door. uebergang, allansford, food safe, food storage

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939.black and white photograph with white border showing a man wearing suspenders and hat sitting on the ground in front of a line of rocks, gazing out towards the left of the frame. A line of pine trees are visible in the background. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Pittock collection: coach builder's box internal pine drawer with two small steel handles Drawer is divided into two equal sections Drawer is 840 mmL x 160 mmW x 95 mm H Item is stored in Pittock Coach builder's box, reference 13000.1.

Map of area bounded by Ringwood Street, Melbourne Street and Adelaide Street, showing details of Adelaide Street allotments and existing outbuildings. Certificate of Title numbers include Ringwood Street C/T 3418-553, C/T 3563-433, Adelaide Street C/T 7151-047, C/T 7038-465, C/T 7098-464, C/T 7098-465, C/T 3604-635, C/T 8066-900, C/T 3866-118, C/T 3609-728, and C/T Vol 3670 Fol 133992.Subsequent additional notations identifying 1971 closure of Melbourne Street North, and properties of Hone, Patendon, Pines Hosptial, Mail Office, Presbyterian Church and Falconers Grocery Shop on Whitehorse Road corner.

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph of Ted Jenkins and two shetland ponies with a white fence and Amess House in the background.Catalogue number written in pencil on reverse. On reverse in pen '1939 Ted Jenkins + the two shetlands. Behind Ted is the chookhouse and then the picket fence hides the vegetable garden. Norfolk pine and house in background'churchill island, ted jenkins

This stick pin was produced as a souvenir of Warrnambool . It features Norfolk Island Pines and the ocean, images which formed the logo of the city of Warrnambool some years ago.It is likely the pin was a gift from the City Council to visitors at conferences etc.This badge is retained for display purposes. This is a circular metal badge with a projecting pin attached to the back. The badge has a gilt edging, gold lettering and an image of green trees and blue waves on a cream background.WARRNAMBOOL AUSTRALIA warrnambool, stick pin, souvenir

This framed print is part of a number of items from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, used during religious services there. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the orgainsation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This print is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The item is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this item to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Print of a watercolour painting, framed in Huon pine wood behind glass.Depicts the artist's impression of the Biblical event referred to as The Last Supper. Inscription marked on the back. Australian, circa 1890. The print is part of the St Nicholas Seamen's Church Collection (NOTE: This is not a copy of Leonardo da Vinci's 'Last Supper'.)On rear of board: "156" flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, last supper, worship, religious worship, ladies lightkeepers’ auxiliary

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a man and a woman standing in front of a picket fence which surrounds a timber cottage with a corrugated iron roof, including a striped front verandah roof. On the left hand side of the photograph is a hill with a large pine tree. The people are Sarah and William Wright and the cottage is "Laura Villa" at Smeaton.Printed on back - Post Card, Kodak Australiafrank wright, sarah wright, william wright, laura villa, smeaton, picket fence

Afterglow, selected poems of H.B.E (The late Mrs J B Edwards of Bendigo) Hazel Edwards. Includes a tribute poems to her eldest son who was killed at Lone Pine Gallipoli in 1915. Signed by Harold R. Edwards and presented to the RHSV Bendigo Branch. Red cover. 61 pages.J.B. Edwardspoetry, bendigo, poetry, j.b. edwards

Black and white photograph of a chalet set on the side of a mountain. There is a verandah across the full width of the first floor and one person standing on the left of the verandah. The top third of the mountain is covered in pine trees. There is what appears to be a ski jump running from the edge of the trees to the right of the picture. This is possibly in Switzerlandbuildings, chalet, chalet, hanro

Black and white photograph showing the S S Gippsland in Mitchell river, near Bairnsdale, shows three pine trees, other vegetation and a building on far bank, reflections in river,people on board, hull painted white, similar to a Bulmer postcard showing ship leaving Bairnsdale. Bairnsdale Victoriajetties, ships and shipping, waterways

For many years Legacy had a "Back to Caulfield Race Day" for Legatees, widows and their families. 1995 was the 50th anniversary of the end of World War 2 and the race day was part of the "Australia Remembers" commemorations. Also a Legacy 'Lone Pine' was planted. The article in the Answer says: "Over 800 members of the Legacy family (past and present) reunite at the "Australia Remembers" Back to Caulfield Commemorative Race Day held on August 12th. It was a special day which incorporated a wide range of activities, including a display of military vehicles, a flyover, a parachute jump by the Red Berets, military bands, and displays of memorabilia when the racecourse was used as an army camp. An official ceremony also included the presentation of a Legacy 'Lone Pine' (a descendant of the Gallipoli 'Lone Pine') by the President of the Melbourne Legacy, Legatee David Millie, which was very warmly received by the Chairman of the V.A.T.C., Mr Peter Lawrence. Official guest was the Premier of Victoria Jeff Kennett Photos include the military vehicles, the stalls, and some of the racing. See also photos at 01003 and 01091 and 01093.Legacy retains a tie with Caulfield racecourse as it was once an army camp and staging post of young men going overseas to war and now it is the site of a lone pine. The annual gathering at Caulfield racecourse was an event that gets the Legacy family together.Colour photo x 14 of an event at Caulfield racecourse, and an article in The Answer.Printed on the back film number 783, 786, 787, various frame numbers.answer, events, horses, tanks, drummers, fly past

For many years Legacy had a "Back to Caulfield Race Day" for Legatees, widows and their families. 1995 was the 50th anniversary of the end of World War 2 and the race day was part of the "Australia Remembers" commemorations. Also a Legacy 'Lone Pine' was planted. The article in the Answer says: "Over 800 members of the Legacy family (past and present) reunite at the "Australia Remembers" Back to Caulfield Commemorative Race Day held on August 12th. It was a special day which incorporated a wide range of activities, including a display of military vehicles, a flyover, a parachute jump by the Red Berets, military bands, and displays of memorabilia when the racecourse was used as an army camp. An official ceremony also included the presentation of a Legacy 'Lone Pine' (a descendant of the Gallipoli 'Lone Pine') by the President of the Melbourne Legacy, Legatee David Millie, which was very warmly received by the Chairman of the V.A.T.C., Mr Peter Lawrence. Official guest was the Premier of Victoria Jeff Kennett Photos include groups of Legacy Widows and dependents enjoying the day. Onename tag is legible - Kate Brettoner. See also photos at 01003 and 01091 and 01092.Legacy retains a tie with Caulfield racecourse as it was once an army camp and staging post of young men going overseas to war and now it is the site of a lone pine. The annual gathering at Caulfield racecourse was an event that gets the Legacy family together.Colour photo x 12 of an event at Caulfield racecourse, and an article in The Answer.Printed on the back film number 783, 786, 787, various frame numbers.answer, events

WALTER WILLIAMS No 1442, 2nd Batt AIF, KIA. Refer Reg Cat No 1859P for his Service Details and 4342P.Small Newspaper notice inset in centre of a large framed certificate for the death of Pte WALTER WILLIAMS. Memorial poster produced for Lone Pine Cemetery, ANZAC, Gallipoli, printed in black & white & gold. Attached to the poster is the newspaper notice. Designed by MC. Mid brown timber frame with green mount & glass."1914 - 1918, Glory of God and in Everlasting Memory" Attached white printed label: Note the newspaper notice re Death of Pte WALTER WILLIAMSdocuments - newspapers, military history