Showing 971 items
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Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tale of a Tram", 10/06/1982 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Thursday June 10, 1982 about ESCo Tram No 12 and the interest of the BTPS in acquiring the body for preservation and restoration. Gives detail of the history of the tram, ex Sydney cable car, the type of tram, the Society's concerns, plans and plans to acquire the tram. Item written by Margaret Rotheram. Includes a photo of No. 12. 2nd copy added 24/5/2006, has Aust. Press Cuttings Agency label glued to the top of the cutting. Has been date stamped 10 June 1982.In top left hand corner in blue ink "Thurs June 19th 1982"trams, tramways, 12, esco, tramcar acquisition, btps, preservation -
Ballarat Tramway Museum
Document - Photocopy, "Tram on the Right Track / Enthusiasm the key to success", c1989
A3 size sheet photocopy of an item that appeared in the Rockhampton Morning Bulletin on 28/1/1989 about the work done by the Ballarat Tramway Preservation Society. Article by Carolyn Varley of Rockhampton, discussing her visit to Ballarat and the work being done by the people in Rockhampton for the restoration of the Purrey Steam Tram at the same time. At time of interview, driver or motorman for the BTPS was Peter Winspur and Conductor Chris Jacobson. Has two photos, one of 14 heading south to Carlton St and the other in the depot with 33 on jacks on 5 road and 40 stored on 4 road.trams, tramways, btps, volunteers, rockhampton, purrey steam tram -
Port of Echuca
Functional object - Outrigger Barge - Murray River, D26
The D26 is an authentic outrigger logging barge - one of four that were towed by P.S. Adelaide for 80 years of its working life. In 1987 Council purchased the barge from Deakin Shire in South Australia for $15,000. However, its restoration was put on hold until the crew had completed work on the P.S. Enterprise, eventually beginning in 1988 using local red gum. The barge was relaunched at Echuca East on Australia Day, 1990. The D26 remains at the Port of Echuca and on special occasions can be seen being towed by the P.S. Adelaide for demonstrations. -
Bendigo Historical Society Inc.
Document - NATIONAL TRUST COLLECTION: THE BEEHIVE, 1987-1988
The Beehive and Old Gold Exchange Hand written letter and one photocopy to Mr Ray Tonkin, Director, Historic Building Council. Photocopy of history assignment by Diane Hartley (98) Letter to Ben Prop of the Property trust. Letter to Ray Tonkin re suggested changes to the Beehive and Allans Walk, Letter to Ben Prop Property Trust informing of classification of the Beehive. Letter to Mr David Martin from Alan Powney re restoration. National Trust Data Form. Letter to Mr D.D. Martin from Ray Tonkin re application to the register of historical buildings.bendigo, buildings -
Dandenong/Cranbourne RSL Sub Branch
Assorted Service Medals x 6, Circa 1940s
Bronze "Italy Star" WWII Europe and Mediterranean Theatre Service. Bronze "Burma Star" WWII Burma Theatre Service Pacific. Bronze "Atlantic Star" WWII Battle of the Atlantic. Air Crew Europe France and Germany. Bronze " France and Germany Star" WWII Central and Northern European Theatre Service. United Nations Service Medal. Korea . Issued for service under U N Command in Korea . U N 1st International Award. United Nations Medal UNFICYP. Issued in 1964 to UN Servicemen in Cyprus. For the restoration of Law and Order. In the Service of Peace. -
Melbourne Tram Museum
Document - Specification, Public Transport Corporation (PTC), Asia Pacific Rail, "PTC Restoration of Heritage Trams - Specification Tender No. 95252", 30/06/1995 12:00:00 AM
Specification - tender document - approx. 90 pages + folded drawings + card covers (with one plastic sheet), black comb bound, titled "PTC Restoration of Heritage Trams - Specification Tender No. 95252" with table of contents. Prepared by Asia Pacific Rail for the Public Transport Corporation June 1995 for work on trams or general overhaul of trams S164, T180 and X217. Details the work to be tendered for, conditions, paintwork, electrical interior and exterior of the trams. Drawings, Rolling stock Standards, lists relevant drawings. Notes the input of the TMSV Work was not proceeded with. Not known if actual prices received.trams, tramways, restoration, tramcars, s class, t class, tmsv, x class, tenders, specification, ptc -
Eltham District Historical Society Inc
Photograph, Shire of Nillumbik World War One Memorials tour, 10 August 2016, 10 August 2016
As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. In May 2015 Nillumbik Shire Council received Anzac Centenary Local Grants Program funding for the restoration and enhancement of the Christmas Hills cenotaph as a project to commemorate the First World WarBorn Digitalworld war 1, war memorials, shire of nillumbik, christmas hills, tour, interpretative signage -
Eltham District Historical Society Inc
Photograph, Shire of Nillumbik World War One Memorials tour, 10 August 2016, 10 August 2016
As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. In May 2015 Nillumbik Shire Council received Anzac Centenary Local Grants Program funding for the restoration and enhancement of the Christmas Hills cenotaph as a project to commemorate the First World War Born Digitalworld war 1, war memorials, shire of nillumbik, christmas hills, tour, cenotaph, group -
Clunes Museum
Weapon - NAVAL CANNON, 1847
IT IS ON PERMAMENT LOAN FROM HEPBURN SHIRE THE CANNON WAS ORIGINALLY ON THE BRITISH NAVAL SHIP "NELSON" IN FEBRUARY 1867. "NELSON" WAS HANDED OVER TO THE VICTORIAN NAVAL FORCES, ON LOAN FROM THE ROYAL NAVY. "NELSON" WAS SOLD 1898, IT IS BELIEVED THAT THE GUNS WERE THEN OFFERED FOR SALE TO COUNCILS. IT WAS DISPLAYED ON A SITE NEAR THE SCENIC ROAD, CLUNES, UNTIL THE WOODEN UNDERCARRIAGE WAS DESTROYED BY THE BUSHFIRES IN 1944. IT WAS LATER RETRIEVED AND KEPT IN THE CLUNES BOROUGH COUNCIL YARD UNTIL IT WAS RESTORED BY THE APPRENTICES AT THE BENDIGO ORDNANCE WORKSHOPS IN 1895. THE TIMBER USED FOR THE RESTORATION WAS TAKEN FROM AN ELM TREE NEAR THE CREEK IN CLUNES..1 NAVAL CANNON MOUNTED ON A WOODEN UNDERCARRIAGE. .2 CANNON BALLlocal history, military history, navy, military -
Moorabbin Air Museum
Machine - CAC CA-28 Ceres VH-WOT, 1962
Historical Details: he AARG aircraft is a composite restoration of 3 wrecks recovered from Airland Improvements at Cootamundra in 1974, including the remains of VH-WAX (CA-28-15) and VH-WHY (CA-28-17). The most substantially complete wreck was VH-WOT which as serial numbe. Description: Based on the CAC Wirraway trainer; the Ceres, named after the Roman Goddess of the Harvest was developed to meet the need of the aerial crop dusting industry for a purpose built agricultural aircraft. First flown in 1958 the Ceres could lift one ton of. Level of Importance: Nationalceres -
Moorabbin Air Museum
Machine - CAC CA-28 Ceres (Cockpit)
Historical Details: he AARG aircraft is a composite restoration of 3 wrecks recovered from Airland Improvements at Cootamundra in 1974, including the remains of VH-WAX (CA-28-15) and VH-WHY (CA-28-17). The most substantially complete wreck was VH-WOT which as serial numbe. Description: Based on the CAC Wirraway trainer; the Ceres, named after the Roman Goddess of the Harvest was developed to meet the need of the aerial crop dusting industry for a purpose built agricultural aircraft. First flown in 1958 the Ceres could lift one ton of. Level of Importance: National -
Ballarat Heritage Services
Digital Photograph, St Giles Cathedral, Edinburgh, Scotland, 10/2016
St Giles, also known as the High Kirk of Edinburgh is the principal place of worship for the Church of Scotland. It is very interesting for the mason's marks found on its many stone columns inside the church, and for its connections to the graveyard outside. According to wikipedia, "There is record evidence of a church here, very likely on the present site, in the year 854. In 1120 King Alexander I, rebuilt the church in the Norman style. Of this building characteristic features survived until 1798. During the fourteenth century, Edinburgh was captured and plundered by the English under Edward II. and Edward III., and twice St Giles was laid waste. After restoration, the church was more thoroughly ruined at the Burnt Candlemas in 1387, when Richard II. sacked the city. The western part of the fabric was soon in use again ; but the restoration of the choir and transepts, which were much enlarged, lasted on into the sixteenth century. In 1467 the city endowed St Giles as a collegiate church. It now became usual to speak of the nave, where the stonework was ancient, as the Old Kirk, while the eastern part of the building was called the New Kirk. When the movement for reform drew large crowds to St Giles, separate services began to be regularly held in the Old and New Kirks. Soon this was not enough, and the great church was partitioned off into smaller sections. In 1571 St Giles was seized by Kirkcaldie of Grange, and held by him as a stronghold for Queen Mary. This resulted in serious damage to the structure.Colour photograph of St Giles Cathedral, Edinburgh, Scotlandst giles cathedral, edinburgh, scotland, architecture -
Ballarat Heritage Services
Digital Photograph, Dorothy Wickham, Interior, St Giles Cathedral, Edinburgh, Scotland, 10/2016
St Giles, also known as the High Kirk of Edinburgh is the principal place of worship for the Church of Scotland. It is very interesting for the mason's marks found on its many stone columns inside the church, and for its connections to the graveyard outside. According to wikipedia, "There is record evidence of a church here, very likely on the present site, in the year 854. In 1120 King Alexander I, rebuilt the church in the Norman style. Of this building characteristic features survived until 1798. During the fourteenth century, Edinburgh was captured and plundered by the English under Edward II. and Edward III., and twice St Giles was laid waste. After restoration, the church was more thoroughly ruined at the Burnt Candlemas in 1387, when Richard II. sacked the city. The western part of the fabric was soon in use again ; but the restoration of the choir and transepts, which were much enlarged, lasted on into the sixteenth century. In 1467 the city endowed St Giles as a collegiate church. It now became usual to speak of the nave, where the stonework was ancient, as the Old Kirk, while the eastern part of the building was called the New Kirk. When the movement for reform drew large crowds to St Giles, separate services began to be regularly held in the Old and New Kirks. Soon this was not enough, and the great church was partitioned off into smaller sections. In 1571 St Giles was seized by Kirkcaldie of Grange, and held by him as a stronghold for Queen Mary. This resulted in serious damage to the structure.Two colour photographs of the interior if St Giles Cathedral, Edinburgh, Scotlandst giles cathedral, architecture, mason's marks, stonemasons, church of scotland -
Ballarat Heritage Services
Digital Photograph, Stonemason's marks, St Giles Cathedral, Edinburgh, Scotland, 10/2016
St Giles, also known as the High Kirk of Edinburgh is the principal place of worship for the Church of Scotland. It is very interesting for the mason's marks found on its many stone columns inside the church, and for its connections to the graveyard outside. According to wikipedia, "There is record evidence of a church here, very likely on the present site, in the year 854. In 1120 King Alexander I, rebuilt the church in the Norman style. Of this building characteristic features survived until 1798. During the fourteenth century, Edinburgh was captured and plundered by the English under Edward II. and Edward III., and twice St Giles was laid waste. After restoration, the church was more thoroughly ruined at the Burnt Candlemas in 1387, when Richard II. sacked the city. The western part of the fabric was soon in use again ; but the restoration of the choir and transepts, which were much enlarged, lasted on into the sixteenth century. In 1467 the city endowed St Giles as a collegiate church. It now became usual to speak of the nave, where the stonework was ancient, as the Old Kirk, while the eastern part of the building was called the New Kirk. When the movement for reform drew large crowds to St Giles, separate services began to be regularly held in the Old and New Kirks. Soon this was not enough, and the great church was partitioned off into smaller sections. In 1571 St Giles was seized by Kirkcaldie of Grange, and held by him as a stronghold for Queen Mary. This resulted in serious damage to the structure.Colour photographs of tonemason's marks, St Giles Cathedral, Edinburgh, Scotlandmason's marks, st giles cathedral -
Ballarat Heritage Services
Photograph - Digital Photograph, Stonemason's marks, St Giles Cathedral, Edinburgh, Scotland, 10/2016
St Giles, also known as the High Kirk of Edinburgh is the principal place of worship for the Church of Scotland. It is very interesting for the mason's marks found on its many stone columns inside the church, and for its connections to the graveyard outside. According to wikipedia, "There is record evidence of a church here, very likely on the present site, in the year 854. In 1120 King Alexander I, rebuilt the church in the Norman style. Of this building characteristic features survived until 1798. During the fourteenth century, Edinburgh was captured and plundered by the English under Edward II. and Edward III., and twice St Giles was laid waste. After restoration, the church was more thoroughly ruined at the Burnt Candlemas in 1387, when Richard II. sacked the city. The western part of the fabric was soon in use again ; but the restoration of the choir and transepts, which were much enlarged, lasted on into the sixteenth century. In 1467 the city endowed St Giles as a collegiate church. It now became usual to speak of the nave, where the stonework was ancient, as the Old Kirk, while the eastern part of the building was called the New Kirk. When the movement for reform drew large crowds to St Giles, separate services began to be regularly held in the Old and New Kirks. Soon this was not enough, and the great church was partitioned off into smaller sections. In 1571 St Giles was seized by Kirkcaldie of Grange, and held by him as a stronghold for Queen Mary. This resulted in serious damage to the structure.Three photographs of stonemason's marks, St Giles Cathedral, Edinburgh, Scotlandmason's marks, st giles cathedral -
Bendigo Historical Society Inc.
Document - AMY HUXTABLE COLLECTION: COMMITTEE ARCHIVES, 1st April, 1980
''Amy Huxtable Memorial Committee Archives''. Folder comprising approximately 80 items - informative and valuable detailed correspondence,short articles, newspaper items and general background to the various memorial projects designed to commemorate the life of Amy Huxtable. This archive covers the period from 1980 to 1993 when the various projects - a Garden Seat, microfilming of the raft of Huxtable newspaper articles, (Ola Cohn Fountain restoration - not proceeded with), purchase of three Ola Cohn sculptures for Bendigo Art Gallery - were under discussion and action. Financial information included with interesting correspondence and material giving details of life and work of Amy Huxtable.person, individual, amy huxtable, bendigo advertiser, ola cohn, bendigo art gallery, cox business college, view street, bendigo home and hospital for the aged, bendigo and northern district base hospital, mirridong home for the blind, cr. r.l. campbell. -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram No. 18 rides again", 25/03/1985 12:00:00 AM
Item about the BTPS launching No. 18 into formal service with its previous owners, the Borough of Sebastopol and a short history of the tram and its life in Ballarat. Has photos of the day.Newspaper clipping, from The Courier, 25-3-1985 titled "Tram No. 18 rides again", about the launch of Ballarat No. 18 into formal service with the Borough Of Sebastopol president. Gives story of the tram and relationship with Council, quotes Frank Hanrahan and Warren Doubleday. Has photo of Frank Hanrahan and Mayor Cr Graham Collins presenting a photo of the tram and photo of the tram breaking streamers leaving the depot. Event took place on 23/3/1985. Article notes that 40 had its first official run since restoration to its bogies. See Reg Item 3829 for the black and white print of No. 18.btps, borough of sebastopol, launch -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, stained glass window - St John of God, c2016
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Stained Glass at the St John of God Hospital Chapel .ballarat, heritage, st john of god, hospital, stained glass -
Ballarat Heritage Services
Photograph - Photograph - Colour, Bruce Hutton (Almond Glass Works), Stained Glass at the St John of God Hospital Chapel by Bruce Hutton, 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Colour photograph of stained glass feature wall at the chapel in St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, bruce hutton, almond glass works -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. stained glass, st john of god hospital, ballarat -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. stained glass, st john of god hospital, ballarat, bishop, pectoral cross -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Detail of a nun in stained glass window at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, nun -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Stained glass panel of 'Weeping Bailey's' house, now part of St John Of God Hospitalstained glass, st john of god hospital, ballarat, bailey's mansion, weeping bailey, architecture -
Melton City Libraries
Photograph, "Dunvegan”, Unknown
Dunvegan built in 1875, it was situated at rear of the Golden Fleece Hotel. Mary McCrimmon McPherson came from the family who were hereditary Pipers to the McLeods of Dunvegan Castle, Isle of Skye (also of Isle of Mull, Argyll) . At aged 70 years after the death of her husband, Mary and her family came to Australia in 1851. They took up residence in 1852 on the Toolern Road, Melton. Son James married Mary McInnes in 1859. They named another residence occupied by other family in Smith Street, Dunvegan. It was relocated to the Willows Park at the creation of Bakery Square. Edna Barrie participated in the restoration and reconstruction of Dunvegan.House on Smith Street, Meltonlocal architecture -
Uniting Church Archives - Synod of Victoria
Ceramic - Commemorative plate, St Andrew's Church
The tea service originally consisted of cups, saucers, plates, teapots, basins and milk jugs. John Walker arrived in Hobart Town in 1822. Within a month he was appointed superintendent of the government flour-mill on the Hobart Town Rivulet. Next year he received a grant of 200 acres (81 ha) and in 1824 built a mill at Richmond. [Australian Dictionary of Biography] CH008.2 was a gift from the Right Reverend Gillam Albert McConnell (Pat) Wood to Jenny and John Preston while on their honeymoon. March 1967 Pat Wood was selling the very large dinner set to raise money for the restoration of the interior of the church. CH008.1 and CH008.2 white plate with blue rim and blue image of church in centre. "PRESENTED BY JOHN WALKER ESQ TO ST ANDREWS CHURCH"scots memorial church hobart, john walker, st andrew's presbyterian church hobart, rev g.a. (pat) wood -
Eltham District Historical Society Inc
Photograph, Shire of Nillumbik World War One Memorials tour, 10 August 2016, 10 August 2016
As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. In May 2015 Nillumbik Shire Council received Anzac Centenary Local Grants Program funding for the restoration and enhancement of the Christmas Hills cenotaph as a project to commemorate the First World War An interpretative project lists names on the honour roll for Christmas Hills and District Born DigitalChristmas Hills and District Honour Roll World War 1 1914-1918 Lest we forget Arthur Stanley Ashmore James Edward Betts Herbert Eugene Borner Harry Conway* George Benjamin Muir Henry (Harry) Thomas Muir George Peter Maurice Saltau George Edwin Smith James Henry Sumner John Valentine Wilson* *Killed in actionworld war 1, war memorials, shire of nillumbik, christmas hills, interpretative signage, list, names, honour roll -
Churchill Island Heritage Farm
Photograph - Photograph of Robert Ingpen
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site. Robert Ingpen is a renowned graphic designer and book illustrator who was born in Geelong in 1936. In 1968 he became the only Australian to be awarded the Hans Christian Andersen Medal for his International contribution to book illustrations. Robert Ingpen did a classic set of drawings of Churchill Island (circa 1976), before the farm restoration. They were originally sold to raise funds for the conservation of Churchill Island and can still be seen as prints or depicted on place mats and coasters. Black and White photograph of Robert IngpenCatalogue number written on reverse in pencil. Handwritten on reverse 'Artist Robert Ingpen' churchill island -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, St Laurence O'Toole Catholic Church, Sandon, 2017, 16/07/2017
A small wooden school (22' x 14') was erected in Sandon by Father Patrick Smyth in 1859 (and at Golden Point) which was used for Mass and came to be regarded as a chapel. Twenty-three years later, a brick church was built by Father Allen at a cost of 1,000 pounds. The Church was blessed by Archbishop Goold on May 6th 1883 and dedicated to St Laurence. The 1940s saw some refurbishment and in 2002 a major restoration project was undertaken. St Laurence's was restored from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence's was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a brick church at Sandon, Victoria. sandon, sandon cemetery, st laurence o'toole catholic church, sandon -
Port of Echuca
Functional object - Paddlesteamer, P.S. Adelaide, 1866
Built in 1866 in Echuca, the PS Adelaide is the oldest wooden hulled paddle steamer still operating as a passenger vessel in the world. Engines made in Melbourne by Fulton and Shaw. JG Grassie was the original owner who was looking for a wool carrying boat as a commercial venture with the arrival of the rail at the Port of Echuca making the future look bright. Seutonius and Charles Officer of Murray Downs Station joined Grassie in financing the venture and they used the boat for 6 years before David Blair and partners (Echuca sawmillers) bought the Adelaide in July of 1872 and she began her long working life as a logging boat providing a shuttle service between the forests around Barmah and the mill, usually towing up to 3 or 4 barges. The paddle boxes were rebuilt from round to a square configuration in approximately 1924 by Charles Felshaw, local Echuca shipwright. The Adelaide had unusual strength for her size. Her career ended in the mid 1950s where she lay idle tied up near the mill at Echuca wharf. For a short time she was sold to Mildura but fortunately the Apex Club raised funds to buy her back to be a reminder of the riverboat days at the Port. She was lifted out for safekeeping into Hopwood Gardens where she remained on show for nearly 25 years. After restoration by Port shipwright Keven Hutchinson OAM, she returned to the waters of the Murray River on Sunday March 4th 1984 at 5.20pm. After further restoration, in 1985 the Prince and Princess of Wales re-commissioned PS ADELAIDE in a ceremony on their tour of the region. The world's oldest wooden hulled paddle steamer still operating as a passenger vessel today built in Echuca in 1866. It is often considered the flagship of the operational fleet of the Port of Echuca given its age and known provenance to Echuca. The Adelaide is an iconic symbol of the riverboat timber and cargo trade that worked on the Murray River from the mid 1800s. Remarkably, PS ADELAIDE still operates with its original Fulton and Shaw engines.Composite hull, side wheeler with two single cylinder steam engines, producing a total of 36hp. Currently cream and burgundy moored at the Echuca Wharf. 49 passenger capacity.P.S. Adelaide signage on wheelhouse and port and starboard bow.p.s. adelaide, paddle steamers, echuca boat builders, charles felshaw -
Bendigo Historical Society Inc.
Document - CENTRAL DEBORAH GOLD MINE POSTER
Poster of central Deborah Gold Mine, Bendigo Victoria showing in black and white poppet head. Advertising: Bendigo goldmine open for inspection daily 10am - 5 pm guided tours by appointment phone 438070 or 436401. The Central Deborah gold mine, the last to close on the Bendigo field, was purchased early in 1970m by the Bendigo City Council for restoration and preservation as a typical Bendigo gold mine equipped with machinery , most of which was made in Bendigo. The Central Deborah Company was formed in 1939 to deepen an existing shaft sunk in 1912. Underground operations ceased in 1954. from 1942 to 1954 29,460 ounces of gold was won from 63,962 tons of ore.mine, gold, central deborah gold mine